PhotoStock-Israel Licensed stock photography

Show Navigation
  • Portfolio
  • About
  • Contact
  • Archive
    • All Galleries
    • Search
    • Cart
    • Lightbox
    • Client Area

Search Results

Refine Search
Match all words
Match any word
Prints
Personal Use
Royalty-Free
Rights-Managed
(leave unchecked to
search all images)
{ 8170 images found }

Loading ()...

  • Steel Engraved portraits of Famous Indian Fighters GENERAL GEORGE CROOK, GENERAL NELSON A. MILES, GENERAL GEORGE A. CUSTER, GENERAL RANALD S. MACKENZIE Taken from photographs, and Engraved on Steel by J. A. J. Wilcox, Boston, Mass From the Book ' Our wild Indians; thirty-three years' personal experience among the red men of the great West ' by Richard Irving Dodge, Richard Irving Dodge (May 19, 1827 – June 16, 1895) was a colonel in the United States Army. Dodge was born in North Carolina[1] and died after a long and successful career in the U.S. Army. He began as a cadet in 1844 and retired as a Colonel May 19, 1891. Published  A. D. Worthington and Company, 1883, Hartford, Conn.
    IR_f_Our-Wild-Indians_0536.jpg
  • Engraved leather book cover with gilded artwork of an Indian Elephant From the book ' The Oriental annual, or, Scenes in India ' by the Rev. Hobart Caunter Published by Edward Bull, London 1835 engravings from drawings by William Daniell
    IR_Oriental-annual-1835_0366.jpg
  • Citrus fruit (Orange) engraved botanical plates from 'Catalogus plantarum horti Pisani' by Michelangelo Tilli (Pisa 1723)
    IR_Botanical-Illustration_E7320-P219.jpg
  • Ancient Briton Coins from the Book ' The coins of the ancient Britons ' by John Evans, Sir, and Engraved by Frederick William Fairholt and P. Sellier,  Publisher  London : B. Quaritch 1864
    IR_f_Briton-Coins_0451.jpg
  • Ancient Briton Coins from the Book ' The coins of the ancient Britons ' by John Evans, Sir, and Engraved by Frederick William Fairholt and P. Sellier,  Publisher  London : B. Quaritch 1864
    IR_f_Briton-Coins_0475.jpg
  • Ancient Briton Coins from the Book ' The coins of the ancient Britons ' by John Evans, Sir, and Engraved by Frederick William Fairholt and P. Sellier,  Publisher  London : B. Quaritch 1864
    IR_f_Briton-Coins_0459.jpg
  • Ancient Briton Coins from the Book ' The coins of the ancient Britons ' by John Evans, Sir, and Engraved by Frederick William Fairholt and P. Sellier,  Publisher  London : B. Quaritch 1864
    IR_f_Briton-Coins_0441.jpg
  • Ancient Briton Coins from the Book ' The coins of the ancient Britons ' by John Evans, Sir, and Engraved by Frederick William Fairholt and P. Sellier,  Publisher  London : B. Quaritch 1864
    IR_f_Briton-Coins_0437.jpg
  • Ancient Briton Coins from the Book ' The coins of the ancient Britons ' by John Evans, Sir, and Engraved by Frederick William Fairholt and P. Sellier,  Publisher  London : B. Quaritch 1864
    IR_f_Briton-Coins_0485.jpg
  • Ancient Briton Coins from the Book ' The coins of the ancient Britons ' by John Evans, Sir, and Engraved by Frederick William Fairholt and P. Sellier,  Publisher  London : B. Quaritch 1864
    IR_f_Briton-Coins_0473.jpg
  • Ancient Briton Coins from the Book ' The coins of the ancient Britons ' by John Evans, Sir, and Engraved by Frederick William Fairholt and P. Sellier,  Publisher  London : B. Quaritch 1864
    IR_f_Briton-Coins_0449.jpg
  • Ancient Briton Coins from the Book ' The coins of the ancient Britons ' by John Evans, Sir, and Engraved by Frederick William Fairholt and P. Sellier,  Publisher  London : B. Quaritch 1864
    IR_f_Briton-Coins_0453.jpg
  • Portrait of Emperor Van Ta Gin, engraved by T. Medland From the book Travels in China : containing descriptions, observations, and comparisons, made and collected in the course of a short residence at the imperial palace of Yuen-Min-Yuen, and on a subsequent journey through the country from Pekin to Canton By Sir John Barrow, Published in London : T. Cadell and W. Davies 1806
    IR_f_Peking-Canton_0004.jpg
  • Ancient Egyptian engraved stone coffin for mummified bodies
    OS_1003_IMG_0798.jpg
  • Hippopotamus Copperplate engraving by J. Chapman From the Encyclopaedia Londinensis or, Universal dictionary of arts, sciences, and literature; Volume X;  Edited by Wilkes, John. Published in London in 1811
    IR_f_Londinensis_X_0238.jpg
  • Human Anatomy The "Essai d'Anatomie" was produced by Gautier D'Agoty in 1745 in Paris, France. It is a remarkably detailed atlas of the head, neck, and shoulder areas of the human body with explanatory text in French. The anatomical images were based on human cadavers dissected by Joseph Duverney (1) and produced using the mezzotint method of engraving and printing. Mezzotint color engraving printing was invented by Jaques Christophe Le Blon in 1719. Mezzotint (from the Italian phrase "mezza tina" or "half tone") prints are produced by engraving a metal plate with numerous small holes that hold ink. When used to make a print, the engraved plate produces large areas of subtle shaded color tones. Since the mezzotint technique is quite labor-intensive, it fell out of favor by the 20th century, although it is still utilized by some artists. Most often used to reproduce paintings by famous artists, mezzotint printing was rarely used for original works of art, making the "Essai d'Anatomie" a work of great scientific and artistic significance.
    IR_f_Anatomy-1754_0005-crop.jpg
  • Human Anatomy The "Essai d'Anatomie" was produced by Gautier D'Agoty in 1745 in Paris, France. It is a remarkably detailed atlas of the head, neck, and shoulder areas of the human body with explanatory text in French. The anatomical images were based on human cadavers dissected by Joseph Duverney (1) and produced using the mezzotint method of engraving and printing. Mezzotint color engraving printing was invented by Jaques Christophe Le Blon in 1719. Mezzotint (from the Italian phrase "mezza tina" or "half tone") prints are produced by engraving a metal plate with numerous small holes that hold ink. When used to make a print, the engraved plate produces large areas of subtle shaded color tones. Since the mezzotint technique is quite labor-intensive, it fell out of favor by the 20th century, although it is still utilized by some artists. Most often used to reproduce paintings by famous artists, mezzotint printing was rarely used for original works of art, making the "Essai d'Anatomie" a work of great scientific and artistic significance.
    IR_f_Anatomy-1754_0020.jpg
  • Human Anatomy The "Essai d'Anatomie" was produced by Gautier D'Agoty in 1745 in Paris, France. It is a remarkably detailed atlas of the head, neck, and shoulder areas of the human body with explanatory text in French. The anatomical images were based on human cadavers dissected by Joseph Duverney (1) and produced using the mezzotint method of engraving and printing. Mezzotint color engraving printing was invented by Jaques Christophe Le Blon in 1719. Mezzotint (from the Italian phrase "mezza tina" or "half tone") prints are produced by engraving a metal plate with numerous small holes that hold ink. When used to make a print, the engraved plate produces large areas of subtle shaded color tones. Since the mezzotint technique is quite labor-intensive, it fell out of favor by the 20th century, although it is still utilized by some artists. Most often used to reproduce paintings by famous artists, mezzotint printing was rarely used for original works of art, making the "Essai d'Anatomie" a work of great scientific and artistic significance.
    IR_f_Anatomy-1754_0008.jpg
  • Human Anatomy The "Essai d'Anatomie" was produced by Gautier D'Agoty in 1745 in Paris, France. It is a remarkably detailed atlas of the head, neck, and shoulder areas of the human body with explanatory text in French. The anatomical images were based on human cadavers dissected by Joseph Duverney (1) and produced using the mezzotint method of engraving and printing. Mezzotint color engraving printing was invented by Jaques Christophe Le Blon in 1719. Mezzotint (from the Italian phrase "mezza tina" or "half tone") prints are produced by engraving a metal plate with numerous small holes that hold ink. When used to make a print, the engraved plate produces large areas of subtle shaded color tones. Since the mezzotint technique is quite labor-intensive, it fell out of favor by the 20th century, although it is still utilized by some artists. Most often used to reproduce paintings by famous artists, mezzotint printing was rarely used for original works of art, making the "Essai d'Anatomie" a work of great scientific and artistic significance.
    IR_f_Anatomy-1754_0026.jpg
  • Human Anatomy The "Essai d'Anatomie" was produced by Gautier D'Agoty in 1745 in Paris, France. It is a remarkably detailed atlas of the head, neck, and shoulder areas of the human body with explanatory text in French. The anatomical images were based on human cadavers dissected by Joseph Duverney (1) and produced using the mezzotint method of engraving and printing. Mezzotint color engraving printing was invented by Jaques Christophe Le Blon in 1719. Mezzotint (from the Italian phrase "mezza tina" or "half tone") prints are produced by engraving a metal plate with numerous small holes that hold ink. When used to make a print, the engraved plate produces large areas of subtle shaded color tones. Since the mezzotint technique is quite labor-intensive, it fell out of favor by the 20th century, although it is still utilized by some artists. Most often used to reproduce paintings by famous artists, mezzotint printing was rarely used for original works of art, making the "Essai d'Anatomie" a work of great scientific and artistic significance.
    IR_f_Anatomy-1754_0005.jpg
  • Human Anatomy The "Essai d'Anatomie" was produced by Gautier D'Agoty in 1745 in Paris, France. It is a remarkably detailed atlas of the head, neck, and shoulder areas of the human body with explanatory text in French. The anatomical images were based on human cadavers dissected by Joseph Duverney (1) and produced using the mezzotint method of engraving and printing. Mezzotint color engraving printing was invented by Jaques Christophe Le Blon in 1719. Mezzotint (from the Italian phrase "mezza tina" or "half tone") prints are produced by engraving a metal plate with numerous small holes that hold ink. When used to make a print, the engraved plate produces large areas of subtle shaded color tones. Since the mezzotint technique is quite labor-intensive, it fell out of favor by the 20th century, although it is still utilized by some artists. Most often used to reproduce paintings by famous artists, mezzotint printing was rarely used for original works of art, making the "Essai d'Anatomie" a work of great scientific and artistic significance.
    IR_f_Anatomy-1754_0000.jpg
  • Haneefa the Bethlehemite (Frontispiece) Steel Engraving engraved by John Saratin from a drawing by the Author from the book 'Palestine, past and present' with Biblical, Literary and Scientific Notices by Rev. Osborn, H. S. (Henry Stafford), 1823-1894 Published in Philadelphia, by J. Challen & son; in 1859
    IR_f_palestine-Osborn_0006-crop.jpg
  • Tyre Steel Engraving engraved by Samuel Saratin from a drawing by the Author from the book 'Palestine, past and present' with Biblical, Literary and Scientific Notices by Rev. Osborn, H. S. (Henry Stafford), 1823-1894 Published in Philadelphia, by J. Challen & son; in 1859
    IR_f_palestine-Osborn_0201.jpg
  • DAVID ROBERTS (1796-1864). British artist. Wood engraving appeared as a frontispiece opening of his master work 'The Holy Land : Syria, Idumea, Arabia, Egypt & Nubia' by Roberts, David, (1796-1864) Engraved by Louis Haghe. Book Published in 1855 by D. Appleton & Co., 346 & 348 Broadway in New York.
    IR_Holyland-1218_0008.jpg
  • Haneefa the Bethlehemite (Frontispiece) Steel Engraving engraved by John Saratin from a drawing by the Author from the book 'Palestine, past and present' with Biblical, Literary and Scientific Notices by Rev. Osborn, H. S. (Henry Stafford), 1823-1894 Published in Philadelphia, by J. Challen & son; in 1859
    IR_f_palestine-Osborn_0006.jpg
  • Great Claus and Little Claus from Andersen's Stories for the household, by Hans Christian Andersen, Translated by Henry William Dulcken,  Illustrated by Alfred Walter Bayes, engraved by Edward and George Dalziel Published by G. Routledge and sons in London and New York in 1880
    IR_f_Household-Stories_0039.jpg
  • Isabella of Angoulême [Isabella of Angouleme] (c. 1186 – 4 June 1246) was queen consort of England as the second wife of King John from 1200 until John's death in 1216. She was also suo jure Countess of Angoulême from 1202 until 1246. From the book Heroines of the crusades by Bloss, Celestia Angenette, 1812-1855 Published by Auburn Alden, Beardsley, New York, 1853 Engraved by J.C. Buttre
    IR_heroine_0294.jpg
  • A Natural History of ENGLISH INSECTS. Illustrated with A Hundred COPPER PLATES, Curiously engraved from the life<br />
and exactly coloured by the AUTHOR, ELEAZAR ALBIN, Painter. To which are added Large Notes of many curious Observations<br />
By W. DERHAM, D.D. Fellow of the Royal Society. Printed for William Innys MDCCXLIX (1749) Each plate is dedicated to another person
    IR_English-Insects_0185.jpg
  • black skimmer (Rynchops niger) from the 1825 volume (Aves) of 'General Zoology or Systematic Natural History' by British naturalist George Shaw (1751-1813). Shaw wrote the text (in English and Latin). He was a medical doctor, a Fellow of the Royal Society, co-founder of the Linnean Society and a zoologist at the British Museum. Engraved by Mrs. Griffith
    IR_Bird-Shaw_0185.jpg
  • The Ugly Duckling from Andersen's Stories for the household, by Hans Christian Andersen, Translated by Henry William Dulcken,  Illustrated by Alfred Walter Bayes, engraved by Edward and George Dalziel Published by G. Routledge and sons in London and New York in 1880
    IR_f_Household-Stories_0177-crop.jpg
  • The Elves Apply for the loan of the Sausage-Peg from Andersen's Stories for the household, by Hans Christian Andersen, Translated by Henry William Dulcken,  Illustrated by Alfred Walter Bayes, engraved by Edward and George Dalziel Published by G. Routledge and sons in London and New York in 1880
    IR_f_Household-Stories_0205.jpg
  • Swans in the pons at Buckingham Palace, London From the book Illustrated London, or a series of views in the British metropolis and its vicinity, engraved by Albert Henry Payne, from original drawings. The historical, topographical and miscellanious notices by Bicknell, W. I; Payne, A. H. (Albert Henry), 1812-1902 Published in London in 1846 by E.T. Brain & Co
    IR_Illustrated-London_0100.jpg
  • From the book Illustrated London, or a series of views in the British metropolis and its vicinity, engraved by Albert Henry Payne, from original drawings. The historical, topographical and miscellanious notices by Bicknell, W. I; Payne, A. H. (Albert Henry), 1812-1902 Published in London in 1846 by E.T. Brain & Co
    IR_Illustrated-London_0031-colour.jpg
  • Love - The Keepsake 1829 The Keepsake was an English literary annual which ran from 1828 to 1857, published each Christmas from 1827 to 1856, for perusal during the year of the title. Like other literary annuals, The Keepsake was an anthology of short fiction, poetry, essays, and engraved illustrations. It was a gift book designed to appeal to young women, and was distinctive for its binding of scarlet dress silk and the quality of its illustrations. Although the literature in The Keepsake and other annuals is often regarded as second-rate, many of the contributors to The Keepsake are canonical authors of the Romantic period.
    IR_Keepsake-1829_0199.jpg
  • Male Regulus Kinglet on a Broad-leaved kalmia or laurel. Kalmia latifolia. By Audubon, John James, 1785-1851 engraved by Havell, Robert, 1793-1878
    IR_f_Regulus-Kinglet-2.jpg
  • Isabella of Angoulême [Isabella of Angouleme] (c. 1186 – 4 June 1246) was queen consort of England as the second wife of King John from 1200 until John's death in 1216. She was also suo jure Countess of Angoulême from 1202 until 1246. From the book Heroines of the crusades by Bloss, Celestia Angenette, 1812-1855 Published by Auburn Alden, Beardsley, New York, 1853 Engraved by J.C. Buttre
    IR_heroine_0294-Square.jpg
  • title page From the book Heroines of the crusades by Bloss, Celestia Angenette, 1812-1855 Published by Auburn Alden, Beardsley, New York, 1853 Engraved by J.C. Buttre
    IR_ Heroine_0009.jpg
  • A Natural History of ENGLISH INSECTS. Illustrated with A Hundred COPPER PLATES, Curiously engraved from the life<br />
and exactly coloured by the AUTHOR, ELEAZAR ALBIN, Painter. To which are added Large Notes of many curious Observations<br />
By W. DERHAM, D.D. Fellow of the Royal Society. Printed for William Innys MDCCXLIX (1749) Each plate is dedicated to another person
    IR_English-Insects_0110.jpg
  • Red Legged Gull from the 1825 volume (Aves) of 'General Zoology or Systematic Natural History' by British naturalist George Shaw (1751-1813). Shaw wrote the text (in English and Latin). He was a medical doctor, a Fellow of the Royal Society, co-founder of the Linnean Society and a zoologist at the British Museum. Engraved by Mrs. Griffith
    IR_Bird-Shaw_0262.jpg
  • The Marsh King's Daughter from Andersen's Stories for the household, by Hans Christian Andersen, Translated by Henry William Dulcken,  Illustrated by Alfred Walter Bayes, engraved by Edward and George Dalziel Published by G. Routledge and sons in London and New York in 1880
    IR_f_Household-Stories_0617.jpg
  • Helga is Taken back to the Marsh from Andersen's Stories for the household, by Hans Christian Andersen, Translated by Henry William Dulcken,  Illustrated by Alfred Walter Bayes, engraved by Edward and George Dalziel Published by G. Routledge and sons in London and New York in 1880
    IR_f_Household-Stories_0623.jpg
  • from Andersen's Stories for the household, by Hans Christian Andersen, Translated by Henry William Dulcken,  Illustrated by Alfred Walter Bayes, engraved by Edward and George Dalziel Published by G. Routledge and sons in London and New York in 1880
    IR_f_Household-Stories_0433.jpg
  • The Hardy Tin Soldier from Andersen's Stories for the household, by Hans Christian Andersen, Translated by Henry William Dulcken,  Illustrated by Alfred Walter Bayes, engraved by Edward and George Dalziel Published by G. Routledge and sons in London and New York in 1880
    IR_f_Household-Stories_0008.jpg
  • Title Page and credits Andersen's Stories for the household, by Hans Christian Andersen, Translated by Henry William Dulcken,  Illustrated by Alfred Walter Bayes, engraved by Edward and George Dalziel Published by G. Routledge and sons in London and New York in 1880
    IR_f_Household-Stories_0009.jpg
  • London Blackwall [top] and the Dreadnought at Deptford [bottom] From the book Illustrated London, or a series of views in the British metropolis and its vicinity, engraved by Albert Henry Payne, from original drawings. The historical, topographical and miscellanious notices by Bicknell, W. I; Payne, A. H. (Albert Henry), 1812-1902 Published in London in 1846 by E.T. Brain & Co
    IR_Illustrated-London_0398.jpg
  • Bethlem Hospital (top) and Westminster Hospital London From the book Illustrated London, or a series of views in the British metropolis and its vicinity, engraved by Albert Henry Payne, from original drawings. The historical, topographical and miscellanious notices by Bicknell, W. I; Payne, A. H. (Albert Henry), 1812-1902 Published in London in 1846 by E.T. Brain & Co
    IR_Illustrated-London_0306.jpg
  • St. Luke's Hospital St. George's Hospital London From the book Illustrated London, or a series of views in the British metropolis and its vicinity, engraved by Albert Henry Payne, from original drawings. The historical, topographical and miscellanious notices by Bicknell, W. I; Payne, A. H. (Albert Henry), 1812-1902 Published in London in 1846 by E.T. Brain & Co
    IR_Illustrated-London_0303.jpg
  • London Giltspur Street, Compter [top] and St. John's Gate Clerkenwell From the book Illustrated London, or a series of views in the British metropolis and its vicinity, engraved by Albert Henry Payne, from original drawings. The historical, topographical and miscellanious notices by Bicknell, W. I; Payne, A. H. (Albert Henry), 1812-1902 Published in London in 1846 by E.T. Brain & Co
    IR_Illustrated-London_0244.jpg
  • London King William Street [Top] Cheapside [Bottom] From the book Illustrated London, or a series of views in the British metropolis and its vicinity, engraved by Albert Henry Payne, from original drawings. The historical, topographical and miscellanious notices by Bicknell, W. I; Payne, A. H. (Albert Henry), 1812-1902 Published in London in 1846 by E.T. Brain & Co
    IR_Illustrated-London_0142.jpg
  • London Lambeth Palace [top] Westminster Hall [bottom] From the book Illustrated London, or a series of views in the British metropolis and its vicinity, engraved by Albert Henry Payne, from original drawings. The historical, topographical and miscellanious notices by Bicknell, W. I; Payne, A. H. (Albert Henry), 1812-1902 Published in London in 1846 by E.T. Brain & Co
    IR_Illustrated-London_0125.jpg
  • London Hungerford Bridge (Top) and Duke of York's column (Bottom) From the book Illustrated London, or a series of views in the British metropolis and its vicinity, engraved by Albert Henry Payne, from original drawings. The historical, topographical and miscellanious notices by Bicknell, W. I; Payne, A. H. (Albert Henry), 1812-1902 Published in London in 1846 by E.T. Brain & Co
    IR_Illustrated-London_0097.jpg
  • London The national Gallery From the book Illustrated London, or a series of views in the British metropolis and its vicinity, engraved by Albert Henry Payne, from original drawings. The historical, topographical and miscellanious notices by Bicknell, W. I; Payne, A. H. (Albert Henry), 1812-1902 Published in London in 1846 by E.T. Brain & Co
    IR_Illustrated-London_0068-color.jpg
  • London Somerset House From the book Illustrated London, or a series of views in the British metropolis and its vicinity, engraved by Albert Henry Payne, from original drawings. The historical, topographical and miscellanious notices by Bicknell, W. I; Payne, A. H. (Albert Henry), 1812-1902 Published in London in 1846 by E.T. Brain & Co
    IR_Illustrated-London_0034.jpg
  • London - Richmond Hill From the book Illustrated London, or a series of views in the British metropolis and its vicinity, engraved by Albert Henry Payne, from original drawings. The historical, topographical and miscellanious notices by Bicknell, W. I; Payne, A. H. (Albert Henry), 1812-1902 Published in London in 1846 by E.T. Brain & Co
    IR_Illustrated-London_0028.jpg
  • The Royal Exchange From the book Illustrated London, or a series of views in the British metropolis and its vicinity, engraved by Albert Henry Payne, from original drawings. The historical, topographical and miscellanious notices by Bicknell, W. I; Payne, A. H. (Albert Henry), 1812-1902 Published in London in 1846 by E.T. Brain & Co
    IR_Illustrated-London_0008.jpg
  • Machine colorised Country Girl illustrating the story ' On Love ' from The Keepsake of 1829. The Keepsake was an English literary annual which ran from 1828 to 1857, published each Christmas from 1827 to 1856, for perusal during the year of the title. Like other literary annuals, The Keepsake was an anthology of short fiction, poetry, essays, and engraved illustrations. It was a gift book designed to appeal to young women, and was distinctive for its binding of scarlet dress silk and the quality of its illustrations. Although the literature in The Keepsake and other annuals is often regarded as second-rate, many of the contributors to The Keepsake are canonical authors of the Romantic period.
    IR_Keepsake-1829_0069-color.jpg
  • Scene at Abbotsford The Keepsake 1829 The Keepsake was an English literary annual which ran from 1828 to 1857, published each Christmas from 1827 to 1856, for perusal during the year of the title. Like other literary annuals, The Keepsake was an anthology of short fiction, poetry, essays, and engraved illustrations. It was a gift book designed to appeal to young women, and was distinctive for its binding of scarlet dress silk and the quality of its illustrations. Although the literature in The Keepsake and other annuals is often regarded as second-rate, many of the contributors to The Keepsake are canonical authors of the Romantic period.
    IR_Keepsake-1829_0301.jpg
  • Adelinda - The Keepsake 1829 The Keepsake was an English literary annual which ran from 1828 to 1857, published each Christmas from 1827 to 1856, for perusal during the year of the title. Like other literary annuals, The Keepsake was an anthology of short fiction, poetry, essays, and engraved illustrations. It was a gift book designed to appeal to young women, and was distinctive for its binding of scarlet dress silk and the quality of its illustrations. Although the literature in The Keepsake and other annuals is often regarded as second-rate, many of the contributors to The Keepsake are canonical authors of the Romantic period.
    IR_Keepsake-1829_0254.jpg
  • The Keepsake was an English literary annual which ran from 1828 to 1857, published each Christmas from 1827 to 1856, for perusal during the year of the title. Like other literary annuals, The Keepsake was an anthology of short fiction, poetry, essays, and engraved illustrations. It was a gift book designed to appeal to young women, and was distinctive for its binding of scarlet dress silk and the quality of its illustrations. Although the literature in The Keepsake and other annuals is often regarded as second-rate, many of the contributors to The Keepsake are canonical authors of the Romantic period.
    IR_Keepsake-1829_0148.jpg
  • The Keepsake was an English literary annual which ran from 1828 to 1857, published each Christmas from 1827 to 1856, for perusal during the year of the title. Like other literary annuals, The Keepsake was an anthology of short fiction, poetry, essays, and engraved illustrations. It was a gift book designed to appeal to young women, and was distinctive for its binding of scarlet dress silk and the quality of its illustrations. Although the literature in The Keepsake and other annuals is often regarded as second-rate, many of the contributors to The Keepsake are canonical authors of the Romantic period.
    IR_Keepsake-1829_0086.jpg
  • The Keepsake was an English literary annual which ran from 1828 to 1857, published each Christmas from 1827 to 1856, for perusal during the year of the title. Like other literary annuals, The Keepsake was an anthology of short fiction, poetry, essays, and engraved illustrations. It was a gift book designed to appeal to young women, and was distinctive for its binding of scarlet dress silk and the quality of its illustrations. Although the literature in The Keepsake and other annuals is often regarded as second-rate, many of the contributors to The Keepsake are canonical authors of the Romantic period.
    IR_Keepsake-1829_0008.jpg
  • Machine colourised Isabella of Angoulême [Isabella of Angouleme] (c. 1186 – 4 June 1246) was queen consort of England as the second wife of King John from 1200 until John's death in 1216. She was also suo jure Countess of Angoulême from 1202 until 1246. From the book Heroines of the crusades by Bloss, Celestia Angenette, 1812-1855 Published by Auburn Alden, Beardsley, New York, 1853 Engraved by J.C. Buttre
    IR_heroine_0294-Square-color.jpg
  • Machine colourised Berengaria of Navarre (c. 1165–1170 – 23 December 1230) was queen of England as the wife of Richard I (Richard Coeur de Lion, Lionheart) of England. She was the eldest daughter of Sancho VI of Navarre and Sancha of Castile. She did (unusually for the wife of a crusader) accompany her husband on the start of the Third Crusade, but mostly lived in his French possessions, where she gave generously to the church, despite difficulties in collecting the pension she was due from Richard's brother and successor John after she became a widow. From the book Heroines of the crusades by Bloss, Celestia Angenette, 1812-1855 Published by Auburn Alden, Beardsley, New York, 1853 Engraved by J.C. Buttre
    IR_heroine_0210-Square-color.jpg
  • Street in New Orleans from The merchant vessel : a sailor boy's voyages to see the world [around the world] by Nordhoff, Charles, 1830-1901 engraved by C. LaPlante; some illustrations by W.L. Wyllie Publisher New York : Dodd, Mead & Co. 1884
    IR_f_merchant-vessel_0421.jpg
  • from The merchant vessel : a sailor boy's voyages to see the world [around the world] by Nordhoff, Charles, 1830-1901 engraved by C. LaPlante; some illustrations by W.L. Wyllie Publisher New York : Dodd, Mead & Co. 1884
    IR_f_merchant-vessel_0395.jpg
  • A farm near Canton China from The merchant vessel : a sailor boy's voyages to see the world [around the world] by Nordhoff, Charles, 1830-1901 engraved by C. LaPlante; some illustrations by W.L. Wyllie Publisher New York : Dodd, Mead & Co. 1884
    IR_f_merchant-vessel_0343.jpg
  • Malay Children from The merchant vessel : a sailor boy's voyages to see the world [around the world] by Nordhoff, Charles, 1830-1901 engraved by C. LaPlante; some illustrations by W.L. Wyllie Publisher New York : Dodd, Mead & Co. 1884
    IR_f_merchant-vessel_0311.jpg
  • Native Canoes [Malaysia] from The merchant vessel : a sailor boy's voyages to see the world [around the world] by Nordhoff, Charles, 1830-1901 engraved by C. LaPlante; some illustrations by W.L. Wyllie Publisher New York : Dodd, Mead & Co. 1884
    IR_f_merchant-vessel_0301.jpg
  • Machine colourized (AI) Native Canoes [Malaysia] from The merchant vessel : a sailor boy's voyages to see the world [around the world] by Nordhoff, Charles, 1830-1901 engraved by C. LaPlante; some illustrations by W.L. Wyllie Publisher New York : Dodd, Mead & Co. 1884
    IR_f_merchant-vessel_0301-colorized.jpg
  • A city of India from The merchant vessel : a sailor boy's voyages to see the world [around the world] by Nordhoff, Charles, 1830-1901 engraved by C. LaPlante; some illustrations by W.L. Wyllie Publisher New York : Dodd, Mead & Co. 1884
    IR_f_merchant-vessel_0187.jpg
  • Street in San Francisco from The merchant vessel : a sailor boy's voyages to see the world [around the world] by Nordhoff, Charles, 1830-1901 engraved by C. LaPlante; some illustrations by W.L. Wyllie Publisher New York : Dodd, Mead & Co. 1884
    IR_f_merchant-vessel_0159.jpg
  • Scene of Plantation in Brazil from The merchant vessel : a sailor boy's voyages to see the world [around the world] by Nordhoff, Charles, 1830-1901 engraved by C. LaPlante; some illustrations by W.L. Wyllie Publisher New York : Dodd, Mead & Co. 1884
    IR_f_merchant-vessel_0085.jpg
  • Peak of Teneriffe [Tenerife] Mount Teide is a volcano on Tenerife in the Canary Islands, Spain. From The merchant vessel : a sailor boy's voyages to see the world [around the world] by Nordhoff, Charles, 1830-1901 engraved by C. LaPlante; some illustrations by W.L. Wyllie Publisher New York : Dodd, Mead & Co. 1884
    IR_f_merchant-vessel_0073.jpg
  • Levee of a Southern City from The merchant vessel : a sailor boy's voyages to see the world [around the world] by Nordhoff, Charles, 1830-1901 engraved by C. LaPlante; some illustrations by W.L. Wyllie Publisher New York : Dodd, Mead & Co. 1884
    IR_f_merchant-vessel_0043.jpg
  • Berengaria of Navarre (c. 1165–1170 – 23 December 1230) was queen of England as the wife of Richard I (Richard Coeur de Lion, Lionheart) of England. She was the eldest daughter of Sancho VI of Navarre and Sancha of Castile. She did (unusually for the wife of a crusader) accompany her husband on the start of the Third Crusade, but mostly lived in his French possessions, where she gave generously to the church, despite difficulties in collecting the pension she was due from Richard's brother and successor John after she became a widow. From the book Heroines of the crusades by Bloss, Celestia Angenette, 1812-1855 Published by Auburn Alden, Beardsley, New York, 1853 Engraved by J.C. Buttre
    IR_heroine_0210.jpg
  • Sidon, Lebanon from The Holy Land : Syria, Idumea, Arabia, Egypt & Nubia by Roberts, David, (1796-1864) Engraved by Louis Haghe. Volume 2. Book Published in 1855 by D. Appleton & Co., 346 & 348 Broadway in New York.
    IR_Holyland-1218_0427.jpg
  • Askelon. A conference of smoking men in the foreground  The Holy Land : Syria, Idumea, Arabia, Egypt & Nubia by Roberts, David, (1796-1864) Engraved by Louis Haghe. Volume 2. Book Published in 1855 by D. Appleton & Co., 346 & 348 Broadway in New York.
    IR_Holyland-1218_0337.jpg
  • Horses men and dogs at Sabaste ancient Samaria from The Holy Land : Syria, Idumea, Arabia, Egypt & Nubia by Roberts, David, (1796-1864) Engraved by Louis Haghe. Volume 1. Book Published in 1855 by D. Appleton & Co., 346 & 348 Broadway in New York.
    IR_Holyland-1218_0265.jpg
  • A Natural History of ENGLISH INSECTS. Illustrated with A Hundred COPPER PLATES, Curiously engraved from the life<br />
and exactly coloured by the AUTHOR, ELEAZAR ALBIN, Painter. To which are added Large Notes of many curious Observations<br />
By W. DERHAM, D.D. Fellow of the Royal Society. Printed for William Innys MDCCXLIX (1749) Each plate is dedicated to another person
    IR_English-Insects_0215.jpg
  • A Natural History of ENGLISH INSECTS. Illustrated with A Hundred COPPER PLATES, Curiously engraved from the life<br />
and exactly coloured by the AUTHOR, ELEAZAR ALBIN, Painter. To which are added Large Notes of many curious Observations<br />
By W. DERHAM, D.D. Fellow of the Royal Society. Printed for William Innys MDCCXLIX (1749) Each plate is dedicated to another person
    IR_English-Insects_0212.jpg
  • A Natural History of ENGLISH INSECTS. Illustrated with A Hundred COPPER PLATES, Curiously engraved from the life<br />
and exactly coloured by the AUTHOR, ELEAZAR ALBIN, Painter. To which are added Large Notes of many curious Observations<br />
By W. DERHAM, D.D. Fellow of the Royal Society. Printed for William Innys MDCCXLIX (1749) Each plate is dedicated to another person
    IR_English-Insects_0200.jpg
  • A Natural History of ENGLISH INSECTS. Illustrated with A Hundred COPPER PLATES, Curiously engraved from the life<br />
and exactly coloured by the AUTHOR, ELEAZAR ALBIN, Painter. To which are added Large Notes of many curious Observations<br />
By W. DERHAM, D.D. Fellow of the Royal Society. Printed for William Innys MDCCXLIX (1749) Each plate is dedicated to another person
    IR_English-Insects_0188.jpg
  • A Natural History of ENGLISH INSECTS. Illustrated with A Hundred COPPER PLATES, Curiously engraved from the life<br />
and exactly coloured by the AUTHOR, ELEAZAR ALBIN, Painter. To which are added Large Notes of many curious Observations<br />
By W. DERHAM, D.D. Fellow of the Royal Society. Printed for William Innys MDCCXLIX (1749) Each plate is dedicated to another person
    IR_English-Insects_0182.jpg
  • A Natural History of ENGLISH INSECTS. Illustrated with A Hundred COPPER PLATES, Curiously engraved from the life<br />
and exactly coloured by the AUTHOR, ELEAZAR ALBIN, Painter. To which are added Large Notes of many curious Observations<br />
By W. DERHAM, D.D. Fellow of the Royal Society. Printed for William Innys MDCCXLIX (1749) Each plate is dedicated to another person
    IR_English-Insects_0134.jpg
  • A Natural History of ENGLISH INSECTS. Illustrated with A Hundred COPPER PLATES, Curiously engraved from the life<br />
and exactly coloured by the AUTHOR, ELEAZAR ALBIN, Painter. To which are added Large Notes of many curious Observations<br />
By W. DERHAM, D.D. Fellow of the Royal Society. Printed for William Innys MDCCXLIX (1749) Each plate is dedicated to another person
    IR_English-Insects_0119.jpg
  • A Natural History of ENGLISH INSECTS. Illustrated with A Hundred COPPER PLATES, Curiously engraved from the life<br />
and exactly coloured by the AUTHOR, ELEAZAR ALBIN, Painter. To which are added Large Notes of many curious Observations<br />
By W. DERHAM, D.D. Fellow of the Royal Society. Printed for William Innys MDCCXLIX (1749) Each plate is dedicated to another person
    IR_English-Insects_0116.jpg
  • A Natural History of ENGLISH INSECTS. Illustrated with A Hundred COPPER PLATES, Curiously engraved from the life<br />
and exactly coloured by the AUTHOR, ELEAZAR ALBIN, Painter. To which are added Large Notes of many curious Observations<br />
By W. DERHAM, D.D. Fellow of the Royal Society. Printed for William Innys MDCCXLIX (1749) Each plate is dedicated to another person
    IR_English-Insects_0113.jpg
  • Tiberias and mount Hermon from The Holy Land : Syria, Idumea, Arabia, Egypt & Nubia by Roberts, David, (1796-1864) Engraved by Louis Haghe. Volume 1. Book Published in 1855 by D. Appleton & Co., 346 & 348 Broadway in New York.
    IR_Holyland-1218_0235.jpg
  • Tiberias and Sea of Galilee looking to Lebanon (North) from The Holy Land : Syria, Idumea, Arabia, Egypt & Nubia by Roberts, David, (1796-1864) Engraved by Louis Haghe. Volume 1. Book Published in 1855 by D. Appleton & Co., 346 & 348 Broadway in New York.
    IR_Holyland-1218_0225.jpg
  • Cana General view from The Holy Land : Syria, Idumea, Arabia, Egypt & Nubia by Roberts, David, (1796-1864) Engraved by Louis Haghe. Volume 1. Book Published in 1855 by D. Appleton & Co., 346 & 348 Broadway in New York.
    IR_Holyland-1218_0215.jpg
  • Fountain of Cana from The Holy Land : Syria, Idumea, Arabia, Egypt & Nubia by Roberts, David, (1796-1864) Engraved by Louis Haghe. Volume 1. Book Published in 1855 by D. Appleton & Co., 346 & 348 Broadway in New York.
    IR_Holyland-1218_0211.jpg
  • Shrine of the Annunciation Nazareth from The Holy Land : Syria, Idumea, Arabia, Egypt & Nubia by Roberts, David, (1796-1864) Engraved by Louis Haghe. Volume 1. Book Published in 1855 by D. Appleton & Co., 346 & 348 Broadway in New York.
    IR_Holyland-1218_0201.jpg
  • Fountain of the Virgin, Nazareth from The Holy Land : Syria, Idumea, Arabia, Egypt & Nubia by Roberts, David, (1796-1864) Engraved by Louis Haghe. Volume 1. Book Published in 1855 by D. Appleton & Co., 346 & 348 Broadway in New York.
    IR_Holyland-1218_0191.jpg
  • Calvary (Golgotha), Jerusalem from The Holy Land : Syria, Idumea, Arabia, Egypt & Nubia by Roberts, David, (1796-1864) Engraved by Louis Haghe. Volume 1. Book Published in 1855 by D. Appleton & Co., 346 & 348 Broadway in New York.
    IR_Holyland-1218_0175.jpg
  • Mount Tabor, Galilee  from The Holy Land : Syria, Idumea, Arabia, Egypt & Nubia by Roberts, David, (1796-1864) Engraved by Louis Haghe. Volume 1. Book Published in 1855 by D. Appleton & Co., 346 & 348 Broadway in New York.
    IR_Holyland-1218_0181.jpg
  • Chapel of St. Helena, Jerusalem  from The Holy Land : Syria, Idumea, Arabia, Egypt & Nubia by Roberts, David, (1796-1864) Engraved by Louis Haghe. Volume 1. Book Published in 1855 by D. Appleton & Co., 346 & 348 Broadway in New York.
    IR_Holyland-1218_0145.jpg
  • The Stone of Unction - Anointing in the Church of the Holy Sepulchre, Jerusalem from The Holy Land : Syria, Idumea, Arabia, Egypt & Nubia by Roberts, David, (1796-1864) Engraved by Louis Haghe. Volume 1. Book Published in 1855 by D. Appleton & Co., 346 & 348 Broadway in New York.
    IR_Holyland-1218_0141.jpg
  • Golden Gate (Eastern Gate), Jerusalem from The Holy Land : Syria, Idumea, Arabia, Egypt & Nubia by Roberts, David, (1796-1864) Engraved by Louis Haghe. Volume 1. Book Published in 1855 by D. Appleton & Co., 346 & 348 Broadway in New York.
    IR_Holyland-1218_0121.jpg
  • Tower of David from The Holy Land : Syria, Idumea, Arabia, Egypt & Nubia by Roberts, David, (1796-1864) Engraved by Louis Haghe. Volume 1. Book Published in 1855 by D. Appleton & Co., 346 & 348 Broadway in New York.
    IR_Holyland-1218_0111.jpg
  • Exterior of the Holy Sepulchre from The Holy Land : Syria, Idumea, Arabia, Egypt & Nubia by Roberts, David, (1796-1864) Engraved by Louis Haghe. Volume 1. Book Published in 1855 by D. Appleton & Co., 346 & 348 Broadway in New York.
    IR_Holyland-1218_0101.jpg
Next
  • Facebook
  • Twitter
x

Phone: +972-54-2159159
email: Sales@PhotoStock-Israel.com