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  • The Latin Patriarchate, Jerusalem
    AH_f_Latin Patriarchate7172_fs_PSh.jpg
  • The Latin Patriarchate, Jerusalem
    AH_f_Latin Patriarchate7167_fs_PSh.jpg
  • The Latin Patriarchate, Jerusalem
    AH_f_Latin Patriarchate7163_fs_PSh.jpg
  • The Latin Patriarchate, Jerusalem
    AH_f_Latin Patriarchate7161_fs_PSh.jpg
  • France, Paris, Artist's market, Latin Quarters
    JK_Art-Market-Paris.jpg
  • Israel, Jerusalem, Old city Knights' Palace the Latin Patriarchate
    SL_Jerusalem_8540.jpg
  • Christ enthroned from The Book of Kells (Latin: Codex Cenannensis; Irish: Leabhar Cheanannais; sometimes known as the Book of Columba) is an illuminated manuscript Gospel book in Latin, containing the four Gospels of the New Testament together with various prefatory texts and tables. It was created in a Columban monastery in either Ireland, Scotland or England, and may have had contributions from various Columban institutions from each of these areas. It is believed to have been created c. 800 AD.
    IR_f_the Book-of-Kells_0136.jpg
  • The Book of Kells (Latin: Codex Cenannensis; Irish: Leabhar Cheanannais; sometimes known as the Book of Columba) is an illuminated manuscript Gospel book in Latin, containing the four Gospels of the New Testament together with various prefatory texts and tables. It was created in a Columban monastery in either Ireland, Scotland or England, and may have had contributions from various Columban institutions from each of these areas. It is believed to have been created c. 800 AD.
    IR_f_Antiquaries-06_0136.jpg
  • The Book of Kells (Latin: Codex Cenannensis; Irish: Leabhar Cheanannais; sometimes known as the Book of Columba) is an illuminated manuscript Gospel book in Latin, containing the four Gospels of the New Testament together with various prefatory texts and tables. It was created in a Columban monastery in either Ireland, Scotland or England, and may have had contributions from various Columban institutions from each of these areas. It is believed to have been created c. 800 AD.
    IR_f_Antiquaries-06_0136-crop.jpg
  • folk dancers perform in a flower parade on Central Park West in New York NY
    GE_Latino_fest_NY_97.jpg
  • folk dancers perform in a flower parade on Central Park West in New York NY
    GE_Latino_fest_NY_96.jpg
  • folk dancers perform in a flower parade on Central Park West in New York NY
    GE_Latino_fest_NY_93.jpg
  • folk dancers perform in a flower parade on Central Park West in New York NY
    GE_Latino_fest_NY_63.jpg
  • THE ENAMELLED ROYAL GOLD CUP OF THE KINGS of FRANCE and ENGLAND NOW PRESERVED IN THE BRITISH MUSEUM from the book The Society of Antiquaries of London has taken care to publish, at its own expense, the ancient records which preserve the memory of British affairs Originally in Latin Vetusta monumenta, quae ad rerum Britannicarum memoriam conservandam Societas Antiquariorum Londini sumptu suo edenda curavit Published 1746 by Londini [Society of Antiquaries]
    IR_f_Antiquaries-07_0052.jpg
  • Funeral Procession of Queen ELIZABETH, 1603 from a drawing of the time from the book The Society of Antiquaries of London has taken care to publish, at its own expense, the ancient records which preserve the memory of British affairs Originally in Latin Vetusta monumenta, quae ad rerum Britannicarum memoriam conservandam Societas Antiquariorum Londini sumptu suo edenda curavit Published 1746 by Londini [Society of Antiquaries]
    IR_f_Antiquaries-03_0106.jpg
  • The Crosses eredted by Edward I. to the memory of his consort Eleanor from the book The Society of Antiquaries of London has taken care to publish, at its own expense, the ancient records which preserve the memory of British affairs Originally in Latin Vetusta monumenta, quae ad rerum Britannicarum memoriam conservandam Societas Antiquariorum Londini sumptu suo edenda curavit Published 1746 by Londini [Society of Antiquaries]
    IR_f_Antiquaries-03_0088.jpg
  • The Vault, Body, and Monument, of EDWARD IV. in St. George’s Chapel at Windsor from the book The Society of Antiquaries of London has taken care to publish, at its own expense, the ancient records which preserve the memory of British affairs Originally in Latin Vetusta monumenta, quae ad rerum Britannicarum memoriam conservandam Societas Antiquariorum Londini sumptu suo edenda curavit Published 1746 by Londini [Society of Antiquaries]
    IR_f_Antiquaries-03_0054.jpg
  • The new life of Dante Alighieri; by Dante Alighieri, 1265-1321; translated into English by Dante Gabriel Rossetti, 1828-1882; and illustrated by Evelyn Paul, Publication date 1915 Publisher Coventry George G. Harrap. La Vita Nuova (The New Life) or Vita Nova (Latin title) is a text by Dante Alighieri published in 1294. It is an expression of the medieval genre of courtly love in a prosimetrum style, a combination of both prose and verse.
    IR_f_Vida-Nova_0131.jpg
  • The new life of Dante Alighieri; by Dante Alighieri, 1265-1321; translated into English by Dante Gabriel Rossetti, 1828-1882; and illustrated by Evelyn Paul, Publication date 1915 Publisher Coventry George G. Harrap. La Vita Nuova (The New Life) or Vita Nova (Latin title) is a text by Dante Alighieri published in 1294. It is an expression of the medieval genre of courtly love in a prosimetrum style, a combination of both prose and verse.
    IR_f_Vida-Nova_0087.jpg
  • Sketchbook No. 13 - Water-color sketches of plants of North America and Europe [graphic], Painted between June 1888 to September 1910 by Helen Sharp. Eighteen albums of water-color sketches by Helen Sharp of flowering plants and shrubs common to the United States, especially New England, as well as to Bermuda and parts of Europe, dated between June 1888 and Sept. 1910. Sketches in water-color and ink on paper (26 x 18 cm. or smaller) include botanical captions in Latin, along with Sharp"s notes on the common name and physical characteristics of each plant, and location and date of drawing. There is also a table of contents at the front of each sketchbook. The first 16 albums contain sketches of plants common in New England, in towns of Massachusetts such as Nantucket, Taunton, Boston, No. Andover, Marblehead, Hingham, Gloucester; Maine (York, Sorrento); New Hampshire (Surrey), and Connecticut. Volume 17 contains sketches of plants made by the artist while traveling in Switzerland, Italy, England, and France, while v. 18 contains sketches of tropical fruits and flowers of Bermuda, completed during Sharp"s visits of 1892, 1893, and 1903.
    IR_f_Helen-Sharp-V13_0045.jpg
  • Sketchbook No. 12 - Water-color sketches of plants of North America and Europe [graphic], Painted between June 1888 to September 1910 by Helen Sharp. Eighteen albums of water-color sketches by Helen Sharp of flowering plants and shrubs common to the United States, especially New England, as well as to Bermuda and parts of Europe, dated between June 1888 and Sept. 1910. Sketches in water-color and ink on paper (26 x 18 cm. or smaller) include botanical captions in Latin, along with Sharp"s notes on the common name and physical characteristics of each plant, and location and date of drawing. There is also a table of contents at the front of each sketchbook. The first 16 albums contain sketches of plants common in New England, in towns of Massachusetts such as Nantucket, Taunton, Boston, No. Andover, Marblehead, Hingham, Gloucester; Maine (York, Sorrento); New Hampshire (Surrey), and Connecticut. Volume 17 contains sketches of plants made by the artist while traveling in Switzerland, Italy, England, and France, while v. 18 contains sketches of tropical fruits and flowers of Bermuda, completed during Sharp"s visits of 1892, 1893, and 1903.
    IR_f_Helen-Sharp-V12_0056.jpg
  • Sketchbook No. 12 - Water-color sketches of plants of North America and Europe [graphic], Painted between June 1888 to September 1910 by Helen Sharp. Eighteen albums of water-color sketches by Helen Sharp of flowering plants and shrubs common to the United States, especially New England, as well as to Bermuda and parts of Europe, dated between June 1888 and Sept. 1910. Sketches in water-color and ink on paper (26 x 18 cm. or smaller) include botanical captions in Latin, along with Sharp"s notes on the common name and physical characteristics of each plant, and location and date of drawing. There is also a table of contents at the front of each sketchbook. The first 16 albums contain sketches of plants common in New England, in towns of Massachusetts such as Nantucket, Taunton, Boston, No. Andover, Marblehead, Hingham, Gloucester; Maine (York, Sorrento); New Hampshire (Surrey), and Connecticut. Volume 17 contains sketches of plants made by the artist while traveling in Switzerland, Italy, England, and France, while v. 18 contains sketches of tropical fruits and flowers of Bermuda, completed during Sharp"s visits of 1892, 1893, and 1903.
    IR_f_Helen-Sharp-V12_0042.jpg
  • Sketchbook No. 12 - Water-color sketches of plants of North America and Europe [graphic], Painted between June 1888 to September 1910 by Helen Sharp. Eighteen albums of water-color sketches by Helen Sharp of flowering plants and shrubs common to the United States, especially New England, as well as to Bermuda and parts of Europe, dated between June 1888 and Sept. 1910. Sketches in water-color and ink on paper (26 x 18 cm. or smaller) include botanical captions in Latin, along with Sharp"s notes on the common name and physical characteristics of each plant, and location and date of drawing. There is also a table of contents at the front of each sketchbook. The first 16 albums contain sketches of plants common in New England, in towns of Massachusetts such as Nantucket, Taunton, Boston, No. Andover, Marblehead, Hingham, Gloucester; Maine (York, Sorrento); New Hampshire (Surrey), and Connecticut. Volume 17 contains sketches of plants made by the artist while traveling in Switzerland, Italy, England, and France, while v. 18 contains sketches of tropical fruits and flowers of Bermuda, completed during Sharp"s visits of 1892, 1893, and 1903.
    IR_f_Helen-Sharp-V12_0024.jpg
  • Sketchbook No. 11 - Water-color sketches of plants of North America and Europe [graphic], Painted between June 1888 to September 1910 by Helen Sharp. Eighteen albums of water-color sketches by Helen Sharp of flowering plants and shrubs common to the United States, especially New England, as well as to Bermuda and parts of Europe, dated between June 1888 and Sept. 1910. Sketches in water-color and ink on paper (26 x 18 cm. or smaller) include botanical captions in Latin, along with Sharp"s notes on the common name and physical characteristics of each plant, and location and date of drawing. There is also a table of contents at the front of each sketchbook. The first 16 albums contain sketches of plants common in New England, in towns of Massachusetts such as Nantucket, Taunton, Boston, No. Andover, Marblehead, Hingham, Gloucester; Maine (York, Sorrento); New Hampshire (Surrey), and Connecticut. Volume 17 contains sketches of plants made by the artist while traveling in Switzerland, Italy, England, and France, while v. 18 contains sketches of tropical fruits and flowers of Bermuda, completed during Sharp"s visits of 1892, 1893, and 1903.
    IR_f_Helen-Sharp-V11_0077.jpg
  • Sketchbook No. 11 - Water-color sketches of plants of North America and Europe [graphic], Painted between June 1888 to September 1910 by Helen Sharp. Eighteen albums of water-color sketches by Helen Sharp of flowering plants and shrubs common to the United States, especially New England, as well as to Bermuda and parts of Europe, dated between June 1888 and Sept. 1910. Sketches in water-color and ink on paper (26 x 18 cm. or smaller) include botanical captions in Latin, along with Sharp"s notes on the common name and physical characteristics of each plant, and location and date of drawing. There is also a table of contents at the front of each sketchbook. The first 16 albums contain sketches of plants common in New England, in towns of Massachusetts such as Nantucket, Taunton, Boston, No. Andover, Marblehead, Hingham, Gloucester; Maine (York, Sorrento); New Hampshire (Surrey), and Connecticut. Volume 17 contains sketches of plants made by the artist while traveling in Switzerland, Italy, England, and France, while v. 18 contains sketches of tropical fruits and flowers of Bermuda, completed during Sharp"s visits of 1892, 1893, and 1903.
    IR_f_Helen-Sharp-V11_0072.jpg
  • Sketchbook No. 11 - Water-color sketches of plants of North America and Europe [graphic], Painted between June 1888 to September 1910 by Helen Sharp. Eighteen albums of water-color sketches by Helen Sharp of flowering plants and shrubs common to the United States, especially New England, as well as to Bermuda and parts of Europe, dated between June 1888 and Sept. 1910. Sketches in water-color and ink on paper (26 x 18 cm. or smaller) include botanical captions in Latin, along with Sharp"s notes on the common name and physical characteristics of each plant, and location and date of drawing. There is also a table of contents at the front of each sketchbook. The first 16 albums contain sketches of plants common in New England, in towns of Massachusetts such as Nantucket, Taunton, Boston, No. Andover, Marblehead, Hingham, Gloucester; Maine (York, Sorrento); New Hampshire (Surrey), and Connecticut. Volume 17 contains sketches of plants made by the artist while traveling in Switzerland, Italy, England, and France, while v. 18 contains sketches of tropical fruits and flowers of Bermuda, completed during Sharp"s visits of 1892, 1893, and 1903.
    IR_f_Helen-Sharp-V11_0015.jpg
  • Sketchbook No. 11 - Water-color sketches of plants of North America and Europe [graphic], Painted between June 1888 to September 1910 by Helen Sharp. Eighteen albums of water-color sketches by Helen Sharp of flowering plants and shrubs common to the United States, especially New England, as well as to Bermuda and parts of Europe, dated between June 1888 and Sept. 1910. Sketches in water-color and ink on paper (26 x 18 cm. or smaller) include botanical captions in Latin, along with Sharp"s notes on the common name and physical characteristics of each plant, and location and date of drawing. There is also a table of contents at the front of each sketchbook. The first 16 albums contain sketches of plants common in New England, in towns of Massachusetts such as Nantucket, Taunton, Boston, No. Andover, Marblehead, Hingham, Gloucester; Maine (York, Sorrento); New Hampshire (Surrey), and Connecticut. Volume 17 contains sketches of plants made by the artist while traveling in Switzerland, Italy, England, and France, while v. 18 contains sketches of tropical fruits and flowers of Bermuda, completed during Sharp"s visits of 1892, 1893, and 1903.
    IR_f_Helen-Sharp-V11_0010.jpg
  • Sketchbook No. 10 - Water-color sketches of plants of North America and Europe [graphic], Painted between June 1888 to September 1910 by Helen Sharp. Eighteen albums of water-color sketches by Helen Sharp of flowering plants and shrubs common to the United States, especially New England, as well as to Bermuda and parts of Europe, dated between June 1888 and Sept. 1910. Sketches in water-color and ink on paper (26 x 18 cm. or smaller) include botanical captions in Latin, along with Sharp"s notes on the common name and physical characteristics of each plant, and location and date of drawing. There is also a table of contents at the front of each sketchbook. The first 16 albums contain sketches of plants common in New England, in towns of Massachusetts such as Nantucket, Taunton, Boston, No. Andover, Marblehead, Hingham, Gloucester; Maine (York, Sorrento); New Hampshire (Surrey), and Connecticut. Volume 17 contains sketches of plants made by the artist while traveling in Switzerland, Italy, England, and France, while v. 18 contains sketches of tropical fruits and flowers of Bermuda, completed during Sharp"s visits of 1892, 1893, and 1903.
    IR_f_Helen-Sharp-V10_0031.jpg
  • Sketchbook No. 9 - Water-color sketches of plants of North America and Europe [graphic], Painted between June 1888 to September 1910 by Helen Sharp. Eighteen albums of water-color sketches by Helen Sharp of flowering plants and shrubs common to the United States, especially New England, as well as to Bermuda and parts of Europe, dated between June 1888 and Sept. 1910. Sketches in water-color and ink on paper (26 x 18 cm. or smaller) include botanical captions in Latin, along with Sharp"s notes on the common name and physical characteristics of each plant, and location and date of drawing. There is also a table of contents at the front of each sketchbook. The first 16 albums contain sketches of plants common in New England, in towns of Massachusetts such as Nantucket, Taunton, Boston, No. Andover, Marblehead, Hingham, Gloucester; Maine (York, Sorrento); New Hampshire (Surrey), and Connecticut. Volume 17 contains sketches of plants made by the artist while traveling in Switzerland, Italy, England, and France, while v. 18 contains sketches of tropical fruits and flowers of Bermuda, completed during Sharp"s visits of 1892, 1893, and 1903.
    IR_f_Helen-Sharp-V09_0031.jpg
  • Sketchbook No. 8 - Water-color sketches of plants of North America and Europe [graphic], Painted between June 1888 to September 1910 by Helen Sharp. Eighteen albums of water-color sketches by Helen Sharp of flowering plants and shrubs common to the United States, especially New England, as well as to Bermuda and parts of Europe, dated between June 1888 and Sept. 1910. Sketches in water-color and ink on paper (26 x 18 cm. or smaller) include botanical captions in Latin, along with Sharp"s notes on the common name and physical characteristics of each plant, and location and date of drawing. There is also a table of contents at the front of each sketchbook. The first 16 albums contain sketches of plants common in New England, in towns of Massachusetts such as Nantucket, Taunton, Boston, No. Andover, Marblehead, Hingham, Gloucester; Maine (York, Sorrento); New Hampshire (Surrey), and Connecticut. Volume 17 contains sketches of plants made by the artist while traveling in Switzerland, Italy, England, and France, while v. 18 contains sketches of tropical fruits and flowers of Bermuda, completed during Sharp"s visits of 1892, 1893, and 1903.
    IR_f_Helen-Sharp-V08_0056.jpg
  • Sketchbook No. 8 - Water-color sketches of plants of North America and Europe [graphic], Painted between June 1888 to September 1910 by Helen Sharp. Eighteen albums of water-color sketches by Helen Sharp of flowering plants and shrubs common to the United States, especially New England, as well as to Bermuda and parts of Europe, dated between June 1888 and Sept. 1910. Sketches in water-color and ink on paper (26 x 18 cm. or smaller) include botanical captions in Latin, along with Sharp"s notes on the common name and physical characteristics of each plant, and location and date of drawing. There is also a table of contents at the front of each sketchbook. The first 16 albums contain sketches of plants common in New England, in towns of Massachusetts such as Nantucket, Taunton, Boston, No. Andover, Marblehead, Hingham, Gloucester; Maine (York, Sorrento); New Hampshire (Surrey), and Connecticut. Volume 17 contains sketches of plants made by the artist while traveling in Switzerland, Italy, England, and France, while v. 18 contains sketches of tropical fruits and flowers of Bermuda, completed during Sharp"s visits of 1892, 1893, and 1903.
    IR_f_Helen-Sharp-V08_0057.jpg
  • Sketchbook No. 8 - Water-color sketches of plants of North America and Europe [graphic], Painted between June 1888 to September 1910 by Helen Sharp. Eighteen albums of water-color sketches by Helen Sharp of flowering plants and shrubs common to the United States, especially New England, as well as to Bermuda and parts of Europe, dated between June 1888 and Sept. 1910. Sketches in water-color and ink on paper (26 x 18 cm. or smaller) include botanical captions in Latin, along with Sharp"s notes on the common name and physical characteristics of each plant, and location and date of drawing. There is also a table of contents at the front of each sketchbook. The first 16 albums contain sketches of plants common in New England, in towns of Massachusetts such as Nantucket, Taunton, Boston, No. Andover, Marblehead, Hingham, Gloucester; Maine (York, Sorrento); New Hampshire (Surrey), and Connecticut. Volume 17 contains sketches of plants made by the artist while traveling in Switzerland, Italy, England, and France, while v. 18 contains sketches of tropical fruits and flowers of Bermuda, completed during Sharp"s visits of 1892, 1893, and 1903.
    IR_f_Helen-Sharp-V08_0004.jpg
  • Sketchbook 6 - Water-color sketches of plants of North America and Europe [graphic], Painted between June 1888 to September 1910 by Helen Sharp. Eighteen albums of water-color sketches by Helen Sharp of flowering plants and shrubs common to the United States, especially New England, as well as to Bermuda and parts of Europe, dated between June 1888 and Sept. 1910. Sketches in water-color and ink on paper (26 x 18 cm. or smaller) include botanical captions in Latin, along with Sharp"s notes on the common name and physical characteristics of each plant, and location and date of drawing. There is also a table of contents at the front of each sketchbook. The first 16 albums contain sketches of plants common in New England, in towns of Massachusetts such as Nantucket, Taunton, Boston, No. Andover, Marblehead, Hingham, Gloucester; Maine (York, Sorrento); New Hampshire (Surrey), and Connecticut. Volume 17 contains sketches of plants made by the artist while traveling in Switzerland, Italy, England, and France, while v. 18 contains sketches of tropical fruits and flowers of Bermuda, completed during Sharp"s visits of 1892, 1893, and 1903.
    IR_f_Helen-Sharp-V06_0054.jpg
  • Sketchbook 6 - Water-color sketches of plants of North America and Europe [graphic], Painted between June 1888 to September 1910 by Helen Sharp. Eighteen albums of water-color sketches by Helen Sharp of flowering plants and shrubs common to the United States, especially New England, as well as to Bermuda and parts of Europe, dated between June 1888 and Sept. 1910. Sketches in water-color and ink on paper (26 x 18 cm. or smaller) include botanical captions in Latin, along with Sharp"s notes on the common name and physical characteristics of each plant, and location and date of drawing. There is also a table of contents at the front of each sketchbook. The first 16 albums contain sketches of plants common in New England, in towns of Massachusetts such as Nantucket, Taunton, Boston, No. Andover, Marblehead, Hingham, Gloucester; Maine (York, Sorrento); New Hampshire (Surrey), and Connecticut. Volume 17 contains sketches of plants made by the artist while traveling in Switzerland, Italy, England, and France, while v. 18 contains sketches of tropical fruits and flowers of Bermuda, completed during Sharp"s visits of 1892, 1893, and 1903.
    IR_f_Helen-Sharp-V06_0004.jpg
  • Sketchbook 5 - Water-color sketches of plants of North America and Europe [graphic], Painted between June 1888 to September 1910 by Helen Sharp. Eighteen albums of water-color sketches by Helen Sharp of flowering plants and shrubs common to the United States, especially New England, as well as to Bermuda and parts of Europe, dated between June 1888 and Sept. 1910. Sketches in water-color and ink on paper (26 x 18 cm. or smaller) include botanical captions in Latin, along with Sharp"s notes on the common name and physical characteristics of each plant, and location and date of drawing. There is also a table of contents at the front of each sketchbook. The first 16 albums contain sketches of plants common in New England, in towns of Massachusetts such as Nantucket, Taunton, Boston, No. Andover, Marblehead, Hingham, Gloucester; Maine (York, Sorrento); New Hampshire (Surrey), and Connecticut. Volume 17 contains sketches of plants made by the artist while traveling in Switzerland, Italy, England, and France, while v. 18 contains sketches of tropical fruits and flowers of Bermuda, completed during Sharp"s visits of 1892, 1893, and 1903.
    IR_f_Helen-Sharp-V05_0008.jpg
  • Sketchbook 3 - Water-color sketches of plants of North America and Europe [graphic], Painted between June 1888 to September 1910 by Helen Sharp. Eighteen albums of water-color sketches by Helen Sharp of flowering plants and shrubs common to the United States, especially New England, as well as to Bermuda and parts of Europe, dated between June 1888 and Sept. 1910. Sketches in water-color and ink on paper (26 x 18 cm. or smaller) include botanical captions in Latin, along with Sharp"s notes on the common name and physical characteristics of each plant, and location and date of drawing. There is also a table of contents at the front of each sketchbook. The first 16 albums contain sketches of plants common in New England, in towns of Massachusetts such as Nantucket, Taunton, Boston, No. Andover, Marblehead, Hingham, Gloucester; Maine (York, Sorrento); New Hampshire (Surrey), and Connecticut. Volume 17 contains sketches of plants made by the artist while traveling in Switzerland, Italy, England, and France, while v. 18 contains sketches of tropical fruits and flowers of Bermuda, completed during Sharp"s visits of 1892, 1893, and 1903.
    IR_f_Helen-Sharp-V03_0045.jpg
  • Sketchbook 1 - Water-color sketches of plants of North America and Europe [graphic], Painted between June 1888 to September 1910 by Helen Sharp. Eighteen albums of water-color sketches by Helen Sharp of flowering plants and shrubs common to the United States, especially New England, as well as to Bermuda and parts of Europe, dated between June 1888 and Sept. 1910. Sketches in water-color and ink on paper (26 x 18 cm. or smaller) include botanical captions in Latin, along with Sharp"s notes on the common name and physical characteristics of each plant, and location and date of drawing. There is also a table of contents at the front of each sketchbook. The first 16 albums contain sketches of plants common in New England, in towns of Massachusetts such as Nantucket, Taunton, Boston, No. Andover, Marblehead, Hingham, Gloucester; Maine (York, Sorrento); New Hampshire (Surrey), and Connecticut. Volume 17 contains sketches of plants made by the artist while traveling in Switzerland, Italy, England, and France, while v. 18 contains sketches of tropical fruits and flowers of Bermuda, completed during Sharp"s visits of 1892, 1893, and 1903.
    IR_f_Helen-Sharp-V01_0062.jpg
  • Sketchbook 1 - Water-color sketches of plants of North America and Europe [graphic], Painted between June 1888 to September 1910 by Helen Sharp. Eighteen albums of water-color sketches by Helen Sharp of flowering plants and shrubs common to the United States, especially New England, as well as to Bermuda and parts of Europe, dated between June 1888 and Sept. 1910. Sketches in water-color and ink on paper (26 x 18 cm. or smaller) include botanical captions in Latin, along with Sharp"s notes on the common name and physical characteristics of each plant, and location and date of drawing. There is also a table of contents at the front of each sketchbook. The first 16 albums contain sketches of plants common in New England, in towns of Massachusetts such as Nantucket, Taunton, Boston, No. Andover, Marblehead, Hingham, Gloucester; Maine (York, Sorrento); New Hampshire (Surrey), and Connecticut. Volume 17 contains sketches of plants made by the artist while traveling in Switzerland, Italy, England, and France, while v. 18 contains sketches of tropical fruits and flowers of Bermuda, completed during Sharp"s visits of 1892, 1893, and 1903.
    IR_f_Helen-Sharp-V01_0027.jpg
  • Sketchbook 1 - Water-color sketches of plants of North America and Europe [graphic], Painted between June 1888 to September 1910 by Helen Sharp. Eighteen albums of water-color sketches by Helen Sharp of flowering plants and shrubs common to the United States, especially New England, as well as to Bermuda and parts of Europe, dated between June 1888 and Sept. 1910. Sketches in water-color and ink on paper (26 x 18 cm. or smaller) include botanical captions in Latin, along with Sharp"s notes on the common name and physical characteristics of each plant, and location and date of drawing. There is also a table of contents at the front of each sketchbook. The first 16 albums contain sketches of plants common in New England, in towns of Massachusetts such as Nantucket, Taunton, Boston, No. Andover, Marblehead, Hingham, Gloucester; Maine (York, Sorrento); New Hampshire (Surrey), and Connecticut. Volume 17 contains sketches of plants made by the artist while traveling in Switzerland, Italy, England, and France, while v. 18 contains sketches of tropical fruits and flowers of Bermuda, completed during Sharp"s visits of 1892, 1893, and 1903.
    IR_f_Helen-Sharp-V01_0010.jpg
  • The courtyard of the the Ralli Museum in Caesarea, Israel. Both are part of the international foundation Ralli Museums. Created by Harry Recanati to exhibit contemporary Latin American Art, commemorate the expulsion of Jews from Spain and Portugal during the Inquisition and preserve the history and art of the Jewish Community of Thessaloniki, which was almost destroyed in the Holocaust
    VA_Ralli_DSC00285.jpg
  • Ralli Museum is the private conglomerate of two art museums under same name in Caesarea, Israel. Both are part of the international foundation Ralli Museums. Created by Harry Recanati to exhibit contemporary Latin American Art, commemorate the expulsion of Jews from Spain and Portugal during the Inquisition and preserve the history and art of the Jewish Community of Thessaloniki, which was almost destroyed in the Holocaust
    VA_Ralli_DSC00098.jpg
  • The Abbot's Funeral Drawing from the Obituary Roll of John Islip, Abbot of Westminster 1500-1532 from the book The Society of Antiquaries of London has taken care to publish, at its own expense, the ancient records which preserve the memory of British affairs Originally in Latin Vetusta monumenta, quae ad rerum Britannicarum memoriam conservandam Societas Antiquariorum Londini sumptu suo edenda curavit Published 1746 by Londini [Society of Antiquaries]
    IR_f_Antiquaries-07_0101.jpg
  • Initial Letter for the Brief Drawing from the Obituary Roll of John Islip, Abbot of Westminster 1500-1532 from the book The Society of Antiquaries of London has taken care to publish, at its own expense, the ancient records which preserve the memory of British affairs Originally in Latin Vetusta monumenta, quae ad rerum Britannicarum memoriam conservandam Societas Antiquariorum Londini sumptu suo edenda curavit Published 1746 by Londini [Society of Antiquaries]
    IR_f_Antiquaries-07_0108.jpg
  • The Abbot's Chapel Drawing from the Obituary Roll of John Islip, Abbot of Westminster 1500-1532 from the book The Society of Antiquaries of London has taken care to publish, at its own expense, the ancient records which preserve the memory of British affairs Originally in Latin Vetusta monumenta, quae ad rerum Britannicarum memoriam conservandam Societas Antiquariorum Londini sumptu suo edenda curavit Published 1746 by Londini [Society of Antiquaries]
    IR_f_Antiquaries-07_0104.jpg
  • The Abbot's Death Drawing from the Obituary Roll of John Islip, Abbot of Westminster 1500-1532 from the book The Society of Antiquaries of London has taken care to publish, at its own expense, the ancient records which preserve the memory of British affairs Originally in Latin Vetusta monumenta, quae ad rerum Britannicarum memoriam conservandam Societas Antiquariorum Londini sumptu suo edenda curavit Published 1746 by Londini [Society of Antiquaries]
    IR_f_Antiquaries-07_0098.jpg
  • The Abbot and the Flowers Drawing from the Obituary Roll of John Islip, Abbot of Westminster 1500-1532 from the book The Society of Antiquaries of London has taken care to publish, at its own expense, the ancient records which preserve the memory of British affairs Originally in Latin Vetusta monumenta, quae ad rerum Britannicarum memoriam conservandam Societas Antiquariorum Londini sumptu suo edenda curavit Published 1746 by Londini [Society of Antiquaries]
    IR_f_Antiquaries-07_0095.jpg
  • Drawing from the Obituary Roll of John of Wygenhall, Abbot of West Dereham from the book The Society of Antiquaries of London has taken care to publish, at its own expense, the ancient records which preserve the memory of British affairs Originally in Latin Vetusta monumenta, quae ad rerum Britannicarum memoriam conservandam Societas Antiquariorum Londini sumptu suo edenda curavit Published 1746 by Londini [Society of Antiquaries]
    IR_f_Antiquaries-07_0088.jpg
  • Brief from the Obituary Roll of John of Wygenhall, Abbot of West Dereham from the book The Society of Antiquaries of London has taken care to publish, at its own expense, the ancient records which preserve the memory of British affairs Originally in Latin Vetusta monumenta, quae ad rerum Britannicarum memoriam conservandam Societas Antiquariorum Londini sumptu suo edenda curavit Published 1746 by Londini [Society of Antiquaries]
    IR_f_Antiquaries-07_0092.jpg
  • Drawing from the Obituary Roll of John of Wygenhall, Abbot of West Dereham from the book The Society of Antiquaries of London has taken care to publish, at its own expense, the ancient records which preserve the memory of British affairs Originally in Latin Vetusta monumenta, quae ad rerum Britannicarum memoriam conservandam Societas Antiquariorum Londini sumptu suo edenda curavit Published 1746 by Londini [Society of Antiquaries]
    IR_f_Antiquaries-07_0086.jpg
  • Tituli from the Obituary Roll of Lucy, Prioress of Hedingham C. 1230 from the book The Society of Antiquaries of London has taken care to publish, at its own expense, the ancient records which preserve the memory of British affairs Originally in Latin Vetusta monumenta, quae ad rerum Britannicarum memoriam conservandam Societas Antiquariorum Londini sumptu suo edenda curavit Published 1746 by Londini [Society of Antiquaries]
    IR_f_Antiquaries-07_0082.jpg
  • Drawing from the Obituary Roll of Lucy, Prioress of Hedingham C. 1230 from the book The Society of Antiquaries of London has taken care to publish, at its own expense, the ancient records which preserve the memory of British affairs Originally in Latin Vetusta monumenta, quae ad rerum Britannicarum memoriam conservandam Societas Antiquariorum Londini sumptu suo edenda curavit Published 1746 by Londini [Society of Antiquaries]
    IR_f_Antiquaries-07_0080.jpg
  • THE ENAMELLED ROYAL GOLD CUP OF THE KINGS of FRANCE and ENGLAND NOW PRESERVED IN THE BRITISH MUSEUM from the book The Society of Antiquaries of London has taken care to publish, at its own expense, the ancient records which preserve the memory of British affairs Originally in Latin Vetusta monumenta, quae ad rerum Britannicarum memoriam conservandam Societas Antiquariorum Londini sumptu suo edenda curavit Published 1746 by Londini [Society of Antiquaries]
    IR_f_Antiquaries-07_0070.jpg
  • THE ENAMELLED ROYAL GOLD CUP OF THE KINGS of FRANCE and ENGLAND NOW PRESERVED IN THE BRITISH MUSEUM from the book The Society of Antiquaries of London has taken care to publish, at its own expense, the ancient records which preserve the memory of British affairs Originally in Latin Vetusta monumenta, quae ad rerum Britannicarum memoriam conservandam Societas Antiquariorum Londini sumptu suo edenda curavit Published 1746 by Londini [Society of Antiquaries]
    IR_f_Antiquaries-07_0064.jpg
  • THE ENAMELLED ROYAL GOLD CUP OF THE KINGS of FRANCE and ENGLAND NOW PRESERVED IN THE BRITISH MUSEUM from the book The Society of Antiquaries of London has taken care to publish, at its own expense, the ancient records which preserve the memory of British affairs Originally in Latin Vetusta monumenta, quae ad rerum Britannicarum memoriam conservandam Societas Antiquariorum Londini sumptu suo edenda curavit Published 1746 by Londini [Society of Antiquaries]
    IR_f_Antiquaries-07_0058.jpg
  • Shield FROM THE TOMB OF EDWARD, PRINCE OF WALES, IN THE CATHEDRAL CHURCH OF CANTERBURY from the book The Society of Antiquaries of London has taken care to publish, at its own expense, the ancient records which preserve the memory of British affairs Originally in Latin Vetusta monumenta, quae ad rerum Britannicarum memoriam conservandam Societas Antiquariorum Londini sumptu suo edenda curavit Published 1746 by Londini [Society of Antiquaries]
    IR_f_Antiquaries-07_0046.jpg
  • Jupon or Surcoat FROM THE TOMB OF EDWARD, PRINCE OF WALES, IN THE CATHEDRAL CHURCH OF CANTERBURY from the book The Society of Antiquaries of London has taken care to publish, at its own expense, the ancient records which preserve the memory of British affairs Originally in Latin Vetusta monumenta, quae ad rerum Britannicarum memoriam conservandam Societas Antiquariorum Londini sumptu suo edenda curavit Published 1746 by Londini [Society of Antiquaries]
    IR_f_Antiquaries-07_0042.jpg
  • Jupon or Surcoat FROM THE TOMB OF EDWARD, PRINCE OF WALES, IN THE CATHEDRAL CHURCH OF CANTERBURY from the book The Society of Antiquaries of London has taken care to publish, at its own expense, the ancient records which preserve the memory of British affairs Originally in Latin Vetusta monumenta, quae ad rerum Britannicarum memoriam conservandam Societas Antiquariorum Londini sumptu suo edenda curavit Published 1746 by Londini [Society of Antiquaries]
    IR_f_Antiquaries-07_0040.jpg
  • Helm and Crest FROM THE TOMB OF EDWARD, PRINCE OF WALES, IN THE CATHEDRAL CHURCH OF CANTERBURY from the book The Society of Antiquaries of London has taken care to publish, at its own expense, the ancient records which preserve the memory of British affairs Originally in Latin Vetusta monumenta, quae ad rerum Britannicarum memoriam conservandam Societas Antiquariorum Londini sumptu suo edenda curavit Published 1746 by Londini [Society of Antiquaries]
    IR_f_Antiquaries-07_0036.jpg
  • Helm, Gauntlets, Sword Sheath and Belt FROM THE TOMB OF EDWARD, PRINCE OF WALES, IN THE CATHEDRAL CHURCH OF CANTERBURY from the book The Society of Antiquaries of London has taken care to publish, at its own expense, the ancient records which preserve the memory of British affairs Originally in Latin Vetusta monumenta, quae ad rerum Britannicarum memoriam conservandam Societas Antiquariorum Londini sumptu suo edenda curavit Published 1746 by Londini [Society of Antiquaries]
    IR_f_Antiquaries-07_0034.jpg
  • chimney-piece erected in the bishop’s palace at Exeter 1477 from the book The Society of Antiquaries of London has taken care to publish, at its own expense, the ancient records which preserve the memory of British affairs Originally in Latin Vetusta monumenta, quae ad rerum Britannicarum memoriam conservandam Societas Antiquariorum Londini sumptu suo edenda curavit Published 1746 by Londini [Society of Antiquaries]
    IR_f_Antiquaries-03_0232.jpg
  • Lord Montagu’s house at Cowdry from the book The Society of Antiquaries of London has taken care to publish, at its own expense, the ancient records which preserve the memory of British affairs Originally in Latin Vetusta monumenta, quae ad rerum Britannicarum memoriam conservandam Societas Antiquariorum Londini sumptu suo edenda curavit Published 1746 by Londini [Society of Antiquaries]
    IR_f_Antiquaries-03_0228.jpg
  • Lord Montagu’s house at Cowdry from the book The Society of Antiquaries of London has taken care to publish, at its own expense, the ancient records which preserve the memory of British affairs Originally in Latin Vetusta monumenta, quae ad rerum Britannicarum memoriam conservandam Societas Antiquariorum Londini sumptu suo edenda curavit Published 1746 by Londini [Society of Antiquaries]
    IR_f_Antiquaries-03_0226.jpg
  • Lord Montagu’s house at Cowdry from the book The Society of Antiquaries of London has taken care to publish, at its own expense, the ancient records which preserve the memory of British affairs Originally in Latin Vetusta monumenta, quae ad rerum Britannicarum memoriam conservandam Societas Antiquariorum Londini sumptu suo edenda curavit Published 1746 by Londini [Society of Antiquaries]
    IR_f_Antiquaries-03_0224.jpg
  • Lord Montagu’s house at Cowdry from the book The Society of Antiquaries of London has taken care to publish, at its own expense, the ancient records which preserve the memory of British affairs Originally in Latin Vetusta monumenta, quae ad rerum Britannicarum memoriam conservandam Societas Antiquariorum Londini sumptu suo edenda curavit Published 1746 by Londini [Society of Antiquaries]
    IR_f_Antiquaries-03_0222.jpg
  • church of Heckington, in the county of Lincolnfrom the book The Society of Antiquaries of London has taken care to publish, at its own expense, the ancient records which preserve the memory of British affairs Originally in Latin Vetusta monumenta, quae ad rerum Britannicarum memoriam conservandam Societas Antiquariorum Londini sumptu suo edenda curavit Published 1746 by Londini [Society of Antiquaries]
    IR_f_Antiquaries-03_0204.jpg
  • SEALS OF THE kings, royal boroughs, AND magnates of SCOTLAND. from the book The Society of Antiquaries of London has taken care to publish, at its own expense, the ancient records which preserve the memory of British affairs Originally in Latin Vetusta monumenta, quae ad rerum Britannicarum memoriam conservandam Societas Antiquariorum Londini sumptu suo edenda curavit Published 1746 by Londini [Society of Antiquaries]
    IR_f_Antiquaries-03_0185.jpg
  • SEALS OF THE kings, royal boroughs, AND magnates of SCOTLAND. from the book The Society of Antiquaries of London has taken care to publish, at its own expense, the ancient records which preserve the memory of British affairs Originally in Latin Vetusta monumenta, quae ad rerum Britannicarum memoriam conservandam Societas Antiquariorum Londini sumptu suo edenda curavit Published 1746 by Londini [Society of Antiquaries]
    IR_f_Antiquaries-03_0173.jpg
  • SEALS OF THE kings, royal boroughs, AND magnates of SCOTLAND. from the book The Society of Antiquaries of London has taken care to publish, at its own expense, the ancient records which preserve the memory of British affairs Originally in Latin Vetusta monumenta, quae ad rerum Britannicarum memoriam conservandam Societas Antiquariorum Londini sumptu suo edenda curavit Published 1746 by Londini [Society of Antiquaries]
    IR_f_Antiquaries-03_0158.jpg
  • SEALS OF THE kings, royal boroughs, AND magnates of SCOTLAND. from the book The Society of Antiquaries of London has taken care to publish, at its own expense, the ancient records which preserve the memory of British affairs Originally in Latin Vetusta monumenta, quae ad rerum Britannicarum memoriam conservandam Societas Antiquariorum Londini sumptu suo edenda curavit Published 1746 by Londini [Society of Antiquaries]
    IR_f_Antiquaries-03_0152.jpg
  • SEALS OF THE kings, royal boroughs, AND magnates of SCOTLAND. from the book The Society of Antiquaries of London has taken care to publish, at its own expense, the ancient records which preserve the memory of British affairs Originally in Latin Vetusta monumenta, quae ad rerum Britannicarum memoriam conservandam Societas Antiquariorum Londini sumptu suo edenda curavit Published 1746 by Londini [Society of Antiquaries]
    IR_f_Antiquaries-03_0142.jpg
  • Two Fonts from the book The Society of Antiquaries of London has taken care to publish, at its own expense, the ancient records which preserve the memory of British affairs Originally in Latin Vetusta monumenta, quae ad rerum Britannicarum memoriam conservandam Societas Antiquariorum Londini sumptu suo edenda curavit Published 1746 by Londini [Society of Antiquaries]
    IR_f_Antiquaries-03_0134.jpg
  • Funeral Procession of Queen ELIZABETH, 1603 from a drawing of the time from the book The Society of Antiquaries of London has taken care to publish, at its own expense, the ancient records which preserve the memory of British affairs Originally in Latin Vetusta monumenta, quae ad rerum Britannicarum memoriam conservandam Societas Antiquariorum Londini sumptu suo edenda curavit Published 1746 by Londini [Society of Antiquaries]
    IR_f_Antiquaries-03_0130.jpg
  • Funeral Procession of Queen ELIZABETH, 1603 from a drawing of the time from the book The Society of Antiquaries of London has taken care to publish, at its own expense, the ancient records which preserve the memory of British affairs Originally in Latin Vetusta monumenta, quae ad rerum Britannicarum memoriam conservandam Societas Antiquariorum Londini sumptu suo edenda curavit Published 1746 by Londini [Society of Antiquaries]
    IR_f_Antiquaries-03_0126.jpg
  • Funeral Procession of Queen ELIZABETH, 1603 from a drawing of the time from the book The Society of Antiquaries of London has taken care to publish, at its own expense, the ancient records which preserve the memory of British affairs Originally in Latin Vetusta monumenta, quae ad rerum Britannicarum memoriam conservandam Societas Antiquariorum Londini sumptu suo edenda curavit Published 1746 by Londini [Society of Antiquaries]
    IR_f_Antiquaries-03_0110.jpg
  • The Crosses eredted by Edward I. to the memory of his consort Eleanor from the book The Society of Antiquaries of London has taken care to publish, at its own expense, the ancient records which preserve the memory of British affairs Originally in Latin Vetusta monumenta, quae ad rerum Britannicarum memoriam conservandam Societas Antiquariorum Londini sumptu suo edenda curavit Published 1746 by Londini [Society of Antiquaries]
    IR_f_Antiquaries-03_0094.jpg
  • The Crosses eredted by Edward I. to the memory of his consort Eleanor from the book The Society of Antiquaries of London has taken care to publish, at its own expense, the ancient records which preserve the memory of British affairs Originally in Latin Vetusta monumenta, quae ad rerum Britannicarum memoriam conservandam Societas Antiquariorum Londini sumptu suo edenda curavit Published 1746 by Londini [Society of Antiquaries]
    IR_f_Antiquaries-03_0092.jpg
  • The Crosses eredted by Edward I. to the memory of his consort Eleanor from the book The Society of Antiquaries of London has taken care to publish, at its own expense, the ancient records which preserve the memory of British affairs Originally in Latin Vetusta monumenta, quae ad rerum Britannicarum memoriam conservandam Societas Antiquariorum Londini sumptu suo edenda curavit Published 1746 by Londini [Society of Antiquaries]
    IR_f_Antiquaries-03_0086.jpg
  • The Crosses eredted by Edward I. to the memory of his consort Eleanor from the book The Society of Antiquaries of London has taken care to publish, at its own expense, the ancient records which preserve the memory of British affairs Originally in Latin Vetusta monumenta, quae ad rerum Britannicarum memoriam conservandam Societas Antiquariorum Londini sumptu suo edenda curavit Published 1746 by Londini [Society of Antiquaries]
    IR_f_Antiquaries-03_0082.jpg
  • The Crosses eredted by Edward I. to the memory of his consort Eleanor from the book The Society of Antiquaries of London has taken care to publish, at its own expense, the ancient records which preserve the memory of British affairs Originally in Latin Vetusta monumenta, quae ad rerum Britannicarum memoriam conservandam Societas Antiquariorum Londini sumptu suo edenda curavit Published 1746 by Londini [Society of Antiquaries]
    IR_f_Antiquaries-03_0080.jpg
  • Plan of the remains of St. Remigius’s church, Cathedral at Lincoln from the book The Society of Antiquaries of London has taken care to publish, at its own expense, the ancient records which preserve the memory of British affairs Originally in Latin Vetusta monumenta, quae ad rerum Britannicarum memoriam conservandam Societas Antiquariorum Londini sumptu suo edenda curavit Published 1746 by Londini [Society of Antiquaries]
    IR_f_Antiquaries-03_0068.jpg
  • Plan of the remains of St. Remigius’s church, Cathedral at Lincoln from the book The Society of Antiquaries of London has taken care to publish, at its own expense, the ancient records which preserve the memory of British affairs Originally in Latin Vetusta monumenta, quae ad rerum Britannicarum memoriam conservandam Societas Antiquariorum Londini sumptu suo edenda curavit Published 1746 by Londini [Society of Antiquaries]
    IR_f_Antiquaries-03_0066.jpg
  • Description of STALLS discovered in Chatham Church, Kent from the book The Society of Antiquaries of London has taken care to publish, at its own expense, the ancient records which preserve the memory of British affairs Originally in Latin Vetusta monumenta, quae ad rerum Britannicarum memoriam conservandam Societas Antiquariorum Londini sumptu suo edenda curavit Published 1746 by Londini [Society of Antiquaries]
    IR_f_Antiquaries-03_0048.jpg
  • Description of STALLS discovered in Chatham Church, Kent from the book The Society of Antiquaries of London has taken care to publish, at its own expense, the ancient records which preserve the memory of British affairs Originally in Latin Vetusta monumenta, quae ad rerum Britannicarum memoriam conservandam Societas Antiquariorum Londini sumptu suo edenda curavit Published 1746 by Londini [Society of Antiquaries]
    IR_f_Antiquaries-03_0038.jpg
  • Description of the Hospital of St. MARY MAGDALEN, near Winchester, from Drawings taken by Mr. Schnebbelie, August 1788 from the book The Society of Antiquaries of London has taken care to publish, at its own expense, the ancient records which preserve the memory of British affairs Originally in Latin Vetusta monumenta, quae ad rerum Britannicarum memoriam conservandam Societas Antiquariorum Londini sumptu suo edenda curavit Published 1746 by Londini [Society of Antiquaries]
    IR_f_Antiquaries-03_0024.jpg
  • Description of the Hospital of St. MARY MAGDALEN, near Winchester, from Drawings taken by Mr. Schnebbelie, August 1788 from the book The Society of Antiquaries of London has taken care to publish, at its own expense, the ancient records which preserve the memory of British affairs Originally in Latin Vetusta monumenta, quae ad rerum Britannicarum memoriam conservandam Societas Antiquariorum Londini sumptu suo edenda curavit Published 1746 by Londini [Society of Antiquaries]
    IR_f_Antiquaries-03_0022.jpg
  • Description of the Hospital of St. MARY MAGDALEN, near Winchester, from Drawings taken by Mr. Schnebbelie, August 1788 from the book The Society of Antiquaries of London has taken care to publish, at its own expense, the ancient records which preserve the memory of British affairs Originally in Latin Vetusta monumenta, quae ad rerum Britannicarum memoriam conservandam Societas Antiquariorum Londini sumptu suo edenda curavit Published 1746 by Londini [Society of Antiquaries]
    IR_f_Antiquaries-03_0020.jpg
  • The Monogram in the Garland of Howth. The Garland of Howth, also known as the Codex Usserianus Secundus, is a fragmentary 8th to 10th century Latin Gospel Book now in Trinity College Dublin
    IR_f_Antiquaries-06_0148.jpg
  • The Monogram in the Garland of Howth. The Garland of Howth, also known as the Codex Usserianus Secundus, is a fragmentary 8th to 10th century Latin Gospel Book now in Trinity College Dublin
    IR_f_Antiquaries-06_0146.jpg
  • The new life of Dante Alighieri; by Dante Alighieri, 1265-1321; translated into English by Dante Gabriel Rossetti, 1828-1882; and illustrated by Evelyn Paul, Publication date 1915 Publisher Coventry George G. Harrap. La Vita Nuova (The New Life) or Vita Nova (Latin title) is a text by Dante Alighieri published in 1294. It is an expression of the medieval genre of courtly love in a prosimetrum style, a combination of both prose and verse.
    IR_f_Vida-Nova_0169.jpg
  • The new life of Dante Alighieri; by Dante Alighieri, 1265-1321; translated into English by Dante Gabriel Rossetti, 1828-1882; and illustrated by Evelyn Paul, Publication date 1915 Publisher Coventry George G. Harrap. La Vita Nuova (The New Life) or Vita Nova (Latin title) is a text by Dante Alighieri published in 1294. It is an expression of the medieval genre of courtly love in a prosimetrum style, a combination of both prose and verse.
    IR_f_Vida-Nova_0168.jpg
  • The new life of Dante Alighieri; by Dante Alighieri, 1265-1321; translated into English by Dante Gabriel Rossetti, 1828-1882; and illustrated by Evelyn Paul, Publication date 1915 Publisher Coventry George G. Harrap. La Vita Nuova (The New Life) or Vita Nova (Latin title) is a text by Dante Alighieri published in 1294. It is an expression of the medieval genre of courtly love in a prosimetrum style, a combination of both prose and verse.
    IR_f_Vida-Nova_0161.jpg
  • The new life of Dante Alighieri; by Dante Alighieri, 1265-1321; translated into English by Dante Gabriel Rossetti, 1828-1882; and illustrated by Evelyn Paul, Publication date 1915 Publisher Coventry George G. Harrap. La Vita Nuova (The New Life) or Vita Nova (Latin title) is a text by Dante Alighieri published in 1294. It is an expression of the medieval genre of courtly love in a prosimetrum style, a combination of both prose and verse.
    IR_f_Vida-Nova_0158.jpg
  • The new life of Dante Alighieri; by Dante Alighieri, 1265-1321; translated into English by Dante Gabriel Rossetti, 1828-1882; and illustrated by Evelyn Paul, Publication date 1915 Publisher Coventry George G. Harrap. La Vita Nuova (The New Life) or Vita Nova (Latin title) is a text by Dante Alighieri published in 1294. It is an expression of the medieval genre of courtly love in a prosimetrum style, a combination of both prose and verse.
    IR_f_Vida-Nova_0148.jpg
  • The new life of Dante Alighieri; by Dante Alighieri, 1265-1321; translated into English by Dante Gabriel Rossetti, 1828-1882; and illustrated by Evelyn Paul, Publication date 1915 Publisher Coventry George G. Harrap. La Vita Nuova (The New Life) or Vita Nova (Latin title) is a text by Dante Alighieri published in 1294. It is an expression of the medieval genre of courtly love in a prosimetrum style, a combination of both prose and verse.
    IR_f_Vida-Nova_0141.jpg
  • The new life of Dante Alighieri; by Dante Alighieri, 1265-1321; translated into English by Dante Gabriel Rossetti, 1828-1882; and illustrated by Evelyn Paul, Publication date 1915 Publisher Coventry George G. Harrap. La Vita Nuova (The New Life) or Vita Nova (Latin title) is a text by Dante Alighieri published in 1294. It is an expression of the medieval genre of courtly love in a prosimetrum style, a combination of both prose and verse.
    IR_f_Vida-Nova_0139.jpg
  • The new life of Dante Alighieri; by Dante Alighieri, 1265-1321; translated into English by Dante Gabriel Rossetti, 1828-1882; and illustrated by Evelyn Paul, Publication date 1915 Publisher Coventry George G. Harrap. La Vita Nuova (The New Life) or Vita Nova (Latin title) is a text by Dante Alighieri published in 1294. It is an expression of the medieval genre of courtly love in a prosimetrum style, a combination of both prose and verse.
    IR_f_Vida-Nova_0099.jpg
  • The new life of Dante Alighieri; by Dante Alighieri, 1265-1321; translated into English by Dante Gabriel Rossetti, 1828-1882; and illustrated by Evelyn Paul, Publication date 1915 Publisher Coventry George G. Harrap. La Vita Nuova (The New Life) or Vita Nova (Latin title) is a text by Dante Alighieri published in 1294. It is an expression of the medieval genre of courtly love in a prosimetrum style, a combination of both prose and verse.
    IR_f_Vida-Nova_0124.jpg
  • The new life of Dante Alighieri; by Dante Alighieri, 1265-1321; translated into English by Dante Gabriel Rossetti, 1828-1882; and illustrated by Evelyn Paul, Publication date 1915 Publisher Coventry George G. Harrap. La Vita Nuova (The New Life) or Vita Nova (Latin title) is a text by Dante Alighieri published in 1294. It is an expression of the medieval genre of courtly love in a prosimetrum style, a combination of both prose and verse.
    IR_f_Vida-Nova_0120.jpg
  • The new life of Dante Alighieri; by Dante Alighieri, 1265-1321; translated into English by Dante Gabriel Rossetti, 1828-1882; and illustrated by Evelyn Paul, Publication date 1915 Publisher Coventry George G. Harrap. La Vita Nuova (The New Life) or Vita Nova (Latin title) is a text by Dante Alighieri published in 1294. It is an expression of the medieval genre of courtly love in a prosimetrum style, a combination of both prose and verse.
    IR_f_Vida-Nova_0119.jpg
  • The new life of Dante Alighieri; by Dante Alighieri, 1265-1321; translated into English by Dante Gabriel Rossetti, 1828-1882; and illustrated by Evelyn Paul, Publication date 1915 Publisher Coventry George G. Harrap. La Vita Nuova (The New Life) or Vita Nova (Latin title) is a text by Dante Alighieri published in 1294. It is an expression of the medieval genre of courtly love in a prosimetrum style, a combination of both prose and verse.
    IR_f_Vida-Nova_0105.jpg
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