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  • Local folklore band musicians in trditional dress, Maria Alm, Austria
    JK_Maria-Alm-AT_5178.JPG
  • Local folklore band musicians in trditional dress, Maria Alm, Austria
    JK_Maria-Alm-AT_5176.JPG
  • Local folklore band musicians in trditional dress, Maria Alm, Austria
    JK_Maria-Alm-AT_5203.JPG
  • Local folklore band musicians in trditional dress, Maria Alm, Austria
    JK_Maria-Alm-AT_5197.JPG
  • From the book '  Specimens of Bushman folklore ' by Bleek, W. H. I. (Wilhelm Heinrich Immanuel), Lloyd, Lucy Catherine, Theal, George McCall, 1837-1919 Published in London by  G. Allen & Company, ltd. in 1911. The San peoples (also Saan), or Bushmen, are members of various Khoe, Tuu, or Kxʼa-speaking indigenous hunter-gatherer groups that are the first nations of Southern Africa, and whose territories span Botswana, Namibia, Angola, Zambia, Zimbabwe, Lesotho and South Africa.
    IR_Bushmen-Folklore_0000.jpg
  • Photographed at Breakwater, Cape Town 1871 From the book '  Specimens of Bushman folklore ' by Bleek, W. H. I. (Wilhelm Heinrich Immanuel), Lloyd, Lucy Catherine, Theal, George McCall, 1837-1919 Published in London by  G. Allen & Company, ltd. in 1911. The San peoples (also Saan), or Bushmen, are members of various Khoe, Tuu, or Kxʼa-speaking indigenous hunter-gatherer groups that are the first nations of Southern Africa, and whose territories span Botswana, Namibia, Angola, Zambia, Zimbabwe, Lesotho and South Africa.
    IR_Bushmen-Folklore_0577.jpg
  • Weapons and hunting tools From the book '  Specimens of Bushman folklore ' by Bleek, W. H. I. (Wilhelm Heinrich Immanuel), Lloyd, Lucy Catherine, Theal, George McCall, 1837-1919 Published in London by  G. Allen & Company, ltd. in 1911. The San peoples (also Saan), or Bushmen, are members of various Khoe, Tuu, or Kxʼa-speaking indigenous hunter-gatherer groups that are the first nations of Southern Africa, and whose territories span Botswana, Namibia, Angola, Zambia, Zimbabwe, Lesotho and South Africa.
    IR_Bushmen-Folklore_0442.jpg
  • Bushman Toys From the book '  Specimens of Bushman folklore ' by Bleek, W. H. I. (Wilhelm Heinrich Immanuel), Lloyd, Lucy Catherine, Theal, George McCall, 1837-1919 Published in London by  G. Allen & Company, ltd. in 1911. The San peoples (also Saan), or Bushmen, are members of various Khoe, Tuu, or Kxʼa-speaking indigenous hunter-gatherer groups that are the first nations of Southern Africa, and whose territories span Botswana, Namibia, Angola, Zambia, Zimbabwe, Lesotho and South Africa.
    IR_Bushmen-Folklore_0436.jpg
  • A Bushman Family Photographed in Salt River in 1884 From the book '  Specimens of Bushman folklore ' by Bleek, W. H. I. (Wilhelm Heinrich Immanuel), Lloyd, Lucy Catherine, Theal, George McCall, 1837-1919 Published in London by  G. Allen & Company, ltd. in 1911. The San peoples (also Saan), or Bushmen, are members of various Khoe, Tuu, or Kxʼa-speaking indigenous hunter-gatherer groups that are the first nations of Southern Africa, and whose territories span Botswana, Namibia, Angola, Zambia, Zimbabwe, Lesotho and South Africa.
    IR_Bushmen-Folklore_0322.jpg
  • A Grass Bushman Photographed in Cape Town in 1880 From the book '  Specimens of Bushman folklore ' by Bleek, W. H. I. (Wilhelm Heinrich Immanuel), Lloyd, Lucy Catherine, Theal, George McCall, 1837-1919 Published in London by  G. Allen & Company, ltd. in 1911. The San peoples (also Saan), or Bushmen, are members of various Khoe, Tuu, or Kxʼa-speaking indigenous hunter-gatherer groups that are the first nations of Southern Africa, and whose territories span Botswana, Namibia, Angola, Zambia, Zimbabwe, Lesotho and South Africa.
    IR_Bushmen-Folklore_0288.jpg
  • Bushmen (san) rock painting of Cranes and Ostrich painted on the walls of caves From the book '  Specimens of Bushman folklore ' by Bleek, W. H. I. (Wilhelm Heinrich Immanuel), Lloyd, Lucy Catherine, Theal, George McCall, 1837-1919 Published in London by  G. Allen & Company, ltd. in 1911. The San peoples (also Saan), or Bushmen, are members of various Khoe, Tuu, or Kxʼa-speaking indigenous hunter-gatherer groups that are the first nations of Southern Africa, and whose territories span Botswana, Namibia, Angola, Zambia, Zimbabwe, Lesotho and South Africa.
    IR_Bushmen-Folklore_0297.jpg
  • Portrait of a Bushman from the Breakwater From the book '  Specimens of Bushman folklore ' by Bleek, W. H. I. (Wilhelm Heinrich Immanuel), Lloyd, Lucy Catherine, Theal, George McCall, 1837-1919 Published in London by  G. Allen & Company, ltd. in 1911. The San peoples (also Saan), or Bushmen, are members of various Khoe, Tuu, or Kxʼa-speaking indigenous hunter-gatherer groups that are the first nations of Southern Africa, and whose territories span Botswana, Namibia, Angola, Zambia, Zimbabwe, Lesotho and South Africa.
    IR_Bushmen-Folklore_0176.jpg
  • Colour Portrait by W. Schroder From the book '  Specimens of Bushman folklore ' by Bleek, W. H. I. (Wilhelm Heinrich Immanuel), Lloyd, Lucy Catherine, Theal, George McCall, 1837-1919 Published in London by  G. Allen & Company, ltd. in 1911. The San peoples (also Saan), or Bushmen, are members of various Khoe, Tuu, or Kxʼa-speaking indigenous hunter-gatherer groups that are the first nations of Southern Africa, and whose territories span Botswana, Namibia, Angola, Zambia, Zimbabwe, Lesotho and South Africa.
    IR_Bushmen-Folklore_0049.jpg
  • Bushmen (san) rock painting of antelopes and animals. painted on the walls of caves From the book '  Specimens of Bushman folklore ' by Bleek, W. H. I. (Wilhelm Heinrich Immanuel), Lloyd, Lucy Catherine, Theal, George McCall, 1837-1919 Published in London by  G. Allen & Company, ltd. in 1911. The San peoples (also Saan), or Bushmen, are members of various Khoe, Tuu, or Kxʼa-speaking indigenous hunter-gatherer groups that are the first nations of Southern Africa, and whose territories span Botswana, Namibia, Angola, Zambia, Zimbabwe, Lesotho and South Africa.
    IR_Bushmen-Folklore_0444.jpg
  • Photographed at Breakwater, Cape Town 1871 From the book '  Specimens of Bushman folklore ' by Bleek, W. H. I. (Wilhelm Heinrich Immanuel), Lloyd, Lucy Catherine, Theal, George McCall, 1837-1919 Published in London by  G. Allen & Company, ltd. in 1911. The San peoples (also Saan), or Bushmen, are members of various Khoe, Tuu, or Kxʼa-speaking indigenous hunter-gatherer groups that are the first nations of Southern Africa, and whose territories span Botswana, Namibia, Angola, Zambia, Zimbabwe, Lesotho and South Africa.
    IR_Bushmen-Folklore_0573.jpg
  • Bushmen Children From the book '  Specimens of Bushman folklore ' by Bleek, W. H. I. (Wilhelm Heinrich Immanuel), Lloyd, Lucy Catherine, Theal, George McCall, 1837-1919 Published in London by  G. Allen & Company, ltd. in 1911. The San peoples (also Saan), or Bushmen, are members of various Khoe, Tuu, or Kxʼa-speaking indigenous hunter-gatherer groups that are the first nations of Southern Africa, and whose territories span Botswana, Namibia, Angola, Zambia, Zimbabwe, Lesotho and South Africa.
    IR_Bushmen-Folklore_0506.jpg
  • Bushman Dancing Rattles From the book '  Specimens of Bushman folklore ' by Bleek, W. H. I. (Wilhelm Heinrich Immanuel), Lloyd, Lucy Catherine, Theal, George McCall, 1837-1919 Published in London by  G. Allen & Company, ltd. in 1911. The San peoples (also Saan), or Bushmen, are members of various Khoe, Tuu, or Kxʼa-speaking indigenous hunter-gatherer groups that are the first nations of Southern Africa, and whose territories span Botswana, Namibia, Angola, Zambia, Zimbabwe, Lesotho and South Africa.
    IR_Bushmen-Folklore_0452.jpg
  • Weapons and hunting tools From the book '  Specimens of Bushman folklore ' by Bleek, W. H. I. (Wilhelm Heinrich Immanuel), Lloyd, Lucy Catherine, Theal, George McCall, 1837-1919 Published in London by  G. Allen & Company, ltd. in 1911. The San peoples (also Saan), or Bushmen, are members of various Khoe, Tuu, or Kxʼa-speaking indigenous hunter-gatherer groups that are the first nations of Southern Africa, and whose territories span Botswana, Namibia, Angola, Zambia, Zimbabwe, Lesotho and South Africa.
    IR_Bushmen-Folklore_0438.jpg
  • Bushman woman with digging stick Photographed in Salt River in 1884 From the book '  Specimens of Bushman folklore ' by Bleek, W. H. I. (Wilhelm Heinrich Immanuel), Lloyd, Lucy Catherine, Theal, George McCall, 1837-1919 Published in London by  G. Allen & Company, ltd. in 1911. The San peoples (also Saan), or Bushmen, are members of various Khoe, Tuu, or Kxʼa-speaking indigenous hunter-gatherer groups that are the first nations of Southern Africa, and whose territories span Botswana, Namibia, Angola, Zambia, Zimbabwe, Lesotho and South Africa.
    IR_Bushmen-Folklore_0412.jpg
  • Bushman Children Photographed in Salt River in 1884 From the book '  Specimens of Bushman folklore ' by Bleek, W. H. I. (Wilhelm Heinrich Immanuel), Lloyd, Lucy Catherine, Theal, George McCall, 1837-1919 Published in London by  G. Allen & Company, ltd. in 1911. The San peoples (also Saan), or Bushmen, are members of various Khoe, Tuu, or Kxʼa-speaking indigenous hunter-gatherer groups that are the first nations of Southern Africa, and whose territories span Botswana, Namibia, Angola, Zambia, Zimbabwe, Lesotho and South Africa.
    IR_Bushmen-Folklore_0372.jpg
  • Bushmen (san) rock painting of Male and Female Gemsbok painted on the walls of caves From the book '  Specimens of Bushman folklore ' by Bleek, W. H. I. (Wilhelm Heinrich Immanuel), Lloyd, Lucy Catherine, Theal, George McCall, 1837-1919 Published in London by  G. Allen & Company, ltd. in 1911. The San peoples (also Saan), or Bushmen, are members of various Khoe, Tuu, or Kxʼa-speaking indigenous hunter-gatherer groups that are the first nations of Southern Africa, and whose territories span Botswana, Namibia, Angola, Zambia, Zimbabwe, Lesotho and South Africa.
    IR_Bushmen-Folklore_0303.jpg
  • Bushmen (san) rock painting of a water bull painted on the walls of caves From the book '  Specimens of Bushman folklore ' by Bleek, W. H. I. (Wilhelm Heinrich Immanuel), Lloyd, Lucy Catherine, Theal, George McCall, 1837-1919 Published in London by  G. Allen & Company, ltd. in 1911. The San peoples (also Saan), or Bushmen, are members of various Khoe, Tuu, or Kxʼa-speaking indigenous hunter-gatherer groups that are the first nations of Southern Africa, and whose territories span Botswana, Namibia, Angola, Zambia, Zimbabwe, Lesotho and South Africa.
    IR_Bushmen-Folklore_0301.jpg
  • Bushmen (san) rock painting of Agama Lizards. painted on the walls of caves From the book '  Specimens of Bushman folklore ' by Bleek, W. H. I. (Wilhelm Heinrich Immanuel), Lloyd, Lucy Catherine, Theal, George McCall, 1837-1919 Published in London by  G. Allen & Company, ltd. in 1911. The San peoples (also Saan), or Bushmen, are members of various Khoe, Tuu, or Kxʼa-speaking indigenous hunter-gatherer groups that are the first nations of Southern Africa, and whose territories span Botswana, Namibia, Angola, Zambia, Zimbabwe, Lesotho and South Africa.
    IR_Bushmen-Folklore_0281.jpg
  • Bushmen (san) rock painting of Mantis painted on the walls of caves From the book '  Specimens of Bushman folklore ' by Bleek, W. H. I. (Wilhelm Heinrich Immanuel), Lloyd, Lucy Catherine, Theal, George McCall, 1837-1919 Published in London by  G. Allen & Company, ltd. in 1911. The San peoples (also Saan), or Bushmen, are members of various Khoe, Tuu, or Kxʼa-speaking indigenous hunter-gatherer groups that are the first nations of Southern Africa, and whose territories span Botswana, Namibia, Angola, Zambia, Zimbabwe, Lesotho and South Africa.
    IR_Bushmen-Folklore_0283.jpg
  • Bushmen (san) rock painting of animals. painted on the walls of caves From the book '  Specimens of Bushman folklore ' by Bleek, W. H. I. (Wilhelm Heinrich Immanuel), Lloyd, Lucy Catherine, Theal, George McCall, 1837-1919 Published in London by  G. Allen & Company, ltd. in 1911. The San peoples (also Saan), or Bushmen, are members of various Khoe, Tuu, or Kxʼa-speaking indigenous hunter-gatherer groups that are the first nations of Southern Africa, and whose territories span Botswana, Namibia, Angola, Zambia, Zimbabwe, Lesotho and South Africa.
    IR_Bushmen-Folklore_0269.jpg
  • Bushman Group Photographed at Salt River in 1884 From the book '  Specimens of Bushman folklore ' by Bleek, W. H. I. (Wilhelm Heinrich Immanuel), Lloyd, Lucy Catherine, Theal, George McCall, 1837-1919 Published in London by  G. Allen & Company, ltd. in 1911. The San peoples (also Saan), or Bushmen, are members of various Khoe, Tuu, or Kxʼa-speaking indigenous hunter-gatherer groups that are the first nations of Southern Africa, and whose territories span Botswana, Namibia, Angola, Zambia, Zimbabwe, Lesotho and South Africa.
    IR_Bushmen-Folklore_0152.jpg
  • Portrait of a female Bushman From the book '  Specimens of Bushman folklore ' by Bleek, W. H. I. (Wilhelm Heinrich Immanuel), Lloyd, Lucy Catherine, Theal, George McCall, 1837-1919 Published in London by  G. Allen & Company, ltd. in 1911. The San peoples (also Saan), or Bushmen, are members of various Khoe, Tuu, or Kxʼa-speaking indigenous hunter-gatherer groups that are the first nations of Southern Africa, and whose territories span Botswana, Namibia, Angola, Zambia, Zimbabwe, Lesotho and South Africa.
    IR_Bushmen-Folklore_0122.jpg
  • Portrait of a Bushman in European Clothes From the book '  Specimens of Bushman folklore ' by Bleek, W. H. I. (Wilhelm Heinrich Immanuel), Lloyd, Lucy Catherine, Theal, George McCall, 1837-1919 Published in London by  G. Allen & Company, ltd. in 1911. The San peoples (also Saan), or Bushmen, are members of various Khoe, Tuu, or Kxʼa-speaking indigenous hunter-gatherer groups that are the first nations of Southern Africa, and whose territories span Botswana, Namibia, Angola, Zambia, Zimbabwe, Lesotho and South Africa.
    IR_Bushmen-Folklore_0092.jpg
  • Three Bushmen from the Breakwater From the book '  Specimens of Bushman folklore ' by Bleek, W. H. I. (Wilhelm Heinrich Immanuel), Lloyd, Lucy Catherine, Theal, George McCall, 1837-1919 Published in London by  G. Allen & Company, ltd. in 1911. The San peoples (also Saan), or Bushmen, are members of various Khoe, Tuu, or Kxʼa-speaking indigenous hunter-gatherer groups that are the first nations of Southern Africa, and whose territories span Botswana, Namibia, Angola, Zambia, Zimbabwe, Lesotho and South Africa.
    IR_Bushmen-Folklore_0232.jpg
  • Rangoli is an art form originating in the Indian subcontinent, in which patterns are created on the floor or a tabletop using materials such as powdered lime stone, red ochre, dry rice flour, coloured sand, quartz powder, flower petals, and coloured rocks. It is an everyday practice in Hindu households, Designs are passed from one generation to the next, keeping both the art form and the tradition alive. Rangoli hold a significant role in the everyday life of a Hindu household especially historically when the flooring of houses were untiled. They are usually made outside the threshold of the main entrance, in the early mornings after cleaning the area. The rangoli represents the happiness, positivity and liveliness of a household, and is intended to welcome Lakshmi, the goddess of wealth and good luck. It is believed that a Hindu household without a clean entrance and rangoli is an abode of daridra (bad luck). Design depictions may vary as they reflect traditions, folklore, and practices that are unique to each area. Rangoli are traditionally made by girls or women, although men and boys create them as well. In a Hindu household, basic rangoli is an everyday practice.
    IA_f_Madala_DSCF5692.jpg
  • Rangoli is an art form originating in the Indian subcontinent, in which patterns are created on the floor or a tabletop using materials such as powdered lime stone, red ochre, dry rice flour, coloured sand, quartz powder, flower petals, and coloured rocks. It is an everyday practice in Hindu households, Designs are passed from one generation to the next, keeping both the art form and the tradition alive. Rangoli hold a significant role in the everyday life of a Hindu household especially historically when the flooring of houses were untiled. They are usually made outside the threshold of the main entrance, in the early mornings after cleaning the area. The rangoli represents the happiness, positivity and liveliness of a household, and is intended to welcome Lakshmi, the goddess of wealth and good luck. It is believed that a Hindu household without a clean entrance and rangoli is an abode of daridra (bad luck). Design depictions may vary as they reflect traditions, folklore, and practices that are unique to each area. Rangoli are traditionally made by girls or women, although men and boys create them as well. In a Hindu household, basic rangoli is an everyday practice.
    IA_f_Madala_DSCF5684.jpg
  • Rangoli is an art form originating in the Indian subcontinent, in which patterns are created on the floor or a tabletop using materials such as powdered lime stone, red ochre, dry rice flour, coloured sand, quartz powder, flower petals, and coloured rocks. It is an everyday practice in Hindu households, Designs are passed from one generation to the next, keeping both the art form and the tradition alive. Rangoli hold a significant role in the everyday life of a Hindu household especially historically when the flooring of houses were untiled. They are usually made outside the threshold of the main entrance, in the early mornings after cleaning the area. The rangoli represents the happiness, positivity and liveliness of a household, and is intended to welcome Lakshmi, the goddess of wealth and good luck. It is believed that a Hindu household without a clean entrance and rangoli is an abode of daridra (bad luck). Design depictions may vary as they reflect traditions, folklore, and practices that are unique to each area. Rangoli are traditionally made by girls or women, although men and boys create them as well. In a Hindu household, basic rangoli is an everyday practice.
    IA_f_Madala_DSCF5624.jpg
  • Rangoli is an art form originating in the Indian subcontinent, in which patterns are created on the floor or a tabletop using materials such as powdered lime stone, red ochre, dry rice flour, coloured sand, quartz powder, flower petals, and coloured rocks. It is an everyday practice in Hindu households, Designs are passed from one generation to the next, keeping both the art form and the tradition alive. Rangoli hold a significant role in the everyday life of a Hindu household especially historically when the flooring of houses were untiled. They are usually made outside the threshold of the main entrance, in the early mornings after cleaning the area. The rangoli represents the happiness, positivity and liveliness of a household, and is intended to welcome Lakshmi, the goddess of wealth and good luck. It is believed that a Hindu household without a clean entrance and rangoli is an abode of daridra (bad luck). Design depictions may vary as they reflect traditions, folklore, and practices that are unique to each area. Rangoli are traditionally made by girls or women, although men and boys create them as well. In a Hindu household, basic rangoli is an everyday practice.
    IA_f_Madala_DSCF5615.jpg
  • The life and adventures of Robin Hood by Marsh, John B., Published by George Routledge and Sons, the Broadway, Ludgate in London ; New York in 1878. Robin Hood is a legendary heroic outlaw originally depicted in English folklore and subsequently featured in literature and film. According to legend, he was a highly skilled archer and swordsman. In some versions of the legend, he is depicted as being of noble birth, and in modern retellings he is sometimes depicted as having fought in the Crusades before returning to England to find his lands taken by the Sheriff. In the oldest known versions he is instead a member of the yeoman class. Traditionally depicted dressed in Lincoln green, he is said to have robbed from the rich and given to the poor.
    IR_Robin-Hood_0471.jpg
  • Rangoli is an art form originating in the Indian subcontinent, in which patterns are created on the floor or a tabletop using materials such as powdered lime stone, red ochre, dry rice flour, coloured sand, quartz powder, flower petals, and coloured rocks. It is an everyday practice in Hindu households, Designs are passed from one generation to the next, keeping both the art form and the tradition alive. Rangoli hold a significant role in the everyday life of a Hindu household especially historically when the flooring of houses were untiled. They are usually made outside the threshold of the main entrance, in the early mornings after cleaning the area. The rangoli represents the happiness, positivity and liveliness of a household, and is intended to welcome Lakshmi, the goddess of wealth and good luck. It is believed that a Hindu household without a clean entrance and rangoli is an abode of daridra (bad luck). Design depictions may vary as they reflect traditions, folklore, and practices that are unique to each area. Rangoli are traditionally made by girls or women, although men and boys create them as well. In a Hindu household, basic rangoli is an everyday practice.
    IA_f_Madala_DSCF5695.jpg
  • Rangoli is an art form originating in the Indian subcontinent, in which patterns are created on the floor or a tabletop using materials such as powdered lime stone, red ochre, dry rice flour, coloured sand, quartz powder, flower petals, and coloured rocks. It is an everyday practice in Hindu households, Designs are passed from one generation to the next, keeping both the art form and the tradition alive. Rangoli hold a significant role in the everyday life of a Hindu household especially historically when the flooring of houses were untiled. They are usually made outside the threshold of the main entrance, in the early mornings after cleaning the area. The rangoli represents the happiness, positivity and liveliness of a household, and is intended to welcome Lakshmi, the goddess of wealth and good luck. It is believed that a Hindu household without a clean entrance and rangoli is an abode of daridra (bad luck). Design depictions may vary as they reflect traditions, folklore, and practices that are unique to each area. Rangoli are traditionally made by girls or women, although men and boys create them as well. In a Hindu household, basic rangoli is an everyday practice.
    IA_f_Madala_DSCF5693.jpg
  • Rangoli is an art form originating in the Indian subcontinent, in which patterns are created on the floor or a tabletop using materials such as powdered lime stone, red ochre, dry rice flour, coloured sand, quartz powder, flower petals, and coloured rocks. It is an everyday practice in Hindu households, Designs are passed from one generation to the next, keeping both the art form and the tradition alive. Rangoli hold a significant role in the everyday life of a Hindu household especially historically when the flooring of houses were untiled. They are usually made outside the threshold of the main entrance, in the early mornings after cleaning the area. The rangoli represents the happiness, positivity and liveliness of a household, and is intended to welcome Lakshmi, the goddess of wealth and good luck. It is believed that a Hindu household without a clean entrance and rangoli is an abode of daridra (bad luck). Design depictions may vary as they reflect traditions, folklore, and practices that are unique to each area. Rangoli are traditionally made by girls or women, although men and boys create them as well. In a Hindu household, basic rangoli is an everyday practice.
    IA_f_Madala_DSCF5690.jpg
  • Rangoli is an art form originating in the Indian subcontinent, in which patterns are created on the floor or a tabletop using materials such as powdered lime stone, red ochre, dry rice flour, coloured sand, quartz powder, flower petals, and coloured rocks. It is an everyday practice in Hindu households, Designs are passed from one generation to the next, keeping both the art form and the tradition alive. Rangoli hold a significant role in the everyday life of a Hindu household especially historically when the flooring of houses were untiled. They are usually made outside the threshold of the main entrance, in the early mornings after cleaning the area. The rangoli represents the happiness, positivity and liveliness of a household, and is intended to welcome Lakshmi, the goddess of wealth and good luck. It is believed that a Hindu household without a clean entrance and rangoli is an abode of daridra (bad luck). Design depictions may vary as they reflect traditions, folklore, and practices that are unique to each area. Rangoli are traditionally made by girls or women, although men and boys create them as well. In a Hindu household, basic rangoli is an everyday practice.
    IA_f_Madala_DSCF5688.jpg
  • Rangoli is an art form originating in the Indian subcontinent, in which patterns are created on the floor or a tabletop using materials such as powdered lime stone, red ochre, dry rice flour, coloured sand, quartz powder, flower petals, and coloured rocks. It is an everyday practice in Hindu households, Designs are passed from one generation to the next, keeping both the art form and the tradition alive. Rangoli hold a significant role in the everyday life of a Hindu household especially historically when the flooring of houses were untiled. They are usually made outside the threshold of the main entrance, in the early mornings after cleaning the area. The rangoli represents the happiness, positivity and liveliness of a household, and is intended to welcome Lakshmi, the goddess of wealth and good luck. It is believed that a Hindu household without a clean entrance and rangoli is an abode of daridra (bad luck). Design depictions may vary as they reflect traditions, folklore, and practices that are unique to each area. Rangoli are traditionally made by girls or women, although men and boys create them as well. In a Hindu household, basic rangoli is an everyday practice.
    IA_f_Madala_DSCF5679.jpg
  • Rangoli is an art form originating in the Indian subcontinent, in which patterns are created on the floor or a tabletop using materials such as powdered lime stone, red ochre, dry rice flour, coloured sand, quartz powder, flower petals, and coloured rocks. It is an everyday practice in Hindu households, Designs are passed from one generation to the next, keeping both the art form and the tradition alive. Rangoli hold a significant role in the everyday life of a Hindu household especially historically when the flooring of houses were untiled. They are usually made outside the threshold of the main entrance, in the early mornings after cleaning the area. The rangoli represents the happiness, positivity and liveliness of a household, and is intended to welcome Lakshmi, the goddess of wealth and good luck. It is believed that a Hindu household without a clean entrance and rangoli is an abode of daridra (bad luck). Design depictions may vary as they reflect traditions, folklore, and practices that are unique to each area. Rangoli are traditionally made by girls or women, although men and boys create them as well. In a Hindu household, basic rangoli is an everyday practice.
    IA_f_Madala_DSCF5657.jpg
  • Rangoli is an art form originating in the Indian subcontinent, in which patterns are created on the floor or a tabletop using materials such as powdered lime stone, red ochre, dry rice flour, coloured sand, quartz powder, flower petals, and coloured rocks. It is an everyday practice in Hindu households, Designs are passed from one generation to the next, keeping both the art form and the tradition alive. Rangoli hold a significant role in the everyday life of a Hindu household especially historically when the flooring of houses were untiled. They are usually made outside the threshold of the main entrance, in the early mornings after cleaning the area. The rangoli represents the happiness, positivity and liveliness of a household, and is intended to welcome Lakshmi, the goddess of wealth and good luck. It is believed that a Hindu household without a clean entrance and rangoli is an abode of daridra (bad luck). Design depictions may vary as they reflect traditions, folklore, and practices that are unique to each area. Rangoli are traditionally made by girls or women, although men and boys create them as well. In a Hindu household, basic rangoli is an everyday practice.
    IA_f_Madala_DSCF5644.jpg
  • Rangoli is an art form originating in the Indian subcontinent, in which patterns are created on the floor or a tabletop using materials such as powdered lime stone, red ochre, dry rice flour, coloured sand, quartz powder, flower petals, and coloured rocks. It is an everyday practice in Hindu households, Designs are passed from one generation to the next, keeping both the art form and the tradition alive. Rangoli hold a significant role in the everyday life of a Hindu household especially historically when the flooring of houses were untiled. They are usually made outside the threshold of the main entrance, in the early mornings after cleaning the area. The rangoli represents the happiness, positivity and liveliness of a household, and is intended to welcome Lakshmi, the goddess of wealth and good luck. It is believed that a Hindu household without a clean entrance and rangoli is an abode of daridra (bad luck). Design depictions may vary as they reflect traditions, folklore, and practices that are unique to each area. Rangoli are traditionally made by girls or women, although men and boys create them as well. In a Hindu household, basic rangoli is an everyday practice.
    IA_f_Madala_DSCF5646.jpg
  • Rangoli is an art form originating in the Indian subcontinent, in which patterns are created on the floor or a tabletop using materials such as powdered lime stone, red ochre, dry rice flour, coloured sand, quartz powder, flower petals, and coloured rocks. It is an everyday practice in Hindu households, Designs are passed from one generation to the next, keeping both the art form and the tradition alive. Rangoli hold a significant role in the everyday life of a Hindu household especially historically when the flooring of houses were untiled. They are usually made outside the threshold of the main entrance, in the early mornings after cleaning the area. The rangoli represents the happiness, positivity and liveliness of a household, and is intended to welcome Lakshmi, the goddess of wealth and good luck. It is believed that a Hindu household without a clean entrance and rangoli is an abode of daridra (bad luck). Design depictions may vary as they reflect traditions, folklore, and practices that are unique to each area. Rangoli are traditionally made by girls or women, although men and boys create them as well. In a Hindu household, basic rangoli is an everyday practice.
    IA_f_Madala_DSCF5641.jpg
  • Rangoli is an art form originating in the Indian subcontinent, in which patterns are created on the floor or a tabletop using materials such as powdered lime stone, red ochre, dry rice flour, coloured sand, quartz powder, flower petals, and coloured rocks. It is an everyday practice in Hindu households, Designs are passed from one generation to the next, keeping both the art form and the tradition alive. Rangoli hold a significant role in the everyday life of a Hindu household especially historically when the flooring of houses were untiled. They are usually made outside the threshold of the main entrance, in the early mornings after cleaning the area. The rangoli represents the happiness, positivity and liveliness of a household, and is intended to welcome Lakshmi, the goddess of wealth and good luck. It is believed that a Hindu household without a clean entrance and rangoli is an abode of daridra (bad luck). Design depictions may vary as they reflect traditions, folklore, and practices that are unique to each area. Rangoli are traditionally made by girls or women, although men and boys create them as well. In a Hindu household, basic rangoli is an everyday practice.
    IA_f_Madala_DSCF5632.jpg
  • Rangoli is an art form originating in the Indian subcontinent, in which patterns are created on the floor or a tabletop using materials such as powdered lime stone, red ochre, dry rice flour, coloured sand, quartz powder, flower petals, and coloured rocks. It is an everyday practice in Hindu households, Designs are passed from one generation to the next, keeping both the art form and the tradition alive. Rangoli hold a significant role in the everyday life of a Hindu household especially historically when the flooring of houses were untiled. They are usually made outside the threshold of the main entrance, in the early mornings after cleaning the area. The rangoli represents the happiness, positivity and liveliness of a household, and is intended to welcome Lakshmi, the goddess of wealth and good luck. It is believed that a Hindu household without a clean entrance and rangoli is an abode of daridra (bad luck). Design depictions may vary as they reflect traditions, folklore, and practices that are unique to each area. Rangoli are traditionally made by girls or women, although men and boys create them as well. In a Hindu household, basic rangoli is an everyday practice.
    IA_f_Madala_DSCF5637.jpg
  • Rangoli is an art form originating in the Indian subcontinent, in which patterns are created on the floor or a tabletop using materials such as powdered lime stone, red ochre, dry rice flour, coloured sand, quartz powder, flower petals, and coloured rocks. It is an everyday practice in Hindu households, Designs are passed from one generation to the next, keeping both the art form and the tradition alive. Rangoli hold a significant role in the everyday life of a Hindu household especially historically when the flooring of houses were untiled. They are usually made outside the threshold of the main entrance, in the early mornings after cleaning the area. The rangoli represents the happiness, positivity and liveliness of a household, and is intended to welcome Lakshmi, the goddess of wealth and good luck. It is believed that a Hindu household without a clean entrance and rangoli is an abode of daridra (bad luck). Design depictions may vary as they reflect traditions, folklore, and practices that are unique to each area. Rangoli are traditionally made by girls or women, although men and boys create them as well. In a Hindu household, basic rangoli is an everyday practice.
    IA_f_Madala_DSCF5629.jpg
  • Rangoli is an art form originating in the Indian subcontinent, in which patterns are created on the floor or a tabletop using materials such as powdered lime stone, red ochre, dry rice flour, coloured sand, quartz powder, flower petals, and coloured rocks. It is an everyday practice in Hindu households, Designs are passed from one generation to the next, keeping both the art form and the tradition alive. Rangoli hold a significant role in the everyday life of a Hindu household especially historically when the flooring of houses were untiled. They are usually made outside the threshold of the main entrance, in the early mornings after cleaning the area. The rangoli represents the happiness, positivity and liveliness of a household, and is intended to welcome Lakshmi, the goddess of wealth and good luck. It is believed that a Hindu household without a clean entrance and rangoli is an abode of daridra (bad luck). Design depictions may vary as they reflect traditions, folklore, and practices that are unique to each area. Rangoli are traditionally made by girls or women, although men and boys create them as well. In a Hindu household, basic rangoli is an everyday practice.
    IA_f_Madala_DSCF5626.jpg
  • Rangoli is an art form originating in the Indian subcontinent, in which patterns are created on the floor or a tabletop using materials such as powdered lime stone, red ochre, dry rice flour, coloured sand, quartz powder, flower petals, and coloured rocks. It is an everyday practice in Hindu households, Designs are passed from one generation to the next, keeping both the art form and the tradition alive. Rangoli hold a significant role in the everyday life of a Hindu household especially historically when the flooring of houses were untiled. They are usually made outside the threshold of the main entrance, in the early mornings after cleaning the area. The rangoli represents the happiness, positivity and liveliness of a household, and is intended to welcome Lakshmi, the goddess of wealth and good luck. It is believed that a Hindu household without a clean entrance and rangoli is an abode of daridra (bad luck). Design depictions may vary as they reflect traditions, folklore, and practices that are unique to each area. Rangoli are traditionally made by girls or women, although men and boys create them as well. In a Hindu household, basic rangoli is an everyday practice.
    IA_f_Madala_DSCF5625.jpg
  • Rangoli is an art form originating in the Indian subcontinent, in which patterns are created on the floor or a tabletop using materials such as powdered lime stone, red ochre, dry rice flour, coloured sand, quartz powder, flower petals, and coloured rocks. It is an everyday practice in Hindu households, Designs are passed from one generation to the next, keeping both the art form and the tradition alive. Rangoli hold a significant role in the everyday life of a Hindu household especially historically when the flooring of houses were untiled. They are usually made outside the threshold of the main entrance, in the early mornings after cleaning the area. The rangoli represents the happiness, positivity and liveliness of a household, and is intended to welcome Lakshmi, the goddess of wealth and good luck. It is believed that a Hindu household without a clean entrance and rangoli is an abode of daridra (bad luck). Design depictions may vary as they reflect traditions, folklore, and practices that are unique to each area. Rangoli are traditionally made by girls or women, although men and boys create them as well. In a Hindu household, basic rangoli is an everyday practice.
    IA_f_Madala_DSCF5623.jpg
  • Rangoli is an art form originating in the Indian subcontinent, in which patterns are created on the floor or a tabletop using materials such as powdered lime stone, red ochre, dry rice flour, coloured sand, quartz powder, flower petals, and coloured rocks. It is an everyday practice in Hindu households, Designs are passed from one generation to the next, keeping both the art form and the tradition alive. Rangoli hold a significant role in the everyday life of a Hindu household especially historically when the flooring of houses were untiled. They are usually made outside the threshold of the main entrance, in the early mornings after cleaning the area. The rangoli represents the happiness, positivity and liveliness of a household, and is intended to welcome Lakshmi, the goddess of wealth and good luck. It is believed that a Hindu household without a clean entrance and rangoli is an abode of daridra (bad luck). Design depictions may vary as they reflect traditions, folklore, and practices that are unique to each area. Rangoli are traditionally made by girls or women, although men and boys create them as well. In a Hindu household, basic rangoli is an everyday practice.
    IA_f_Madala_DSCF5614.jpg
  • Rangoli is an art form originating in the Indian subcontinent, in which patterns are created on the floor or a tabletop using materials such as powdered lime stone, red ochre, dry rice flour, coloured sand, quartz powder, flower petals, and coloured rocks. It is an everyday practice in Hindu households, Designs are passed from one generation to the next, keeping both the art form and the tradition alive. Rangoli hold a significant role in the everyday life of a Hindu household especially historically when the flooring of houses were untiled. They are usually made outside the threshold of the main entrance, in the early mornings after cleaning the area. The rangoli represents the happiness, positivity and liveliness of a household, and is intended to welcome Lakshmi, the goddess of wealth and good luck. It is believed that a Hindu household without a clean entrance and rangoli is an abode of daridra (bad luck). Design depictions may vary as they reflect traditions, folklore, and practices that are unique to each area. Rangoli are traditionally made by girls or women, although men and boys create them as well. In a Hindu household, basic rangoli is an everyday practice.
    IA_f_Madala_DSCF5610.jpg
  • Rangoli is an art form originating in the Indian subcontinent, in which patterns are created on the floor or a tabletop using materials such as powdered lime stone, red ochre, dry rice flour, coloured sand, quartz powder, flower petals, and coloured rocks. It is an everyday practice in Hindu households, Designs are passed from one generation to the next, keeping both the art form and the tradition alive. Rangoli hold a significant role in the everyday life of a Hindu household especially historically when the flooring of houses were untiled. They are usually made outside the threshold of the main entrance, in the early mornings after cleaning the area. The rangoli represents the happiness, positivity and liveliness of a household, and is intended to welcome Lakshmi, the goddess of wealth and good luck. It is believed that a Hindu household without a clean entrance and rangoli is an abode of daridra (bad luck). Design depictions may vary as they reflect traditions, folklore, and practices that are unique to each area. Rangoli are traditionally made by girls or women, although men and boys create them as well. In a Hindu household, basic rangoli is an everyday practice.
    IA_f_Madala_DSCF4895.jpg
  • Rangoli is an art form originating in the Indian subcontinent, in which patterns are created on the floor or a tabletop using materials such as powdered lime stone, red ochre, dry rice flour, coloured sand, quartz powder, flower petals, and coloured rocks. It is an everyday practice in Hindu households, Designs are passed from one generation to the next, keeping both the art form and the tradition alive. Rangoli hold a significant role in the everyday life of a Hindu household especially historically when the flooring of houses were untiled. They are usually made outside the threshold of the main entrance, in the early mornings after cleaning the area. The rangoli represents the happiness, positivity and liveliness of a household, and is intended to welcome Lakshmi, the goddess of wealth and good luck. It is believed that a Hindu household without a clean entrance and rangoli is an abode of daridra (bad luck). Design depictions may vary as they reflect traditions, folklore, and practices that are unique to each area. Rangoli are traditionally made by girls or women, although men and boys create them as well. In a Hindu household, basic rangoli is an everyday practice.
    IA_f_Madala_DSCF4825.jpg
  • Rangoli is an art form originating in the Indian subcontinent, in which patterns are created on the floor or a tabletop using materials such as powdered lime stone, red ochre, dry rice flour, coloured sand, quartz powder, flower petals, and coloured rocks. It is an everyday practice in Hindu households, Designs are passed from one generation to the next, keeping both the art form and the tradition alive. Rangoli hold a significant role in the everyday life of a Hindu household especially historically when the flooring of houses were untiled. They are usually made outside the threshold of the main entrance, in the early mornings after cleaning the area. The rangoli represents the happiness, positivity and liveliness of a household, and is intended to welcome Lakshmi, the goddess of wealth and good luck. It is believed that a Hindu household without a clean entrance and rangoli is an abode of daridra (bad luck). Design depictions may vary as they reflect traditions, folklore, and practices that are unique to each area. Rangoli are traditionally made by girls or women, although men and boys create them as well. In a Hindu household, basic rangoli is an everyday practice.
    IA_f_Madala_DSCF4816.jpg
  • The life and adventures of Robin Hood by Marsh, John B., Published by George Routledge and Sons, the Broadway, Ludgate in London ; New York in 1878. Robin Hood is a legendary heroic outlaw originally depicted in English folklore and subsequently featured in literature and film. According to legend, he was a highly skilled archer and swordsman. In some versions of the legend, he is depicted as being of noble birth, and in modern retellings he is sometimes depicted as having fought in the Crusades before returning to England to find his lands taken by the Sheriff. In the oldest known versions he is instead a member of the yeoman class. Traditionally depicted dressed in Lincoln green, he is said to have robbed from the rich and given to the poor.
    IR_Robin-Hood_0006.jpg
  • Jack the giant killer Published by George Routledge and sons in 1865 "Jack the Giant Killer" is a Cornish fairy tale and legend about a young adult who slays a number of bad giants during King Arthur's reign. The tale is characterised by violence, gore and blood-letting. Giants are prominent in Cornish folklore
    IR_Jack-the-giant-killer_0009.jpg
  • Jack the giant killer Published by George Routledge and sons in 1865 "Jack the Giant Killer" is a Cornish fairy tale and legend about a young adult who slays a number of bad giants during King Arthur's reign. The tale is characterised by violence, gore and blood-letting. Giants are prominent in Cornish folklore
    IR_Jack-the-giant-killer_0004.jpg
  • Jack the giant killer Published by George Routledge and sons in 1865 "Jack the Giant Killer" is a Cornish fairy tale and legend about a young adult who slays a number of bad giants during King Arthur's reign. The tale is characterised by violence, gore and blood-letting. Giants are prominent in Cornish folklore
    IR_Jack-the-giant-killer_0006.jpg
  • Jack the giant killer Published by George Routledge and sons in 1865 "Jack the Giant Killer" is a Cornish fairy tale and legend about a young adult who slays a number of bad giants during King Arthur's reign. The tale is characterised by violence, gore and blood-letting. Giants are prominent in Cornish folklore
    IR_Jack-the-giant-killer_0001.jpg
  • Nabi Musa (Nebi Musa) is the name of a site in the Judean desert, West Bank, Palestine that popular Palestinian folklore associates with Moses.
    IR_f_Nabi-Musa_F0782.jpg
  • Nabi Musa (Nebi Musa) is the name of a site in the Judean desert, West Bank, Palestine that popular Palestinian folklore associates with Moses.
    IR_f_Nabi-Musa_F0779.jpg
  • Nabi Musa (Nebi Musa) is the name of a site in the Judean desert, West Bank, Palestine that popular Palestinian folklore associates with Moses.
    IR_f_Nabi-Musa_F0778.jpg
  • Nabi Musa (Nebi Musa) is the name of a site in the Judean desert, West Bank, Palestine that popular Palestinian folklore associates with Moses.
    IR_f_Nabi-Musa_F0775.jpg
  • Nabi Musa (Nebi Musa) is the name of a site in the Judean desert, West Bank, Palestine that popular Palestinian folklore associates with Moses.
    IR_f_Nabi-Musa_F0772.jpg
  • Rangoli is an art form originating in the Indian subcontinent, in which patterns are created on the floor or a tabletop using materials such as powdered lime stone, red ochre, dry rice flour, coloured sand, quartz powder, flower petals, and coloured rocks. It is an everyday practice in Hindu households, Designs are passed from one generation to the next, keeping both the art form and the tradition alive. Rangoli hold a significant role in the everyday life of a Hindu household especially historically when the flooring of houses were untiled. They are usually made outside the threshold of the main entrance, in the early mornings after cleaning the area. The rangoli represents the happiness, positivity and liveliness of a household, and is intended to welcome Lakshmi, the goddess of wealth and good luck. It is believed that a Hindu household without a clean entrance and rangoli is an abode of daridra (bad luck). Design depictions may vary as they reflect traditions, folklore, and practices that are unique to each area. Rangoli are traditionally made by girls or women, although men and boys create them as well. In a Hindu household, basic rangoli is an everyday practice.
    IA_f_Madala_DSCF5699.jpg
  • Rangoli is an art form originating in the Indian subcontinent, in which patterns are created on the floor or a tabletop using materials such as powdered lime stone, red ochre, dry rice flour, coloured sand, quartz powder, flower petals, and coloured rocks. It is an everyday practice in Hindu households, Designs are passed from one generation to the next, keeping both the art form and the tradition alive. Rangoli hold a significant role in the everyday life of a Hindu household especially historically when the flooring of houses were untiled. They are usually made outside the threshold of the main entrance, in the early mornings after cleaning the area. The rangoli represents the happiness, positivity and liveliness of a household, and is intended to welcome Lakshmi, the goddess of wealth and good luck. It is believed that a Hindu household without a clean entrance and rangoli is an abode of daridra (bad luck). Design depictions may vary as they reflect traditions, folklore, and practices that are unique to each area. Rangoli are traditionally made by girls or women, although men and boys create them as well. In a Hindu household, basic rangoli is an everyday practice.
    IA_f_Madala_DSCF5702.jpg
  • Rangoli is an art form originating in the Indian subcontinent, in which patterns are created on the floor or a tabletop using materials such as powdered lime stone, red ochre, dry rice flour, coloured sand, quartz powder, flower petals, and coloured rocks. It is an everyday practice in Hindu households, Designs are passed from one generation to the next, keeping both the art form and the tradition alive. Rangoli hold a significant role in the everyday life of a Hindu household especially historically when the flooring of houses were untiled. They are usually made outside the threshold of the main entrance, in the early mornings after cleaning the area. The rangoli represents the happiness, positivity and liveliness of a household, and is intended to welcome Lakshmi, the goddess of wealth and good luck. It is believed that a Hindu household without a clean entrance and rangoli is an abode of daridra (bad luck). Design depictions may vary as they reflect traditions, folklore, and practices that are unique to each area. Rangoli are traditionally made by girls or women, although men and boys create them as well. In a Hindu household, basic rangoli is an everyday practice.
    IA_f_Madala_DSCF5701.jpg
  • Rangoli is an art form originating in the Indian subcontinent, in which patterns are created on the floor or a tabletop using materials such as powdered lime stone, red ochre, dry rice flour, coloured sand, quartz powder, flower petals, and coloured rocks. It is an everyday practice in Hindu households, Designs are passed from one generation to the next, keeping both the art form and the tradition alive. Rangoli hold a significant role in the everyday life of a Hindu household especially historically when the flooring of houses were untiled. They are usually made outside the threshold of the main entrance, in the early mornings after cleaning the area. The rangoli represents the happiness, positivity and liveliness of a household, and is intended to welcome Lakshmi, the goddess of wealth and good luck. It is believed that a Hindu household without a clean entrance and rangoli is an abode of daridra (bad luck). Design depictions may vary as they reflect traditions, folklore, and practices that are unique to each area. Rangoli are traditionally made by girls or women, although men and boys create them as well. In a Hindu household, basic rangoli is an everyday practice.
    IA_f_Madala_DSCF5696.jpg
  • Rangoli is an art form originating in the Indian subcontinent, in which patterns are created on the floor or a tabletop using materials such as powdered lime stone, red ochre, dry rice flour, coloured sand, quartz powder, flower petals, and coloured rocks. It is an everyday practice in Hindu households, Designs are passed from one generation to the next, keeping both the art form and the tradition alive. Rangoli hold a significant role in the everyday life of a Hindu household especially historically when the flooring of houses were untiled. They are usually made outside the threshold of the main entrance, in the early mornings after cleaning the area. The rangoli represents the happiness, positivity and liveliness of a household, and is intended to welcome Lakshmi, the goddess of wealth and good luck. It is believed that a Hindu household without a clean entrance and rangoli is an abode of daridra (bad luck). Design depictions may vary as they reflect traditions, folklore, and practices that are unique to each area. Rangoli are traditionally made by girls or women, although men and boys create them as well. In a Hindu household, basic rangoli is an everyday practice.
    IA_f_Madala_DSCF5691.jpg
  • Rangoli is an art form originating in the Indian subcontinent, in which patterns are created on the floor or a tabletop using materials such as powdered lime stone, red ochre, dry rice flour, coloured sand, quartz powder, flower petals, and coloured rocks. It is an everyday practice in Hindu households, Designs are passed from one generation to the next, keeping both the art form and the tradition alive. Rangoli hold a significant role in the everyday life of a Hindu household especially historically when the flooring of houses were untiled. They are usually made outside the threshold of the main entrance, in the early mornings after cleaning the area. The rangoli represents the happiness, positivity and liveliness of a household, and is intended to welcome Lakshmi, the goddess of wealth and good luck. It is believed that a Hindu household without a clean entrance and rangoli is an abode of daridra (bad luck). Design depictions may vary as they reflect traditions, folklore, and practices that are unique to each area. Rangoli are traditionally made by girls or women, although men and boys create them as well. In a Hindu household, basic rangoli is an everyday practice.
    IA_f_Madala_DSCF5687.jpg
  • Rangoli is an art form originating in the Indian subcontinent, in which patterns are created on the floor or a tabletop using materials such as powdered lime stone, red ochre, dry rice flour, coloured sand, quartz powder, flower petals, and coloured rocks. It is an everyday practice in Hindu households, Designs are passed from one generation to the next, keeping both the art form and the tradition alive. Rangoli hold a significant role in the everyday life of a Hindu household especially historically when the flooring of houses were untiled. They are usually made outside the threshold of the main entrance, in the early mornings after cleaning the area. The rangoli represents the happiness, positivity and liveliness of a household, and is intended to welcome Lakshmi, the goddess of wealth and good luck. It is believed that a Hindu household without a clean entrance and rangoli is an abode of daridra (bad luck). Design depictions may vary as they reflect traditions, folklore, and practices that are unique to each area. Rangoli are traditionally made by girls or women, although men and boys create them as well. In a Hindu household, basic rangoli is an everyday practice.
    IA_f_Madala_DSCF5685.jpg
  • Rangoli is an art form originating in the Indian subcontinent, in which patterns are created on the floor or a tabletop using materials such as powdered lime stone, red ochre, dry rice flour, coloured sand, quartz powder, flower petals, and coloured rocks. It is an everyday practice in Hindu households, Designs are passed from one generation to the next, keeping both the art form and the tradition alive. Rangoli hold a significant role in the everyday life of a Hindu household especially historically when the flooring of houses were untiled. They are usually made outside the threshold of the main entrance, in the early mornings after cleaning the area. The rangoli represents the happiness, positivity and liveliness of a household, and is intended to welcome Lakshmi, the goddess of wealth and good luck. It is believed that a Hindu household without a clean entrance and rangoli is an abode of daridra (bad luck). Design depictions may vary as they reflect traditions, folklore, and practices that are unique to each area. Rangoli are traditionally made by girls or women, although men and boys create them as well. In a Hindu household, basic rangoli is an everyday practice.
    IA_f_Madala_DSCF5683.jpg
  • Rangoli is an art form originating in the Indian subcontinent, in which patterns are created on the floor or a tabletop using materials such as powdered lime stone, red ochre, dry rice flour, coloured sand, quartz powder, flower petals, and coloured rocks. It is an everyday practice in Hindu households, Designs are passed from one generation to the next, keeping both the art form and the tradition alive. Rangoli hold a significant role in the everyday life of a Hindu household especially historically when the flooring of houses were untiled. They are usually made outside the threshold of the main entrance, in the early mornings after cleaning the area. The rangoli represents the happiness, positivity and liveliness of a household, and is intended to welcome Lakshmi, the goddess of wealth and good luck. It is believed that a Hindu household without a clean entrance and rangoli is an abode of daridra (bad luck). Design depictions may vary as they reflect traditions, folklore, and practices that are unique to each area. Rangoli are traditionally made by girls or women, although men and boys create them as well. In a Hindu household, basic rangoli is an everyday practice.
    IA_f_Madala_DSCF5682.jpg
  • Rangoli is an art form originating in the Indian subcontinent, in which patterns are created on the floor or a tabletop using materials such as powdered lime stone, red ochre, dry rice flour, coloured sand, quartz powder, flower petals, and coloured rocks. It is an everyday practice in Hindu households, Designs are passed from one generation to the next, keeping both the art form and the tradition alive. Rangoli hold a significant role in the everyday life of a Hindu household especially historically when the flooring of houses were untiled. They are usually made outside the threshold of the main entrance, in the early mornings after cleaning the area. The rangoli represents the happiness, positivity and liveliness of a household, and is intended to welcome Lakshmi, the goddess of wealth and good luck. It is believed that a Hindu household without a clean entrance and rangoli is an abode of daridra (bad luck). Design depictions may vary as they reflect traditions, folklore, and practices that are unique to each area. Rangoli are traditionally made by girls or women, although men and boys create them as well. In a Hindu household, basic rangoli is an everyday practice.
    IA_f_Madala_DSCF5681.jpg
  • Rangoli is an art form originating in the Indian subcontinent, in which patterns are created on the floor or a tabletop using materials such as powdered lime stone, red ochre, dry rice flour, coloured sand, quartz powder, flower petals, and coloured rocks. It is an everyday practice in Hindu households, Designs are passed from one generation to the next, keeping both the art form and the tradition alive. Rangoli hold a significant role in the everyday life of a Hindu household especially historically when the flooring of houses were untiled. They are usually made outside the threshold of the main entrance, in the early mornings after cleaning the area. The rangoli represents the happiness, positivity and liveliness of a household, and is intended to welcome Lakshmi, the goddess of wealth and good luck. It is believed that a Hindu household without a clean entrance and rangoli is an abode of daridra (bad luck). Design depictions may vary as they reflect traditions, folklore, and practices that are unique to each area. Rangoli are traditionally made by girls or women, although men and boys create them as well. In a Hindu household, basic rangoli is an everyday practice.
    IA_f_Madala_DSCF5680.jpg
  • Rangoli is an art form originating in the Indian subcontinent, in which patterns are created on the floor or a tabletop using materials such as powdered lime stone, red ochre, dry rice flour, coloured sand, quartz powder, flower petals, and coloured rocks. It is an everyday practice in Hindu households, Designs are passed from one generation to the next, keeping both the art form and the tradition alive. Rangoli hold a significant role in the everyday life of a Hindu household especially historically when the flooring of houses were untiled. They are usually made outside the threshold of the main entrance, in the early mornings after cleaning the area. The rangoli represents the happiness, positivity and liveliness of a household, and is intended to welcome Lakshmi, the goddess of wealth and good luck. It is believed that a Hindu household without a clean entrance and rangoli is an abode of daridra (bad luck). Design depictions may vary as they reflect traditions, folklore, and practices that are unique to each area. Rangoli are traditionally made by girls or women, although men and boys create them as well. In a Hindu household, basic rangoli is an everyday practice.
    IA_f_Madala_DSCF5659.jpg
  • Rangoli is an art form originating in the Indian subcontinent, in which patterns are created on the floor or a tabletop using materials such as powdered lime stone, red ochre, dry rice flour, coloured sand, quartz powder, flower petals, and coloured rocks. It is an everyday practice in Hindu households, Designs are passed from one generation to the next, keeping both the art form and the tradition alive. Rangoli hold a significant role in the everyday life of a Hindu household especially historically when the flooring of houses were untiled. They are usually made outside the threshold of the main entrance, in the early mornings after cleaning the area. The rangoli represents the happiness, positivity and liveliness of a household, and is intended to welcome Lakshmi, the goddess of wealth and good luck. It is believed that a Hindu household without a clean entrance and rangoli is an abode of daridra (bad luck). Design depictions may vary as they reflect traditions, folklore, and practices that are unique to each area. Rangoli are traditionally made by girls or women, although men and boys create them as well. In a Hindu household, basic rangoli is an everyday practice.
    IA_f_Madala_DSCF5656.jpg
  • Rangoli is an art form originating in the Indian subcontinent, in which patterns are created on the floor or a tabletop using materials such as powdered lime stone, red ochre, dry rice flour, coloured sand, quartz powder, flower petals, and coloured rocks. It is an everyday practice in Hindu households, Designs are passed from one generation to the next, keeping both the art form and the tradition alive. Rangoli hold a significant role in the everyday life of a Hindu household especially historically when the flooring of houses were untiled. They are usually made outside the threshold of the main entrance, in the early mornings after cleaning the area. The rangoli represents the happiness, positivity and liveliness of a household, and is intended to welcome Lakshmi, the goddess of wealth and good luck. It is believed that a Hindu household without a clean entrance and rangoli is an abode of daridra (bad luck). Design depictions may vary as they reflect traditions, folklore, and practices that are unique to each area. Rangoli are traditionally made by girls or women, although men and boys create them as well. In a Hindu household, basic rangoli is an everyday practice.
    IA_f_Madala_DSCF5655.jpg
  • Rangoli is an art form originating in the Indian subcontinent, in which patterns are created on the floor or a tabletop using materials such as powdered lime stone, red ochre, dry rice flour, coloured sand, quartz powder, flower petals, and coloured rocks. It is an everyday practice in Hindu households, Designs are passed from one generation to the next, keeping both the art form and the tradition alive. Rangoli hold a significant role in the everyday life of a Hindu household especially historically when the flooring of houses were untiled. They are usually made outside the threshold of the main entrance, in the early mornings after cleaning the area. The rangoli represents the happiness, positivity and liveliness of a household, and is intended to welcome Lakshmi, the goddess of wealth and good luck. It is believed that a Hindu household without a clean entrance and rangoli is an abode of daridra (bad luck). Design depictions may vary as they reflect traditions, folklore, and practices that are unique to each area. Rangoli are traditionally made by girls or women, although men and boys create them as well. In a Hindu household, basic rangoli is an everyday practice.
    IA_f_Madala_DSCF5642.jpg
  • Rangoli is an art form originating in the Indian subcontinent, in which patterns are created on the floor or a tabletop using materials such as powdered lime stone, red ochre, dry rice flour, coloured sand, quartz powder, flower petals, and coloured rocks. It is an everyday practice in Hindu households, Designs are passed from one generation to the next, keeping both the art form and the tradition alive. Rangoli hold a significant role in the everyday life of a Hindu household especially historically when the flooring of houses were untiled. They are usually made outside the threshold of the main entrance, in the early mornings after cleaning the area. The rangoli represents the happiness, positivity and liveliness of a household, and is intended to welcome Lakshmi, the goddess of wealth and good luck. It is believed that a Hindu household without a clean entrance and rangoli is an abode of daridra (bad luck). Design depictions may vary as they reflect traditions, folklore, and practices that are unique to each area. Rangoli are traditionally made by girls or women, although men and boys create them as well. In a Hindu household, basic rangoli is an everyday practice.
    IA_f_Madala_DSCF5640.jpg
  • Rangoli is an art form originating in the Indian subcontinent, in which patterns are created on the floor or a tabletop using materials such as powdered lime stone, red ochre, dry rice flour, coloured sand, quartz powder, flower petals, and coloured rocks. It is an everyday practice in Hindu households, Designs are passed from one generation to the next, keeping both the art form and the tradition alive. Rangoli hold a significant role in the everyday life of a Hindu household especially historically when the flooring of houses were untiled. They are usually made outside the threshold of the main entrance, in the early mornings after cleaning the area. The rangoli represents the happiness, positivity and liveliness of a household, and is intended to welcome Lakshmi, the goddess of wealth and good luck. It is believed that a Hindu household without a clean entrance and rangoli is an abode of daridra (bad luck). Design depictions may vary as they reflect traditions, folklore, and practices that are unique to each area. Rangoli are traditionally made by girls or women, although men and boys create them as well. In a Hindu household, basic rangoli is an everyday practice.
    IA_f_Madala_DSCF5639.jpg
  • Rangoli is an art form originating in the Indian subcontinent, in which patterns are created on the floor or a tabletop using materials such as powdered lime stone, red ochre, dry rice flour, coloured sand, quartz powder, flower petals, and coloured rocks. It is an everyday practice in Hindu households, Designs are passed from one generation to the next, keeping both the art form and the tradition alive. Rangoli hold a significant role in the everyday life of a Hindu household especially historically when the flooring of houses were untiled. They are usually made outside the threshold of the main entrance, in the early mornings after cleaning the area. The rangoli represents the happiness, positivity and liveliness of a household, and is intended to welcome Lakshmi, the goddess of wealth and good luck. It is believed that a Hindu household without a clean entrance and rangoli is an abode of daridra (bad luck). Design depictions may vary as they reflect traditions, folklore, and practices that are unique to each area. Rangoli are traditionally made by girls or women, although men and boys create them as well. In a Hindu household, basic rangoli is an everyday practice.
    IA_f_Madala_DSCF5636.jpg
  • Rangoli is an art form originating in the Indian subcontinent, in which patterns are created on the floor or a tabletop using materials such as powdered lime stone, red ochre, dry rice flour, coloured sand, quartz powder, flower petals, and coloured rocks. It is an everyday practice in Hindu households, Designs are passed from one generation to the next, keeping both the art form and the tradition alive. Rangoli hold a significant role in the everyday life of a Hindu household especially historically when the flooring of houses were untiled. They are usually made outside the threshold of the main entrance, in the early mornings after cleaning the area. The rangoli represents the happiness, positivity and liveliness of a household, and is intended to welcome Lakshmi, the goddess of wealth and good luck. It is believed that a Hindu household without a clean entrance and rangoli is an abode of daridra (bad luck). Design depictions may vary as they reflect traditions, folklore, and practices that are unique to each area. Rangoli are traditionally made by girls or women, although men and boys create them as well. In a Hindu household, basic rangoli is an everyday practice.
    IA_f_Madala_DSCF5633.jpg
  • Rangoli is an art form originating in the Indian subcontinent, in which patterns are created on the floor or a tabletop using materials such as powdered lime stone, red ochre, dry rice flour, coloured sand, quartz powder, flower petals, and coloured rocks. It is an everyday practice in Hindu households, Designs are passed from one generation to the next, keeping both the art form and the tradition alive. Rangoli hold a significant role in the everyday life of a Hindu household especially historically when the flooring of houses were untiled. They are usually made outside the threshold of the main entrance, in the early mornings after cleaning the area. The rangoli represents the happiness, positivity and liveliness of a household, and is intended to welcome Lakshmi, the goddess of wealth and good luck. It is believed that a Hindu household without a clean entrance and rangoli is an abode of daridra (bad luck). Design depictions may vary as they reflect traditions, folklore, and practices that are unique to each area. Rangoli are traditionally made by girls or women, although men and boys create them as well. In a Hindu household, basic rangoli is an everyday practice.
    IA_f_Madala_DSCF5631.jpg
  • Rangoli is an art form originating in the Indian subcontinent, in which patterns are created on the floor or a tabletop using materials such as powdered lime stone, red ochre, dry rice flour, coloured sand, quartz powder, flower petals, and coloured rocks. It is an everyday practice in Hindu households, Designs are passed from one generation to the next, keeping both the art form and the tradition alive. Rangoli hold a significant role in the everyday life of a Hindu household especially historically when the flooring of houses were untiled. They are usually made outside the threshold of the main entrance, in the early mornings after cleaning the area. The rangoli represents the happiness, positivity and liveliness of a household, and is intended to welcome Lakshmi, the goddess of wealth and good luck. It is believed that a Hindu household without a clean entrance and rangoli is an abode of daridra (bad luck). Design depictions may vary as they reflect traditions, folklore, and practices that are unique to each area. Rangoli are traditionally made by girls or women, although men and boys create them as well. In a Hindu household, basic rangoli is an everyday practice.
    IA_f_Madala_DSCF5630.jpg
  • Rangoli is an art form originating in the Indian subcontinent, in which patterns are created on the floor or a tabletop using materials such as powdered lime stone, red ochre, dry rice flour, coloured sand, quartz powder, flower petals, and coloured rocks. It is an everyday practice in Hindu households, Designs are passed from one generation to the next, keeping both the art form and the tradition alive. Rangoli hold a significant role in the everyday life of a Hindu household especially historically when the flooring of houses were untiled. They are usually made outside the threshold of the main entrance, in the early mornings after cleaning the area. The rangoli represents the happiness, positivity and liveliness of a household, and is intended to welcome Lakshmi, the goddess of wealth and good luck. It is believed that a Hindu household without a clean entrance and rangoli is an abode of daridra (bad luck). Design depictions may vary as they reflect traditions, folklore, and practices that are unique to each area. Rangoli are traditionally made by girls or women, although men and boys create them as well. In a Hindu household, basic rangoli is an everyday practice.
    IA_f_Madala_DSCF5628.jpg
  • Rangoli is an art form originating in the Indian subcontinent, in which patterns are created on the floor or a tabletop using materials such as powdered lime stone, red ochre, dry rice flour, coloured sand, quartz powder, flower petals, and coloured rocks. It is an everyday practice in Hindu households, Designs are passed from one generation to the next, keeping both the art form and the tradition alive. Rangoli hold a significant role in the everyday life of a Hindu household especially historically when the flooring of houses were untiled. They are usually made outside the threshold of the main entrance, in the early mornings after cleaning the area. The rangoli represents the happiness, positivity and liveliness of a household, and is intended to welcome Lakshmi, the goddess of wealth and good luck. It is believed that a Hindu household without a clean entrance and rangoli is an abode of daridra (bad luck). Design depictions may vary as they reflect traditions, folklore, and practices that are unique to each area. Rangoli are traditionally made by girls or women, although men and boys create them as well. In a Hindu household, basic rangoli is an everyday practice.
    IA_f_Madala_DSCF5627.jpg
  • Rangoli is an art form originating in the Indian subcontinent, in which patterns are created on the floor or a tabletop using materials such as powdered lime stone, red ochre, dry rice flour, coloured sand, quartz powder, flower petals, and coloured rocks. It is an everyday practice in Hindu households, Designs are passed from one generation to the next, keeping both the art form and the tradition alive. Rangoli hold a significant role in the everyday life of a Hindu household especially historically when the flooring of houses were untiled. They are usually made outside the threshold of the main entrance, in the early mornings after cleaning the area. The rangoli represents the happiness, positivity and liveliness of a household, and is intended to welcome Lakshmi, the goddess of wealth and good luck. It is believed that a Hindu household without a clean entrance and rangoli is an abode of daridra (bad luck). Design depictions may vary as they reflect traditions, folklore, and practices that are unique to each area. Rangoli are traditionally made by girls or women, although men and boys create them as well. In a Hindu household, basic rangoli is an everyday practice.
    IA_f_Madala_DSCF5621.jpg
  • Rangoli is an art form originating in the Indian subcontinent, in which patterns are created on the floor or a tabletop using materials such as powdered lime stone, red ochre, dry rice flour, coloured sand, quartz powder, flower petals, and coloured rocks. It is an everyday practice in Hindu households, Designs are passed from one generation to the next, keeping both the art form and the tradition alive. Rangoli hold a significant role in the everyday life of a Hindu household especially historically when the flooring of houses were untiled. They are usually made outside the threshold of the main entrance, in the early mornings after cleaning the area. The rangoli represents the happiness, positivity and liveliness of a household, and is intended to welcome Lakshmi, the goddess of wealth and good luck. It is believed that a Hindu household without a clean entrance and rangoli is an abode of daridra (bad luck). Design depictions may vary as they reflect traditions, folklore, and practices that are unique to each area. Rangoli are traditionally made by girls or women, although men and boys create them as well. In a Hindu household, basic rangoli is an everyday practice.
    IA_f_Madala_DSCF5622.jpg
  • Rangoli is an art form originating in the Indian subcontinent, in which patterns are created on the floor or a tabletop using materials such as powdered lime stone, red ochre, dry rice flour, coloured sand, quartz powder, flower petals, and coloured rocks. It is an everyday practice in Hindu households, Designs are passed from one generation to the next, keeping both the art form and the tradition alive. Rangoli hold a significant role in the everyday life of a Hindu household especially historically when the flooring of houses were untiled. They are usually made outside the threshold of the main entrance, in the early mornings after cleaning the area. The rangoli represents the happiness, positivity and liveliness of a household, and is intended to welcome Lakshmi, the goddess of wealth and good luck. It is believed that a Hindu household without a clean entrance and rangoli is an abode of daridra (bad luck). Design depictions may vary as they reflect traditions, folklore, and practices that are unique to each area. Rangoli are traditionally made by girls or women, although men and boys create them as well. In a Hindu household, basic rangoli is an everyday practice.
    IA_f_Madala_DSCF5620.jpg
  • Rangoli is an art form originating in the Indian subcontinent, in which patterns are created on the floor or a tabletop using materials such as powdered lime stone, red ochre, dry rice flour, coloured sand, quartz powder, flower petals, and coloured rocks. It is an everyday practice in Hindu households, Designs are passed from one generation to the next, keeping both the art form and the tradition alive. Rangoli hold a significant role in the everyday life of a Hindu household especially historically when the flooring of houses were untiled. They are usually made outside the threshold of the main entrance, in the early mornings after cleaning the area. The rangoli represents the happiness, positivity and liveliness of a household, and is intended to welcome Lakshmi, the goddess of wealth and good luck. It is believed that a Hindu household without a clean entrance and rangoli is an abode of daridra (bad luck). Design depictions may vary as they reflect traditions, folklore, and practices that are unique to each area. Rangoli are traditionally made by girls or women, although men and boys create them as well. In a Hindu household, basic rangoli is an everyday practice.
    IA_f_Madala_DSCF5619.jpg
  • Rangoli is an art form originating in the Indian subcontinent, in which patterns are created on the floor or a tabletop using materials such as powdered lime stone, red ochre, dry rice flour, coloured sand, quartz powder, flower petals, and coloured rocks. It is an everyday practice in Hindu households, Designs are passed from one generation to the next, keeping both the art form and the tradition alive. Rangoli hold a significant role in the everyday life of a Hindu household especially historically when the flooring of houses were untiled. They are usually made outside the threshold of the main entrance, in the early mornings after cleaning the area. The rangoli represents the happiness, positivity and liveliness of a household, and is intended to welcome Lakshmi, the goddess of wealth and good luck. It is believed that a Hindu household without a clean entrance and rangoli is an abode of daridra (bad luck). Design depictions may vary as they reflect traditions, folklore, and practices that are unique to each area. Rangoli are traditionally made by girls or women, although men and boys create them as well. In a Hindu household, basic rangoli is an everyday practice.
    IA_f_Madala_DSCF5612.jpg
  • Rangoli is an art form originating in the Indian subcontinent, in which patterns are created on the floor or a tabletop using materials such as powdered lime stone, red ochre, dry rice flour, coloured sand, quartz powder, flower petals, and coloured rocks. It is an everyday practice in Hindu households, Designs are passed from one generation to the next, keeping both the art form and the tradition alive. Rangoli hold a significant role in the everyday life of a Hindu household especially historically when the flooring of houses were untiled. They are usually made outside the threshold of the main entrance, in the early mornings after cleaning the area. The rangoli represents the happiness, positivity and liveliness of a household, and is intended to welcome Lakshmi, the goddess of wealth and good luck. It is believed that a Hindu household without a clean entrance and rangoli is an abode of daridra (bad luck). Design depictions may vary as they reflect traditions, folklore, and practices that are unique to each area. Rangoli are traditionally made by girls or women, although men and boys create them as well. In a Hindu household, basic rangoli is an everyday practice.
    IA_f_Madala_DSCF5613.jpg
  • Rangoli is an art form originating in the Indian subcontinent, in which patterns are created on the floor or a tabletop using materials such as powdered lime stone, red ochre, dry rice flour, coloured sand, quartz powder, flower petals, and coloured rocks. It is an everyday practice in Hindu households, Designs are passed from one generation to the next, keeping both the art form and the tradition alive. Rangoli hold a significant role in the everyday life of a Hindu household especially historically when the flooring of houses were untiled. They are usually made outside the threshold of the main entrance, in the early mornings after cleaning the area. The rangoli represents the happiness, positivity and liveliness of a household, and is intended to welcome Lakshmi, the goddess of wealth and good luck. It is believed that a Hindu household without a clean entrance and rangoli is an abode of daridra (bad luck). Design depictions may vary as they reflect traditions, folklore, and practices that are unique to each area. Rangoli are traditionally made by girls or women, although men and boys create them as well. In a Hindu household, basic rangoli is an everyday practice.
    IA_f_Madala_DSCF5611.jpg
  • Rangoli is an art form originating in the Indian subcontinent, in which patterns are created on the floor or a tabletop using materials such as powdered lime stone, red ochre, dry rice flour, coloured sand, quartz powder, flower petals, and coloured rocks. It is an everyday practice in Hindu households, Designs are passed from one generation to the next, keeping both the art form and the tradition alive. Rangoli hold a significant role in the everyday life of a Hindu household especially historically when the flooring of houses were untiled. They are usually made outside the threshold of the main entrance, in the early mornings after cleaning the area. The rangoli represents the happiness, positivity and liveliness of a household, and is intended to welcome Lakshmi, the goddess of wealth and good luck. It is believed that a Hindu household without a clean entrance and rangoli is an abode of daridra (bad luck). Design depictions may vary as they reflect traditions, folklore, and practices that are unique to each area. Rangoli are traditionally made by girls or women, although men and boys create them as well. In a Hindu household, basic rangoli is an everyday practice.
    IA_f_Madala_DSCF5609.jpg
  • Rangoli is an art form originating in the Indian subcontinent, in which patterns are created on the floor or a tabletop using materials such as powdered lime stone, red ochre, dry rice flour, coloured sand, quartz powder, flower petals, and coloured rocks. It is an everyday practice in Hindu households, Designs are passed from one generation to the next, keeping both the art form and the tradition alive. Rangoli hold a significant role in the everyday life of a Hindu household especially historically when the flooring of houses were untiled. They are usually made outside the threshold of the main entrance, in the early mornings after cleaning the area. The rangoli represents the happiness, positivity and liveliness of a household, and is intended to welcome Lakshmi, the goddess of wealth and good luck. It is believed that a Hindu household without a clean entrance and rangoli is an abode of daridra (bad luck). Design depictions may vary as they reflect traditions, folklore, and practices that are unique to each area. Rangoli are traditionally made by girls or women, although men and boys create them as well. In a Hindu household, basic rangoli is an everyday practice.
    IA_f_Madala_DSCF4838.jpg
  • Rangoli is an art form originating in the Indian subcontinent, in which patterns are created on the floor or a tabletop using materials such as powdered lime stone, red ochre, dry rice flour, coloured sand, quartz powder, flower petals, and coloured rocks. It is an everyday practice in Hindu households, Designs are passed from one generation to the next, keeping both the art form and the tradition alive. Rangoli hold a significant role in the everyday life of a Hindu household especially historically when the flooring of houses were untiled. They are usually made outside the threshold of the main entrance, in the early mornings after cleaning the area. The rangoli represents the happiness, positivity and liveliness of a household, and is intended to welcome Lakshmi, the goddess of wealth and good luck. It is believed that a Hindu household without a clean entrance and rangoli is an abode of daridra (bad luck). Design depictions may vary as they reflect traditions, folklore, and practices that are unique to each area. Rangoli are traditionally made by girls or women, although men and boys create them as well. In a Hindu household, basic rangoli is an everyday practice.
    IA_f_Madala_DSCF4820.jpg
  • The life and adventures of Robin Hood by Marsh, John B., Published by George Routledge and Sons, the Broadway, Ludgate in London ; New York in 1878. Robin Hood is a legendary heroic outlaw originally depicted in English folklore and subsequently featured in literature and film. According to legend, he was a highly skilled archer and swordsman. In some versions of the legend, he is depicted as being of noble birth, and in modern retellings he is sometimes depicted as having fought in the Crusades before returning to England to find his lands taken by the Sheriff. In the oldest known versions he is instead a member of the yeoman class. Traditionally depicted dressed in Lincoln green, he is said to have robbed from the rich and given to the poor.
    IR_Robin-Hood_0377.jpg
  • The life and adventures of Robin Hood by Marsh, John B., Published by George Routledge and Sons, the Broadway, Ludgate in London ; New York in 1878. Robin Hood is a legendary heroic outlaw originally depicted in English folklore and subsequently featured in literature and film. According to legend, he was a highly skilled archer and swordsman. In some versions of the legend, he is depicted as being of noble birth, and in modern retellings he is sometimes depicted as having fought in the Crusades before returning to England to find his lands taken by the Sheriff. In the oldest known versions he is instead a member of the yeoman class. Traditionally depicted dressed in Lincoln green, he is said to have robbed from the rich and given to the poor.
    IR_Robin-Hood_0309.jpg
  • The life and adventures of Robin Hood by Marsh, John B., Published by George Routledge and Sons, the Broadway, Ludgate in London ; New York in 1878. Robin Hood is a legendary heroic outlaw originally depicted in English folklore and subsequently featured in literature and film. According to legend, he was a highly skilled archer and swordsman. In some versions of the legend, he is depicted as being of noble birth, and in modern retellings he is sometimes depicted as having fought in the Crusades before returning to England to find his lands taken by the Sheriff. In the oldest known versions he is instead a member of the yeoman class. Traditionally depicted dressed in Lincoln green, he is said to have robbed from the rich and given to the poor.
    IR_Robin-Hood_0229.jpg
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