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  • Inverness in the 17th Century from the book ' A history of the Scottish Highlands, Highland clans and Highland regiments ' Volume 1 by Maclauchlan, Thomas, 1816-1886; Wilson, John, 1785-1854; Keltie, John Scott, Sir, 1840-1927 Publication date 1875 publisher Edinburgh ; London : A. Fullarton
    IR_f_Scottish-Highlands-01_0534.jpg
  • Dunkeld in the 17th Century from the book ' A history of the Scottish Highlands, Highland clans and Highland regiments ' Volume 1 by Maclauchlan, Thomas, 1816-1886; Wilson, John, 1785-1854; Keltie, John Scott, Sir, 1840-1927 Publication date 1875 publisher Edinburgh ; London : A. Fullarton
    IR_f_Scottish-Highlands-01_0444.jpg
  • Old Aberdeen in the 17th Century from the book ' A history of the Scottish Highlands, Highland clans and Highland regiments ' Volume 1 by Maclauchlan, Thomas, 1816-1886; Wilson, John, 1785-1854; Keltie, John Scott, Sir, 1840-1927 Publication date 1875 publisher Edinburgh ; London : A. Fullarton
    IR_f_Scottish-Highlands-01_0306.jpg
  • Perth in the 17th Century from the book ' A history of the Scottish Highlands, Highland clans and Highland regiments ' Volume 1 by Maclauchlan, Thomas, 1816-1886; Wilson, John, 1785-1854; Keltie, John Scott, Sir, 1840-1927 Publication date 1875 publisher Edinburgh ; London : A. Fullarton
    IR_f_Scottish-Highlands-01_0280.jpg
  • Dunnottar Castle in the 17th Century, from the book ' A history of the Scottish Highlands, Highland clans and Highland regiments ' Volume 1 by Maclauchlan, Thomas, 1816-1886; Wilson, John, 1785-1854; Keltie, John Scott, Sir, 1840-1927 Publication date 1875 publisher Edinburgh ; London : A. Fullarton
    IR_f_Scottish-Highlands-01_0249.jpg
  • Early 20th Century Map of the Maghreb Northern Africa from the  the book ' Algeria and Tunis ' by Frances E Nesbitt, Publication date 1906 Publisher London, A. and C. Black
    IR_f_Algeria-Tunisia_0529.jpg
  • 17th century Carved Wood Engravings and prints catalogue. France 1881
    IR_f_Engravings-1881_0257.jpg
  • Ancient European fashion and lifestyle, 16th 17th century from Geschichte des kostums in chronologischer entwicklung (History of the costume in chronological development) by Racinet, A. (Auguste), 1825-1893. and Rosenberg, Adolf, 1850-1906, Volume 3 printed in Berlin in 1888
    IR_Fashion-V3_0253.jpg
  • Ancient European fashion and lifestyle, 15th - 16th century from Geschichte des kostums in chronologischer entwicklung (History of the costume in chronological development) by Racinet, A. (Auguste), 1825-1893. and Rosenberg, Adolf, 1850-1906, Volume 3 printed in Berlin in 1888
    IR_Fashion-V3_0177.jpg
  • Ancient European fashion and lifestyle, hair styles 15th - 16th century from Geschichte des kostums in chronologischer entwicklung (History of the costume in chronological development) by Racinet, A. (Auguste), 1825-1893. and Rosenberg, Adolf, 1850-1906, Volume 3 printed in Berlin in 1888
    IR_Fashion-V3_0097.jpg
  • 18th Century French fashion and lifestyle, from Geschichte des kostums in chronologischer entwicklung (History of the costume in chronological development) by Racinet, A. (Auguste), 1825-1893. and Rosenberg, Adolf, 1850-1906, Volume 5 printed in Berlin in 1888
    IR_Fashion-V5_0027.jpg
  • 18th Century French fashion and lifestyle, from Geschichte des kostums in chronologischer entwicklung (History of the costume in chronological development) by Racinet, A. (Auguste), 1825-1893. and Rosenberg, Adolf, 1850-1906, Volume 5 printed in Berlin in 1888
    IR_Fashion-V5_0011.jpg
  • Ancient European fashion and lifestyle, 16th century from Geschichte des kostums in chronologischer entwicklung (History of the costume in chronological development) by Racinet, A. (Auguste), 1825-1893. and Rosenberg, Adolf, 1850-1906, Volume 3 printed in Berlin in 1888
    IR_Fashion-V3_0367.jpg
  • Ancient European fashion and lifestyle, 16th century from Geschichte des kostums in chronologischer entwicklung (History of the costume in chronological development) by Racinet, A. (Auguste), 1825-1893. and Rosenberg, Adolf, 1850-1906, Volume 3 printed in Berlin in 1888
    IR_Fashion-V3_0297.jpg
  • Ancient European fashion and lifestyle, 16th century from Geschichte des kostums in chronologischer entwicklung (History of the costume in chronological development) by Racinet, A. (Auguste), 1825-1893. and Rosenberg, Adolf, 1850-1906, Volume 3 printed in Berlin in 1888
    IR_Fashion-V3_0247.jpg
  • Ancient European fashion and lifestyle, 16th century from Geschichte des kostums in chronologischer entwicklung (History of the costume in chronological development) by Racinet, A. (Auguste), 1825-1893. and Rosenberg, Adolf, 1850-1906, Volume 3 printed in Berlin in 1888
    IR_Fashion-V3_0133.jpg
  • 18th Century French fashion and lifestyle, from Geschichte des kostums in chronologischer entwicklung (History of the costume in chronological development) by Racinet, A. (Auguste), 1825-1893. and Rosenberg, Adolf, 1850-1906, Volume 5 printed in Berlin in 1888
    IR_Fashion-V5_0031.jpg
  • Ancient European fashion and lifestyle, 16th century from Geschichte des kostums in chronologischer entwicklung (History of the costume in chronological development) by Racinet, A. (Auguste), 1825-1893. and Rosenberg, Adolf, 1850-1906, Volume 3 printed in Berlin in 1888
    IR_Fashion-V3_0301.jpg
  • 15th century knights and armour illustration from Geschichte des kostums in chronologischer entwicklung (History of the costume in chronological development) by Racinet, A. (Auguste), 1825-1893. and Rosenberg, Adolf, 1850-1906, Volume 3 printed in Berlin in 1888
    IR_Fashion-V3_0231.jpg
  • Ancient European fashion and lifestyle, 16th century from Geschichte des kostums in chronologischer entwicklung (History of the costume in chronological development) by Racinet, A. (Auguste), 1825-1893. and Rosenberg, Adolf, 1850-1906, Volume 3 printed in Berlin in 1888
    IR_Fashion-V3_0241.jpg
  • 15th century knights and armour illustration from Geschichte des kostums in chronologischer entwicklung (History of the costume in chronological development) by Racinet, A. (Auguste), 1825-1893. and Rosenberg, Adolf, 1850-1906, Volume 3 printed in Berlin in 1888
    IR_Fashion-V3_0223.jpg
  • 15th century knights and armour illustration from Geschichte des kostums in chronologischer entwicklung (History of the costume in chronological development) by Racinet, A. (Auguste), 1825-1893. and Rosenberg, Adolf, 1850-1906, Volume 3 printed in Berlin in 1888
    IR_Fashion-V3_0219.jpg
  • Ancient European fashion and lifestyle, 15th century from Geschichte des kostums in chronologischer entwicklung (History of the costume in chronological development) by Racinet, A. (Auguste), 1825-1893. and Rosenberg, Adolf, 1850-1906, Volume 3 printed in Berlin in 1888
    IR_Fashion-V3_0103.jpg
  • Machine colourised Pass of Killiecrankie in last century from an old crayon drawing from the book ' A history of the Scottish Highlands, Highland clans and Highland regiments ' Volume 1 by Maclauchlan, Thomas, 1816-1886; Wilson, John, 1785-1854; Keltie, John Scott, Sir, 1840-1927 Publication date 1875 publisher Edinburgh ; London : A. Fullarton
    IR_f_Scottish-Highlands-01_0435-colo...jpg
  • Sixteenth Century Tomb-Mosque in the southern cemetery wood engraving From the book 'Picturesque Palestine, Sinai and Egypt : social life in Egypt; a description of the country and its people' with illustrations on Steel and Wood by Wilson, Charles William, Sir, 1836-1905; Lane-Poole, Stanley, 1854-1931. Published by J.S. Virtue in London in 1884
    IR_f_Egypt-1884_0127.jpg
  • Pass of Killiecrankie in last century from an old crayon drawing from the book ' A history of the Scottish Highlands, Highland clans and Highland regiments ' Volume 1 by Maclauchlan, Thomas, 1816-1886; Wilson, John, 1785-1854; Keltie, John Scott, Sir, 1840-1927 Publication date 1875 publisher Edinburgh ; London : A. Fullarton
    IR_f_Scottish-Highlands-01_0435.jpg
  • Century Siphonic Closet with Open Air Ventilation between Traps. from the book ' Illustrated list of exhibits to which medals have been awarded at their exhibitions, held in connection with the congresses at Worcester, 1889 ; Brighton, 1890 ; Portsmouth, 1892 ; Liverpool, 1894 ; Newcastle, 1896 ; Leeds, 1897 ; Birmingham, 1898 ; Southampton, 1899 by Sanitary Institute (Great Britain) Publication date 1906 Publisher London : Offices of the Sanitary Institute
    IR_f_hygiene_0175.jpg
  • Early 19th century map of Italy Copperplate engraving From the Encyclopaedia Londinensis or, Universal dictionary of arts, sciences, and literature; Volume XI;  Edited by Wilkes, John. Published in London in 1812
    IR_f_Londinensis_XI_0484.jpg
  • early 19th century map of Ireland Copperplate engraving From the Encyclopaedia Londinensis or, Universal dictionary of arts, sciences, and literature; Volume XI;  Edited by Wilkes, John. Published in London in 1812
    IR_f_Londinensis_XI_0306.jpg
  • Ancient 19th century map of 'Modern' Palestine from the book Palestine illustrated by Sir Richard Temple, 1st Baronet, GCSI, CIE, PC, FRS (8 March 1826 – 15 March 1902) was an administrator in British India and a British politician. Published in London by W.H. Allen & Co. in 1888
    IR_Palestine-Illustrated-1888_0040-c...jpg
  • Ancient 19th century map of 'Modern' Palestine from the book Palestine illustrated by Sir Richard Temple, 1st Baronet, GCSI, CIE, PC, FRS (8 March 1826 – 15 March 1902) was an administrator in British India and a British politician. Published in London by W.H. Allen & Co. in 1888
    IR_Palestine-Illustrated-1888_0040.jpg
  • Hoopoe (Upupa epops), 19th Century illustration. This bird is found throughout Europe, Asia, northern and Sub-Saharan Africa and Madagascar. It migrates to warmer tropical regions in winter. It inhabits cultivated ground with short grass where it hunts for insects and worms. illustrated by Pierre Jacques Smit from the The royal natural history edited by Richard Lydekker, Volume IV published in 1895
    IR_f_Royal-natural-history-41_0080.jpg
  • Hoopoe (Upupa epops), 19th Century illustration. This bird is found throughout Europe, Asia, northern and Sub-Saharan Africa and Madagascar. It migrates to warmer tropical regions in winter. It inhabits cultivated ground with short grass where it hunts for insects and worms. illustrated by Pierre Jacques Smit from the The royal natural history edited by Richard Lydekker, Volume IV published in 1895
    IR_f_Royal-natural-history-41_0080-c...jpg
  • Flying squirrel, 19th Century illustration Flying squirrels (scientifically known as Pteromyini or Petauristini) are a tribe of 50 species of squirrels in the family Sciuridae. They are not capable of flight in the same way as birds or bats, but they are able to glide from one tree to another with the aid of a patagium, a furry, parachute-like membrane that stretches from wrist to ankle. Their long tails provide stability in flight. Anatomically they are very similar to other squirrels with a number of adaptations to suit their lifestyle; their limb bones are longer and their hand bones, foot bones, and distal vertebrae are shorter. Flying squirrels are able to steer and exert control over their glide path with their limbs and tail. from the The royal natural history edited by Richard Lydekker, Volume III published in 1893
    IR_f_Royal-natural-history-31_0118.jpg
  • Flying squirrel, 19th Century illustration Flying squirrels (scientifically known as Pteromyini or Petauristini) are a tribe of 50 species of squirrels in the family Sciuridae. They are not capable of flight in the same way as birds or bats, but they are able to glide from one tree to another with the aid of a patagium, a furry, parachute-like membrane that stretches from wrist to ankle. Their long tails provide stability in flight. Anatomically they are very similar to other squirrels with a number of adaptations to suit their lifestyle; their limb bones are longer and their hand bones, foot bones, and distal vertebrae are shorter. Flying squirrels are able to steer and exert control over their glide path with their limbs and tail. from the The royal natural history edited by Richard Lydekker, Volume III published in 1893
    IR_f_Royal-natural-history-31_0118-c...jpg
  • Early 19th century map of Kent [England] Copperplate engraving From the Encyclopaedia Londinensis or, Universal dictionary of arts, sciences, and literature; Volume XI;  Edited by Wilkes, John. Published in London in 1812
    IR_f_Londinensis_XI_0726.jpg
  • 19th Century Graphic art Engravings and prints catalogue. France 1881
    IR_f_Engravings-1881_0341.jpg
  • 19th Century Graphic art Engravings and prints catalogue. France 1881
    IR_f_Engravings-1881_0227.jpg
  • 19th century map of Africa Copperplate engraving From the Encyclopaedia Londinensis or, Universal dictionary of arts, sciences, and literature; Volume I;  Edited by Wilkes, John. Published in London in 1810
    IR_f_Vol01_0210.jpg
  • Ancient 19th Century map of Southern Palestine or Judaea From the book 'Those holy fields : Palestine, illustrated by pen and pencil' by Manning, Samuel, 1822-1881; Religious Tract Society (Great Britain) Published in 1873
    IR_f_Holy-Fields_0014.jpg
  • 19th Century illustration of Steam Engines. Mechanics is the area of physics concerned with the motions of macroscopic objects. Forces applied to objects result in displacements, or changes of an object's position relative to its environment. This branch of physics has its origins in Ancient Greece with the writings of Aristotle and Archimedes. During the early modern period, scientists such as Galileo, Kepler, and Newton laid the foundation for what is now known as classical mechanics. It is a branch of classical physics that deals with particles that are either at rest or are moving with velocities significantly less than the speed of light. It can also be defined as a branch of science which deals with the motion of and forces on bodies not in the quantum realm. The field is today less widely understood in terms of quantum theory. Copperplate engraving From the Encyclopaedia Londinensis or, Universal dictionary of arts, sciences, and literature; Volume XIV;  Edited by Wilkes, John. Published in London in 1816
    IR_f_Londinensis_XIV_0931.jpg
  • Handcolored copperplate engraving of a 19th century map of Cheshire, England  From the Encyclopaedia Londinensis or, Universal dictionary of arts, sciences, and literature; Volume IV;  Edited by Wilkes, John. Published in London in 1810
    IR_f_Encyclopaedia-londinensis-04_04...jpg
  • Jean Leopold Nicolas Frederic, Baron Cuvier [Cubier] (23 August 1769 – 13 May 1832), known as Georges Cuvier, was a French naturalist and zoologist, Cuvier was a major figure in natural sciences research in the early 19th century and was instrumental in establishing the fields of comparative anatomy and paleontology through his work in comparing living animals with fossils. He is also known for his ideas about the supposed scientific differences between races and for his abuse of Sarah Baartman as part of this 'work'. From the book La ciencia y sus hombres : vidas de los sabios ilustres desde la antigüedad hasta el siglo XIX T. 3  [Science and its men: lives of the illustrious sages from antiquity to the 19th century Vol 3] By by Figuier, Louis, (1819-1894); Casabó y Pagés, Pelegrín, n. 1831 Published in Barcelona by D. Jaime Seix, editor , 1879 (Imprenta de Baseda y Giró)
    IR_Men-of-Science-T3_0386-1.jpg
  • 19th Century Graphic art of animals and wildlife Engravings and prints catalogue. France 1881
    IR_f_Engravings-1881_0349.jpg
  • 19th Century Graphic art Engravings and prints catalogue. France 1881
    IR_f_Engravings-1881_0229.jpg
  • 19th century map of Africa Copperplate engraving From the Encyclopaedia Londinensis or, Universal dictionary of arts, sciences, and literature; Volume I;  Edited by Wilkes, John. Published in London in 1810
    IR_f_Vol01_0210-wb.jpg
  • 19th century map of Japan from the book ' Rambles in Japan : the land of the rising sun ' by Tristram, H. B. (Henry Baker), 1822-1906. Publication date 1895. Publisher New York : Revell
    IR_f_Japan_0366.jpg
  • 19th century map of India and Indochina From Plantae Asiaticae rariores, or, Descriptions and figures of a select number of unpublished East Indian plants Volume III by Nathaniel Wolff Wallich. Published in London in 1832
    IR_f_Wallich-V3_0221.jpg
  • Ancient 19th century map of South America From the book 'Voyage dans l'Amérique Méridionale' [Journey to South America: (Brazil, the eastern republic of Uruguay, the Argentine Republic, Patagonia, the republic of Chile, the republic of Bolivia, the republic of Peru), executed during the years 1826 - 1833] Atlas By: Orbigny, Alcide Dessalines d', d'Orbigny, 1802-1857; Montagne, Jean François Camille, 1784-1866; Martius, Karl Friedrich Philipp von, 1794-1868 Published Paris :Chez Pitois-Levrault. Publishes in Paris in 1846-1847
    IR_f_Voyagedanslquot10Orbi_0013.jpg
  • Ancient 19th century map of South America From the book 'Voyage dans l'Amérique Méridionale' [Journey to South America: (Brazil, the eastern republic of Uruguay, the Argentine Republic, Patagonia, the republic of Chile, the republic of Bolivia, the republic of Peru), executed during the years 1826 - 1833] Atlas By: Orbigny, Alcide Dessalines d', d'Orbigny, 1802-1857; Montagne, Jean François Camille, 1784-1866; Martius, Karl Friedrich Philipp von, 1794-1868 Published Paris :Chez Pitois-Levrault. Publishes in Paris in 1846-1847
    IR_f_Voyagedanslquot10Orbi_0015.jpg
  • 19th century bicycle road race from 'Cycling' by The right Hon. Earl of Albemarle, William Coutts Keppel, (1832-1894) and George Lacy Hillier (1856-1941); Joseph Pennell (1857-1926) Published by London and Bombay : Longmans, Green and co. in 1896. The Badminton Library
    IR_f_cyclingc00alberich_0190.jpg
  • 19th century map of Persia [Iran] Copperplate engraving From the Encyclopaedia Londinensis or, Universal dictionary of arts, sciences, and literature; Volume XIX;  Edited by Wilkes, John. Published in London in 1823
    IR_f_Londinensis_XIX_0722.jpg
  • 19th century map of China Handcolored copperplate engraving From the Encyclopaedia Londinensis or, Universal dictionary of arts, sciences, and literature; Volume IV;  Edited by Wilkes, John. Published in London in 1810
    IR_f_Encyclopaedia-londinensis-04_04...jpg
  • Leather book binding from an 19th century Fairy Tales book illustration by Gustave Dore from the book Fairy realm. A collection of the favourite old tales. Illustrated by the pencil of Gustave Dore by Tom Hood, (1835-1874); Gustave Doré, (1832-1883) Published in London by Ward, Lock and Tyler in 1866
    IR_f_fairyrealm00hoodrich_0001.jpg
  • 19th century artwork American Wild Turkey, Crested Curassow, Galeated Curassow, Red Curassow, By J. Stewart Del
    IR_Birds_D1361.jpg
  • Field Marshal Garnet Joseph Wolseley, 1st Viscount Wolseley, KP, GCB, OM, GCMG, VD, PC (4 June 1833 – 25 March 1913) was an Anglo-Irish officer in the British Army. He became one of the most influential and admired British generals after a series of successes in Canada, West Africa, and Egypt, followed by a central role in modernizing the British Army in promoting efficiency. He served in Burma, the Crimean War, the Indian Mutiny, China, Canada and widely throughout Africa—including his Ashanti campaign (1873–1874) and the Nile Expedition against Mahdist Sudan in 1884–85. Wolseley served as Commander-in-Chief of the Forces from 1895 to 1900. His reputation for efficiency led to the late 19th century English phrase "everything's all Sir Garnet", meaning, "All is in order." From the Book '  Britain across the seas : Africa : a history and description of the British Empire in Africa ' by Johnston, Harry Hamilton, Sir, 1858-1927 Published in 1910 in London by National Society's Depository
    IR_British-Africa_0397.jpg
  • South East View Of Fort St. George, Madras [Chennai]; Fort St George was the earliest fortified settlement of the East India Company in south India, the fort being begun in 1640. It was, however, completely unprotected from the sea until the construction of a protected harbour in the late 19th Century; ships had to anchor in the roads and land their passengers and cargoes by means of small boats. Simple wooden boats called masula were used to transport people and goods through the heavy surf and then boatsmen would carry the passengers ashore on their shoulders. From the book ' Oriental scenery: one hundred and fifty views of the architecture, antiquities and landscape scenery of Hindoostan ' by Thomas Daniell, and William Daniell, Published in London by the Authors July 1, 1812
    IR_Hindoostan-Daniell_0047.jpg
  • A Princess of Unyoro (Profile) Bunyoro (Unyoro) is a Bantu kingdom in Western Uganda. It was one of the most powerful kingdoms in Central and East Africa from the 13th century to the 19th century From the book The living races of mankind; Volume 2 by Henry Neville Hutchinson, Published in London in 1901 by Hutchinson & co
    IR_f_Races-Mankind-V2_0051.jpg
  • A Princess of Unyoro (full-face) Bunyoro (Unyoro) is a Bantu kingdom in Western Uganda. It was one of the most powerful kingdoms in Central and East Africa from the 13th century to the 19th century From the book The living races of mankind; Volume 2 by Henry Neville Hutchinson, Published in London in 1901 by Hutchinson & co
    IR_f_Races-Mankind-V2_0050.jpg
  • An Unyoro girl (Profile) Bunyoro (Unyoro) is a Bantu kingdom in Western Uganda. It was one of the most powerful kingdoms in Central and East Africa from the 13th century to the 19th century From the book The living races of mankind; Volume 2 by Henry Neville Hutchinson, Published in London in 1901 by Hutchinson & co
    IR_f_Races-Mankind-V2_0049.jpg
  • Unyoro chiefs Bunyoro (Unyoro) is a Bantu kingdom in Western Uganda. It was one of the most powerful kingdoms in Central and East Africa from the 13th century to the 19th century From the book The living races of mankind; Volume 2 by Henry Neville Hutchinson, Published in London in 1901 by Hutchinson & co
    IR_f_Races-Mankind-V2_0047.jpg
  • An Unyoro girl (full-face) Bunyoro (Unyoro) is a Bantu kingdom in Western Uganda. It was one of the most powerful kingdoms in Central and East Africa from the 13th century to the 19th century From the book The living races of mankind; Volume 2 by Henry Neville Hutchinson, Published in London in 1901 by Hutchinson & co
    IR_f_Races-Mankind-V2_0048.jpg
  • Appanoose was a 19th-century Meskwaki chief who lived in Iowa; he was son of Taimah (Chief Tama) and probably a grandson of Quashquame. Prior to European-American settlement in the 19th century, the tribe occupied territory in what became Michigan, Wisconsin, Illinois and Iowa. from the book ' History of the Indian Tribes of North America with biographical sketches and anecdotes of the principal chiefs. ' Volume 2 of 3 by Thomas Loraine, McKenney, and James Hall Esq. Published in 1842 Painted by Charles Bird King
    IR_f_Indian-Tribes-V02_0062.jpg
  • Ancient 19th century map of Galilee and the Plain of Esdraelon [Jezreel Valley or  Valley of Megiddo] from the book Palestine illustrated by Sir Richard Temple, 1st Baronet, GCSI, CIE, PC, FRS (8 March 1826 – 15 March 1902) was an administrator in British India and a British politician. Published in London by W.H. Allen & Co. in 1888
    IR_Palestine-Illustrated-1888_0350.jpg
  • End of the 19th Century free spirited woman on a bike from On the road to health and happiness by Charles A. Vogeler Company [Advertising] Publication date 1897 [Next thing you she will want to vote]
    IR_f_b30473020_0023.jpg
  • End of the 19th Century free spirited woman on a bike from On the road to health and happiness by Charles A. Vogeler Company [Advertising] Publication date 1897 [Next thing you she will want to vote]
    IR_f_b30473020_0022.jpg
  • Portrait of Henri de Toulouse-Lautrec by Charles Maurin (French, 1856-1914) France, 19th century Etching and aquatint
    IR_Toulouse-Lautrec.jpg
  • The Dressing Room 1898 by Charles Maurin (French, 1856-1914) France, 19th century Etching and aquatint. Standing Nude woman in her dressingroom as seen from behind
    IR_Dressing-Room_1898.jpg
  • Ancient 19th century map of Palestine central Ridge from the book Palestine illustrated by Sir Richard Temple, 1st Baronet, GCSI, CIE, PC, FRS (8 March 1826 – 15 March 1902) was an administrator in British India and a British politician. Published in London by W.H. Allen & Co. in 1888
    IR_Palestine-Illustrated-1888_0208.jpg
  • Ancient 19th century map of the City of jerusalem from the book Palestine illustrated by Sir Richard Temple, 1st Baronet, GCSI, CIE, PC, FRS (8 March 1826 – 15 March 1902) was an administrator in British India and a British politician. Published in London by W.H. Allen & Co. in 1888
    IR_Palestine-Illustrated-1888_0066.jpg
  • End of the 19th Century free spirited woman on a bike from On the road to health and happiness by Charles A. Vogeler Company [Advertising] Publication date 1897 [Next thing you she will want to vote]
    IR_f_b30473020_0003.jpg
  • End of the 19th Century free spirit woman on a bike from On the road to health and happiness by Charles A. Vogeler Company [Advertising] Publication date 1897
    IR_f_b30473020_0001-2.jpg
  • Plan of Cape Town in 1804 From the book ' Eighteenth century architecture in South Africa ' by Geoffrey Eastcott Pearse. Published by A.A. Balkema, Cape Town in 1933 G. E. Pearse was among the first to bring Cape architecture to a wide audience in a scholarly way. Eighteenth Century Architecture in South Africa was the result of many years research on the topic and remains an important reference work for the subject.
    IR_f_SA-Architecture_017-2.jpg
  • A Kiowa squaw Kiowa people are a Native American tribe and an indigenous people of the Great Plains of the United States. They migrated southward from western Montana into the Rocky Mountains in Colorado in the 17th and 18th centuries, and finally into the Southern Plains by the early 19th century. In 1867, the Kiowa were moved to a reservation in southwestern Oklahoma. from the book ' The living races of mankind ' a popular illustrated account of the customs, habits, pursuits, feasts & ceremonies of the races of mankind throughout the world by Sir Harry Hamilton Johnston, and Henry Neville Hutchinson Volume 2 Published in London by Hutchinson & Co. in 1902
    IR_f_Races-Mankind-V2b_0338.jpg
  • A Dorcas meeting in the 6th century by Edwin Longsden Long RA (12 July 1829 – 15 May 1891) was a British genre, history, biblical and portrait painter.
    IR_f_Dorcas-meeting.jpg
  • 19th century artwork By J. Stewart Del containing: blue winged shoveler, Broad Bill, Teal, Harlequin Duck, Scaup duck and Red Headed Pochard
    IR_Birds_D1362.jpg
  • 19th Century Hand colored engraving of a rose bush (Rosa pyrenaica)
    IR_Vienna_E4390.jpg
  • 19th Century Hand colored Animal engraving of a tarsier on a tree
    IR_Vienna_E4389.jpg
  • 19th century artwork of African stonechat or common stonechat(Saxicola torquatus)
    IR_Birds_D1365.jpg
  • Machine colorised Purgatorio ("Purgatory") is the second part of Dante's Divine Comedy, following the Inferno, and preceding the Paradiso. The poem was written in the early 14th century. It is an allegory telling of the climb of Dante up the Mount of Purgatory, guided by the Roman poet Virgil, except for the last four cantos at which point Beatrice takes over as Dante's guide. Purgatory in the poem is depicted as a mountain in the Southern Hemisphere, consisting of a bottom section (Ante-Purgatory), seven levels of suffering and spiritual growth (associated with the seven deadly sins), and finally the Earthly Paradise at the top. Allegorically, the Purgatorio represents the penitent Christian life. In describing the climb Dante discusses the nature of sin, examples of vice and virtue, as well as moral issues in politics and in the Church. The poem outlines a theory that all sins arise from love – either perverted love directed towards others' harm, or deficient love, or the disordered or excessive love of good things. From the Divine Comedy by 14th century Italian poet Dante Alighieri. 1860 artwork, by French artist Gustave Dore and engraved by Stephane Pannemaker, (1868), Cary's English translation of the work. Dante wrote his epic poem 'Divina Commedia' (The Divine Comedy) between 1308 and his death in 1321. Consisting of 14,233 lines, and divided into three parts (Inferno, Purgatorio, and Paradiso), it is considered the greatest literary work in the Italian language and a world masterpiece. It is a comprehensive survey of medieval theology, literature and thought. The new non-dialect poetic language Dante created became the basis of modern Italian.
    IR_f_Dante-Purgatory-Dore_f29-color.jpg
  • Purgatorio ("Purgatory") is the second part of Dante's Divine Comedy, following the Inferno, and preceding the Paradiso. The poem was written in the early 14th century. It is an allegory telling of the climb of Dante up the Mount of Purgatory, guided by the Roman poet Virgil, except for the last four cantos at which point Beatrice takes over as Dante's guide. Purgatory in the poem is depicted as a mountain in the Southern Hemisphere, consisting of a bottom section (Ante-Purgatory), seven levels of suffering and spiritual growth (associated with the seven deadly sins), and finally the Earthly Paradise at the top. Allegorically, the Purgatorio represents the penitent Christian life. In describing the climb Dante discusses the nature of sin, examples of vice and virtue, as well as moral issues in politics and in the Church. The poem outlines a theory that all sins arise from love – either perverted love directed towards others' harm, or deficient love, or the disordered or excessive love of good things. From the Divine Comedy by 14th century Italian poet Dante Alighieri. 1860 artwork, by French artist Gustave Dore and engraved by Stephane Pannemaker, (1868), Cary's English translation of the work. Dante wrote his epic poem 'Divina Commedia' (The Divine Comedy) between 1308 and his death in 1321. Consisting of 14,233 lines, and divided into three parts (Inferno, Purgatorio, and Paradiso), it is considered the greatest literary work in the Italian language and a world masterpiece. It is a comprehensive survey of medieval theology, literature and thought. The new non-dialect poetic language Dante created became the basis of modern Italian.
    IR_f_Dante-Purgatory-Dore_f95.jpg
  • Purgatorio ("Purgatory") is the second part of Dante's Divine Comedy, following the Inferno, and preceding the Paradiso. The poem was written in the early 14th century. It is an allegory telling of the climb of Dante up the Mount of Purgatory, guided by the Roman poet Virgil, except for the last four cantos at which point Beatrice takes over as Dante's guide. Purgatory in the poem is depicted as a mountain in the Southern Hemisphere, consisting of a bottom section (Ante-Purgatory), seven levels of suffering and spiritual growth (associated with the seven deadly sins), and finally the Earthly Paradise at the top. Allegorically, the Purgatorio represents the penitent Christian life. In describing the climb Dante discusses the nature of sin, examples of vice and virtue, as well as moral issues in politics and in the Church. The poem outlines a theory that all sins arise from love – either perverted love directed towards others' harm, or deficient love, or the disordered or excessive love of good things. From the Divine Comedy by 14th century Italian poet Dante Alighieri. 1860 artwork, by French artist Gustave Dore and engraved by Stephane Pannemaker, (1868), Cary's English translation of the work. Dante wrote his epic poem 'Divina Commedia' (The Divine Comedy) between 1308 and his death in 1321. Consisting of 14,233 lines, and divided into three parts (Inferno, Purgatorio, and Paradiso), it is considered the greatest literary work in the Italian language and a world masterpiece. It is a comprehensive survey of medieval theology, literature and thought. The new non-dialect poetic language Dante created became the basis of modern Italian.
    IR_f_Dante-Purgatory-Dore_f67.jpg
  • Purgatorio ("Purgatory") is the second part of Dante's Divine Comedy, following the Inferno, and preceding the Paradiso. The poem was written in the early 14th century. It is an allegory telling of the climb of Dante up the Mount of Purgatory, guided by the Roman poet Virgil, except for the last four cantos at which point Beatrice takes over as Dante's guide. Purgatory in the poem is depicted as a mountain in the Southern Hemisphere, consisting of a bottom section (Ante-Purgatory), seven levels of suffering and spiritual growth (associated with the seven deadly sins), and finally the Earthly Paradise at the top. Allegorically, the Purgatorio represents the penitent Christian life. In describing the climb Dante discusses the nature of sin, examples of vice and virtue, as well as moral issues in politics and in the Church. The poem outlines a theory that all sins arise from love – either perverted love directed towards others' harm, or deficient love, or the disordered or excessive love of good things. From the Divine Comedy by 14th century Italian poet Dante Alighieri. 1860 artwork, by French artist Gustave Dore and engraved by Stephane Pannemaker, (1868), Cary's English translation of the work. Dante wrote his epic poem 'Divina Commedia' (The Divine Comedy) between 1308 and his death in 1321. Consisting of 14,233 lines, and divided into three parts (Inferno, Purgatorio, and Paradiso), it is considered the greatest literary work in the Italian language and a world masterpiece. It is a comprehensive survey of medieval theology, literature and thought. The new non-dialect poetic language Dante created became the basis of modern Italian.
    IR_f_Dante-Purgatory-Dore_f43.jpg
  • Purgatorio ("Purgatory") is the second part of Dante's Divine Comedy, following the Inferno, and preceding the Paradiso. The poem was written in the early 14th century. It is an allegory telling of the climb of Dante up the Mount of Purgatory, guided by the Roman poet Virgil, except for the last four cantos at which point Beatrice takes over as Dante's guide. Purgatory in the poem is depicted as a mountain in the Southern Hemisphere, consisting of a bottom section (Ante-Purgatory), seven levels of suffering and spiritual growth (associated with the seven deadly sins), and finally the Earthly Paradise at the top. Allegorically, the Purgatorio represents the penitent Christian life. In describing the climb Dante discusses the nature of sin, examples of vice and virtue, as well as moral issues in politics and in the Church. The poem outlines a theory that all sins arise from love – either perverted love directed towards others' harm, or deficient love, or the disordered or excessive love of good things. From the Divine Comedy by 14th century Italian poet Dante Alighieri. 1860 artwork, by French artist Gustave Dore and engraved by Stephane Pannemaker, (1868), Cary's English translation of the work. Dante wrote his epic poem 'Divina Commedia' (The Divine Comedy) between 1308 and his death in 1321. Consisting of 14,233 lines, and divided into three parts (Inferno, Purgatorio, and Paradiso), it is considered the greatest literary work in the Italian language and a world masterpiece. It is a comprehensive survey of medieval theology, literature and thought. The new non-dialect poetic language Dante created became the basis of modern Italian.
    IR_f_Dante-Purgatory-Dore_f369.jpg
  • Purgatorio ("Purgatory") is the second part of Dante's Divine Comedy, following the Inferno, and preceding the Paradiso. The poem was written in the early 14th century. It is an allegory telling of the climb of Dante up the Mount of Purgatory, guided by the Roman poet Virgil, except for the last four cantos at which point Beatrice takes over as Dante's guide. Purgatory in the poem is depicted as a mountain in the Southern Hemisphere, consisting of a bottom section (Ante-Purgatory), seven levels of suffering and spiritual growth (associated with the seven deadly sins), and finally the Earthly Paradise at the top. Allegorically, the Purgatorio represents the penitent Christian life. In describing the climb Dante discusses the nature of sin, examples of vice and virtue, as well as moral issues in politics and in the Church. The poem outlines a theory that all sins arise from love – either perverted love directed towards others' harm, or deficient love, or the disordered or excessive love of good things. From the Divine Comedy by 14th century Italian poet Dante Alighieri. 1860 artwork, by French artist Gustave Dore and engraved by Stephane Pannemaker, (1868), Cary's English translation of the work. Dante wrote his epic poem 'Divina Commedia' (The Divine Comedy) between 1308 and his death in 1321. Consisting of 14,233 lines, and divided into three parts (Inferno, Purgatorio, and Paradiso), it is considered the greatest literary work in the Italian language and a world masterpiece. It is a comprehensive survey of medieval theology, literature and thought. The new non-dialect poetic language Dante created became the basis of modern Italian.
    IR_f_Dante-Purgatory-Dore_f35.jpg
  • Purgatorio ("Purgatory") is the second part of Dante's Divine Comedy, following the Inferno, and preceding the Paradiso. The poem was written in the early 14th century. It is an allegory telling of the climb of Dante up the Mount of Purgatory, guided by the Roman poet Virgil, except for the last four cantos at which point Beatrice takes over as Dante's guide. Purgatory in the poem is depicted as a mountain in the Southern Hemisphere, consisting of a bottom section (Ante-Purgatory), seven levels of suffering and spiritual growth (associated with the seven deadly sins), and finally the Earthly Paradise at the top. Allegorically, the Purgatorio represents the penitent Christian life. In describing the climb Dante discusses the nature of sin, examples of vice and virtue, as well as moral issues in politics and in the Church. The poem outlines a theory that all sins arise from love – either perverted love directed towards others' harm, or deficient love, or the disordered or excessive love of good things. From the Divine Comedy by 14th century Italian poet Dante Alighieri. 1860 artwork, by French artist Gustave Dore and engraved by Stephane Pannemaker, (1868), Cary's English translation of the work. Dante wrote his epic poem 'Divina Commedia' (The Divine Comedy) between 1308 and his death in 1321. Consisting of 14,233 lines, and divided into three parts (Inferno, Purgatorio, and Paradiso), it is considered the greatest literary work in the Italian language and a world masterpiece. It is a comprehensive survey of medieval theology, literature and thought. The new non-dialect poetic language Dante created became the basis of modern Italian.
    IR_f_Dante-Purgatory-Dore_f329.jpg
  • Purgatorio ("Purgatory") is the second part of Dante's Divine Comedy, following the Inferno, and preceding the Paradiso. The poem was written in the early 14th century. It is an allegory telling of the climb of Dante up the Mount of Purgatory, guided by the Roman poet Virgil, except for the last four cantos at which point Beatrice takes over as Dante's guide. Purgatory in the poem is depicted as a mountain in the Southern Hemisphere, consisting of a bottom section (Ante-Purgatory), seven levels of suffering and spiritual growth (associated with the seven deadly sins), and finally the Earthly Paradise at the top. Allegorically, the Purgatorio represents the penitent Christian life. In describing the climb Dante discusses the nature of sin, examples of vice and virtue, as well as moral issues in politics and in the Church. The poem outlines a theory that all sins arise from love – either perverted love directed towards others' harm, or deficient love, or the disordered or excessive love of good things. From the Divine Comedy by 14th century Italian poet Dante Alighieri. 1860 artwork, by French artist Gustave Dore and engraved by Stephane Pannemaker, (1868), Cary's English translation of the work. Dante wrote his epic poem 'Divina Commedia' (The Divine Comedy) between 1308 and his death in 1321. Consisting of 14,233 lines, and divided into three parts (Inferno, Purgatorio, and Paradiso), it is considered the greatest literary work in the Italian language and a world masterpiece. It is a comprehensive survey of medieval theology, literature and thought. The new non-dialect poetic language Dante created became the basis of modern Italian.
    IR_f_Dante-Purgatory-Dore_f313.jpg
  • Purgatorio ("Purgatory") is the second part of Dante's Divine Comedy, following the Inferno, and preceding the Paradiso. The poem was written in the early 14th century. It is an allegory telling of the climb of Dante up the Mount of Purgatory, guided by the Roman poet Virgil, except for the last four cantos at which point Beatrice takes over as Dante's guide. Purgatory in the poem is depicted as a mountain in the Southern Hemisphere, consisting of a bottom section (Ante-Purgatory), seven levels of suffering and spiritual growth (associated with the seven deadly sins), and finally the Earthly Paradise at the top. Allegorically, the Purgatorio represents the penitent Christian life. In describing the climb Dante discusses the nature of sin, examples of vice and virtue, as well as moral issues in politics and in the Church. The poem outlines a theory that all sins arise from love – either perverted love directed towards others' harm, or deficient love, or the disordered or excessive love of good things. From the Divine Comedy by 14th century Italian poet Dante Alighieri. 1860 artwork, by French artist Gustave Dore and engraved by Stephane Pannemaker, (1868), Cary's English translation of the work. Dante wrote his epic poem 'Divina Commedia' (The Divine Comedy) between 1308 and his death in 1321. Consisting of 14,233 lines, and divided into three parts (Inferno, Purgatorio, and Paradiso), it is considered the greatest literary work in the Italian language and a world masterpiece. It is a comprehensive survey of medieval theology, literature and thought. The new non-dialect poetic language Dante created became the basis of modern Italian.
    IR_f_Dante-Purgatory-Dore_f29.jpg
  • Purgatorio ("Purgatory") is the second part of Dante's Divine Comedy, following the Inferno, and preceding the Paradiso. The poem was written in the early 14th century. It is an allegory telling of the climb of Dante up the Mount of Purgatory, guided by the Roman poet Virgil, except for the last four cantos at which point Beatrice takes over as Dante's guide. Purgatory in the poem is depicted as a mountain in the Southern Hemisphere, consisting of a bottom section (Ante-Purgatory), seven levels of suffering and spiritual growth (associated with the seven deadly sins), and finally the Earthly Paradise at the top. Allegorically, the Purgatorio represents the penitent Christian life. In describing the climb Dante discusses the nature of sin, examples of vice and virtue, as well as moral issues in politics and in the Church. The poem outlines a theory that all sins arise from love – either perverted love directed towards others' harm, or deficient love, or the disordered or excessive love of good things. From the Divine Comedy by 14th century Italian poet Dante Alighieri. 1860 artwork, by French artist Gustave Dore and engraved by Stephane Pannemaker, (1868), Cary's English translation of the work. Dante wrote his epic poem 'Divina Commedia' (The Divine Comedy) between 1308 and his death in 1321. Consisting of 14,233 lines, and divided into three parts (Inferno, Purgatorio, and Paradiso), it is considered the greatest literary work in the Italian language and a world masterpiece. It is a comprehensive survey of medieval theology, literature and thought. The new non-dialect poetic language Dante created became the basis of modern Italian.
    IR_f_Dante-Purgatory-Dore_f305.jpg
  • Purgatorio ("Purgatory") is the second part of Dante's Divine Comedy, following the Inferno, and preceding the Paradiso. The poem was written in the early 14th century. It is an allegory telling of the climb of Dante up the Mount of Purgatory, guided by the Roman poet Virgil, except for the last four cantos at which point Beatrice takes over as Dante's guide. Purgatory in the poem is depicted as a mountain in the Southern Hemisphere, consisting of a bottom section (Ante-Purgatory), seven levels of suffering and spiritual growth (associated with the seven deadly sins), and finally the Earthly Paradise at the top. Allegorically, the Purgatorio represents the penitent Christian life. In describing the climb Dante discusses the nature of sin, examples of vice and virtue, as well as moral issues in politics and in the Church. The poem outlines a theory that all sins arise from love – either perverted love directed towards others' harm, or deficient love, or the disordered or excessive love of good things. From the Divine Comedy by 14th century Italian poet Dante Alighieri. 1860 artwork, by French artist Gustave Dore and engraved by Stephane Pannemaker, (1868), Cary's English translation of the work. Dante wrote his epic poem 'Divina Commedia' (The Divine Comedy) between 1308 and his death in 1321. Consisting of 14,233 lines, and divided into three parts (Inferno, Purgatorio, and Paradiso), it is considered the greatest literary work in the Italian language and a world masterpiece. It is a comprehensive survey of medieval theology, literature and thought. The new non-dialect poetic language Dante created became the basis of modern Italian.
    IR_f_Dante-Purgatory-Dore_f289.jpg
  • Purgatorio ("Purgatory") is the second part of Dante's Divine Comedy, following the Inferno, and preceding the Paradiso. The poem was written in the early 14th century. It is an allegory telling of the climb of Dante up the Mount of Purgatory, guided by the Roman poet Virgil, except for the last four cantos at which point Beatrice takes over as Dante's guide. Purgatory in the poem is depicted as a mountain in the Southern Hemisphere, consisting of a bottom section (Ante-Purgatory), seven levels of suffering and spiritual growth (associated with the seven deadly sins), and finally the Earthly Paradise at the top. Allegorically, the Purgatorio represents the penitent Christian life. In describing the climb Dante discusses the nature of sin, examples of vice and virtue, as well as moral issues in politics and in the Church. The poem outlines a theory that all sins arise from love – either perverted love directed towards others' harm, or deficient love, or the disordered or excessive love of good things. From the Divine Comedy by 14th century Italian poet Dante Alighieri. 1860 artwork, by French artist Gustave Dore and engraved by Stephane Pannemaker, (1868), Cary's English translation of the work. Dante wrote his epic poem 'Divina Commedia' (The Divine Comedy) between 1308 and his death in 1321. Consisting of 14,233 lines, and divided into three parts (Inferno, Purgatorio, and Paradiso), it is considered the greatest literary work in the Italian language and a world masterpiece. It is a comprehensive survey of medieval theology, literature and thought. The new non-dialect poetic language Dante created became the basis of modern Italian.
    IR_f_Dante-Purgatory-Dore_f235.jpg
  • Purgatorio ("Purgatory") is the second part of Dante's Divine Comedy, following the Inferno, and preceding the Paradiso. The poem was written in the early 14th century. It is an allegory telling of the climb of Dante up the Mount of Purgatory, guided by the Roman poet Virgil, except for the last four cantos at which point Beatrice takes over as Dante's guide. Purgatory in the poem is depicted as a mountain in the Southern Hemisphere, consisting of a bottom section (Ante-Purgatory), seven levels of suffering and spiritual growth (associated with the seven deadly sins), and finally the Earthly Paradise at the top. Allegorically, the Purgatorio represents the penitent Christian life. In describing the climb Dante discusses the nature of sin, examples of vice and virtue, as well as moral issues in politics and in the Church. The poem outlines a theory that all sins arise from love – either perverted love directed towards others' harm, or deficient love, or the disordered or excessive love of good things. From the Divine Comedy by 14th century Italian poet Dante Alighieri. 1860 artwork, by French artist Gustave Dore and engraved by Stephane Pannemaker, (1868), Cary's English translation of the work. Dante wrote his epic poem 'Divina Commedia' (The Divine Comedy) between 1308 and his death in 1321. Consisting of 14,233 lines, and divided into three parts (Inferno, Purgatorio, and Paradiso), it is considered the greatest literary work in the Italian language and a world masterpiece. It is a comprehensive survey of medieval theology, literature and thought. The new non-dialect poetic language Dante created became the basis of modern Italian.
    IR_f_Dante-Purgatory-Dore_f227.jpg
  • Purgatorio ("Purgatory") is the second part of Dante's Divine Comedy, following the Inferno, and preceding the Paradiso. The poem was written in the early 14th century. It is an allegory telling of the climb of Dante up the Mount of Purgatory, guided by the Roman poet Virgil, except for the last four cantos at which point Beatrice takes over as Dante's guide. Purgatory in the poem is depicted as a mountain in the Southern Hemisphere, consisting of a bottom section (Ante-Purgatory), seven levels of suffering and spiritual growth (associated with the seven deadly sins), and finally the Earthly Paradise at the top. Allegorically, the Purgatorio represents the penitent Christian life. In describing the climb Dante discusses the nature of sin, examples of vice and virtue, as well as moral issues in politics and in the Church. The poem outlines a theory that all sins arise from love – either perverted love directed towards others' harm, or deficient love, or the disordered or excessive love of good things. From the Divine Comedy by 14th century Italian poet Dante Alighieri. 1860 artwork, by French artist Gustave Dore and engraved by Stephane Pannemaker, (1868), Cary's English translation of the work. Dante wrote his epic poem 'Divina Commedia' (The Divine Comedy) between 1308 and his death in 1321. Consisting of 14,233 lines, and divided into three parts (Inferno, Purgatorio, and Paradiso), it is considered the greatest literary work in the Italian language and a world masterpiece. It is a comprehensive survey of medieval theology, literature and thought. The new non-dialect poetic language Dante created became the basis of modern Italian.
    IR_f_Dante-Purgatory-Dore_f221.jpg
  • Purgatorio ("Purgatory") is the second part of Dante's Divine Comedy, following the Inferno, and preceding the Paradiso. The poem was written in the early 14th century. It is an allegory telling of the climb of Dante up the Mount of Purgatory, guided by the Roman poet Virgil, except for the last four cantos at which point Beatrice takes over as Dante's guide. Purgatory in the poem is depicted as a mountain in the Southern Hemisphere, consisting of a bottom section (Ante-Purgatory), seven levels of suffering and spiritual growth (associated with the seven deadly sins), and finally the Earthly Paradise at the top. Allegorically, the Purgatorio represents the penitent Christian life. In describing the climb Dante discusses the nature of sin, examples of vice and virtue, as well as moral issues in politics and in the Church. The poem outlines a theory that all sins arise from love – either perverted love directed towards others' harm, or deficient love, or the disordered or excessive love of good things. From the Divine Comedy by 14th century Italian poet Dante Alighieri. 1860 artwork, by French artist Gustave Dore and engraved by Stephane Pannemaker, (1868), Cary's English translation of the work. Dante wrote his epic poem 'Divina Commedia' (The Divine Comedy) between 1308 and his death in 1321. Consisting of 14,233 lines, and divided into three parts (Inferno, Purgatorio, and Paradiso), it is considered the greatest literary work in the Italian language and a world masterpiece. It is a comprehensive survey of medieval theology, literature and thought. The new non-dialect poetic language Dante created became the basis of modern Italian.
    IR_f_Dante-Purgatory-Dore_f183.jpg
  • Purgatorio ("Purgatory") is the second part of Dante's Divine Comedy, following the Inferno, and preceding the Paradiso. The poem was written in the early 14th century. It is an allegory telling of the climb of Dante up the Mount of Purgatory, guided by the Roman poet Virgil, except for the last four cantos at which point Beatrice takes over as Dante's guide. Purgatory in the poem is depicted as a mountain in the Southern Hemisphere, consisting of a bottom section (Ante-Purgatory), seven levels of suffering and spiritual growth (associated with the seven deadly sins), and finally the Earthly Paradise at the top. Allegorically, the Purgatorio represents the penitent Christian life. In describing the climb Dante discusses the nature of sin, examples of vice and virtue, as well as moral issues in politics and in the Church. The poem outlines a theory that all sins arise from love – either perverted love directed towards others' harm, or deficient love, or the disordered or excessive love of good things. From the Divine Comedy by 14th century Italian poet Dante Alighieri. 1860 artwork, by French artist Gustave Dore and engraved by Stephane Pannemaker, (1868), Cary's English translation of the work. Dante wrote his epic poem 'Divina Commedia' (The Divine Comedy) between 1308 and his death in 1321. Consisting of 14,233 lines, and divided into three parts (Inferno, Purgatorio, and Paradiso), it is considered the greatest literary work in the Italian language and a world masterpiece. It is a comprehensive survey of medieval theology, literature and thought. The new non-dialect poetic language Dante created became the basis of modern Italian.
    IR_f_Dante-Purgatory-Dore_f169.jpg
  • Purgatorio ("Purgatory") is the second part of Dante's Divine Comedy, following the Inferno, and preceding the Paradiso. The poem was written in the early 14th century. It is an allegory telling of the climb of Dante up the Mount of Purgatory, guided by the Roman poet Virgil, except for the last four cantos at which point Beatrice takes over as Dante's guide. Purgatory in the poem is depicted as a mountain in the Southern Hemisphere, consisting of a bottom section (Ante-Purgatory), seven levels of suffering and spiritual growth (associated with the seven deadly sins), and finally the Earthly Paradise at the top. Allegorically, the Purgatorio represents the penitent Christian life. In describing the climb Dante discusses the nature of sin, examples of vice and virtue, as well as moral issues in politics and in the Church. The poem outlines a theory that all sins arise from love – either perverted love directed towards others' harm, or deficient love, or the disordered or excessive love of good things. From the Divine Comedy by 14th century Italian poet Dante Alighieri. 1860 artwork, by French artist Gustave Dore and engraved by Stephane Pannemaker, (1868), Cary's English translation of the work. Dante wrote his epic poem 'Divina Commedia' (The Divine Comedy) between 1308 and his death in 1321. Consisting of 14,233 lines, and divided into three parts (Inferno, Purgatorio, and Paradiso), it is considered the greatest literary work in the Italian language and a world masterpiece. It is a comprehensive survey of medieval theology, literature and thought. The new non-dialect poetic language Dante created became the basis of modern Italian.
    IR_f_Dante-Purgatory-Dore_f147.jpg
  • Purgatorio ("Purgatory") is the second part of Dante's Divine Comedy, following the Inferno, and preceding the Paradiso. The poem was written in the early 14th century. It is an allegory telling of the climb of Dante up the Mount of Purgatory, guided by the Roman poet Virgil, except for the last four cantos at which point Beatrice takes over as Dante's guide. Purgatory in the poem is depicted as a mountain in the Southern Hemisphere, consisting of a bottom section (Ante-Purgatory), seven levels of suffering and spiritual growth (associated with the seven deadly sins), and finally the Earthly Paradise at the top. Allegorically, the Purgatorio represents the penitent Christian life. In describing the climb Dante discusses the nature of sin, examples of vice and virtue, as well as moral issues in politics and in the Church. The poem outlines a theory that all sins arise from love – either perverted love directed towards others' harm, or deficient love, or the disordered or excessive love of good things. From the Divine Comedy by 14th century Italian poet Dante Alighieri. 1860 artwork, by French artist Gustave Dore and engraved by Stephane Pannemaker, (1868), Cary's English translation of the work. Dante wrote his epic poem 'Divina Commedia' (The Divine Comedy) between 1308 and his death in 1321. Consisting of 14,233 lines, and divided into three parts (Inferno, Purgatorio, and Paradiso), it is considered the greatest literary work in the Italian language and a world masterpiece. It is a comprehensive survey of medieval theology, literature and thought. The new non-dialect poetic language Dante created became the basis of modern Italian.
    IR_f_Dante-Purgatory-Dore_f119.jpg
  • Purgatorio ("Purgatory") is the second part of Dante's Divine Comedy, following the Inferno, and preceding the Paradiso. The poem was written in the early 14th century. It is an allegory telling of the climb of Dante up the Mount of Purgatory, guided by the Roman poet Virgil, except for the last four cantos at which point Beatrice takes over as Dante's guide. Purgatory in the poem is depicted as a mountain in the Southern Hemisphere, consisting of a bottom section (Ante-Purgatory), seven levels of suffering and spiritual growth (associated with the seven deadly sins), and finally the Earthly Paradise at the top. Allegorically, the Purgatorio represents the penitent Christian life. In describing the climb Dante discusses the nature of sin, examples of vice and virtue, as well as moral issues in politics and in the Church. The poem outlines a theory that all sins arise from love – either perverted love directed towards others' harm, or deficient love, or the disordered or excessive love of good things. From the Divine Comedy by 14th century Italian poet Dante Alighieri. 1860 artwork, by French artist Gustave Dore and engraved by Stephane Pannemaker, (1868), Cary's English translation of the work. Dante wrote his epic poem 'Divina Commedia' (The Divine Comedy) between 1308 and his death in 1321. Consisting of 14,233 lines, and divided into three parts (Inferno, Purgatorio, and Paradiso), it is considered the greatest literary work in the Italian language and a world masterpiece. It is a comprehensive survey of medieval theology, literature and thought. The new non-dialect poetic language Dante created became the basis of modern Italian.
    IR_f_Dante-Purgatory-Dore_f105.jpg
  • Paradiso ("Paradise" or "Heaven") is the third and final part of Dante's Divine Comedy, following the Inferno and the Purgatorio. It is an allegory telling of Dante's journey through Heaven, guided by Beatrice, who symbolises theology. In the poem, Paradise is depicted as a series of concentric spheres surrounding the Earth, consisting of the Moon, Mercury, Venus, the Sun, Mars, Jupiter, Saturn, the Fixed Stars, the Primum Mobile and finally, the Empyrean. It was written in the early 14th century. Allegorically, the poem represents the soul's ascent to God.  From the Divine Comedy by 14th century Italian poet Dante Alighieri. 1860 artwork, by French artist Gustave Dore and engraved by Stephane Pannemaker, (1868), Cary's English translation of the work. Dante wrote his epic poem 'Divina Commedia' (The Divine Comedy) between 1308 and his death in 1321. Consisting of 14,233 lines, and divided into three parts (Inferno, Purgatorio, and Paradiso), it is considered the greatest literary work in the Italian language and a world masterpiece. It is a comprehensive survey of medieval theology, literature and thought. The new non-dialect poetic language Dante created became the basis of modern Italian.
    IR_f_Dante-Paradiso-Dore_f633.jpg
  • Paradiso ("Paradise" or "Heaven") is the third and final part of Dante's Divine Comedy, following the Inferno and the Purgatorio. It is an allegory telling of Dante's journey through Heaven, guided by Beatrice, who symbolises theology. In the poem, Paradise is depicted as a series of concentric spheres surrounding the Earth, consisting of the Moon, Mercury, Venus, the Sun, Mars, Jupiter, Saturn, the Fixed Stars, the Primum Mobile and finally, the Empyrean. It was written in the early 14th century. Allegorically, the poem represents the soul's ascent to God.  From the Divine Comedy by 14th century Italian poet Dante Alighieri. 1860 artwork, by French artist Gustave Dore and engraved by Stephane Pannemaker, (1868), Cary's English translation of the work. Dante wrote his epic poem 'Divina Commedia' (The Divine Comedy) between 1308 and his death in 1321. Consisting of 14,233 lines, and divided into three parts (Inferno, Purgatorio, and Paradiso), it is considered the greatest literary work in the Italian language and a world masterpiece. It is a comprehensive survey of medieval theology, literature and thought. The new non-dialect poetic language Dante created became the basis of modern Italian.
    IR_f_Dante-Paradiso-Dore_f625.jpg
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