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  • Zodiac mosaic floor, synagogue in Hamat Tiberias Hamat Tverya National Park is an ancient archaeological site and an Israeli national park, On the shore of the Sea of Galilee, Tiberias, Israel. The mosaic floor is made up of three panels featuring: inscriptions and dedications; the zodiac panel, including Helios the sun god and four women symbolizing the four seasons of nature; while the upper panel depicts the Temple of Jerusalem plus the primary symbols of Judaism, the menorah candelabra, shofar horn, arbaa-minim plants, and a mahta shovel.
    AH_f_Tiberias_DSC03796.jpg
  • Zodiac mosaic floor, synagogue in Hamat Tiberias Hamat Tverya National Park is an ancient archaeological site and an Israeli national park, On the shore of the Sea of Galilee, Tiberias, Israel. The mosaic floor is made up of three panels featuring: inscriptions and dedications; the zodiac panel, including Helios the sun god and four women symbolizing the four seasons of nature; while the upper panel depicts the Temple of Jerusalem plus the primary symbols of Judaism, the menorah candelabra, shofar horn, arbaa-minim plants, and a mahta shovel.
    AH_f_Tiberias_DSC03795.jpg
  • Zodiac mosaic floor, synagogue in Hamat Tiberias Hamat Tverya National Park is an ancient archaeological site and an Israeli national park, On the shore of the Sea of Galilee, Tiberias, Israel. The mosaic floor is made up of three panels featuring: inscriptions and dedications; the zodiac panel, including Helios the sun god and four women symbolizing the four seasons of nature; while the upper panel depicts the Temple of Jerusalem plus the primary symbols of Judaism, the menorah candelabra, shofar horn, arbaa-minim plants, and a mahta shovel.
    AH_f_Tiberias_DSC03794.jpg
  • Geometric mosaic floor design in the Nile House at Zippori National Park The city of Zippori (Sepphoris) A Roman Byzantine period city with an abundance of mosaics, Lower Galilee, Israel
    IR_Sepphoris_F1382.jpg
  • Israel, Coastal plains, Caesarea, The Palace of the ‘Birds Mosaic’ a 14.5 x 16m floor of a villa dating to the Byzantine period, 6-7th century CE
    BT_f_Mosaic_0862.jpg
  • Israel, Coastal plains, Caesarea, The Palace of the ‘Birds Mosaic’ a 14.5 x 16m floor of a villa dating to the Byzantine period, 6-7th century CE
    BT_f_Mosaic_0851.jpg
  • Cluster of mushrooms on the forest floor, Photographed in Stubai Valley, Tyrol, Austria
    IR_f_Stubaital_D9058.jpg
  • Cluster of mushrooms on the forest floor, Photographed in Stubai Valley, Tyrol, Austria
    IR_f_Stubaital_D9056.jpg
  • Israel, Caesarea Mosaic floor
    BT_f_Caesarea_IMG_9444.jpg
  • Israel, Sea of Galilee, Kursi, Gergesa, Byzantine monastery and church with a mosaic floor the traditional site of Jesus' miracle of casting out the legion of demons into a herd of swine
    GC_Kursi4.jpg
  • Israel, Sea of Galilee, Kursi, Gergesa, Byzantine monastery and church with a mosaic floor the traditional site of Jesus' miracle of casting out the legion of demons into a herd of swine
    GC_Kursi2.jpg
  • Israel, Sea of Galilee, Kursi, Gergesa, Byzantine monastery and church with a mosaic floor the traditional site of Jesus' miracle of casting out the legion of demons into a herd of swine
    GC_Kursi3.jpg
  • Geometric mosaic floor design in the Nile House at Zippori National Park The city of Zippori (Sepphoris) A Roman Byzantine period city with an abundance of mosaics, Lower Galilee, Israel
    IR_Sepphoris_F1380.jpg
  • Geometric mosaic floor design in the Nile House at Zippori National Park The city of Zippori (Sepphoris) A Roman Byzantine period city with an abundance of mosaics, Lower Galilee, Israel
    IR_Sepphoris_F1379.jpg
  • Geometric mosaic floor design in the Nile House at Zippori National Park The city of Zippori (Sepphoris) A Roman Byzantine period city with an abundance of mosaics, Lower Galilee, Israel
    IR_Sepphoris_F1376.jpg
  • Geometric mosaic floor design in the Nile House at Zippori National Park The city of Zippori (Sepphoris) A Roman Byzantine period city with an abundance of mosaics, Lower Galilee, Israel
    IR_Sepphoris_F1352.jpg
  • A village Threshing floor, Egypt Wood engraving of from 'Picturesque Palestine, Sinai and Egypt' by Wilson, Charles William, Sir, 1836-1905; Lane-Poole, Stanley, 1854-1931 Volume 4. Published in 1884 by J. S. Virtue and Co, London
    IR_picturesque-04_0158.jpg
  • prehistoric granary and threshing floor site in the Uvda valley desert region, Negev, Israel. These sites have been dates to  have been dated to the Bronze age 6th–3rd Millennia BC
    IR_f_Uvda_E9850.jpg
  • prehistoric granary and threshing floor site in the Uvda valley desert region, Negev, Israel. These sites have been dates to  have been dated to the Bronze age 6th–3rd Millennia BC
    IR_f_Uvda_E9853.jpg
  • prehistoric granary and threshing floor site in the Uvda valley desert region, Negev, Israel. These sites have been dates to  have been dated to the Bronze age 6th–3rd Millennia BC
    IR_f_Uvda_E9832.jpg
  • prehistoric granary and threshing floor site in the Uvda valley desert region, Negev, Israel. These sites have been dates to  have been dated to the Bronze age 6th–3rd Millennia BC
    IR_f_Uvda_E9843.jpg
  • prehistoric granary and threshing floor site in the Uvda valley desert region, Negev, Israel. These sites have been dates to  have been dated to the Bronze age 6th–3rd Millennia BC
    IR_f_Uvda_E9829.jpg
  • prehistoric granary and threshing floor site in the Uvda valley desert region, Negev, Israel. These sites have been dates to have been dated to the Bronze age 6th–3rd Millennia BC
    IR_f_Uvda_E9792.jpg
  • prehistoric granary and threshing floor site in the Uvda valley desert region, Negev, Israel. These sites have been dates to have been dated to the Bronze age 6th–3rd Millennia BC
    IR_f_Uvda_E9791.jpg
  • prehistoric granary and threshing floor site in the Uvda valley desert region, Negev, Israel. These sites have been dates to have been dated to the Bronze age 6th–3rd Millennia BC
    IR_f_Uvda_E9790.jpg
  • prehistoric granary and threshing floor site in the Uvda valley desert region, Negev, Israel. These sites have been dates to have been dated to the Bronze age 6th–3rd Millennia BC
    IR_f_Uvda_E9789.jpg
  • prehistoric granary and threshing floor site in the Uvda valley desert region, Negev, Israel. These sites have been dates to have been dated to the Bronze age 6th–3rd Millennia BC
    IR_f_Uvda_E9788.jpg
  • prehistoric granary and threshing floor site in the Uvda valley desert region, Negev, Israel. These sites have been dates to have been dated to the Bronze age 6th–3rd Millennia BC
    IR_f_Uvda_E9787.jpg
  • prehistoric granary and threshing floor site in the Uvda valley desert region, Negev, Israel. These sites have been dates to have been dated to the Bronze age 6th–3rd Millennia BC
    IR_f_Uvda_E9786.jpg
  • prehistoric granary and threshing floor site in the Uvda valley desert region, Negev, Israel. These sites have been dates to have been dated to the Bronze age 6th–3rd Millennia BC
    IR_f_Uvda_E9784.jpg
  • prehistoric granary and threshing floor site in the Uvda valley desert region, Negev, Israel. These sites have been dates to have been dated to the Bronze age 6th–3rd Millennia BC
    IR_f_Uvda_E9772.jpg
  • prehistoric granary and threshing floor site in the Uvda valley desert region, Negev, Israel. These sites have been dates to have been dated to the Bronze age 6th–3rd Millennia BC
    IR_f_Uvda_E9773.jpg
  • prehistoric granary and threshing floor site in the Uvda valley desert region, Negev, Israel. These sites have been dates to have been dated to the Bronze age 6th–3rd Millennia BC
    IR_f_Uvda_E9771.jpg
  • prehistoric granary and threshing floor site in the Uvda valley desert region, Negev, Israel. These sites have been dates to have been dated to the Bronze age 6th–3rd Millennia BC
    IR_f_Uvda_E9782-Pano.jpg
  • Suburban Residence, Floor Plan layout from Godey's Lady's Book and Magazine, August, 1864, Volume LXIX, (Volume 69), Philadelphia, Louis A. Godey, Sarah Josepha Hale,
    IR_f_gdy1864LXIXAug_0084.jpg
  • Cluster of mushrooms on the forest floor, Photographed in Stubai Valley, Tyrol, Austria
    IR_f_Stubaital_D9062.jpg
  • Cluster of mushrooms on the forest floor, Photographed in Stubai Valley, Tyrol, Austria
    IR_f_Stubaital_D9061.jpg
  • Cluster of mushrooms on the forest floor, Photographed in Stubai Valley, Tyrol, Austria
    IR_f_Stubaital_D9059.jpg
  • Cluster of mushrooms on the forest floor, Photographed in Stubai Valley, Tyrol, Austria
    IR_f_Stubaital_D9057.jpg
  • Cluster of mushrooms on the forest floor, Photographed in Stubai Valley, Tyrol, Austria
    IR_f_Stubaital_D9055.jpg
  • Israel, Bet Shean (Scythopolis). In 64 BCE it was taken by the Romans, rebuilt, and made the capital of the Decapolis, the "Ten Cities" of Samaria that were centers of Greco-Roman culture. Mosaic Floor
    AH_f_Scythopolis_00789.jpg
  • Segment of a mosaic floor of a monastery in bet guvrin, Israel, 6th century CE. depicting a hunting scene. From the Eretz Israel Museum AKA Haartz Museum, Tel Aviv, Israel
    ir_14280_new.jpg
  • Segment of a mosaic floor of a monastery in bet guvrin, Israel, 6th century CE. depicting a hunting scene. From the Eretz Israel Museum AKA Haartz Museum, Tel Aviv, Israel
    ir_14277_new.jpg
  • Humourous distorted view of Bare feet of a woman standing on a scale on a wooden floor
    IR_f_34414_New-1.jpg
  • Bare feet of a woman standing on a scale on a wooden floor
    IR_f_34414_New.jpg
  • Sweeping the bakery floor from flour residue
    OR0_f_1612_bread_4638.jpg
  • young blonde girl of two sits on a checkered floor Model release available
    CL_f_Pink-Baby_9328.jpg
  • young blonde girl of two sits on a checkered floor Model release available
    CL_f_Pink-Baby_9323.jpg
  • Israel, Caesarea Mosaic floor
    BT_Caesarea_04.jpg
  • a Lathe Metal tooling shop floor
    IA_metalwork_ADS_7843.jpg
  • a Lathe Metal tooling shop floor
    IA_metalwork_ADS_7874.jpg
  • Archeologists restore a mosaic floor in Caesarea, Israel
    SL_Archaeology_68188.jpg
  • Archeologists restore a mosaic floor in Caesarea, Israel
    SL_Archaeology_68183.jpg
  • Archeologists restore a mosaic floor in Caesarea, Israel
    SL_Archaeology_68186.jpg
  • Archeologists restore a mosaic floor in Caesarea, Israel
    SL_Archaeology_13247.jpg
  • A lathe on a metal workshop floor
    SL_Metal-work_6-7784.jpg
  • A lathe on a metal workshop floor
    SL_Metal-work_6-7783.jpg
  • Teen Girl studies while lying on the floor
    DR_MR_110317_1242_2.jpg
  • Israel, Lower Galilee, Zippori National Park The city of Zippori (Sepphoris) A Roman Byzantine period city with an abundance of mosaics Mosaic floor in the Cardo
    IR_87196.jpg
  • Israel, Sea of Galilee, Kursi, Gergesa, Byzantine monastery and church with a mosaic floor the traditional site of Jesus' miracle of casting out the legion of demons into a herd of swine
    IR_93678.jpg
  • Israel, Sea of Galilee, Kursi, Gergesa, Byzantine monastery and church with a mosaic floor the traditional site of Jesus' miracle of casting out the legion of demons into a herd of swine
    IR_93674.jpg
  • Israel, Sea of Galilee, Kursi, Gergesa, Byzantine monastery and church with a mosaic floor the traditional site of Jesus' miracle of casting out the legion of demons into a herd of swine
    IR_93673.jpg
  • Israel, Lower Galilee, Zippori National Park The city of Zippori (Sepphoris) A Roman Byzantine period city with an abundance of mosaics Mosaic floor in the Cardo
    IR_87195.jpg
  • Segment of a mosaic floor of a monastery in bet guvrin, Israel, 6th century CE. From the Eretz Israel Museum AKA Haartz Museum, Tel Aviv, Israel
    AP_0910_DSC_9286_fs.jpg
  • Bare feet of a woman standing on a scale on a wooden floor
    IR_34414_pd_PSh.jpg
  • Segment of a mosaic floor of a monastery in bet guvrin, Israel, 6th century CE. From the Eretz Israel Museum AKA Haartz Museum, Tel Aviv, Israel
    ir_14276_fs_PSh.jpg
  • The Mosaic floor at Nilos church in Mamshit from the 4th century<br />
Mamshit is the Nabatean city of Memphis. In the Nabatean period, Mamshit was important because it sat on the route from the Idumean Mountains to the Arava, continued on to Beersheva or to Hebron and Jerusalem. The city covers ten acres and is the smallest but best restored city in the Negev Desert. The once-luxurious houses have unusual architecture not found in any other Nabatean city.
    AH_b_MAMSHIT-1706_PSh.jpg
  • The Mosaic floor at Nilos church in Mamshit from the 4th century<br />
Mamshit is the Nabatean city of Memphis. In the Nabatean period, Mamshit was important because it sat on the route from the Idumean Mountains to the Arava, continued on to Beersheva or to Hebron and Jerusalem. The city covers ten acres and is the smallest but best restored city in the Negev Desert. The once-luxurious houses have unusual architecture not found in any other Nabatean city.
    AH_b_MAMSHIT-1700_PSh.jpg
  • Israel, Masada, Mosaic floor in a ritual bath (Mikva)  Metzada is the site of ancient palaces and fortifications in Israel on top of an isolated rock cliff on the eastern edge of the Judean desert overlooking the Dead Sea. where Jewish zealot insurgents held out for three years against the Romans after the fall of Jerusalem in 70C.E. and then committed mass suicide to avoid capture. Metzada has remained a symbol of Jewish heroism.
    jc_DSC_1568_fs_ps.jpg
  • Israel, Masada, Mosaic floor in a ritual bath (Mikva)  Metzada is the site of ancient palaces and fortifications in Israel on top of an isolated rock cliff on the eastern edge of the Judean desert overlooking the Dead Sea. where Jewish zealot insurgents held out for three years against the Romans after the fall of Jerusalem in 70C.E. and then committed mass suicide to avoid capture. Metzada has remained a symbol of Jewish heroism.
    jc_DSC_1567_fs_ps.jpg
  • 1 year old female baby in red clothes crawls on the floor
    GM_MR_Baby_P5310131.jpg
  • 1 year old female baby in red clothes crawls on the floor
    GM_MR_Baby_P5310128.jpg
  • Close up of rubber composite playground mat
    IR_f_TA-Port_D0705.jpg
  • Mosaic floor at the ruins of Magdala (Mejdel) - current day Migdal. On the Sea of Galilee
    AG_Magdala_035.jpg
  • Mosaic floor at the ruins of Magdala (Mejdel) - current day Migdal. On the Sea of Galilee
    AG_Magdala_033.jpg
  • Rangoli is an art form originating in the Indian subcontinent, in which patterns are created on the floor or a tabletop using materials such as powdered lime stone, red ochre, dry rice flour, coloured sand, quartz powder, flower petals, and coloured rocks. It is an everyday practice in Hindu households, Designs are passed from one generation to the next, keeping both the art form and the tradition alive. Rangoli hold a significant role in the everyday life of a Hindu household especially historically when the flooring of houses were untiled. They are usually made outside the threshold of the main entrance, in the early mornings after cleaning the area. The rangoli represents the happiness, positivity and liveliness of a household, and is intended to welcome Lakshmi, the goddess of wealth and good luck. It is believed that a Hindu household without a clean entrance and rangoli is an abode of daridra (bad luck). Design depictions may vary as they reflect traditions, folklore, and practices that are unique to each area. Rangoli are traditionally made by girls or women, although men and boys create them as well. In a Hindu household, basic rangoli is an everyday practice.
    IA_f_Madala_DSCF5699.jpg
  • Rangoli is an art form originating in the Indian subcontinent, in which patterns are created on the floor or a tabletop using materials such as powdered lime stone, red ochre, dry rice flour, coloured sand, quartz powder, flower petals, and coloured rocks. It is an everyday practice in Hindu households, Designs are passed from one generation to the next, keeping both the art form and the tradition alive. Rangoli hold a significant role in the everyday life of a Hindu household especially historically when the flooring of houses were untiled. They are usually made outside the threshold of the main entrance, in the early mornings after cleaning the area. The rangoli represents the happiness, positivity and liveliness of a household, and is intended to welcome Lakshmi, the goddess of wealth and good luck. It is believed that a Hindu household without a clean entrance and rangoli is an abode of daridra (bad luck). Design depictions may vary as they reflect traditions, folklore, and practices that are unique to each area. Rangoli are traditionally made by girls or women, although men and boys create them as well. In a Hindu household, basic rangoli is an everyday practice.
    IA_f_Madala_DSCF5702.jpg
  • Rangoli is an art form originating in the Indian subcontinent, in which patterns are created on the floor or a tabletop using materials such as powdered lime stone, red ochre, dry rice flour, coloured sand, quartz powder, flower petals, and coloured rocks. It is an everyday practice in Hindu households, Designs are passed from one generation to the next, keeping both the art form and the tradition alive. Rangoli hold a significant role in the everyday life of a Hindu household especially historically when the flooring of houses were untiled. They are usually made outside the threshold of the main entrance, in the early mornings after cleaning the area. The rangoli represents the happiness, positivity and liveliness of a household, and is intended to welcome Lakshmi, the goddess of wealth and good luck. It is believed that a Hindu household without a clean entrance and rangoli is an abode of daridra (bad luck). Design depictions may vary as they reflect traditions, folklore, and practices that are unique to each area. Rangoli are traditionally made by girls or women, although men and boys create them as well. In a Hindu household, basic rangoli is an everyday practice.
    IA_f_Madala_DSCF5701.jpg
  • Rangoli is an art form originating in the Indian subcontinent, in which patterns are created on the floor or a tabletop using materials such as powdered lime stone, red ochre, dry rice flour, coloured sand, quartz powder, flower petals, and coloured rocks. It is an everyday practice in Hindu households, Designs are passed from one generation to the next, keeping both the art form and the tradition alive. Rangoli hold a significant role in the everyday life of a Hindu household especially historically when the flooring of houses were untiled. They are usually made outside the threshold of the main entrance, in the early mornings after cleaning the area. The rangoli represents the happiness, positivity and liveliness of a household, and is intended to welcome Lakshmi, the goddess of wealth and good luck. It is believed that a Hindu household without a clean entrance and rangoli is an abode of daridra (bad luck). Design depictions may vary as they reflect traditions, folklore, and practices that are unique to each area. Rangoli are traditionally made by girls or women, although men and boys create them as well. In a Hindu household, basic rangoli is an everyday practice.
    IA_f_Madala_DSCF5700.jpg
  • Rangoli is an art form originating in the Indian subcontinent, in which patterns are created on the floor or a tabletop using materials such as powdered lime stone, red ochre, dry rice flour, coloured sand, quartz powder, flower petals, and coloured rocks. It is an everyday practice in Hindu households, Designs are passed from one generation to the next, keeping both the art form and the tradition alive. Rangoli hold a significant role in the everyday life of a Hindu household especially historically when the flooring of houses were untiled. They are usually made outside the threshold of the main entrance, in the early mornings after cleaning the area. The rangoli represents the happiness, positivity and liveliness of a household, and is intended to welcome Lakshmi, the goddess of wealth and good luck. It is believed that a Hindu household without a clean entrance and rangoli is an abode of daridra (bad luck). Design depictions may vary as they reflect traditions, folklore, and practices that are unique to each area. Rangoli are traditionally made by girls or women, although men and boys create them as well. In a Hindu household, basic rangoli is an everyday practice.
    IA_f_Madala_DSCF5696.jpg
  • Rangoli is an art form originating in the Indian subcontinent, in which patterns are created on the floor or a tabletop using materials such as powdered lime stone, red ochre, dry rice flour, coloured sand, quartz powder, flower petals, and coloured rocks. It is an everyday practice in Hindu households, Designs are passed from one generation to the next, keeping both the art form and the tradition alive. Rangoli hold a significant role in the everyday life of a Hindu household especially historically when the flooring of houses were untiled. They are usually made outside the threshold of the main entrance, in the early mornings after cleaning the area. The rangoli represents the happiness, positivity and liveliness of a household, and is intended to welcome Lakshmi, the goddess of wealth and good luck. It is believed that a Hindu household without a clean entrance and rangoli is an abode of daridra (bad luck). Design depictions may vary as they reflect traditions, folklore, and practices that are unique to each area. Rangoli are traditionally made by girls or women, although men and boys create them as well. In a Hindu household, basic rangoli is an everyday practice.
    IA_f_Madala_DSCF5691.jpg
  • Rangoli is an art form originating in the Indian subcontinent, in which patterns are created on the floor or a tabletop using materials such as powdered lime stone, red ochre, dry rice flour, coloured sand, quartz powder, flower petals, and coloured rocks. It is an everyday practice in Hindu households, Designs are passed from one generation to the next, keeping both the art form and the tradition alive. Rangoli hold a significant role in the everyday life of a Hindu household especially historically when the flooring of houses were untiled. They are usually made outside the threshold of the main entrance, in the early mornings after cleaning the area. The rangoli represents the happiness, positivity and liveliness of a household, and is intended to welcome Lakshmi, the goddess of wealth and good luck. It is believed that a Hindu household without a clean entrance and rangoli is an abode of daridra (bad luck). Design depictions may vary as they reflect traditions, folklore, and practices that are unique to each area. Rangoli are traditionally made by girls or women, although men and boys create them as well. In a Hindu household, basic rangoli is an everyday practice.
    IA_f_Madala_DSCF5695.jpg
  • Rangoli is an art form originating in the Indian subcontinent, in which patterns are created on the floor or a tabletop using materials such as powdered lime stone, red ochre, dry rice flour, coloured sand, quartz powder, flower petals, and coloured rocks. It is an everyday practice in Hindu households, Designs are passed from one generation to the next, keeping both the art form and the tradition alive. Rangoli hold a significant role in the everyday life of a Hindu household especially historically when the flooring of houses were untiled. They are usually made outside the threshold of the main entrance, in the early mornings after cleaning the area. The rangoli represents the happiness, positivity and liveliness of a household, and is intended to welcome Lakshmi, the goddess of wealth and good luck. It is believed that a Hindu household without a clean entrance and rangoli is an abode of daridra (bad luck). Design depictions may vary as they reflect traditions, folklore, and practices that are unique to each area. Rangoli are traditionally made by girls or women, although men and boys create them as well. In a Hindu household, basic rangoli is an everyday practice.
    IA_f_Madala_DSCF5693.jpg
  • Rangoli is an art form originating in the Indian subcontinent, in which patterns are created on the floor or a tabletop using materials such as powdered lime stone, red ochre, dry rice flour, coloured sand, quartz powder, flower petals, and coloured rocks. It is an everyday practice in Hindu households, Designs are passed from one generation to the next, keeping both the art form and the tradition alive. Rangoli hold a significant role in the everyday life of a Hindu household especially historically when the flooring of houses were untiled. They are usually made outside the threshold of the main entrance, in the early mornings after cleaning the area. The rangoli represents the happiness, positivity and liveliness of a household, and is intended to welcome Lakshmi, the goddess of wealth and good luck. It is believed that a Hindu household without a clean entrance and rangoli is an abode of daridra (bad luck). Design depictions may vary as they reflect traditions, folklore, and practices that are unique to each area. Rangoli are traditionally made by girls or women, although men and boys create them as well. In a Hindu household, basic rangoli is an everyday practice.
    IA_f_Madala_DSCF5692.jpg
  • Rangoli is an art form originating in the Indian subcontinent, in which patterns are created on the floor or a tabletop using materials such as powdered lime stone, red ochre, dry rice flour, coloured sand, quartz powder, flower petals, and coloured rocks. It is an everyday practice in Hindu households, Designs are passed from one generation to the next, keeping both the art form and the tradition alive. Rangoli hold a significant role in the everyday life of a Hindu household especially historically when the flooring of houses were untiled. They are usually made outside the threshold of the main entrance, in the early mornings after cleaning the area. The rangoli represents the happiness, positivity and liveliness of a household, and is intended to welcome Lakshmi, the goddess of wealth and good luck. It is believed that a Hindu household without a clean entrance and rangoli is an abode of daridra (bad luck). Design depictions may vary as they reflect traditions, folklore, and practices that are unique to each area. Rangoli are traditionally made by girls or women, although men and boys create them as well. In a Hindu household, basic rangoli is an everyday practice.
    IA_f_Madala_DSCF5690.jpg
  • Rangoli is an art form originating in the Indian subcontinent, in which patterns are created on the floor or a tabletop using materials such as powdered lime stone, red ochre, dry rice flour, coloured sand, quartz powder, flower petals, and coloured rocks. It is an everyday practice in Hindu households, Designs are passed from one generation to the next, keeping both the art form and the tradition alive. Rangoli hold a significant role in the everyday life of a Hindu household especially historically when the flooring of houses were untiled. They are usually made outside the threshold of the main entrance, in the early mornings after cleaning the area. The rangoli represents the happiness, positivity and liveliness of a household, and is intended to welcome Lakshmi, the goddess of wealth and good luck. It is believed that a Hindu household without a clean entrance and rangoli is an abode of daridra (bad luck). Design depictions may vary as they reflect traditions, folklore, and practices that are unique to each area. Rangoli are traditionally made by girls or women, although men and boys create them as well. In a Hindu household, basic rangoli is an everyday practice.
    IA_f_Madala_DSCF5688.jpg
  • Rangoli is an art form originating in the Indian subcontinent, in which patterns are created on the floor or a tabletop using materials such as powdered lime stone, red ochre, dry rice flour, coloured sand, quartz powder, flower petals, and coloured rocks. It is an everyday practice in Hindu households, Designs are passed from one generation to the next, keeping both the art form and the tradition alive. Rangoli hold a significant role in the everyday life of a Hindu household especially historically when the flooring of houses were untiled. They are usually made outside the threshold of the main entrance, in the early mornings after cleaning the area. The rangoli represents the happiness, positivity and liveliness of a household, and is intended to welcome Lakshmi, the goddess of wealth and good luck. It is believed that a Hindu household without a clean entrance and rangoli is an abode of daridra (bad luck). Design depictions may vary as they reflect traditions, folklore, and practices that are unique to each area. Rangoli are traditionally made by girls or women, although men and boys create them as well. In a Hindu household, basic rangoli is an everyday practice.
    IA_f_Madala_DSCF5689.jpg
  • Rangoli is an art form originating in the Indian subcontinent, in which patterns are created on the floor or a tabletop using materials such as powdered lime stone, red ochre, dry rice flour, coloured sand, quartz powder, flower petals, and coloured rocks. It is an everyday practice in Hindu households, Designs are passed from one generation to the next, keeping both the art form and the tradition alive. Rangoli hold a significant role in the everyday life of a Hindu household especially historically when the flooring of houses were untiled. They are usually made outside the threshold of the main entrance, in the early mornings after cleaning the area. The rangoli represents the happiness, positivity and liveliness of a household, and is intended to welcome Lakshmi, the goddess of wealth and good luck. It is believed that a Hindu household without a clean entrance and rangoli is an abode of daridra (bad luck). Design depictions may vary as they reflect traditions, folklore, and practices that are unique to each area. Rangoli are traditionally made by girls or women, although men and boys create them as well. In a Hindu household, basic rangoli is an everyday practice.
    IA_f_Madala_DSCF5687.jpg
  • Rangoli is an art form originating in the Indian subcontinent, in which patterns are created on the floor or a tabletop using materials such as powdered lime stone, red ochre, dry rice flour, coloured sand, quartz powder, flower petals, and coloured rocks. It is an everyday practice in Hindu households, Designs are passed from one generation to the next, keeping both the art form and the tradition alive. Rangoli hold a significant role in the everyday life of a Hindu household especially historically when the flooring of houses were untiled. They are usually made outside the threshold of the main entrance, in the early mornings after cleaning the area. The rangoli represents the happiness, positivity and liveliness of a household, and is intended to welcome Lakshmi, the goddess of wealth and good luck. It is believed that a Hindu household without a clean entrance and rangoli is an abode of daridra (bad luck). Design depictions may vary as they reflect traditions, folklore, and practices that are unique to each area. Rangoli are traditionally made by girls or women, although men and boys create them as well. In a Hindu household, basic rangoli is an everyday practice.
    IA_f_Madala_DSCF5684.jpg
  • Rangoli is an art form originating in the Indian subcontinent, in which patterns are created on the floor or a tabletop using materials such as powdered lime stone, red ochre, dry rice flour, coloured sand, quartz powder, flower petals, and coloured rocks. It is an everyday practice in Hindu households, Designs are passed from one generation to the next, keeping both the art form and the tradition alive. Rangoli hold a significant role in the everyday life of a Hindu household especially historically when the flooring of houses were untiled. They are usually made outside the threshold of the main entrance, in the early mornings after cleaning the area. The rangoli represents the happiness, positivity and liveliness of a household, and is intended to welcome Lakshmi, the goddess of wealth and good luck. It is believed that a Hindu household without a clean entrance and rangoli is an abode of daridra (bad luck). Design depictions may vary as they reflect traditions, folklore, and practices that are unique to each area. Rangoli are traditionally made by girls or women, although men and boys create them as well. In a Hindu household, basic rangoli is an everyday practice.
    IA_f_Madala_DSCF5685.jpg
  • Rangoli is an art form originating in the Indian subcontinent, in which patterns are created on the floor or a tabletop using materials such as powdered lime stone, red ochre, dry rice flour, coloured sand, quartz powder, flower petals, and coloured rocks. It is an everyday practice in Hindu households, Designs are passed from one generation to the next, keeping both the art form and the tradition alive. Rangoli hold a significant role in the everyday life of a Hindu household especially historically when the flooring of houses were untiled. They are usually made outside the threshold of the main entrance, in the early mornings after cleaning the area. The rangoli represents the happiness, positivity and liveliness of a household, and is intended to welcome Lakshmi, the goddess of wealth and good luck. It is believed that a Hindu household without a clean entrance and rangoli is an abode of daridra (bad luck). Design depictions may vary as they reflect traditions, folklore, and practices that are unique to each area. Rangoli are traditionally made by girls or women, although men and boys create them as well. In a Hindu household, basic rangoli is an everyday practice.
    IA_f_Madala_DSCF5683.jpg
  • Rangoli is an art form originating in the Indian subcontinent, in which patterns are created on the floor or a tabletop using materials such as powdered lime stone, red ochre, dry rice flour, coloured sand, quartz powder, flower petals, and coloured rocks. It is an everyday practice in Hindu households, Designs are passed from one generation to the next, keeping both the art form and the tradition alive. Rangoli hold a significant role in the everyday life of a Hindu household especially historically when the flooring of houses were untiled. They are usually made outside the threshold of the main entrance, in the early mornings after cleaning the area. The rangoli represents the happiness, positivity and liveliness of a household, and is intended to welcome Lakshmi, the goddess of wealth and good luck. It is believed that a Hindu household without a clean entrance and rangoli is an abode of daridra (bad luck). Design depictions may vary as they reflect traditions, folklore, and practices that are unique to each area. Rangoli are traditionally made by girls or women, although men and boys create them as well. In a Hindu household, basic rangoli is an everyday practice.
    IA_f_Madala_DSCF5679.jpg
  • Rangoli is an art form originating in the Indian subcontinent, in which patterns are created on the floor or a tabletop using materials such as powdered lime stone, red ochre, dry rice flour, coloured sand, quartz powder, flower petals, and coloured rocks. It is an everyday practice in Hindu households, Designs are passed from one generation to the next, keeping both the art form and the tradition alive. Rangoli hold a significant role in the everyday life of a Hindu household especially historically when the flooring of houses were untiled. They are usually made outside the threshold of the main entrance, in the early mornings after cleaning the area. The rangoli represents the happiness, positivity and liveliness of a household, and is intended to welcome Lakshmi, the goddess of wealth and good luck. It is believed that a Hindu household without a clean entrance and rangoli is an abode of daridra (bad luck). Design depictions may vary as they reflect traditions, folklore, and practices that are unique to each area. Rangoli are traditionally made by girls or women, although men and boys create them as well. In a Hindu household, basic rangoli is an everyday practice.
    IA_f_Madala_DSCF5682.jpg
  • Rangoli is an art form originating in the Indian subcontinent, in which patterns are created on the floor or a tabletop using materials such as powdered lime stone, red ochre, dry rice flour, coloured sand, quartz powder, flower petals, and coloured rocks. It is an everyday practice in Hindu households, Designs are passed from one generation to the next, keeping both the art form and the tradition alive. Rangoli hold a significant role in the everyday life of a Hindu household especially historically when the flooring of houses were untiled. They are usually made outside the threshold of the main entrance, in the early mornings after cleaning the area. The rangoli represents the happiness, positivity and liveliness of a household, and is intended to welcome Lakshmi, the goddess of wealth and good luck. It is believed that a Hindu household without a clean entrance and rangoli is an abode of daridra (bad luck). Design depictions may vary as they reflect traditions, folklore, and practices that are unique to each area. Rangoli are traditionally made by girls or women, although men and boys create them as well. In a Hindu household, basic rangoli is an everyday practice.
    IA_f_Madala_DSCF5681.jpg
  • Rangoli is an art form originating in the Indian subcontinent, in which patterns are created on the floor or a tabletop using materials such as powdered lime stone, red ochre, dry rice flour, coloured sand, quartz powder, flower petals, and coloured rocks. It is an everyday practice in Hindu households, Designs are passed from one generation to the next, keeping both the art form and the tradition alive. Rangoli hold a significant role in the everyday life of a Hindu household especially historically when the flooring of houses were untiled. They are usually made outside the threshold of the main entrance, in the early mornings after cleaning the area. The rangoli represents the happiness, positivity and liveliness of a household, and is intended to welcome Lakshmi, the goddess of wealth and good luck. It is believed that a Hindu household without a clean entrance and rangoli is an abode of daridra (bad luck). Design depictions may vary as they reflect traditions, folklore, and practices that are unique to each area. Rangoli are traditionally made by girls or women, although men and boys create them as well. In a Hindu household, basic rangoli is an everyday practice.
    IA_f_Madala_DSCF5680.jpg
  • Rangoli is an art form originating in the Indian subcontinent, in which patterns are created on the floor or a tabletop using materials such as powdered lime stone, red ochre, dry rice flour, coloured sand, quartz powder, flower petals, and coloured rocks. It is an everyday practice in Hindu households, Designs are passed from one generation to the next, keeping both the art form and the tradition alive. Rangoli hold a significant role in the everyday life of a Hindu household especially historically when the flooring of houses were untiled. They are usually made outside the threshold of the main entrance, in the early mornings after cleaning the area. The rangoli represents the happiness, positivity and liveliness of a household, and is intended to welcome Lakshmi, the goddess of wealth and good luck. It is believed that a Hindu household without a clean entrance and rangoli is an abode of daridra (bad luck). Design depictions may vary as they reflect traditions, folklore, and practices that are unique to each area. Rangoli are traditionally made by girls or women, although men and boys create them as well. In a Hindu household, basic rangoli is an everyday practice.
    IA_f_Madala_DSCF5657.jpg
  • Rangoli is an art form originating in the Indian subcontinent, in which patterns are created on the floor or a tabletop using materials such as powdered lime stone, red ochre, dry rice flour, coloured sand, quartz powder, flower petals, and coloured rocks. It is an everyday practice in Hindu households, Designs are passed from one generation to the next, keeping both the art form and the tradition alive. Rangoli hold a significant role in the everyday life of a Hindu household especially historically when the flooring of houses were untiled. They are usually made outside the threshold of the main entrance, in the early mornings after cleaning the area. The rangoli represents the happiness, positivity and liveliness of a household, and is intended to welcome Lakshmi, the goddess of wealth and good luck. It is believed that a Hindu household without a clean entrance and rangoli is an abode of daridra (bad luck). Design depictions may vary as they reflect traditions, folklore, and practices that are unique to each area. Rangoli are traditionally made by girls or women, although men and boys create them as well. In a Hindu household, basic rangoli is an everyday practice.
    IA_f_Madala_DSCF5659.jpg
  • Rangoli is an art form originating in the Indian subcontinent, in which patterns are created on the floor or a tabletop using materials such as powdered lime stone, red ochre, dry rice flour, coloured sand, quartz powder, flower petals, and coloured rocks. It is an everyday practice in Hindu households, Designs are passed from one generation to the next, keeping both the art form and the tradition alive. Rangoli hold a significant role in the everyday life of a Hindu household especially historically when the flooring of houses were untiled. They are usually made outside the threshold of the main entrance, in the early mornings after cleaning the area. The rangoli represents the happiness, positivity and liveliness of a household, and is intended to welcome Lakshmi, the goddess of wealth and good luck. It is believed that a Hindu household without a clean entrance and rangoli is an abode of daridra (bad luck). Design depictions may vary as they reflect traditions, folklore, and practices that are unique to each area. Rangoli are traditionally made by girls or women, although men and boys create them as well. In a Hindu household, basic rangoli is an everyday practice.
    IA_f_Madala_DSCF5658.jpg
  • Rangoli is an art form originating in the Indian subcontinent, in which patterns are created on the floor or a tabletop using materials such as powdered lime stone, red ochre, dry rice flour, coloured sand, quartz powder, flower petals, and coloured rocks. It is an everyday practice in Hindu households, Designs are passed from one generation to the next, keeping both the art form and the tradition alive. Rangoli hold a significant role in the everyday life of a Hindu household especially historically when the flooring of houses were untiled. They are usually made outside the threshold of the main entrance, in the early mornings after cleaning the area. The rangoli represents the happiness, positivity and liveliness of a household, and is intended to welcome Lakshmi, the goddess of wealth and good luck. It is believed that a Hindu household without a clean entrance and rangoli is an abode of daridra (bad luck). Design depictions may vary as they reflect traditions, folklore, and practices that are unique to each area. Rangoli are traditionally made by girls or women, although men and boys create them as well. In a Hindu household, basic rangoli is an everyday practice.
    IA_f_Madala_DSCF5656.jpg
  • Rangoli is an art form originating in the Indian subcontinent, in which patterns are created on the floor or a tabletop using materials such as powdered lime stone, red ochre, dry rice flour, coloured sand, quartz powder, flower petals, and coloured rocks. It is an everyday practice in Hindu households, Designs are passed from one generation to the next, keeping both the art form and the tradition alive. Rangoli hold a significant role in the everyday life of a Hindu household especially historically when the flooring of houses were untiled. They are usually made outside the threshold of the main entrance, in the early mornings after cleaning the area. The rangoli represents the happiness, positivity and liveliness of a household, and is intended to welcome Lakshmi, the goddess of wealth and good luck. It is believed that a Hindu household without a clean entrance and rangoli is an abode of daridra (bad luck). Design depictions may vary as they reflect traditions, folklore, and practices that are unique to each area. Rangoli are traditionally made by girls or women, although men and boys create them as well. In a Hindu household, basic rangoli is an everyday practice.
    IA_f_Madala_DSCF5655.jpg
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