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  • Still life engraving Engravings and prints catalogue. France 1881
    IR_f_Engravings-1881_0195.jpg
  • Coloured Copperplate engraving of a flowering Ixia plant from hortus nitidissimus by Christoph Jakob Trew (Nuremberg 1750-1792)
    IR_Trew_A215145_0143.jpg
  • Coloured Copperplate engraving of a Heliocarpus plant from hortus nitidissimus by Christoph Jakob Trew (Nuremberg 1750-1792)
    IR_Trew_A215145_0118.jpg
  • Coloured Copperplate engraving of a Monarda plant from hortus nitidissimus by Christoph Jakob Trew (Nuremberg 1750-1792)
    IR_Trew_A215145_0179.jpg
  • Coloured Copperplate engraving of a Cedrus (cedar) Tree from hortus nitidissimus by Christoph Jakob Trew (Nuremberg 1750-1792)
    IR_Trew_A215145_0168.jpg
  • Coloured Copperplate engraving of a Sophora tree from hortus nitidissimus by Christoph Jakob Trew (Nuremberg 1750-1792)
    IR_Trew_A215145_0163.jpg
  • Coloured Copperplate engraving of a flowering Cereus Cactus from hortus nitidissimus by Christoph Jakob Trew (Nuremberg 1750-1792)
    IR_Trew_A215145_0078.jpg
  • Coloured Copperplate engraving of a Banana (Musa) plant from hortus nitidissimus by Christoph Jakob Trew (Nuremberg 1750-1792)
    IR_Trew_A215145_0056.jpg
  • Coloured Copperplate engraving of an Annona squamosa plant from hortus nitidissimus by Christoph Jakob Trew (Nuremberg 1750-1792)
    IR_Trew_A215145_0019.jpg
  • Coloured Copperplate engraving of a cedar (Cedrus) tree from hortus nitidissimus by Christoph Jakob Trew (Nuremberg 1750-1792)
    IR_Trew_A215145_0011.jpg
  • Bureau of Engraving and Printing, Washington From the book ' The Washington monument illustrated; complete guide and history; authentic facts and figures; pictorial city of Washington ' by Ina Capitola Emery, Published in 1913
    IR_f_Washington-Monument_0051-top.jpg
  • 19th century Copperplate engraving of a Common Peacock From the Encyclopaedia Londinensis or, Universal dictionary of arts, sciences, and literature; Volume XIX;  Edited by Wilkes, John. Published in London in 1823
    IR_f_Londinensis_XIX_0450.jpg
  • Coloured Copperplate engraving of a flowering Yucca plant from hortus nitidissimus by Christoph Jakob Trew (Nuremberg 1750-1792)
    IR_Yucca_1957-192_full.jpg
  • Coloured Copperplate engraving of a flowerin Arum plant from hortus nitidissimus by Christoph Jakob Trew (Nuremberg 1750-1792)
    IR_Trew_A215145_0156.jpg
  • Coloured Copperplate engraving of a flowering Pulmonaria plant from hortus nitidissimus by Christoph Jakob Trew (Nuremberg 1750-1792)
    IR_Trew_A215145_0109.jpg
  • Coloured Copperplate engraving of a Watsonia or Meriana (bugle lily) from hortus nitidissimus by Christoph Jakob Trew (Nuremberg 1750-1792)
    IR_Trew_A215145_0105.jpg
  • Coloured Copperplate engraving of a Podophyllum peltatum (mayapple, American mandrake) from hortus nitidissimus by Christoph Jakob Trew (Nuremberg 1750-1792)
    IR_Trew_A215145_0076.jpg
  • Coloured Copperplate engraving of a Papaya fruit blossoms and plant from hortus nitidissimus by Christoph Jakob Trew (Nuremberg 1750-1792)
    IR_Trew_A215145_0024.jpg
  • Coloured Copperplate engraving of a Bocconia plant from hortus nitidissimus by Christoph Jakob Trew (Nuremberg 1750-1792)
    IR_Trew_A215145_0017.jpg
  • Coloured Copperplate engraving of a Hyacinthus orientalis (hyacinth), from hortus nitidissimus by Christoph Jakob Trew (Nuremberg 1750-1792)
    IR_Botanical-Illustration_E7361-P230.jpg
  • Coloured Copperplate engraving of a Zantedeschia aethiopica (calla lily or arum lily) from hortus nitidissimus by Christoph Jakob Trew (Nuremberg 1750-1792)
    IR_Botanical-Illustration_E7322-P227.jpg
  • Coloured Copperplate engraving of a Laurus (laurel) tree from hortus nitidissimus by Christoph Jakob Trew (Nuremberg 1750-1792)
    IR_Trew_A215145_0194.jpg
  • Coloured Copperplate engraving of a Laurus (bay laurel) tree from hortus nitidissimus by Christoph Jakob Trew (Nuremberg 1750-1792)
    IR_Trew_A215145_0192.jpg
  • Coloured Copperplate engraving of a Petiveria alliacea plant from hortus nitidissimus by Christoph Jakob Trew (Nuremberg 1750-1792)
    IR_Trew_A215145_0187.jpg
  • Coloured Copperplate engraving of a ficus branch from hortus nitidissimus by Christoph Jakob Trew (Nuremberg 1750-1792)
    IR_Trew_A215145_0135.jpg
  • Coloured Copperplate engraving of an Azalea shrub from hortus nitidissimus by Christoph Jakob Trew (Nuremberg 1750-1792)
    IR_Trew_A215145_0128.jpg
  • Coloured Copperplate engraving of a balsam poplars (Populus sect. Tacamahaca) from hortus nitidissimus by Christoph Jakob Trew (Nuremberg 1750-1792)
    IR_Trew_A215145_0123.jpg
  • Coloured Copperplate engraving of a guava, Psidium guajava or Guaiaba. from hortus nitidissimus by Christoph Jakob Trew (Nuremberg 1750-1792)
    IR_Trew_A215145_0112.jpg
  • Coloured Copperplate engraving of a Lilio Gladiolus (Gladiolus Tristis) from hortus nitidissimus by Christoph Jakob Trew (Nuremberg 1750-1792)
    IR_Trew_A215145_0100.jpg
  • Coloured Copperplate engraving of a flowering Yucca plant from hortus nitidissimus by Christoph Jakob Trew (Nuremberg 1750-1792)
    IR_Trew_A215145_0095.jpg
  • Coloured Copperplate engraving of an Acacia Tree from hortus nitidissimus by Christoph Jakob Trew (Nuremberg 1750-1792)
    IR_Trew_A215145_0093.jpg
  • Coloured Copperplate engraving of a Hura tree from hortus nitidissimus by Christoph Jakob Trew (Nuremberg 1750-1792)
    IR_Trew_A215145_0088.jpg
  • Coloured Copperplate engraving of a flowering Cereus Cactus from hortus nitidissimus by Christoph Jakob Trew (Nuremberg 1750-1792)
    IR_Trew_A215145_0083.jpg
  • Coloured Copperplate engraving of a Pancratium plant from hortus nitidissimus by Christoph Jakob Trew (Nuremberg 1750-1792)
    IR_Trew_A215145_0072.jpg
  • Coloured Copperplate engraving of a Ehretia branch from hortus nitidissimus by Christoph Jakob Trew (Nuremberg 1750-1792)
    IR_Trew_A215145_0064.jpg
  • Coloured Copperplate engraving of a Banana (Musa) plant from hortus nitidissimus by Christoph Jakob Trew (Nuremberg 1750-1792)
    IR_Trew_A215145_0051.jpg
  • Coloured Copperplate engraving of a Banana (Musa) plant from hortus nitidissimus by Christoph Jakob Trew (Nuremberg 1750-1792)
    IR_Trew_A215145_0049.jpg
  • Coloured Copperplate engraving of a flowering plant from hortus nitidissimus by Christoph Jakob Trew (Nuremberg 1750-1792)
    IR_Trew_A215145_0045.jpg
  • Coloured Copperplate engraving of a flowering Cereus cactus from hortus nitidissimus by Christoph Jakob Trew (Nuremberg 1750-1792)
    IR_Trew_A215145_0041.jpg
  • Coloured Copperplate engraving of a flowering plant from hortus nitidissimus by Christoph Jakob Trew (Nuremberg 1750-1792)
    IR_Trew_A215145_0034.jpg
  • Coloured Copperplate engraving of a flowering Lilium plant from hortus nitidissimus by Christoph Jakob Trew (Nuremberg 1750-1792)
    IR_Trew_A215145_0032.jpg
  • Coloured Copperplate engraving of an Araliastrum (Ginseng)  from hortus nitidissimus by Christoph Jakob Trew (Nuremberg 1750-1792)
    IR_Trew_A215145_0021.jpg
  • Coloured Copperplate engraving of an Annona squamosa plant from hortus nitidissimus by Christoph Jakob Trew (Nuremberg 1750-1792)
    IR_Trew_1957-191_full.jpg
  • 18th Century Anatomical Engraving. Rear view of a human skeleton
    IR_rear-Anatomy_1749.jpg
  • Coloured Copperplate engraving of a Sprekelia formosissima (Jacobean Lily) from hortus nitidissimus by Christoph Jakob Trew (Nuremberg 1750-1792)
    IR_Botanical-Illustration_E7323-P229.jpg
  • Coloured Copperplate engraving of a Nerine sarniensis, (Guernsey lily or Jersey lily) from hortus nitidissimus by Christoph Jakob Trew (Nuremberg 1750-1792)
    IR_Botanical-Illustration_E7325-P231.jpg
  • 17th century Coloured copperplate engraving described as Li Ci Fruct Arbor of a disproportionate lychee tree (Litchi chinensis) by Father Michael Piotr Boym 1656
    IR_Botanical-Illustration_E7308-P175.jpg
  • 19th Century Hand colored engraving of a rose bush (Rosa pyrenaica)
    IR_Vienna_E4390.jpg
  • 19th Century Hand colored Animal engraving of a tarsier on a tree
    IR_Vienna_E4389.jpg
  • Engraving of a dodo, an extinct, flightless bird, related to the pigeon. The size of a swan, it was heavily-built and clumsy. Two species were known with certainty: the common dodo Raphus cucullatus from Mauritius, which became extinct between 1665 and 1670, and the Rodriguez solitaire Pezophaps solitaria from the neighbouring island of Rodriguez, which died out around 1761. The dodo's numbers quickly dwindled following the arrival of humans to these isolated habitats. All but defenceless, they were ill-equipped to cope with the new hunters & the competition from other introduced species. from the The royal natural history edited by Richard Lydekker, Volume IV published in 1895
    IR_f_Royal-natural-history-42_0426.jpg
  • 19th century Copperplate engraving of a Chinese Peacock From the Encyclopaedia Londinensis or, Universal dictionary of arts, sciences, and literature; Volume XIX;  Edited by Wilkes, John. Published in London in 1823
    IR_f_Londinensis_XIX_0454.jpg
  • Coloured Copperplate engraving of a Cedrus (cedar) Tree from hortus nitidissimus by Christoph Jakob Trew (Nuremberg 1750-1792)
    IR_Trew_A215145_0166.jpg
  • Coloured Copperplate engraving of a corallodendron (Erythrina) from hortus nitidissimus by Christoph Jakob Trew (Nuremberg 1750-1792)
    IR_Trew_A215145_0161.jpg
  • Coloured Copperplate engraving of a flowering Verbascum (mullein) from hortus nitidissimus by Christoph Jakob Trew (Nuremberg 1750-1792)
    IR_Trew_A215145_0158.jpg
  • Coloured Copperplate engraving of an Indigofera flower from hortus nitidissimus by Christoph Jakob Trew (Nuremberg 1750-1792)
    IR_Trew_A215145_0148.jpg
  • Coloured Copperplate engraving of a Crotalaria (rattlepods) plant from hortus nitidissimus by Christoph Jakob Trew (Nuremberg 1750-1792)
    IR_Trew_A215145_0125.jpg
  • Coloured Copperplate engraving of a Plumeria flower and branch from hortus nitidissimus by Christoph Jakob Trew (Nuremberg 1750-1792)
    IR_Trew_A215145_0107.jpg
  • Coloured Copperplate engraving of a Ledum (Rhododendron) shrub from hortus nitidissimus by Christoph Jakob Trew (Nuremberg 1750-1792)
    IR_Trew_A215145_0098.jpg
  • Coloured Copperplate engraving of a flowering Cereus Cactus from hortus nitidissimus by Christoph Jakob Trew (Nuremberg 1750-1792)
    IR_Trew_A215145_0081.jpg
  • Coloured Copperplate engraving of Setaria palmifolia from hortus nitidissimus by Christoph Jakob Trew (Nuremberg 1750-1792)
    IR_Trew_A215145_0069.jpg
  • Coloured Copperplate engraving of a Banana (Musa) plant from hortus nitidissimus by Christoph Jakob Trew (Nuremberg 1750-1792)
    IR_Trew_A215145_0060.jpg
  • Coloured Copperplate engraving of a Banana (Musa) plant from hortus nitidissimus by Christoph Jakob Trew (Nuremberg 1750-1792)
    IR_Trew_A215145_0058.jpg
  • Coloured Copperplate engraving of a Banana (Musa) plant from hortus nitidissimus by Christoph Jakob Trew (Nuremberg 1750-1792)
    IR_Trew_A215145_0053.jpg
  • Coloured Copperplate engraving of a Mespilus germanica (medlar) from hortus nitidissimus by Christoph Jakob Trew (Nuremberg 1750-1792)
    IR_Trew_A215145_0047.jpg
  • Coloured Copperplate engraving of a Liriodendron (liriodendrum) tree from hortus nitidissimus by Christoph Jakob Trew (Nuremberg 1750-1792)
    IR_Trew_A215145_0030.jpg
  • Coloured Copperplate engraving of a Magnolia tree from hortus nitidissimus by Christoph Jakob Trew (Nuremberg 1750-1792)
    IR_Trew_A215145_0028.jpg
  • Coloured Copperplate engraving of an Erythrina (Corallodendron) from hortus nitidissimus by Christoph Jakob Trew (Nuremberg 1750-1792)
    IR_Trew_A215145_0026.jpg
  • Copperplate engraving of a Ferraria crispa (Black Flag) from South Africa. Printed in 1638
    IR_Botanical-Illustration_E7297-P139.jpg
  • Coloured Copperplate engraving of a flowering Bromelia plant from hortus nitidissimus by Christoph Jakob Trew (Nuremberg 1750-1792)
    IR_Trew_A215145_0139.jpg
  • Coloured Copperplate engraving of a Haemanthus (Paintbrush Lily) from hortus nitidissimus by Christoph Jakob Trew (Nuremberg 1750-1792)
    IR_Trew_A215145_0116.jpg
  • Coloured Copperplate engraving of a Magnolia tree from hortus nitidissimus by Christoph Jakob Trew (Nuremberg 1750-1792)
    IR_Trew_A215145_0086.jpg
  • Coloured Copperplate engraving of a Pavia plant from hortus nitidissimus by Christoph Jakob Trew (Nuremberg 1750-1792)
    IR_Trew_A215145_0043.jpg
  • Coloured Copperplate engraving of a Lilio-Narcissus (Indian Lily-Daffodil) from hortus nitidissimus by Christoph Jakob Trew (Nuremberg 1750-1792)
    IR_Trew_A215145_0039.jpg
  • Coloured Copperplate engraving of a pineapple (Ananas) from hortus nitidissimus by Christoph Jakob Trew (Nuremberg 1750-1792)
    IR_Trew_A215145_0013.jpg
  • Lodgings to Let, an 1814 engraving featuring a double entendre. He: "My sweet honey, I hope you are to be let with the Lodgins!" She: "No, sir, I am to be let alone".  A fashionably dressed man standing in a well-furnished sitting-room, speaking to a pretty and elegant young woman. He wears a tophat, Hessian boots, and carries a large rough walking-stick.
    IR_Let_alone2.jpg
  • Oxalis and Iris Engraving, hand-colored print of plants and butterflies from Plantae et papiliones rariores (rare plants and butterflies) by Ehret, Georg Dionysius, 1708-1770 Published in London in 1748
    IR_Plantae-Rariores_0022.jpg
  • A man engraving a block of wood with a mallet and chisel
    VA_Woodwork_05706.JPG
  • A man engraving a block of wood with a mallet and chisel
    VA_Woodwork_05721.JPG
  • A man engraving a block of wood with a mallet and chisel
    VA_Woodwork_05719.JPG
  • A man engraving a block of wood with a mallet and chisel
    VA_Woodwork_05715.JPG
  • A man engraving a block of wood with a mallet and chisel
    VA_Woodwork_05714.JPG
  • A man engraving a block of wood with a mallet and chisel
    VA_Woodwork_05711.JPG
  • A man engraving a block of wood with a mallet and chisel
    VA_Woodwork_05700.JPG
  • A man engraving a block of wood with a mallet and chisel
    VA_Woodwork_05696.JPG
  • A man engraving a block of wood with a mallet and chisel
    VA_Woodwork_05710.JPG
  • A man engraving a block of wood with a mallet and chisel
    VA_Woodwork_05701.JPG
  • A man engraving a block of wood with a mallet and chisel
    VA_Woodwork_05692.JPG
  • Hand colored botanical engraving Pulsatilla vulgaris (pasque flower, pasqueflower)
    IR_Lithography_E7171-wbg.jpg
  • Hand colored botanical engraving Pulsatilla vulgaris (pasque flower, pasqueflower)
    IR_Lithography_E7171.JPG
  • Hippopotamus Copperplate engraving by J. Chapman From the Encyclopaedia Londinensis or, Universal dictionary of arts, sciences, and literature; Volume X;  Edited by Wilkes, John. Published in London in 1811
    IR_f_Londinensis_X_0238.jpg
  • Human Anatomy The "Essai d'Anatomie" was produced by Gautier D'Agoty in 1745 in Paris, France. It is a remarkably detailed atlas of the head, neck, and shoulder areas of the human body with explanatory text in French. The anatomical images were based on human cadavers dissected by Joseph Duverney (1) and produced using the mezzotint method of engraving and printing. Mezzotint color engraving printing was invented by Jaques Christophe Le Blon in 1719. Mezzotint (from the Italian phrase "mezza tina" or "half tone") prints are produced by engraving a metal plate with numerous small holes that hold ink. When used to make a print, the engraved plate produces large areas of subtle shaded color tones. Since the mezzotint technique is quite labor-intensive, it fell out of favor by the 20th century, although it is still utilized by some artists. Most often used to reproduce paintings by famous artists, mezzotint printing was rarely used for original works of art, making the "Essai d'Anatomie" a work of great scientific and artistic significance.
    IR_f_Anatomy-1754_0005.jpg
  • Human Anatomy The "Essai d'Anatomie" was produced by Gautier D'Agoty in 1745 in Paris, France. It is a remarkably detailed atlas of the head, neck, and shoulder areas of the human body with explanatory text in French. The anatomical images were based on human cadavers dissected by Joseph Duverney (1) and produced using the mezzotint method of engraving and printing. Mezzotint color engraving printing was invented by Jaques Christophe Le Blon in 1719. Mezzotint (from the Italian phrase "mezza tina" or "half tone") prints are produced by engraving a metal plate with numerous small holes that hold ink. When used to make a print, the engraved plate produces large areas of subtle shaded color tones. Since the mezzotint technique is quite labor-intensive, it fell out of favor by the 20th century, although it is still utilized by some artists. Most often used to reproduce paintings by famous artists, mezzotint printing was rarely used for original works of art, making the "Essai d'Anatomie" a work of great scientific and artistic significance.
    IR_f_Anatomy-1754_0020.jpg
  • Human Anatomy The "Essai d'Anatomie" was produced by Gautier D'Agoty in 1745 in Paris, France. It is a remarkably detailed atlas of the head, neck, and shoulder areas of the human body with explanatory text in French. The anatomical images were based on human cadavers dissected by Joseph Duverney (1) and produced using the mezzotint method of engraving and printing. Mezzotint color engraving printing was invented by Jaques Christophe Le Blon in 1719. Mezzotint (from the Italian phrase "mezza tina" or "half tone") prints are produced by engraving a metal plate with numerous small holes that hold ink. When used to make a print, the engraved plate produces large areas of subtle shaded color tones. Since the mezzotint technique is quite labor-intensive, it fell out of favor by the 20th century, although it is still utilized by some artists. Most often used to reproduce paintings by famous artists, mezzotint printing was rarely used for original works of art, making the "Essai d'Anatomie" a work of great scientific and artistic significance.
    IR_f_Anatomy-1754_0005-crop.jpg
  • Human Anatomy The "Essai d'Anatomie" was produced by Gautier D'Agoty in 1745 in Paris, France. It is a remarkably detailed atlas of the head, neck, and shoulder areas of the human body with explanatory text in French. The anatomical images were based on human cadavers dissected by Joseph Duverney (1) and produced using the mezzotint method of engraving and printing. Mezzotint color engraving printing was invented by Jaques Christophe Le Blon in 1719. Mezzotint (from the Italian phrase "mezza tina" or "half tone") prints are produced by engraving a metal plate with numerous small holes that hold ink. When used to make a print, the engraved plate produces large areas of subtle shaded color tones. Since the mezzotint technique is quite labor-intensive, it fell out of favor by the 20th century, although it is still utilized by some artists. Most often used to reproduce paintings by famous artists, mezzotint printing was rarely used for original works of art, making the "Essai d'Anatomie" a work of great scientific and artistic significance.
    IR_f_Anatomy-1754_0026.jpg
  • Human Anatomy The "Essai d'Anatomie" was produced by Gautier D'Agoty in 1745 in Paris, France. It is a remarkably detailed atlas of the head, neck, and shoulder areas of the human body with explanatory text in French. The anatomical images were based on human cadavers dissected by Joseph Duverney (1) and produced using the mezzotint method of engraving and printing. Mezzotint color engraving printing was invented by Jaques Christophe Le Blon in 1719. Mezzotint (from the Italian phrase "mezza tina" or "half tone") prints are produced by engraving a metal plate with numerous small holes that hold ink. When used to make a print, the engraved plate produces large areas of subtle shaded color tones. Since the mezzotint technique is quite labor-intensive, it fell out of favor by the 20th century, although it is still utilized by some artists. Most often used to reproduce paintings by famous artists, mezzotint printing was rarely used for original works of art, making the "Essai d'Anatomie" a work of great scientific and artistic significance.
    IR_f_Anatomy-1754_0008.jpg
  • Human Anatomy The "Essai d'Anatomie" was produced by Gautier D'Agoty in 1745 in Paris, France. It is a remarkably detailed atlas of the head, neck, and shoulder areas of the human body with explanatory text in French. The anatomical images were based on human cadavers dissected by Joseph Duverney (1) and produced using the mezzotint method of engraving and printing. Mezzotint color engraving printing was invented by Jaques Christophe Le Blon in 1719. Mezzotint (from the Italian phrase "mezza tina" or "half tone") prints are produced by engraving a metal plate with numerous small holes that hold ink. When used to make a print, the engraved plate produces large areas of subtle shaded color tones. Since the mezzotint technique is quite labor-intensive, it fell out of favor by the 20th century, although it is still utilized by some artists. Most often used to reproduce paintings by famous artists, mezzotint printing was rarely used for original works of art, making the "Essai d'Anatomie" a work of great scientific and artistic significance.
    IR_f_Anatomy-1754_0000.jpg
  • Part 4 of 5 of The Grand panorama of London from the Thames Published in London by Charles Evans. This remarkable engraving, twelve feet in length, may be taken as a specimen of the gifts presented without charge to the subscribers to the Pictorial times, family illustrated newspaper; as a print it is unequalled in the history of wood engraving, and is alike valuable as a work of art and as an historical record of the appearance of the great metropolis, seen from the Thames in 1844.
    IR_London-Thames-pano-4.jpg
  • Part 5 of 5 of The Grand panorama of London from the Thames Published in London by Charles Evans. This remarkable engraving, twelve feet in length, may be taken as a specimen of the gifts presented without charge to the subscribers to the Pictorial times, family illustrated newspaper; as a print it is unequalled in the history of wood engraving, and is alike valuable as a work of art and as an historical record of the appearance of the great metropolis, seen from the Thames in 1844.
    IR_London-Thames-pano-5.jpg
  • Part 2 of 5 of The Grand panorama of London from the Thames Published in London by Charles Evans. This remarkable engraving, twelve feet in length, may be taken as a specimen of the gifts presented without charge to the subscribers to the Pictorial times, family illustrated newspaper; as a print it is unequalled in the history of wood engraving, and is alike valuable as a work of art and as an historical record of the appearance of the great metropolis, seen from the Thames in 1844.
    IR_London-Thames-pano-2.jpg
  • Part 3 of 5 of The Grand panorama of London from the Thames Published in London by Charles Evans. This remarkable engraving, twelve feet in length, may be taken as a specimen of the gifts presented without charge to the subscribers to the Pictorial times, family illustrated newspaper; as a print it is unequalled in the history of wood engraving, and is alike valuable as a work of art and as an historical record of the appearance of the great metropolis, seen from the Thames in 1844.
    IR_London-Thames-pano-3.jpg
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