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  • Examples of Change of Colour due to Reaction, A neutral grey surrounded by rose appears quite different from the same grey surrounded by dark green. A corresponding change takes place in the purple in accordance with its surroundings, blue making it look more red (with an incHnation to orange), and orange making it look more blue. From the book ' Suggestions for the study of colour ' by Henry Barrett Carpenter, Publication date 1915 Publisher Rochdale School of Art
    IR_f_Study-of-Colour_0115-improved.jpg
  • Examples of Dull Colour made to Sparkle by the use of Bright Outlines From the book ' Suggestions for the study of colour ' by Henry Barrett Carpenter, Publication date 1915 Publisher Rochdale School of Art
    IR_f_Study-of-Colour_0109.jpg
  • Examples of Change of Colour due to Reaction, A neutral grey surrounded by rose appears quite different from the same grey surrounded by dark green. A corresponding change takes place in the purple in accordance with its surroundings, blue making it look more red (with an incHnation to orange), and orange making it look more blue. From the book ' Suggestions for the study of colour ' by Henry Barrett Carpenter, Publication date 1915 Publisher Rochdale School of Art
    IR_f_Study-of-Colour_0115.jpg
  • Effects produced by using keynotes of bright colour with comparatively dull surroundings. From the book ' Suggestions for the study of colour ' by Henry Barrett Carpenter, Publication date 1915 Publisher Rochdale School of Art
    IR_f_Study-of-Colour_0083.jpg
  • Colour Palette
    IR_f_Colour-Palette_0471.jpg
  • Colour Sand artist fills bottles with colourful desert sand for sale to tourists Photographed in Jerash, Jordan
    AM_Jordan_9277.jpg
  • Colour Sand artist fills bottles with colourful desert sand for sale to tourists Photographed in Jerash, Jordan
    AM_Jordan_9273.jpg
  • Abstract colour light in a dark black night
    DT_f_Abstract_2440.jpg
  • Abstract colour light in a dark black night
    DT_f_Abstract_2256.jpg
  • Abstract colour light in a dark black night reflecting in the waves
    DT_f_Abstract_0302.jpg
  • Abstract colour light in a dark black night
    DT_f_Abstract_0317.jpg
  • Abstract colour light in a dark black night
    DT_f_Abstract_0012.jpg
  • Abstract defocused colour lights reflecting off a white dog with motion resembling flames
    VA_b_00090.jpg
  • Green hardcover with gilded text book cover From the book ' The Cape peninsula: pen and colour sketches ' described by Réné Juta and painted by William Westhofen. Published by A. & C. Black, London  J.C. Juta, Cape Town in 1910
    IR_f_Cape-Peninsula_0001.jpg
  • colour sand art work on white background
    ir_m_11156_objects_New.jpg
  • Title and credit page From the book ' The Cape peninsula: pen and colour sketches ' described by Réné Juta and painted by William Westhofen. Published by A. & C. Black, London  J.C. Juta, Cape Town in 1910
    IR_f_Cape-Peninsula_0011.jpg
  • 4 pens of different colour on white background
    AS_Untitled-2_fs_PSh.jpg
  • palette of deferent colour make up
    YA_m_MG_6723_fs_New.jpg
  • palette of deferent colour make up
    YA_MG_6732_fs_PSh.jpg
  • palette of deferent colour make up
    YA_MG_6729_fs_PSh.jpg
  • palette of deferent colour make up
    YA_MG_6723_fs_PSh.jpg
  • Israel, Bet Shean ancient columns found on the site, colour manipulated, During the Hellenistic period Bet Shean had a Greek population and was called Scythopolis. In 64 BCE it was taken by the Romans, rebuilt, and made the capital of the Decapolis, the "Ten Cities" of Samaria that were centers of Greco-Roman culture. The city contains the best preserved Roman theater of ancient Samaria as well as a hippodrome, cardo, and other trademarks of the Roman influence. Excavations at the cite are ongoing at the site and reveal no less than 18 successive ancient towns
    IR_25062-1_fs_PSh.jpg
  • colour sand art work
    ir_11156_objects_fs_PS.jpg
  • Effects produced from two colours by arranging them in different ways. It will be noted that the colour when used in soHd patches appears to be quite different from the same colour when used in thin bars, while the spotted surface seems to be of a tint different from both bars and solid patches. From the book ' Suggestions for the study of colour ' by Henry Barrett Carpenter, Publication date 1915 Publisher Rochdale School of Art
    IR_f_Study-of-Colour_0077.jpg
  • Examples of Jarring Colours brought together hy Mixture with a Third Colour, From the book ' Suggestions for the study of colour ' by Henry Barrett Carpenter, Publication date 1915 Publisher Rochdale School of Art
    IR_f_Study-of-Colour_0101.jpg
  • An effect produced by combining in one scheme a set of three harmonious colours (orange, red and purple), a contrast (green-blue, which is the contrast to red) and a Discord (pale violet). As this effect has been intentionally arranged with the strongest colours, it should, naturally, not be viewed at too short a distance. From the book ' Suggestions for the study of colour ' by Henry Barrett Carpenter, Publication date 1915 Publisher Rochdale School of Art
    IR_f_Study-of-Colour_0070.jpg
  • Two examples showing how the effect of shade can be obtained without loss of briUiance by using colours in their natural order. From the book ' Suggestions for the study of colour ' by Henry Barrett Carpenter, Publication date 1915 Publisher Rochdale School of Art
    IR_f_Study-of-Colour_0093.jpg
  • Three Colours - Rose, Purple and Violet in their natural order of tone as an illustration of Harmony From the book ' Suggestions for the study of colour ' by Henry Barrett Carpenter, Publication date 1915 Publisher Rochdale School of Art
    IR_f_Study-of-Colour_0037.jpg
  • Three Colours - Yellow, Orange and Red in their natural order of tone as an illustration of Harmony From the book ' Suggestions for the study of colour ' by Henry Barrett Carpenter, Publication date 1915 Publisher Rochdale School of Art
    IR_f_Study-of-Colour_0029.jpg
  • Examples of Contrasting Colours brought together by Mixture From the book ' Suggestions for the study of colour ' by Henry Barrett Carpenter, Publication date 1915 Publisher Rochdale School of Art
    IR_f_Study-of-Colour_0097.jpg
  • Colours used first as Discords and then as Harmonies. Red is a Discord with pale purple and a Harmony with deep purple. Yellow-brown is a Discord with pale blue and a Harmony with deep blue From the book ' Suggestions for the study of colour ' by Henry Barrett Carpenter, Publication date 1915 Publisher Rochdale School of Art
    IR_f_Study-of-Colour_0059.jpg
  • Three colours — yellow-green, green and blue-green — in their natural order of tone, as an illustration of Harmony, From the book ' Suggestions for the study of colour ' by Henry Barrett Carpenter, Publication date 1915 Publisher Rochdale School of Art
    IR_f_Study-of-Colour_0033.jpg
  • Coloured stage lights and smoke as a vivid colour background
    OR_f_stage-light_199.jpg
  • Hand spun wool dyed in natural colours
    IA_dyed-yarn_5066.jpg
  • Hand spun wool dyed in natural colours
    IA_dyed-yarn_5065.jpg
  • Red spots in two different strengths on a light ground showing how, in the case of the dark spots, the great tone-contrast tends to destroy the red so that it appears as a dark rather than as a colour, whereas in the Hghter spots the sense of red colour is maintained From the book ' Suggestions for the study of colour ' by Henry Barrett Carpenter, Publication date 1915 Publisher Rochdale School of Art
    IR_f_Study-of-Colour_0089.jpg
  • true contrasts Example Orange-yellow and blue; It should be noted that, as a rule, true contrasts look best when one of the two colours greatly exceeds the other in quantity. From the book ' Suggestions for the study of colour ' by Henry Barrett Carpenter, Publication date 1915 Publisher Rochdale School of Art
    IR_f_Study-of-Colour_0047.jpg
  • true contrasts Example Yellow-green and violet. It should be noted that, as a rule, true contrasts look best when one of the two colours greatly exceeds the other in quantity. From the book ' Suggestions for the study of colour ' by Henry Barrett Carpenter, Publication date 1915 Publisher Rochdale School of Art
    IR_f_Study-of-Colour_0051.jpg
  • true contrasts Example Red and green-blue; It should be noted that, as a rule, true contrasts look best when one of the two colours greatly exceeds the other in quantity. From the book ' Suggestions for the study of colour ' by Henry Barrett Carpenter, Publication date 1915 Publisher Rochdale School of Art
    IR_f_Study-of-Colour_0049.jpg
  • An example to illustrate " Extended Harmony." Two separate schemes are included in this pattern. The stronger scheme consists of yellow-green, green, and greenish-blue ; the paler scheme consists of yellow, orange, rose, and green-blue. Each scheme is complete in itself. Instances of this are very frequent in Nature From the book ' Suggestions for the study of colour ' by Henry Barrett Carpenter, Publication date 1915 Publisher Rochdale School of Art
    IR_f_Study-of-Colour_0041.jpg
  • Examples of the Influence of Light and Dark Outlines From the book ' Suggestions for the study of colour ' by Henry Barrett Carpenter, Publication date 1915 Publisher Rochdale School of Art
    IR_f_Study-of-Colour_0105.jpg
  • Examples of Discord rightly used. Pale rose is a Discord with red, and in large masses the effect would be unbearable, but in small quantities, as shown here, it is not unpleasant. Pale violet is a Discord with purple in the second example. From the book ' Suggestions for the study of colour ' by Henry Barrett Carpenter, Publication date 1915 Publisher Rochdale School of Art
    IR_f_Study-of-Colour_0063.jpg
  • Lycoperdon [exploding puffball mushrooms] (Right) and Lycopodium [ground pines or creeping cedars] (Left) colour Copperplate engraving From the Encyclopaedia Londinensis or, Universal dictionary of arts, sciences, and literature; Volume XIII;  Edited by Wilkes, John. Published in London in 1815
    IR_f_Londinensis_XIII_0880-Colour.jpg
  • High-speed flash photograph of a colourful liquid droplet. The droplet lands in the liquid and produces a multi colour coronet.
    GV_Color-Splash_0349.jpg
  • The European polecat (Mustela putorius) is a species of mustelid native to western Eurasia and North Africa. It is of a generally dark brown colour, with a pale underbelly and a dark mask across the face. Occasionally, colour mutations, including albinos and erythrists, occur. Compared to minks and other weasels – fellow members of the genus Mustela – the polecat has a shorter, more compact body; a more powerfully built skull and dentition; is less agile; and it is well known for having the characteristic ability to secrete a particularly foul-smelling liquid to mark its territory. From the book ' A hand-book to the British mammalia ' by  Richard Lydekker, 1849-1915  Published in London, by Edward Lloyd in 1896
    IR_British-mammalia_0150.jpg
  • Digitally enhanced image repetitive design of pastel coloured leaves
    IR_f_leafs-design-2-ffcce5.jpg
  • Digitally painted image of a colourful set of footprints in sand
    IR_f_Footsteps-2-sand.jpg
  • High-speed flash photograph of a colourful liquid droplet. The droplet lands in the liquid and produces a multi colour coronet.
    GV_Color-Splash_0339.jpg
  • ROSA Indica rubra, Red Indian Rose The Indica rubra is regarded as the finest of the ever-blooming China Roses. By some it is thought to be a distinct species, from the dark colour and smaller size of its foliage : but this is most likely the effect of its recent importation ; and, when it becomes more familiarised to our climate, may in part if not totally disappear. From the book Roses, or, A monograph of the genus Rosa : containing coloured figures of all the known species and beautiful varieties, drawn, engraved, described, and coloured, from living plants. by Andrews, Henry Charles, Published in London : printed by R. Taylor and Co. ; 1805.
    IR_andrews_on_roses_0085_1.jpg
  • Art project. Color lights are projected onto a reflective screen the active viewer changes the outcome by movement
    IR_Portugal_E5575.jpg
  • Art project. Color lights are projected onto a reflective screen the active viewer changes the outcome by movement
    IR_Portugal_E5573.jpg
  • Art project. Color lights are projected onto a reflective screen the active viewer changes the outcome by movement
    IR_Portugal_E5572.jpg
  • Art project. Color lights are projected onto a reflective screen the active viewer changes the outcome by movement
    IR_Portugal_E5571.jpg
  • Art project. Color lights are projected onto a reflective screen the active viewer changes the outcome by movement
    IR_Portugal_E5569.jpg
  • Art project. Color lights are projected onto a reflective screen the active viewer changes the outcome by movement
    IR_Portugal_E5568.jpg
  • Art project. Color lights are projected onto a reflective screen the active viewer changes the outcome by movement
    IR_Portugal_E5566.jpg
  • Digitally enhanced image repetitive design of pastel coloured leaves
    IR_f_leafs-design-3-square.jpg
  • Digitally enhanced image repetitive design of pastel coloured leaves
    IR_f_leafs-design-3-7a527a.jpg
  • The colourful Eilat mountain range TNorth of Eilat, Israel
    SL_Eilat_LS2_7765.jpg
  • The colourful Eilat mountain range TNorth of Eilat, Israel
    SL_Eilat_LS2_7764.jpg
  • Digitally painted image of a colourful set of footprints on white background
    IR_f_Footsteps-2.jpg
  • Digitally painted image of a colourful set of footprints in sand
    IR_f_Footsteps-1-sand.jpg
  • Digitally painted image of a colourful set of footprints on white background
    IR_f_Footsteps-1.jpg
  • Sharpened coloured pencil crayons
    OZ_f_DSF6297.jpg
  • A Whale Brought alongside a Ship by John Heaviside Clark (c.1771–1863) was a Scottish aquatint engraver and painter of seascapes and landscapes. He was also known as Waterloo Clark, because of the sketches he made on the field directly after the Battle of Waterloo. Clark exhibited regularly at the Royal Academy between 1801 and 1832. He was the author of A practical essay on the art of Colouring and Painting Landscapes, with illustrations, published in 1807, and A practical Illustration of Gilpin's Day, with thirty colour plates, based on monochrome studies representing different times of day by William Gilpin, in 1824.
    IR_f_Whaling_1144.jpg
  • Shooting the Harpoon at a Whale by John Heaviside Clark (c.1771–1863) was a Scottish aquatint engraver and painter of seascapes and landscapes. He was also known as Waterloo Clark, because of the sketches he made on the field directly after the Battle of Waterloo. Clark exhibited regularly at the Royal Academy between 1801 and 1832. He was the author of A practical essay on the art of Colouring and Painting Landscapes, with illustrations, published in 1807, and A practical Illustration of Gilpin's Day, with thirty colour plates, based on monochrome studies representing different times of day by William Gilpin, in 1824.
    IR_f_Shooting-a-Whale.jpg
  • Boats Approaching a Whale by John Heaviside Clark (c.1771–1863) was a Scottish aquatint engraver and painter of seascapes and landscapes. He was also known as Waterloo Clark, because of the sketches he made on the field directly after the Battle of Waterloo. Clark exhibited regularly at the Royal Academy between 1801 and 1832. He was the author of A practical essay on the art of Colouring and Painting Landscapes, with illustrations, published in 1807, and A practical Illustration of Gilpin's Day, with thirty colour plates, based on monochrome studies representing different times of day by William Gilpin, in 1824.
    IR_f_Boats-Approaching-Whale.jpg
  • Celebrating Holi, a Hindu festival celebrating spring and love with colours. Photographed in Varanasi Uttar Pradesh, India
    IA_VARANASI_3493.jpg
  • Contrasts of Colours from the book  The theory and practice of landscape painting in water-colours illustrated by a series of twenty-six drawings and diagrams in colours and numerous woodcuts by Barnard, George, 1807-1890 Published in 1885 by George Routledge and Sons London
    IR_Landscape-Painting_0364.jpg
  • Primary, Secondary, and Tertiary Colours from the book  The theory and practice of landscape painting in water-colours illustrated by a series of twenty-six drawings and diagrams in colours and numerous woodcuts by Barnard, George, 1807-1890 Published in 1885 by George Routledge and Sons London
    IR_Landscape-Painting_0041.jpg
  • Primary, Secondary, and Tertiary Colours from the book  The theory and practice of landscape painting in water-colours illustrated by a series of twenty-six drawings and diagrams in colours and numerous woodcuts by Barnard, George, 1807-1890 Published in 1885 by George Routledge and Sons London
    IR_Landscape-Painting_0041-crop.jpg
  • Sharpened coloured pencil crayons with a zip
    OZ_f_P8090006.jpg
  • Sharpened coloured pencil crayons
    OZ_f_P8070001.jpg
  • colourful chairs and tables in garden cafe
    VA_f_1810_Thasos_09424.jpg
  • upturned colourful chairs and tables in garden cafe
    VA_f_1810-Abstract_08844.jpg
  • Visitors collect coloured sand at Makhtesh Ramon, Negev, Israel
    SL_Ramon_LS2_7734.jpg
  • Visitors collect coloured sand at Makhtesh Ramon, Negev, Israel
    SL_Ramon_LS2_7730.jpg
  • Autumn colours brown leaf
    VA_f_Latrun_DSC04139.jpg
  • Autumn colours brown leaf
    VA_f_Hula_DSC04840.jpg
  • Celebrating Holi, a Hindu festival celebrating spring and love with colours. Photographed in Varanasi Uttar Pradesh, India. People in the Ganges river
    IA_VARANASI_3672.jpg
  • Celebrating Holi, a Hindu festival celebrating spring and love with colours. Photographed in Varanasi Uttar Pradesh, India. People in the Ganges river
    IA_VARANASI_3665.jpg
  • Celebrating Holi, a Hindu festival celebrating spring and love with colours. Photographed in Varanasi Uttar Pradesh, India
    IA_VARANASI_3603.jpg
  • Celebrating Holi, a Hindu festival celebrating spring and love with colours. Photographed in Varanasi Uttar Pradesh, India
    IA_VARANASI_3596.jpg
  • Celebrating Holi, a Hindu festival celebrating spring and love with colours. Photographed in Varanasi Uttar Pradesh, India
    IA_VARANASI_3600.jpg
  • Celebrating Holi, a Hindu festival celebrating spring and love with colours. Photographed in Varanasi Uttar Pradesh, India
    IA_VARANASI_3565.jpg
  • Abstract defocused colour lights in a dark black night
    VA_f_Russia-2_00088.jpg
  • Abstract defocused colour light strips in a dark black night
    VA_f_Abstract_08440.jpg
  • Colourful autumn leaves on the ground
    VA_m_Leafs_02521.jpg
  • Abstract defocused colour lights in a dark black night
    SV_f_Background-lights_11.jpg
  • Colourful scarlet macaw (Ara macao) Parrot. Photographed in the Rain forest of Costa Rica
    RH_f_Parrot_06623.jpg
  • Colourful umbrellas strung up together on a blue sky background
    NO_f_1411_085.jpg
  • Colourful umbrellas strung up together on a blue sky background
    NO_f_1411_082.jpg
  • Colourful umbrellas strung up together on a blue sky background
    NO_f_1411_081.jpg
  • A colourful meadow of wildflowers. Photographed in Armenia
    VA_f_wildflower_6384.jpg
  • A colourful meadow of wildflowers. Photographed in Armenia
    VA_f_wildflower_244.jpg
  • A colourful meadow of wildflowers. Photographed in Armenia
    VA_f_wildflower_156.jpg
  • A colourful meadow of wildflowers. Photographed in Armenia
    VA_f_wildflower_053.jpg
  • Sharp coloured pencils. Close up Selective focus
    JK_f_Pencils_3016.jpg
  • coloured bottles at sunset
    DN_f_bottles.jpg
  • Colourful parrot on black background
    JK_f_Parrot_2.jpg
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