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  • A plate of Italian style Antipasti with Courgette, Mushroom, Aubergine, Onion and Garlic
    OR0_Italian_8307.JPG
  • Italian thistle (Carduus pycnocephalus) AKA Italian plumeless thistle, and Plymouth thistle. Photographed in Stubaital, Tyrol, Austria in September
    IR_f_Wilde-Wasser-Weg_D9145.jpg
  • Italian thistle (Carduus pycnocephalus) AKA Italian plumeless thistle, and Plymouth thistle. Photographed in Stubaital, Tyrol, Austria in September
    IR_f_Wilde-Wasser-Weg_D9141.jpg
  • Submarine wreckage. The Italian submarine Scirè was an Italian Adua-class submarine, which served during World War II in the Regia Marina. This submarine was sunk on 10 August 1942 in Haifa Bay, Israel The wreck of the Scirè, lying at a depth of 32 metres (105 ft), became a popular diving site.
    HN_Submarine_4239.jpg
  • Submarine wreckage. The Italian submarine Scirè was an Italian Adua-class submarine, which served during World War II in the Regia Marina. This submarine was sunk on 10 August 1942 in Haifa Bay, Israel The wreck of the Scirè, lying at a depth of 32 metres (105 ft), became a popular diving site.
    HN_Submarine_4241.jpg
  • Submarine wreckage. The Italian submarine Scirè was an Italian Adua-class submarine, which served during World War II in the Regia Marina. This submarine was sunk on 10 August 1942 in Haifa Bay, Israel The wreck of the Scirè, lying at a depth of 32 metres (105 ft), became a popular diving site.
    HN_Submarine_4219.jpg
  • Submarine wreckage. The Italian submarine Scirè was an Italian Adua-class submarine, which served during World War II in the Regia Marina. This submarine was sunk on 10 August 1942 in Haifa Bay, Israel The wreck of the Scirè, lying at a depth of 32 metres (105 ft), became a popular diving site.
    HN_Submarine_4226.jpg
  • Submarine wreckage. The Italian submarine Scirè was an Italian Adua-class submarine, which served during World War II in the Regia Marina. This submarine was sunk on 10 August 1942 in Haifa Bay, Israel The wreck of the Scirè, lying at a depth of 32 metres (105 ft), became a popular diving site.
    HN_Submarine_4210.jpg
  • Submarine wreckage. The Italian submarine Scirè was an Italian Adua-class submarine, which served during World War II in the Regia Marina. This submarine was sunk on 10 August 1942 in Haifa Bay, Israel The wreck of the Scirè, lying at a depth of 32 metres (105 ft), became a popular diving site.
    HN_Submarine_4214.jpg
  • Submarine wreckage. The Italian submarine Scirè was an Italian Adua-class submarine, which served during World War II in the Regia Marina. This submarine was sunk on 10 August 1942 in Haifa Bay, Israel The wreck of the Scirè, lying at a depth of 32 metres (105 ft), became a popular diving site.
    HN_Submarine_4211.jpg
  • Carrabba's Italian Grill, restaurant exterior, Las Vegas, Nevada, USA
    SV_Carabbas-LV4.jpg
  • Playful Black Miniature Poodle and Italian Greyhound running and playing on the grass outside
    AP_f_Dogs_5564.jpg
  • Italian Dancers from the book  The living races of mankind : a popular illustrated account of the customs, habits, pursuits, feasts & ceremonies of the races of mankind throughout the world by Sir Harry Hamilton Johnston, and Henry Neville Hutchinson Volume 2 Published in London by Hutchinson & Co. in 1902
    IR_f_Races-Mankind-V2b_0218.jpg
  • An Italian Girl from the book  The living races of mankind : a popular illustrated account of the customs, habits, pursuits, feasts & ceremonies of the races of mankind throughout the world by Sir Harry Hamilton Johnston, and Henry Neville Hutchinson Volume 2 Published in London by Hutchinson & Co. in 1902
    IR_f_Races-Mankind-V2b_0216-top.jpg
  • Sella pass between Gardena and Fassa valley, Italian Dolomites
    HN_Dolomites_8767.jpg
  • Sella pass between Gardena and Fassa valley, Italian Dolomites
    HN_Dolomites_8740.jpg
  • An Italian peasant-girl in her wedding-dress From the book The living races of mankind; Volume 2 by Henry Neville Hutchinson, Published in London in 1901 by Hutchinson & co
    IR_f_Races-Mankind-V2_0194.jpg
  • An Italian shepherdess From the book The living races of mankind; Volume 2 by Henry Neville Hutchinson, Published in London in 1901 by Hutchinson & co
    IR_f_Races-Mankind-V2_0191.jpg
  • An Italian monk From the book The living races of mankind; Volume 2 by Henry Neville Hutchinson, Published in London in 1901 by Hutchinson & co
    IR_f_Races-Mankind-V2_0192.jpg
  • Machine Colourised An Italian shepherdess From the book The living races of mankind; Volume 2 by Henry Neville Hutchinson, Published in London in 1901 by Hutchinson & co
    IR_f_Races-Mankind-V2_0191-color.jpg
  • An Italian man From the book The living races of mankind; Volume 2 by Henry Neville Hutchinson, Published in London in 1901 by Hutchinson & co
    IR_f_Races-Mankind-V2_0189.jpg
  • Fencing - Spanish Guard (Left) and Italian Guard (Right) Copperplate engraving From the Encyclopaedia Londinensis or, Universal dictionary of arts, sciences, and literature; Volume VII;  Edited by Wilkes, John. Published in London in 1810
    IR_Vol07_0401.jpg
  • Italian Villa From Godey's Lady's Book and Magazine, January 1864, Philadelphia, Louis A. Godey, Sarah Josepha Hale,
    IR_f_godey-1864-Jan_0010.jpg
  • André Derain (1880 - 1954), La ville italienne, Italian Town, Circa 1948-1950, Gouache on board laid down on canvas, 122 × 181.7 cm The Goulandris Museum of Contemporary Art is a modern art museum in Eratosthenous Street, Pangrati, Athens, Greece, opened in October 2019.
    VA_Goulandris-Museum_DSC06105.jpg
  • André Derain (1880 - 1954), La ville italienne, Italian Town, Circa 1948-1950, Gouache on board laid down on canvas, 122 × 181.7 cm The Goulandris Museum of Contemporary Art is a modern art museum in Eratosthenous Street, Pangrati, Athens, Greece, opened in October 2019.
    VA_Goulandris-Museum_DSC06105-crop.jpg
  • Italian Air force Eurofighter Typhoon in flight
    XN_f_Eurofighter_2929.jpg
  • Ancient Italian fashion and lifestyle, 18th century from Geschichte des kostums in chronologischer entwicklung (History of the costume in chronological development) by Racinet, A. (Auguste), 1825-1893. and Rosenberg, Adolf, 1850-1906, Volume 5 printed in Berlin in 1888
    IR_Fashion-V5_0263.jpg
  • Ancient Italian fashion and lifestyle, 18th century from Geschichte des kostums in chronologischer entwicklung (History of the costume in chronological development) by Racinet, A. (Auguste), 1825-1893. and Rosenberg, Adolf, 1850-1906, Volume 5 printed in Berlin in 1888
    IR_Fashion-V5_0259.jpg
  • Ancient Italian fashion and lifestyle, 18th century from Geschichte des kostums in chronologischer entwicklung (History of the costume in chronological development) by Racinet, A. (Auguste), 1825-1893. and Rosenberg, Adolf, 1850-1906, Volume 5 printed in Berlin in 1888
    IR_Fashion-V5_0251.jpg
  • Ancient Italian fashion and lifestyle, 16th century from Geschichte des kostums in chronologischer entwicklung (History of the costume in chronological development) by Racinet, A. (Auguste), 1825-1893. and Rosenberg, Adolf, 1850-1906, Volume 3 printed in Berlin in 1888
    IR_Fashion-V3_0345.jpg
  • Ancient Italian fashion and lifestyle, 16th century from Geschichte des kostums in chronologischer entwicklung (History of the costume in chronological development) by Racinet, A. (Auguste), 1825-1893. and Rosenberg, Adolf, 1850-1906, Volume 3 printed in Berlin in 1888
    IR_Fashion-V3_0155.jpg
  • Ancient Italian fashion and lifestyle, 15th century from Geschichte des kostums in chronologischer entwicklung (History of the costume in chronological development) by Racinet, A. (Auguste), 1825-1893. and Rosenberg, Adolf, 1850-1906, Volume 3 printed in Berlin in 1888
    IR_Fashion-V3_0141.jpg
  • Ancient Italian fashion and lifestyle, 15th century from Geschichte des kostums in chronologischer entwicklung (History of the costume in chronological development) by Racinet, A. (Auguste), 1825-1893. and Rosenberg, Adolf, 1850-1906, Volume 3 printed in Berlin in 1888
    IR_Fashion-V3_0137.jpg
  • Italian Air force Eurofighter Typhoon in flight. A twin-engine, canard-delta wing, multirole fighter.
    XN_IT-Typhoon_3247.jpg
  • Italian Air force Eurofighter Typhoon in flight. A twin-engine, canard-delta wing, multirole fighter.
    XN_IT-Typhoon_3238.jpg
  • Italian Air force Eurofighter Typhoon in flight. A twin-engine, canard-delta wing, multirole fighter.
    XN_IT-Typhoon_2704.jpg
  • Italian Air force Eurofighter Typhoon in flight. A twin-engine, canard-delta wing, multirole fighter.
    XN_IT-Typhoon_2641.jpg
  • Italian Air force Eurofighter Typhoon in flight. A twin-engine, canard-delta wing, multirole fighter.
    XN_IT-Typhoon_2639-3.jpg
  • Italian Air force Eurofighter Typhoon in flight. A twin-engine, canard-delta wing, multirole fighter.
    XN_IT-Typhoon_2636.jpg
  • Italian Air force Eurofighter Typhoon in flight. A twin-engine, canard-delta wing, multirole fighter.
    XN_IT-Typhoon_2606-3.jpg
  • Italian Air force Eurofighter Typhoon in flight. A twin-engine, canard-delta wing, multirole fighter. Photographed at Royal International Air Tattoo (RIAT)
    XN_IT-Typhoon_210-RIAT.jpg
  • Italian Air force Eurofighter Typhoon in flight. A twin-engine, canard-delta wing, multirole fighter. Photographed at Royal International Air Tattoo (RIAT)
    XN_IT-Typhoon_202-RIAT.jpg
  • Groceries on shelves in an Italian food store.
    DB_Foodies.jpg
  • Italian Alpine Landscape, Italy, Lombardy near Brescia
    GC_Livingo-2015_06.jpg
  • Italian Alpine Landscape, Italy, Lombardy near Brescia
    GC_f_Livingo-2015_31.jpg
  • Italian Alpine Landscape, Italy, Lombardy near Brescia
    GC_f_Livingo-2015_03.jpg
  • Italian Air force Eurofighter Typhoon in flight
    XN_Eurofighter_2927.jpg
  • Italian Air force Eurofighter Typhoon at take off
    XN_Eurofighter_3236.jpg
  • Italian Air force Eurofighter Typhoon in flight
    XN_Eurofighter_2704.jpg
  • Italian Air force Eurofighter Typhoon in flight
    XN_Eurofighter_2669.jpg
  • Italian Air force Eurofighter Typhoon in flight
    XN_Eurofighter_2641.jpg
  • Italian Air force Eurofighter Typhoon in flight
    XN_Eurofighter_2606.jpg
  • Italian Air force Eurofighter Typhoon in flight
    XN_Eurofighter_2636.jpg
  • A plate of Italian style Antipasti with Courgette, Mushroom, Sweet Potato, Aubergine, Onion and Garlic
    IA_Food_AML_4294.jpg
  • A plate of Italian style Antipasti with Courgette, Mushroom, Sweet Potato, Aubergine, Onion and Garlic
    IA_Food_AMI_7864.jpg
  • Machine Colourised An Italian peasant-girl in her wedding-dress From the book The living races of mankind; Volume 2 by Henry Neville Hutchinson, Published in London in 1901 by Hutchinson & co
    IR_f_Races-Mankind-V2_0194-color.jpg
  • Italian Alps summer landscape Livingo, Lombardy, Italy
    GC_f_lombardy_07.jpg
  • Italian Alps summer landscape Livingo, Lombardy, Italy
    GC_f_lombardy_08.jpg
  • Italian Alps summer landscape Livingo, Lombardy, Italy
    GC_f_lombardy_05.jpg
  • Cupressus Sempervirens L, Italian cypress
    tj_f_bahai_garden_acre_045_fs.jpg
  • Italian Alps and Piedmont region
    AD_1004_IMG_1118.jpg
  • Israel, Tel Aviv, Italian Ice Cream shop
    AD_IMG_2706.jpg
  • Cupressus Sempervirens L, Italian cypress
    tj_f_bahai_garden_acre_058_fs.jpg
  • Italian Alps and Piedmont region
    AD_1004_IMG_2038.jpg
  • Francesco Petrarca (July 20, 1304 – July 18/19, 1374), commonly anglicized as Petrarch was an Italian scholar and poet during the early Italian Renaissance, and one of the earliest humanists. Petrarch's rediscovery of Cicero's letters is often credited with initiating the 14th-century Italian Renaissance and the founding of Renaissance humanism. In the 16th century, Pietro Bembo created the model for the modern Italian language based on Petrarch's works, as well as those of Giovanni Boccaccio, and, to a lesser extent, Dante Alighieri. Petrarch would be later endorsed as a model for Italian style by the Accademia della Crusca. Copperplate engraving From the Encyclopaedia Londinensis or, Universal dictionary of arts, sciences, and literature; Volume XX;  Edited by Wilkes, John. Published in London in 1825
    IR_f_Vol20_0012.jpg
  • Machine Colourised Paradiso ("Paradise" or "Heaven") is the third and final part of Dante's Divine Comedy, following the Inferno and the Purgatorio. It is an allegory telling of Dante's journey through Heaven, guided by Beatrice, who symbolises theology. In the poem, Paradise is depicted as a series of concentric spheres surrounding the Earth, consisting of the Moon, Mercury, Venus, the Sun, Mars, Jupiter, Saturn, the Fixed Stars, the Primum Mobile and finally, the Empyrean. It was written in the early 14th century. Allegorically, the poem represents the soul's ascent to God.  From the Divine Comedy by 14th century Italian poet Dante Alighieri. 1860 artwork, by French artist Gustave Dore and engraved by Stephane Pannemaker, (1868), Cary's English translation of the work. Dante wrote his epic poem 'Divina Commedia' (The Divine Comedy) between 1308 and his death in 1321. Consisting of 14,233 lines, and divided into three parts (Inferno, Purgatorio, and Paradiso), it is considered the greatest literary work in the Italian language and a world masterpiece. It is a comprehensive survey of medieval theology, literature and thought. The new non-dialect poetic language Dante created became the basis of modern Italian.
    IR_f_Dante-Paradiso-Dore_f625-colour...jpg
  • Machine colorised Purgatorio ("Purgatory") is the second part of Dante's Divine Comedy, following the Inferno, and preceding the Paradiso. The poem was written in the early 14th century. It is an allegory telling of the climb of Dante up the Mount of Purgatory, guided by the Roman poet Virgil, except for the last four cantos at which point Beatrice takes over as Dante's guide. Purgatory in the poem is depicted as a mountain in the Southern Hemisphere, consisting of a bottom section (Ante-Purgatory), seven levels of suffering and spiritual growth (associated with the seven deadly sins), and finally the Earthly Paradise at the top. Allegorically, the Purgatorio represents the penitent Christian life. In describing the climb Dante discusses the nature of sin, examples of vice and virtue, as well as moral issues in politics and in the Church. The poem outlines a theory that all sins arise from love – either perverted love directed towards others' harm, or deficient love, or the disordered or excessive love of good things. From the Divine Comedy by 14th century Italian poet Dante Alighieri. 1860 artwork, by French artist Gustave Dore and engraved by Stephane Pannemaker, (1868), Cary's English translation of the work. Dante wrote his epic poem 'Divina Commedia' (The Divine Comedy) between 1308 and his death in 1321. Consisting of 14,233 lines, and divided into three parts (Inferno, Purgatorio, and Paradiso), it is considered the greatest literary work in the Italian language and a world masterpiece. It is a comprehensive survey of medieval theology, literature and thought. The new non-dialect poetic language Dante created became the basis of modern Italian.
    IR_f_Dante-Purgatory-Dore_f29-color.jpg
  • From the Divine Comedy by 14th century Italian poet Dante Alighieri. 1860 artwork, by French artist Gustave Dore and engraved by Stephane Pannemaker, from 'The Vision of Hell' (1868), Cary's English translation of the Inferno. Dante wrote his epic poem 'Divina Commedia' (The Divine Comedy) between 1308 and his death in 1321. Consisting of 14,233 lines, and divided into three parts (Inferno, Purgatorio, and Paradiso), it is considered the greatest literary work in the Italian language and a world masterpiece. It is a comprehensive survey of medieval theology, literature and thought. The new non-dialect poetic language Dante created became the basis of modern Italian.
    IR_Dante-Inferno-Dore_103-crop.jpg
  • Purgatorio ("Purgatory") is the second part of Dante's Divine Comedy, following the Inferno, and preceding the Paradiso. The poem was written in the early 14th century. It is an allegory telling of the climb of Dante up the Mount of Purgatory, guided by the Roman poet Virgil, except for the last four cantos at which point Beatrice takes over as Dante's guide. Purgatory in the poem is depicted as a mountain in the Southern Hemisphere, consisting of a bottom section (Ante-Purgatory), seven levels of suffering and spiritual growth (associated with the seven deadly sins), and finally the Earthly Paradise at the top. Allegorically, the Purgatorio represents the penitent Christian life. In describing the climb Dante discusses the nature of sin, examples of vice and virtue, as well as moral issues in politics and in the Church. The poem outlines a theory that all sins arise from love – either perverted love directed towards others' harm, or deficient love, or the disordered or excessive love of good things. From the Divine Comedy by 14th century Italian poet Dante Alighieri. 1860 artwork, by French artist Gustave Dore and engraved by Stephane Pannemaker, (1868), Cary's English translation of the work. Dante wrote his epic poem 'Divina Commedia' (The Divine Comedy) between 1308 and his death in 1321. Consisting of 14,233 lines, and divided into three parts (Inferno, Purgatorio, and Paradiso), it is considered the greatest literary work in the Italian language and a world masterpiece. It is a comprehensive survey of medieval theology, literature and thought. The new non-dialect poetic language Dante created became the basis of modern Italian.
    IR_f_Dante-Purgatory-Dore_f67.jpg
  • Purgatorio ("Purgatory") is the second part of Dante's Divine Comedy, following the Inferno, and preceding the Paradiso. The poem was written in the early 14th century. It is an allegory telling of the climb of Dante up the Mount of Purgatory, guided by the Roman poet Virgil, except for the last four cantos at which point Beatrice takes over as Dante's guide. Purgatory in the poem is depicted as a mountain in the Southern Hemisphere, consisting of a bottom section (Ante-Purgatory), seven levels of suffering and spiritual growth (associated with the seven deadly sins), and finally the Earthly Paradise at the top. Allegorically, the Purgatorio represents the penitent Christian life. In describing the climb Dante discusses the nature of sin, examples of vice and virtue, as well as moral issues in politics and in the Church. The poem outlines a theory that all sins arise from love – either perverted love directed towards others' harm, or deficient love, or the disordered or excessive love of good things. From the Divine Comedy by 14th century Italian poet Dante Alighieri. 1860 artwork, by French artist Gustave Dore and engraved by Stephane Pannemaker, (1868), Cary's English translation of the work. Dante wrote his epic poem 'Divina Commedia' (The Divine Comedy) between 1308 and his death in 1321. Consisting of 14,233 lines, and divided into three parts (Inferno, Purgatorio, and Paradiso), it is considered the greatest literary work in the Italian language and a world masterpiece. It is a comprehensive survey of medieval theology, literature and thought. The new non-dialect poetic language Dante created became the basis of modern Italian.
    IR_f_Dante-Purgatory-Dore_f43.jpg
  • Purgatorio ("Purgatory") is the second part of Dante's Divine Comedy, following the Inferno, and preceding the Paradiso. The poem was written in the early 14th century. It is an allegory telling of the climb of Dante up the Mount of Purgatory, guided by the Roman poet Virgil, except for the last four cantos at which point Beatrice takes over as Dante's guide. Purgatory in the poem is depicted as a mountain in the Southern Hemisphere, consisting of a bottom section (Ante-Purgatory), seven levels of suffering and spiritual growth (associated with the seven deadly sins), and finally the Earthly Paradise at the top. Allegorically, the Purgatorio represents the penitent Christian life. In describing the climb Dante discusses the nature of sin, examples of vice and virtue, as well as moral issues in politics and in the Church. The poem outlines a theory that all sins arise from love – either perverted love directed towards others' harm, or deficient love, or the disordered or excessive love of good things. From the Divine Comedy by 14th century Italian poet Dante Alighieri. 1860 artwork, by French artist Gustave Dore and engraved by Stephane Pannemaker, (1868), Cary's English translation of the work. Dante wrote his epic poem 'Divina Commedia' (The Divine Comedy) between 1308 and his death in 1321. Consisting of 14,233 lines, and divided into three parts (Inferno, Purgatorio, and Paradiso), it is considered the greatest literary work in the Italian language and a world masterpiece. It is a comprehensive survey of medieval theology, literature and thought. The new non-dialect poetic language Dante created became the basis of modern Italian.
    IR_f_Dante-Purgatory-Dore_f369.jpg
  • Purgatorio ("Purgatory") is the second part of Dante's Divine Comedy, following the Inferno, and preceding the Paradiso. The poem was written in the early 14th century. It is an allegory telling of the climb of Dante up the Mount of Purgatory, guided by the Roman poet Virgil, except for the last four cantos at which point Beatrice takes over as Dante's guide. Purgatory in the poem is depicted as a mountain in the Southern Hemisphere, consisting of a bottom section (Ante-Purgatory), seven levels of suffering and spiritual growth (associated with the seven deadly sins), and finally the Earthly Paradise at the top. Allegorically, the Purgatorio represents the penitent Christian life. In describing the climb Dante discusses the nature of sin, examples of vice and virtue, as well as moral issues in politics and in the Church. The poem outlines a theory that all sins arise from love – either perverted love directed towards others' harm, or deficient love, or the disordered or excessive love of good things. From the Divine Comedy by 14th century Italian poet Dante Alighieri. 1860 artwork, by French artist Gustave Dore and engraved by Stephane Pannemaker, (1868), Cary's English translation of the work. Dante wrote his epic poem 'Divina Commedia' (The Divine Comedy) between 1308 and his death in 1321. Consisting of 14,233 lines, and divided into three parts (Inferno, Purgatorio, and Paradiso), it is considered the greatest literary work in the Italian language and a world masterpiece. It is a comprehensive survey of medieval theology, literature and thought. The new non-dialect poetic language Dante created became the basis of modern Italian.
    IR_f_Dante-Purgatory-Dore_f35.jpg
  • Purgatorio ("Purgatory") is the second part of Dante's Divine Comedy, following the Inferno, and preceding the Paradiso. The poem was written in the early 14th century. It is an allegory telling of the climb of Dante up the Mount of Purgatory, guided by the Roman poet Virgil, except for the last four cantos at which point Beatrice takes over as Dante's guide. Purgatory in the poem is depicted as a mountain in the Southern Hemisphere, consisting of a bottom section (Ante-Purgatory), seven levels of suffering and spiritual growth (associated with the seven deadly sins), and finally the Earthly Paradise at the top. Allegorically, the Purgatorio represents the penitent Christian life. In describing the climb Dante discusses the nature of sin, examples of vice and virtue, as well as moral issues in politics and in the Church. The poem outlines a theory that all sins arise from love – either perverted love directed towards others' harm, or deficient love, or the disordered or excessive love of good things. From the Divine Comedy by 14th century Italian poet Dante Alighieri. 1860 artwork, by French artist Gustave Dore and engraved by Stephane Pannemaker, (1868), Cary's English translation of the work. Dante wrote his epic poem 'Divina Commedia' (The Divine Comedy) between 1308 and his death in 1321. Consisting of 14,233 lines, and divided into three parts (Inferno, Purgatorio, and Paradiso), it is considered the greatest literary work in the Italian language and a world masterpiece. It is a comprehensive survey of medieval theology, literature and thought. The new non-dialect poetic language Dante created became the basis of modern Italian.
    IR_f_Dante-Purgatory-Dore_f329.jpg
  • Purgatorio ("Purgatory") is the second part of Dante's Divine Comedy, following the Inferno, and preceding the Paradiso. The poem was written in the early 14th century. It is an allegory telling of the climb of Dante up the Mount of Purgatory, guided by the Roman poet Virgil, except for the last four cantos at which point Beatrice takes over as Dante's guide. Purgatory in the poem is depicted as a mountain in the Southern Hemisphere, consisting of a bottom section (Ante-Purgatory), seven levels of suffering and spiritual growth (associated with the seven deadly sins), and finally the Earthly Paradise at the top. Allegorically, the Purgatorio represents the penitent Christian life. In describing the climb Dante discusses the nature of sin, examples of vice and virtue, as well as moral issues in politics and in the Church. The poem outlines a theory that all sins arise from love – either perverted love directed towards others' harm, or deficient love, or the disordered or excessive love of good things. From the Divine Comedy by 14th century Italian poet Dante Alighieri. 1860 artwork, by French artist Gustave Dore and engraved by Stephane Pannemaker, (1868), Cary's English translation of the work. Dante wrote his epic poem 'Divina Commedia' (The Divine Comedy) between 1308 and his death in 1321. Consisting of 14,233 lines, and divided into three parts (Inferno, Purgatorio, and Paradiso), it is considered the greatest literary work in the Italian language and a world masterpiece. It is a comprehensive survey of medieval theology, literature and thought. The new non-dialect poetic language Dante created became the basis of modern Italian.
    IR_f_Dante-Purgatory-Dore_f323.jpg
  • Purgatorio ("Purgatory") is the second part of Dante's Divine Comedy, following the Inferno, and preceding the Paradiso. The poem was written in the early 14th century. It is an allegory telling of the climb of Dante up the Mount of Purgatory, guided by the Roman poet Virgil, except for the last four cantos at which point Beatrice takes over as Dante's guide. Purgatory in the poem is depicted as a mountain in the Southern Hemisphere, consisting of a bottom section (Ante-Purgatory), seven levels of suffering and spiritual growth (associated with the seven deadly sins), and finally the Earthly Paradise at the top. Allegorically, the Purgatorio represents the penitent Christian life. In describing the climb Dante discusses the nature of sin, examples of vice and virtue, as well as moral issues in politics and in the Church. The poem outlines a theory that all sins arise from love – either perverted love directed towards others' harm, or deficient love, or the disordered or excessive love of good things. From the Divine Comedy by 14th century Italian poet Dante Alighieri. 1860 artwork, by French artist Gustave Dore and engraved by Stephane Pannemaker, (1868), Cary's English translation of the work. Dante wrote his epic poem 'Divina Commedia' (The Divine Comedy) between 1308 and his death in 1321. Consisting of 14,233 lines, and divided into three parts (Inferno, Purgatorio, and Paradiso), it is considered the greatest literary work in the Italian language and a world masterpiece. It is a comprehensive survey of medieval theology, literature and thought. The new non-dialect poetic language Dante created became the basis of modern Italian.
    IR_f_Dante-Purgatory-Dore_f29.jpg
  • Purgatorio ("Purgatory") is the second part of Dante's Divine Comedy, following the Inferno, and preceding the Paradiso. The poem was written in the early 14th century. It is an allegory telling of the climb of Dante up the Mount of Purgatory, guided by the Roman poet Virgil, except for the last four cantos at which point Beatrice takes over as Dante's guide. Purgatory in the poem is depicted as a mountain in the Southern Hemisphere, consisting of a bottom section (Ante-Purgatory), seven levels of suffering and spiritual growth (associated with the seven deadly sins), and finally the Earthly Paradise at the top. Allegorically, the Purgatorio represents the penitent Christian life. In describing the climb Dante discusses the nature of sin, examples of vice and virtue, as well as moral issues in politics and in the Church. The poem outlines a theory that all sins arise from love – either perverted love directed towards others' harm, or deficient love, or the disordered or excessive love of good things. From the Divine Comedy by 14th century Italian poet Dante Alighieri. 1860 artwork, by French artist Gustave Dore and engraved by Stephane Pannemaker, (1868), Cary's English translation of the work. Dante wrote his epic poem 'Divina Commedia' (The Divine Comedy) between 1308 and his death in 1321. Consisting of 14,233 lines, and divided into three parts (Inferno, Purgatorio, and Paradiso), it is considered the greatest literary work in the Italian language and a world masterpiece. It is a comprehensive survey of medieval theology, literature and thought. The new non-dialect poetic language Dante created became the basis of modern Italian.
    IR_f_Dante-Purgatory-Dore_f285.jpg
  • Purgatorio ("Purgatory") is the second part of Dante's Divine Comedy, following the Inferno, and preceding the Paradiso. The poem was written in the early 14th century. It is an allegory telling of the climb of Dante up the Mount of Purgatory, guided by the Roman poet Virgil, except for the last four cantos at which point Beatrice takes over as Dante's guide. Purgatory in the poem is depicted as a mountain in the Southern Hemisphere, consisting of a bottom section (Ante-Purgatory), seven levels of suffering and spiritual growth (associated with the seven deadly sins), and finally the Earthly Paradise at the top. Allegorically, the Purgatorio represents the penitent Christian life. In describing the climb Dante discusses the nature of sin, examples of vice and virtue, as well as moral issues in politics and in the Church. The poem outlines a theory that all sins arise from love – either perverted love directed towards others' harm, or deficient love, or the disordered or excessive love of good things. From the Divine Comedy by 14th century Italian poet Dante Alighieri. 1860 artwork, by French artist Gustave Dore and engraved by Stephane Pannemaker, (1868), Cary's English translation of the work. Dante wrote his epic poem 'Divina Commedia' (The Divine Comedy) between 1308 and his death in 1321. Consisting of 14,233 lines, and divided into three parts (Inferno, Purgatorio, and Paradiso), it is considered the greatest literary work in the Italian language and a world masterpiece. It is a comprehensive survey of medieval theology, literature and thought. The new non-dialect poetic language Dante created became the basis of modern Italian.
    IR_f_Dante-Purgatory-Dore_f235.jpg
  • Purgatorio ("Purgatory") is the second part of Dante's Divine Comedy, following the Inferno, and preceding the Paradiso. The poem was written in the early 14th century. It is an allegory telling of the climb of Dante up the Mount of Purgatory, guided by the Roman poet Virgil, except for the last four cantos at which point Beatrice takes over as Dante's guide. Purgatory in the poem is depicted as a mountain in the Southern Hemisphere, consisting of a bottom section (Ante-Purgatory), seven levels of suffering and spiritual growth (associated with the seven deadly sins), and finally the Earthly Paradise at the top. Allegorically, the Purgatorio represents the penitent Christian life. In describing the climb Dante discusses the nature of sin, examples of vice and virtue, as well as moral issues in politics and in the Church. The poem outlines a theory that all sins arise from love – either perverted love directed towards others' harm, or deficient love, or the disordered or excessive love of good things. From the Divine Comedy by 14th century Italian poet Dante Alighieri. 1860 artwork, by French artist Gustave Dore and engraved by Stephane Pannemaker, (1868), Cary's English translation of the work. Dante wrote his epic poem 'Divina Commedia' (The Divine Comedy) between 1308 and his death in 1321. Consisting of 14,233 lines, and divided into three parts (Inferno, Purgatorio, and Paradiso), it is considered the greatest literary work in the Italian language and a world masterpiece. It is a comprehensive survey of medieval theology, literature and thought. The new non-dialect poetic language Dante created became the basis of modern Italian.
    IR_f_Dante-Purgatory-Dore_f227.jpg
  • Purgatorio ("Purgatory") is the second part of Dante's Divine Comedy, following the Inferno, and preceding the Paradiso. The poem was written in the early 14th century. It is an allegory telling of the climb of Dante up the Mount of Purgatory, guided by the Roman poet Virgil, except for the last four cantos at which point Beatrice takes over as Dante's guide. Purgatory in the poem is depicted as a mountain in the Southern Hemisphere, consisting of a bottom section (Ante-Purgatory), seven levels of suffering and spiritual growth (associated with the seven deadly sins), and finally the Earthly Paradise at the top. Allegorically, the Purgatorio represents the penitent Christian life. In describing the climb Dante discusses the nature of sin, examples of vice and virtue, as well as moral issues in politics and in the Church. The poem outlines a theory that all sins arise from love – either perverted love directed towards others' harm, or deficient love, or the disordered or excessive love of good things. From the Divine Comedy by 14th century Italian poet Dante Alighieri. 1860 artwork, by French artist Gustave Dore and engraved by Stephane Pannemaker, (1868), Cary's English translation of the work. Dante wrote his epic poem 'Divina Commedia' (The Divine Comedy) between 1308 and his death in 1321. Consisting of 14,233 lines, and divided into three parts (Inferno, Purgatorio, and Paradiso), it is considered the greatest literary work in the Italian language and a world masterpiece. It is a comprehensive survey of medieval theology, literature and thought. The new non-dialect poetic language Dante created became the basis of modern Italian.
    IR_f_Dante-Purgatory-Dore_f221.jpg
  • Purgatorio ("Purgatory") is the second part of Dante's Divine Comedy, following the Inferno, and preceding the Paradiso. The poem was written in the early 14th century. It is an allegory telling of the climb of Dante up the Mount of Purgatory, guided by the Roman poet Virgil, except for the last four cantos at which point Beatrice takes over as Dante's guide. Purgatory in the poem is depicted as a mountain in the Southern Hemisphere, consisting of a bottom section (Ante-Purgatory), seven levels of suffering and spiritual growth (associated with the seven deadly sins), and finally the Earthly Paradise at the top. Allegorically, the Purgatorio represents the penitent Christian life. In describing the climb Dante discusses the nature of sin, examples of vice and virtue, as well as moral issues in politics and in the Church. The poem outlines a theory that all sins arise from love – either perverted love directed towards others' harm, or deficient love, or the disordered or excessive love of good things. From the Divine Comedy by 14th century Italian poet Dante Alighieri. 1860 artwork, by French artist Gustave Dore and engraved by Stephane Pannemaker, (1868), Cary's English translation of the work. Dante wrote his epic poem 'Divina Commedia' (The Divine Comedy) between 1308 and his death in 1321. Consisting of 14,233 lines, and divided into three parts (Inferno, Purgatorio, and Paradiso), it is considered the greatest literary work in the Italian language and a world masterpiece. It is a comprehensive survey of medieval theology, literature and thought. The new non-dialect poetic language Dante created became the basis of modern Italian.
    IR_f_Dante-Purgatory-Dore_f153.jpg
  • Purgatorio ("Purgatory") is the second part of Dante's Divine Comedy, following the Inferno, and preceding the Paradiso. The poem was written in the early 14th century. It is an allegory telling of the climb of Dante up the Mount of Purgatory, guided by the Roman poet Virgil, except for the last four cantos at which point Beatrice takes over as Dante's guide. Purgatory in the poem is depicted as a mountain in the Southern Hemisphere, consisting of a bottom section (Ante-Purgatory), seven levels of suffering and spiritual growth (associated with the seven deadly sins), and finally the Earthly Paradise at the top. Allegorically, the Purgatorio represents the penitent Christian life. In describing the climb Dante discusses the nature of sin, examples of vice and virtue, as well as moral issues in politics and in the Church. The poem outlines a theory that all sins arise from love – either perverted love directed towards others' harm, or deficient love, or the disordered or excessive love of good things. From the Divine Comedy by 14th century Italian poet Dante Alighieri. 1860 artwork, by French artist Gustave Dore and engraved by Stephane Pannemaker, (1868), Cary's English translation of the work. Dante wrote his epic poem 'Divina Commedia' (The Divine Comedy) between 1308 and his death in 1321. Consisting of 14,233 lines, and divided into three parts (Inferno, Purgatorio, and Paradiso), it is considered the greatest literary work in the Italian language and a world masterpiece. It is a comprehensive survey of medieval theology, literature and thought. The new non-dialect poetic language Dante created became the basis of modern Italian.
    IR_f_Dante-Purgatory-Dore_f119.jpg
  • Paradiso ("Paradise" or "Heaven") is the third and final part of Dante's Divine Comedy, following the Inferno and the Purgatorio. It is an allegory telling of Dante's journey through Heaven, guided by Beatrice, who symbolises theology. In the poem, Paradise is depicted as a series of concentric spheres surrounding the Earth, consisting of the Moon, Mercury, Venus, the Sun, Mars, Jupiter, Saturn, the Fixed Stars, the Primum Mobile and finally, the Empyrean. It was written in the early 14th century. Allegorically, the poem represents the soul's ascent to God.  From the Divine Comedy by 14th century Italian poet Dante Alighieri. 1860 artwork, by French artist Gustave Dore and engraved by Stephane Pannemaker, (1868), Cary's English translation of the work. Dante wrote his epic poem 'Divina Commedia' (The Divine Comedy) between 1308 and his death in 1321. Consisting of 14,233 lines, and divided into three parts (Inferno, Purgatorio, and Paradiso), it is considered the greatest literary work in the Italian language and a world masterpiece. It is a comprehensive survey of medieval theology, literature and thought. The new non-dialect poetic language Dante created became the basis of modern Italian.
    IR_f_Dante-Paradiso-Dore_f633.jpg
  • Paradiso ("Paradise" or "Heaven") is the third and final part of Dante's Divine Comedy, following the Inferno and the Purgatorio. It is an allegory telling of Dante's journey through Heaven, guided by Beatrice, who symbolises theology. In the poem, Paradise is depicted as a series of concentric spheres surrounding the Earth, consisting of the Moon, Mercury, Venus, the Sun, Mars, Jupiter, Saturn, the Fixed Stars, the Primum Mobile and finally, the Empyrean. It was written in the early 14th century. Allegorically, the poem represents the soul's ascent to God.  From the Divine Comedy by 14th century Italian poet Dante Alighieri. 1860 artwork, by French artist Gustave Dore and engraved by Stephane Pannemaker, (1868), Cary's English translation of the work. Dante wrote his epic poem 'Divina Commedia' (The Divine Comedy) between 1308 and his death in 1321. Consisting of 14,233 lines, and divided into three parts (Inferno, Purgatorio, and Paradiso), it is considered the greatest literary work in the Italian language and a world masterpiece. It is a comprehensive survey of medieval theology, literature and thought. The new non-dialect poetic language Dante created became the basis of modern Italian.
    IR_f_Dante-Paradiso-Dore_f595.jpg
  • Paradiso ("Paradise" or "Heaven") is the third and final part of Dante's Divine Comedy, following the Inferno and the Purgatorio. It is an allegory telling of Dante's journey through Heaven, guided by Beatrice, who symbolises theology. In the poem, Paradise is depicted as a series of concentric spheres surrounding the Earth, consisting of the Moon, Mercury, Venus, the Sun, Mars, Jupiter, Saturn, the Fixed Stars, the Primum Mobile and finally, the Empyrean. It was written in the early 14th century. Allegorically, the poem represents the soul's ascent to God.  From the Divine Comedy by 14th century Italian poet Dante Alighieri. 1860 artwork, by French artist Gustave Dore and engraved by Stephane Pannemaker, (1868), Cary's English translation of the work. Dante wrote his epic poem 'Divina Commedia' (The Divine Comedy) between 1308 and his death in 1321. Consisting of 14,233 lines, and divided into three parts (Inferno, Purgatorio, and Paradiso), it is considered the greatest literary work in the Italian language and a world masterpiece. It is a comprehensive survey of medieval theology, literature and thought. The new non-dialect poetic language Dante created became the basis of modern Italian.
    IR_f_Dante-Paradiso-Dore_f553.jpg
  • Paradiso ("Paradise" or "Heaven") is the third and final part of Dante's Divine Comedy, following the Inferno and the Purgatorio. It is an allegory telling of Dante's journey through Heaven, guided by Beatrice, who symbolises theology. In the poem, Paradise is depicted as a series of concentric spheres surrounding the Earth, consisting of the Moon, Mercury, Venus, the Sun, Mars, Jupiter, Saturn, the Fixed Stars, the Primum Mobile and finally, the Empyrean. It was written in the early 14th century. Allegorically, the poem represents the soul's ascent to God.  From the Divine Comedy by 14th century Italian poet Dante Alighieri. 1860 artwork, by French artist Gustave Dore and engraved by Stephane Pannemaker, (1868), Cary's English translation of the work. Dante wrote his epic poem 'Divina Commedia' (The Divine Comedy) between 1308 and his death in 1321. Consisting of 14,233 lines, and divided into three parts (Inferno, Purgatorio, and Paradiso), it is considered the greatest literary work in the Italian language and a world masterpiece. It is a comprehensive survey of medieval theology, literature and thought. The new non-dialect poetic language Dante created became the basis of modern Italian.
    IR_f_Dante-Paradiso-Dore_f537.jpg
  • Paradiso ("Paradise" or "Heaven") is the third and final part of Dante's Divine Comedy, following the Inferno and the Purgatorio. It is an allegory telling of Dante's journey through Heaven, guided by Beatrice, who symbolises theology. In the poem, Paradise is depicted as a series of concentric spheres surrounding the Earth, consisting of the Moon, Mercury, Venus, the Sun, Mars, Jupiter, Saturn, the Fixed Stars, the Primum Mobile and finally, the Empyrean. It was written in the early 14th century. Allegorically, the poem represents the soul's ascent to God.  From the Divine Comedy by 14th century Italian poet Dante Alighieri. 1860 artwork, by French artist Gustave Dore and engraved by Stephane Pannemaker, (1868), Cary's English translation of the work. Dante wrote his epic poem 'Divina Commedia' (The Divine Comedy) between 1308 and his death in 1321. Consisting of 14,233 lines, and divided into three parts (Inferno, Purgatorio, and Paradiso), it is considered the greatest literary work in the Italian language and a world masterpiece. It is a comprehensive survey of medieval theology, literature and thought. The new non-dialect poetic language Dante created became the basis of modern Italian.
    IR_f_Dante-Paradiso-Dore_f501.jpg
  • Paradiso ("Paradise" or "Heaven") is the third and final part of Dante's Divine Comedy, following the Inferno and the Purgatorio. It is an allegory telling of Dante's journey through Heaven, guided by Beatrice, who symbolises theology. In the poem, Paradise is depicted as a series of concentric spheres surrounding the Earth, consisting of the Moon, Mercury, Venus, the Sun, Mars, Jupiter, Saturn, the Fixed Stars, the Primum Mobile and finally, the Empyrean. It was written in the early 14th century. Allegorically, the poem represents the soul's ascent to God.  From the Divine Comedy by 14th century Italian poet Dante Alighieri. 1860 artwork, by French artist Gustave Dore and engraved by Stephane Pannemaker, (1868), Cary's English translation of the work. Dante wrote his epic poem 'Divina Commedia' (The Divine Comedy) between 1308 and his death in 1321. Consisting of 14,233 lines, and divided into three parts (Inferno, Purgatorio, and Paradiso), it is considered the greatest literary work in the Italian language and a world masterpiece. It is a comprehensive survey of medieval theology, literature and thought. The new non-dialect poetic language Dante created became the basis of modern Italian.
    IR_f_Dante-Paradiso-Dore_f439.jpg
  • Paradiso ("Paradise" or "Heaven") is the third and final part of Dante's Divine Comedy, following the Inferno and the Purgatorio. It is an allegory telling of Dante's journey through Heaven, guided by Beatrice, who symbolises theology. In the poem, Paradise is depicted as a series of concentric spheres surrounding the Earth, consisting of the Moon, Mercury, Venus, the Sun, Mars, Jupiter, Saturn, the Fixed Stars, the Primum Mobile and finally, the Empyrean. It was written in the early 14th century. Allegorically, the poem represents the soul's ascent to God.  From the Divine Comedy by 14th century Italian poet Dante Alighieri. 1860 artwork, by French artist Gustave Dore and engraved by Stephane Pannemaker, (1868), Cary's English translation of the work. Dante wrote his epic poem 'Divina Commedia' (The Divine Comedy) between 1308 and his death in 1321. Consisting of 14,233 lines, and divided into three parts (Inferno, Purgatorio, and Paradiso), it is considered the greatest literary work in the Italian language and a world masterpiece. It is a comprehensive survey of medieval theology, literature and thought. The new non-dialect poetic language Dante created became the basis of modern Italian.
    IR_f_Dante-Paradiso-Dore_f401.jpg
  • From the Divine Comedy by 14th century Italian poet Dante Alighieri. 1860 artwork, by French artist Gustave Dore and engraved by Stephane Pannemaker, from 'The Vision of Hell' (1868), Cary's English translation of the Inferno. Dante wrote his epic poem 'Divina Commedia' (The Divine Comedy) between 1308 and his death in 1321. Consisting of 14,233 lines, and divided into three parts (Inferno, Purgatorio, and Paradiso), it is considered the greatest literary work in the Italian language and a world masterpiece. It is a comprehensive survey of medieval theology, literature and thought. The new non-dialect poetic language Dante created became the basis of modern Italian.
    IR_Dante-Inferno-Dore_449.jpg
  • From the Divine Comedy by 14th century Italian poet Dante Alighieri. 1860 artwork, by French artist Gustave Dore and engraved by Stephane Pannemaker, from 'The Vision of Hell' (1868), Cary's English translation of the Inferno. Dante wrote his epic poem 'Divina Commedia' (The Divine Comedy) between 1308 and his death in 1321. Consisting of 14,233 lines, and divided into three parts (Inferno, Purgatorio, and Paradiso), it is considered the greatest literary work in the Italian language and a world masterpiece. It is a comprehensive survey of medieval theology, literature and thought. The new non-dialect poetic language Dante created became the basis of modern Italian.
    IR_Dante-Inferno-Dore_431.jpg
  • From the Divine Comedy by 14th century Italian poet Dante Alighieri. 1860 artwork, by French artist Gustave Dore and engraved by Stephane Pannemaker, from 'The Vision of Hell' (1868), Cary's English translation of the Inferno. Dante wrote his epic poem 'Divina Commedia' (The Divine Comedy) between 1308 and his death in 1321. Consisting of 14,233 lines, and divided into three parts (Inferno, Purgatorio, and Paradiso), it is considered the greatest literary work in the Italian language and a world masterpiece. It is a comprehensive survey of medieval theology, literature and thought. The new non-dialect poetic language Dante created became the basis of modern Italian.
    IR_Dante-Inferno-Dore_305.jpg
  • From the Divine Comedy by 14th century Italian poet Dante Alighieri. 1860 artwork, by French artist Gustave Dore and engraved by Stephane Pannemaker, from 'The Vision of Hell' (1868), Cary's English translation of the Inferno. Dante wrote his epic poem 'Divina Commedia' (The Divine Comedy) between 1308 and his death in 1321. Consisting of 14,233 lines, and divided into three parts (Inferno, Purgatorio, and Paradiso), it is considered the greatest literary work in the Italian language and a world masterpiece. It is a comprehensive survey of medieval theology, literature and thought. The new non-dialect poetic language Dante created became the basis of modern Italian.
    IR_Dante-Inferno-Dore_229.jpg
  • From the Divine Comedy by 14th century Italian poet Dante Alighieri. 1860 artwork, by French artist Gustave Dore and engraved by Stephane Pannemaker, from 'The Vision of Hell' (1868), Cary's English translation of the Inferno. Dante wrote his epic poem 'Divina Commedia' (The Divine Comedy) between 1308 and his death in 1321. Consisting of 14,233 lines, and divided into three parts (Inferno, Purgatorio, and Paradiso), it is considered the greatest literary work in the Italian language and a world masterpiece. It is a comprehensive survey of medieval theology, literature and thought. The new non-dialect poetic language Dante created became the basis of modern Italian.
    IR_Dante-Inferno-Dore_191.jpg
  • From the Divine Comedy by 14th century Italian poet Dante Alighieri. 1860 artwork, by French artist Gustave Dore and engraved by Stephane Pannemaker, from 'The Vision of Hell' (1868), Cary's English translation of the Inferno. Dante wrote his epic poem 'Divina Commedia' (The Divine Comedy) between 1308 and his death in 1321. Consisting of 14,233 lines, and divided into three parts (Inferno, Purgatorio, and Paradiso), it is considered the greatest literary work in the Italian language and a world masterpiece. It is a comprehensive survey of medieval theology, literature and thought. The new non-dialect poetic language Dante created became the basis of modern Italian.
    IR_Dante-Inferno-Dore_137.jpg
  • From the Divine Comedy by 14th century Italian poet Dante Alighieri. 1860 artwork, by French artist Gustave Dore and engraved by Stephane Pannemaker, from 'The Vision of Hell' (1868), Cary's English translation of the Inferno. Dante wrote his epic poem 'Divina Commedia' (The Divine Comedy) between 1308 and his death in 1321. Consisting of 14,233 lines, and divided into three parts (Inferno, Purgatorio, and Paradiso), it is considered the greatest literary work in the Italian language and a world masterpiece. It is a comprehensive survey of medieval theology, literature and thought. The new non-dialect poetic language Dante created became the basis of modern Italian.
    IR_Dante-Inferno-Dore_437.jpg
  • From the Divine Comedy by 14th century Italian poet Dante Alighieri. 1860 artwork, by French artist Gustave Dore and engraved by Stephane Pannemaker, from 'The Vision of Hell' (1868), Cary's English translation of the Inferno. Dante wrote his epic poem 'Divina Commedia' (The Divine Comedy) between 1308 and his death in 1321. Consisting of 14,233 lines, and divided into three parts (Inferno, Purgatorio, and Paradiso), it is considered the greatest literary work in the Italian language and a world masterpiece. It is a comprehensive survey of medieval theology, literature and thought. The new non-dialect poetic language Dante created became the basis of modern Italian.
    IR_Dante-Inferno-Dore_319.jpg
  • From the Divine Comedy by 14th century Italian poet Dante Alighieri. 1860 artwork, by French artist Gustave Dore and engraved by Stephane Pannemaker, from 'The Vision of Hell' (1868), Cary's English translation of the Inferno. Dante wrote his epic poem 'Divina Commedia' (The Divine Comedy) between 1308 and his death in 1321. Consisting of 14,233 lines, and divided into three parts (Inferno, Purgatorio, and Paradiso), it is considered the greatest literary work in the Italian language and a world masterpiece. It is a comprehensive survey of medieval theology, literature and thought. The new non-dialect poetic language Dante created became the basis of modern Italian.
    IR_Dante-Inferno-Dore_291.jpg
  • From the Divine Comedy by 14th century Italian poet Dante Alighieri. 1860 artwork, by French artist Gustave Dore and engraved by Stephane Pannemaker, from 'The Vision of Hell' (1868), Cary's English translation of the Inferno. Dante wrote his epic poem 'Divina Commedia' (The Divine Comedy) between 1308 and his death in 1321. Consisting of 14,233 lines, and divided into three parts (Inferno, Purgatorio, and Paradiso), it is considered the greatest literary work in the Italian language and a world masterpiece. It is a comprehensive survey of medieval theology, literature and thought. The new non-dialect poetic language Dante created became the basis of modern Italian.
    IR_Dante-Inferno-Dore_223.jpg
  • From the Divine Comedy by 14th century Italian poet Dante Alighieri. 1860 artwork, by French artist Gustave Dore and engraved by Stephane Pannemaker, from 'The Vision of Hell' (1868), Cary's English translation of the Inferno. Dante wrote his epic poem 'Divina Commedia' (The Divine Comedy) between 1308 and his death in 1321. Consisting of 14,233 lines, and divided into three parts (Inferno, Purgatorio, and Paradiso), it is considered the greatest literary work in the Italian language and a world masterpiece. It is a comprehensive survey of medieval theology, literature and thought. The new non-dialect poetic language Dante created became the basis of modern Italian.
    IR_Dante-Inferno-Dore_217.jpg
  • From the Divine Comedy by 14th century Italian poet Dante Alighieri. 1860 artwork, by French artist Gustave Dore and engraved by Stephane Pannemaker, from 'The Vision of Hell' (1868), Cary's English translation of the Inferno. Dante wrote his epic poem 'Divina Commedia' (The Divine Comedy) between 1308 and his death in 1321. Consisting of 14,233 lines, and divided into three parts (Inferno, Purgatorio, and Paradiso), it is considered the greatest literary work in the Italian language and a world masterpiece. It is a comprehensive survey of medieval theology, literature and thought. The new non-dialect poetic language Dante created became the basis of modern Italian.
    IR_Dante-Inferno-Dore_149.jpg
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