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  • Machine colourised (AI) Plate II Hospitality of Barbarians to Pilgrims from the book Story of the crusades. with a magnificent gallery of one hundred full-page engravings by the world-renowned artist, Gustave Doré [Gustave Dore] by Boyd, James P. (James Penny), 1836-1910. Published in Philadelphia 1892
    IR_Dore-Crusades_0023-color.jpg
  • Crusaders throwing heads into Nice [Nicea, Nicaea During the siege and battle in the First Crusade] Plate XIV from the book Story of the crusades. with a magnificent gallery of one hundred full-page engravings by the world-renowned artist, Gustave Doré [Gustave Dore] by Boyd, James P. (James Penny), 1836-1910. Published in Philadelphia 1892
    IR_Dore-Crusades_0069.jpg
  • war cry of the Crusaders Dore Plate V from the book Story of the crusades. with a magnificent gallery of one hundred full-page engravings by the world-renowned artist, Gustave Doré [Gustave Dore] by Boyd, James P. (James Penny), 1836-1910. Published in Philadelphia 1892
    IR_Dore-Crusades_0036.jpg
  • Plate II Hospitality of Barbarians to Pilgrims from the book Story of the crusades. with a magnificent gallery of one hundred full-page engravings by the world-renowned artist, Gustave Doré [Gustave Dore] by Boyd, James P. (James Penny), 1836-1910. Published in Philadelphia 1892
    IR_Dore-Crusades_0023.jpg
  • from the book Story of the crusades. with a magnificent gallery of one hundred full-page engravings by the world-renowned artist, Gustave Doré [Gustave Dore] by Boyd, James P. (James Penny), 1836-1910. Published in Philadelphia 1892
    IR_Dore-Crusades_0001.jpg
  • Battle of Nicea (Nice) [Nicaea during the First Crusade] Plate XIII from the book Story of the crusades. with a magnificent gallery of one hundred full-page engravings by the world-renowned artist, Gustave Doré [Gustave Dore] by Boyd, James P. (James Penny), 1836-1910. Published in Philadelphia 1892
    IR_Dore-Crusades_0067.jpg
  • from the book Story of the crusades. with a magnificent gallery of one hundred full-page engravings by the world-renowned artist, Gustave Doré [Gustave Dore] by Boyd, James P. (James Penny), 1836-1910. Published in Philadelphia 1892
    IR_Dore-Crusades_0011.jpg
  • Signs from Heaven Plate IX from the book Story of the crusades. with a magnificent gallery of one hundred full-page engravings by the world-renowned artist, Gustave Doré [Gustave Dore] by Boyd, James P. (James Penny), 1836-1910. Published in Philadelphia 1892
    IR_Dore-Crusades_0054.jpg
  • The Return Plate LXIX from the book Story of the crusades. with a magnificent gallery of one hundred full-page engravings by the world-renowned artist, Gustave Doré [Gustave Dore] by Boyd, James P. (James Penny), 1836-1910. Published in Philadelphia 1892
    IR_Dore-Crusades_0349.jpg
  • The Siege of Ptolemais (Acre) Plate XLIV from the book Story of the crusades. with a magnificent gallery of one hundred full-page engravings by the world-renowned artist, Gustave Doré [Gustave Dore] by Boyd, James P. (James Penny), 1836-1910. Published in Philadelphia 1892
    IR_Dore-Crusades_0233.jpg
  • Crusaders surprised by the Turks Plate XXXIX from the book Story of the crusades. with a magnificent gallery of one hundred full-page engravings by the world-renowned artist, Gustave Doré [Gustave Dore] by Boyd, James P. (James Penny), 1836-1910. Published in Philadelphia 1892
    IR_Dore-Crusades_0188.jpg
  • Discovery of the true cross Plate XXX from the book Story of the crusades. with a magnificent gallery of one hundred full-page engravings by the world-renowned artist, Gustave Doré [Gustave Dore] by Boyd, James P. (James Penny), 1836-1910. Published in Philadelphia 1892
    IR_Dore-Crusades_0132.jpg
  • Enthusiasm at the sight of Jerusalem Plate XXV from the book Story of the crusades. with a magnificent gallery of one hundred full-page engravings by the world-renowned artist, Gustave Doré [Gustave Dore] by Boyd, James P. (James Penny), 1836-1910. Published in Philadelphia 1892
    IR_Dore-Crusades_0116.jpg
  • The Way to the Holy City Plate XXIII from the book Story of the crusades. with a magnificent gallery of one hundred full-page engravings by the world-renowned artist, Gustave Doré [Gustave Dore] by Boyd, James P. (James Penny), 1836-1910. Published in Philadelphia 1892
    IR_Dore-Crusades_0112.jpg
  • Destruction of Conrad's Army [The Seljuqs almost totally destroyed King Conrad's party on 25 October 1147 at the second battle of Dorylaeum. In battle, the Turks used their typical tactic of pretending to retreat, and then returning to attack the small force of German cavalry which had separated from the main army to chase them]. Plate XXXVIII from the book Story of the crusades. with a magnificent gallery of one hundred full-page engravings by the world-renowned artist, Gustave Doré [Gustave Dore] by Boyd, James P. (James Penny), 1836-1910. Published in Philadelphia 1892
    IR_Dore-Crusades_0186.jpg
  • Crusaders in the Mountains of Judea Plate XXIV from the book Story of the crusades. with a magnificent gallery of one hundred full-page engravings by the world-renowned artist, Gustave Doré [Gustave Dore] by Boyd, James P. (James Penny), 1836-1910. Published in Philadelphia 1892
    IR_Dore-Crusades_0114.jpg
  • The True Cross Plate LXV from the book Story of the crusades. with a magnificent gallery of one hundred full-page engravings by the world-renowned artist, Gustave Doré [Gustave Dore] by Boyd, James P. (James Penny), 1836-1910. Published in Philadelphia 1892
    IR_Dore-Crusades_0336.jpg
  • Crusade against Grenada [Granada] Plate LXI from the book Story of the crusades. with a magnificent gallery of one hundred full-page engravings by the world-renowned artist, Gustave Doré [Gustave Dore] by Boyd, James P. (James Penny), 1836-1910. Published in Philadelphia 1892
    IR_Dore-Crusades_0324.jpg
  • Crusaders Making Converts Plate LVIII from the book Story of the crusades. with a magnificent gallery of one hundred full-page engravings by the world-renowned artist, Gustave Doré [Gustave Dore] by Boyd, James P. (James Penny), 1836-1910. Published in Philadelphia 1892
    IR_Dore-Crusades_0311.jpg
  • Famished for water by Dore Plate XXVI from the book Story of the crusades. with a magnificent gallery of one hundred full-page engravings by the world-renowned artist, Gustave Doré [Gustave Dore] by Boyd, James P. (James Penny), 1836-1910. Published in Philadelphia 1892
    IR_Dore-Crusades_0119.jpg
  • The Crusade of Children [1212] Plate LXII from the book Story of the crusades. with a magnificent gallery of one hundred full-page engravings by the world-renowned artist, Gustave Doré [Gustave Dore] by Boyd, James P. (James Penny), 1836-1910. Published in Philadelphia 1892
    IR_Dore-Crusades_0326.jpg
  • Crusaders Surrounded by Saladin's Army Plate XLVIII from the book Story of the crusades. with a magnificent gallery of one hundred full-page engravings by the world-renowned artist, Gustave Doré [Gustave Dore] by Boyd, James P. (James Penny), 1836-1910. Published in Philadelphia 1892
    IR_Dore-Crusades_0246.jpg
  • Godfrey [Godfrey of Bouillon (Godefroy, Godfried, Gottfried, Godefridus Bullionensis; 18 September 1060 – 18 July 1100) was one of the leaders of the First Crusade. He was the first ruler of the Kingdom of Jerusalem from 1099 to 1100] imposing tribute on the Emirs Dore Plate XXXI from the book Story of the crusades. with a magnificent gallery of one hundred full-page engravings by the world-renowned artist, Gustave Doré [Gustave Dore] by Boyd, James P. (James Penny), 1836-1910. Published in Philadelphia 1892
    IR_Dore-Crusades_0145.jpg
  • Florine of Burgundy (1083–1097) was a French crusader. Plate XIX from the book Story of the crusades. with a magnificent gallery of one hundred full-page engravings by the world-renowned artist, Gustave Doré [Gustave Dore] by Boyd, James P. (James Penny), 1836-1910. Published in Philadelphia 1892
    IR_Dore-Crusades_0088.jpg
  • Confession Plate LVI from the book Story of the crusades. with a magnificent gallery of one hundred full-page engravings by the world-renowned artist, Gustave Doré [Gustave Dore] by Boyd, James P. (James Penny), 1836-1910. Published in Philadelphia 1892
    IR_Dore-Crusades_0305.jpg
  • The Capture of Ptolemais (Acre) Plate XLV from the book Story of the crusades. with a magnificent gallery of one hundred full-page engravings by the world-renowned artist, Gustave Doré [Gustave Dore] by Boyd, James P. (James Penny), 1836-1910. Published in Philadelphia 1892
    IR_Dore-Crusades_0240.jpg
  • The Battle of Antioch Plate XVIII from the book Story of the crusades. with a magnificent gallery of one hundred full-page engravings by the world-renowned artist, Gustave Doré [Gustave Dore] by Boyd, James P. (James Penny), 1836-1910. Published in Philadelphia 1892
    IR_Dore-Crusades_0085.jpg
  • A Message from the East Plate LX from the book Story of the crusades. with a magnificent gallery of one hundred full-page engravings by the world-renowned artist, Gustave Doré [Gustave Dore] by Boyd, James P. (James Penny), 1836-1910. Published in Philadelphia 1892
    IR_Dore-Crusades_0321.jpg
  • Saladin [An-Nasir Salah ad-Din Yusuf ibn Ayyub known as Salah ad-Din or Saladin (1137 – 4 March 1193), was the first sultan of Egypt and Syria and the founder of the Ayyubid dynasty. Saladin led the Muslim military campaign against the Crusader states in the Levant. Plate XLI from the book Story of the crusades. with a magnificent gallery of one hundred full-page engravings by the world-renowned artist, Gustave Doré [Gustave Dore] by Boyd, James P. (James Penny), 1836-1910. Published in Philadelphia 1892
    IR_Dore-Crusades_0196.jpg
  • The Massacre at Antioch Plate XXI from the book Story of the crusades. with a magnificent gallery of one hundred full-page engravings by the world-renowned artist, Gustave Doré [Gustave Dore] by Boyd, James P. (James Penny), 1836-1910. Published in Philadelphia 1892
    IR_Dore-Crusades_0097.jpg
  • The army of Priest Volkmar and Count Emicio attacks Mersbourg [Merseburg] Plate VII from the book Story of the crusades. with a magnificent gallery of one hundred full-page engravings by the world-renowned artist, Gustave Doré [Gustave Dore] by Boyd, James P. (James Penny), 1836-1910. Published in Philadelphia 1892
    IR_Dore-Crusades_0047.jpg
  • Benediction Plate LVII from the book Story of the crusades. with a magnificent gallery of one hundred full-page engravings by the world-renowned artist, Gustave Doré [Gustave Dore] by Boyd, James P. (James Penny), 1836-1910. Published in Philadelphia 1892
    IR_Dore-Crusades_0309.jpg
  • The Crusaders enter Constantinople Plate LV from the book Story of the crusades. with a magnificent gallery of one hundred full-page engravings by the world-renowned artist, Gustave Doré [Gustave Dore] by Boyd, James P. (James Penny), 1836-1910. Published in Philadelphia 1892
    IR_Dore-Crusades_0300.jpg
  • Blondel [The troubadour Blondel de Nesle] hears the voice of Richard the Lionheart Plate LI from the book Story of the crusades. with a magnificent gallery of one hundred full-page engravings by the world-renowned artist, Gustave Doré [Gustave Dore] by Boyd, James P. (James Penny), 1836-1910. Published in Philadelphia 1892
    IR_Dore-Crusades_0256.jpg
  • Repulse of the Crusaders at Jerusalem XXVII from the book Story of the crusades. with a magnificent gallery of one hundred full-page engravings by the world-renowned artist, Gustave Doré [Gustave Dore] by Boyd, James P. (James Penny), 1836-1910. Published in Philadelphia 1892
    IR_Dore-Crusades_0123.jpg
  • Battle of Dorylaeum [during the First Crusade on July 1, 1097, between the crusaders and the Seljuk Turks] Plate XV from the book Story of the crusades. with a magnificent gallery of one hundred full-page engravings by the world-renowned artist, Gustave Doré [Gustave Dore] by Boyd, James P. (James Penny), 1836-1910. Published in Philadelphia 1892
    IR_Dore-Crusades_0074.jpg
  • Priests Exhorting Crusaders Plate XII from the book Story of the crusades. with a magnificent gallery of one hundred full-page engravings by the world-renowned artist, Gustave Doré [Gustave Dore] by Boyd, James P. (James Penny), 1836-1910. Published in Philadelphia 1892
    IR_Dore-Crusades_0065.jpg
  • Crusaders depart Plate LXIV from the book Story of the crusades. with a magnificent gallery of one hundred full-page engravings by the world-renowned artist, Gustave Doré [Gustave Dore] by Boyd, James P. (James Penny), 1836-1910. Published in Philadelphia 1892
    IR_Dore-Crusades_0334.jpg
  • The veteran Crusader Plate LIX from the book Story of the crusades. with a magnificent gallery of one hundred full-page engravings by the world-renowned artist, Gustave Doré [Gustave Dore] by Boyd, James P. (James Penny), 1836-1910. Published in Philadelphia 1892
    IR_Dore-Crusades_0315.jpg
  • Death of Baldwin Plate XXXVI from the book Story of the crusades. with a magnificent gallery of one hundred full-page engravings by the world-renowned artist, Gustave Doré [Gustave Dore] by Boyd, James P. (James Penny), 1836-1910. Published in Philadelphia 1892
    IR_Dore-Crusades_0167.jpg
  • Plate I The Holy Sepulchre from the book Story of the crusades. with a magnificent gallery of one hundred full-page engravings by the world-renowned artist, Gustave Doré [Gustave Dore] by Boyd, James P. (James Penny), 1836-1910. Published in Philadelphia 1892
    IR_Dore-Crusades_0009.jpg
  • Crusaders' war machinery [Catapult] Plate LXVI from the book Story of the crusades. with a magnificent gallery of one hundred full-page engravings by the world-renowned artist, Gustave Doré [Gustave Dore] by Boyd, James P. (James Penny), 1836-1910. Published in Philadelphia 1892
    IR_Dore-Crusades_0339.jpg
  • Crusaders crossing the Taurus Mountains [Turkey] Plate XVII from the book Story of the crusades. with a magnificent gallery of one hundred full-page engravings by the world-renowned artist, Gustave Doré [Gustave Dore] by Boyd, James P. (James Penny), 1836-1910. Published in Philadelphia 1892
    IR_Dore-Crusades_0083.jpg
  • Godfrey Enters Jerusalem [Godfrey of Bouillon (Godefroy, Godfried, Gottfried, Godefridus Bullionensis; 18 September 1060 – 18 July 1100) was one of the leaders of the First Crusade. He was the first ruler of the Kingdom of Jerusalem from 1099 to 1100]. Plate XXIX from the book Story of the crusades. with a magnificent gallery of one hundred full-page engravings by the world-renowned artist, Gustave Doré [Gustave Dore] by Boyd, James P. (James Penny), 1836-1910. Published in Philadelphia 1892
    IR_Dore-Crusades_0128.jpg
  • Battle of Arsur [Arsuf, Apollonia  7 September 1191 after the Battle of Arsuf, fought between the forces of Richard I of England and Saladin] by Dore Plate XLVII from the book Story of the crusades. with a magnificent gallery of one hundred full-page engravings by the world-renowned artist, Gustave Doré [Gustave Dore] by Boyd, James P. (James Penny), 1836-1910. Published in Philadelphia 1892
    IR_Dore-Crusades_0244.jpg
  • Gautheir Spared by Ylagazy Plate XXXV from the book Story of the crusades. with a magnificent gallery of one hundred full-page engravings by the world-renowned artist, Gustave Doré [Gustave Dore] by Boyd, James P. (James Penny), 1836-1910. Published in Philadelphia 1892
    IR_Dore-Crusades_0161.jpg
  • Machine colorized with Artificial Intelligence (AI) From the Divine Comedy by 14th century Italian poet Dante Alighieri. 1860 artwork, by French artist Gustave Dore and engraved by Stephane Pannemaker, from 'The Vision of Hell' (1868), Cary's English translation of the Inferno. Dante wrote his epic poem 'Divina Commedia' (The Divine Comedy) between 1308 and his death in 1321. Consisting of 14,233 lines, and divided into three parts (Inferno, Purgatorio, and Paradiso), it is considered the greatest literary work in the Italian language and a world masterpiece. It is a comprehensive survey of medieval theology, literature and thought. The new non-dialect poetic language Dante created became the basis of modern Italian.
    IR_Dante-Inferno-Dore_351-colorized.jpg
  • Machine colorized with Artificial Intelligence (AI) From the Divine Comedy by 14th century Italian poet Dante Alighieri. 1860 artwork, by French artist Gustave Dore and engraved by Stephane Pannemaker, from 'The Vision of Hell' (1868), Cary's English translation of the Inferno. Dante wrote his epic poem 'Divina Commedia' (The Divine Comedy) between 1308 and his death in 1321. Consisting of 14,233 lines, and divided into three parts (Inferno, Purgatorio, and Paradiso), it is considered the greatest literary work in the Italian language and a world masterpiece. It is a comprehensive survey of medieval theology, literature and thought. The new non-dialect poetic language Dante created became the basis of modern Italian.
    IR_Dante-Inferno-Dore_283-Colorized.jpg
  • From the Divine Comedy by 14th century Italian poet Dante Alighieri. 1860 artwork, by French artist Gustave Dore and engraved by Stephane Pannemaker, from 'The Vision of Hell' (1868), Cary's English translation of the Inferno. Dante wrote his epic poem 'Divina Commedia' (The Divine Comedy) between 1308 and his death in 1321. Consisting of 14,233 lines, and divided into three parts (Inferno, Purgatorio, and Paradiso), it is considered the greatest literary work in the Italian language and a world masterpiece. It is a comprehensive survey of medieval theology, literature and thought. The new non-dialect poetic language Dante created became the basis of modern Italian.
    IR_Dante-Inferno-Dore_483.jpg
  • From the Divine Comedy by 14th century Italian poet Dante Alighieri. 1860 artwork, by French artist Gustave Dore and engraved by Stephane Pannemaker, from 'The Vision of Hell' (1868), Cary's English translation of the Inferno. Dante wrote his epic poem 'Divina Commedia' (The Divine Comedy) between 1308 and his death in 1321. Consisting of 14,233 lines, and divided into three parts (Inferno, Purgatorio, and Paradiso), it is considered the greatest literary work in the Italian language and a world masterpiece. It is a comprehensive survey of medieval theology, literature and thought. The new non-dialect poetic language Dante created became the basis of modern Italian.
    IR_Dante-Inferno-Dore_279.jpg
  • From the Divine Comedy by 14th century Italian poet Dante Alighieri. 1860 artwork, by French artist Gustave Dore and engraved by Stephane Pannemaker, from 'The Vision of Hell' (1868), Cary's English translation of the Inferno. Dante wrote his epic poem 'Divina Commedia' (The Divine Comedy) between 1308 and his death in 1321. Consisting of 14,233 lines, and divided into three parts (Inferno, Purgatorio, and Paradiso), it is considered the greatest literary work in the Italian language and a world masterpiece. It is a comprehensive survey of medieval theology, literature and thought. The new non-dialect poetic language Dante created became the basis of modern Italian.
    IR_Dante-Inferno-Dore_471.jpg
  • From the Divine Comedy by 14th century Italian poet Dante Alighieri. 1860 artwork, by French artist Gustave Dore and engraved by Stephane Pannemaker, from 'The Vision of Hell' (1868), Cary's English translation of the Inferno. Dante wrote his epic poem 'Divina Commedia' (The Divine Comedy) between 1308 and his death in 1321. Consisting of 14,233 lines, and divided into three parts (Inferno, Purgatorio, and Paradiso), it is considered the greatest literary work in the Italian language and a world masterpiece. It is a comprehensive survey of medieval theology, literature and thought. The new non-dialect poetic language Dante created became the basis of modern Italian.
    IR_Dante-Inferno-Dore_459.jpg
  • From the Divine Comedy by 14th century Italian poet Dante Alighieri. 1860 artwork, by French artist Gustave Dore and engraved by Stephane Pannemaker, from 'The Vision of Hell' (1868), Cary's English translation of the Inferno. Dante wrote his epic poem 'Divina Commedia' (The Divine Comedy) between 1308 and his death in 1321. Consisting of 14,233 lines, and divided into three parts (Inferno, Purgatorio, and Paradiso), it is considered the greatest literary work in the Italian language and a world masterpiece. It is a comprehensive survey of medieval theology, literature and thought. The new non-dialect poetic language Dante created became the basis of modern Italian.
    IR_Dante-Inferno-Dore_455.jpg
  • From the Divine Comedy by 14th century Italian poet Dante Alighieri. 1860 artwork, by French artist Gustave Dore and engraved by Stephane Pannemaker, from 'The Vision of Hell' (1868), Cary's English translation of the Inferno. Dante wrote his epic poem 'Divina Commedia' (The Divine Comedy) between 1308 and his death in 1321. Consisting of 14,233 lines, and divided into three parts (Inferno, Purgatorio, and Paradiso), it is considered the greatest literary work in the Italian language and a world masterpiece. It is a comprehensive survey of medieval theology, literature and thought. The new non-dialect poetic language Dante created became the basis of modern Italian.
    IR_Dante-Inferno-Dore_337.jpg
  • From the Divine Comedy by 14th century Italian poet Dante Alighieri. 1860 artwork, by French artist Gustave Dore and engraved by Stephane Pannemaker, from 'The Vision of Hell' (1868), Cary's English translation of the Inferno. Dante wrote his epic poem 'Divina Commedia' (The Divine Comedy) between 1308 and his death in 1321. Consisting of 14,233 lines, and divided into three parts (Inferno, Purgatorio, and Paradiso), it is considered the greatest literary work in the Italian language and a world masterpiece. It is a comprehensive survey of medieval theology, literature and thought. The new non-dialect poetic language Dante created became the basis of modern Italian.
    IR_Dante-Inferno-Dore_431.jpg
  • From the Divine Comedy by 14th century Italian poet Dante Alighieri. 1860 artwork, by French artist Gustave Dore and engraved by Stephane Pannemaker, from 'The Vision of Hell' (1868), Cary's English translation of the Inferno. Dante wrote his epic poem 'Divina Commedia' (The Divine Comedy) between 1308 and his death in 1321. Consisting of 14,233 lines, and divided into three parts (Inferno, Purgatorio, and Paradiso), it is considered the greatest literary work in the Italian language and a world masterpiece. It is a comprehensive survey of medieval theology, literature and thought. The new non-dialect poetic language Dante created became the basis of modern Italian.
    IR_Dante-Inferno-Dore_191.jpg
  • From the Divine Comedy by 14th century Italian poet Dante Alighieri. 1860 artwork, by French artist Gustave Dore and engraved by Stephane Pannemaker, from 'The Vision of Hell' (1868), Cary's English translation of the Inferno. Dante wrote his epic poem 'Divina Commedia' (The Divine Comedy) between 1308 and his death in 1321. Consisting of 14,233 lines, and divided into three parts (Inferno, Purgatorio, and Paradiso), it is considered the greatest literary work in the Italian language and a world masterpiece. It is a comprehensive survey of medieval theology, literature and thought. The new non-dialect poetic language Dante created became the basis of modern Italian.
    IR_Dante-Inferno-Dore_109.jpg
  • From the Divine Comedy by 14th century Italian poet Dante Alighieri. 1860 artwork, by French artist Gustave Dore and engraved by Stephane Pannemaker, from 'The Vision of Hell' (1868), Cary's English translation of the Inferno. Dante wrote his epic poem 'Divina Commedia' (The Divine Comedy) between 1308 and his death in 1321. Consisting of 14,233 lines, and divided into three parts (Inferno, Purgatorio, and Paradiso), it is considered the greatest literary work in the Italian language and a world masterpiece. It is a comprehensive survey of medieval theology, literature and thought. The new non-dialect poetic language Dante created became the basis of modern Italian.
    IR_Dante-Inferno-Dore_099.jpg
  • From the Divine Comedy by 14th century Italian poet Dante Alighieri. 1860 artwork, by French artist Gustave Dore and engraved by Stephane Pannemaker, from 'The Vision of Hell' (1868), Cary's English translation of the Inferno. Dante wrote his epic poem 'Divina Commedia' (The Divine Comedy) between 1308 and his death in 1321. Consisting of 14,233 lines, and divided into three parts (Inferno, Purgatorio, and Paradiso), it is considered the greatest literary work in the Italian language and a world masterpiece. It is a comprehensive survey of medieval theology, literature and thought. The new non-dialect poetic language Dante created became the basis of modern Italian.
    IR_Dante-Inferno-Dore_095-crop.jpg
  • Machine colorized with Artificial Intelligence (AI) From the Divine Comedy by 14th century Italian poet Dante Alighieri. 1860 artwork, by French artist Gustave Dore and engraved by Stephane Pannemaker, from 'The Vision of Hell' (1868), Cary's English translation of the Inferno. Dante wrote his epic poem 'Divina Commedia' (The Divine Comedy) between 1308 and his death in 1321. Consisting of 14,233 lines, and divided into three parts (Inferno, Purgatorio, and Paradiso), it is considered the greatest literary work in the Italian language and a world masterpiece. It is a comprehensive survey of medieval theology, literature and thought. The new non-dialect poetic language Dante created became the basis of modern Italian.
    IR_Dante-Inferno-Dore_437-colorized.jpg
  • From the Divine Comedy by 14th century Italian poet Dante Alighieri. 1860 artwork, by French artist Gustave Dore and engraved by Stephane Pannemaker, from 'The Vision of Hell' (1868), Cary's English translation of the Inferno. Dante wrote his epic poem 'Divina Commedia' (The Divine Comedy) between 1308 and his death in 1321. Consisting of 14,233 lines, and divided into three parts (Inferno, Purgatorio, and Paradiso), it is considered the greatest literary work in the Italian language and a world masterpiece. It is a comprehensive survey of medieval theology, literature and thought. The new non-dialect poetic language Dante created became the basis of modern Italian.
    IR_Dante-Inferno-Dore_173.jpg
  • From the Divine Comedy by 14th century Italian poet Dante Alighieri. 1860 artwork, by French artist Gustave Dore and engraved by Stephane Pannemaker, from 'The Vision of Hell' (1868), Cary's English translation of the Inferno. Dante wrote his epic poem 'Divina Commedia' (The Divine Comedy) between 1308 and his death in 1321. Consisting of 14,233 lines, and divided into three parts (Inferno, Purgatorio, and Paradiso), it is considered the greatest literary work in the Italian language and a world masterpiece. It is a comprehensive survey of medieval theology, literature and thought. The new non-dialect poetic language Dante created became the basis of modern Italian.
    IR_Dante-Inferno-Dore_153.jpg
  • From the Divine Comedy by 14th century Italian poet Dante Alighieri. 1860 artwork, by French artist Gustave Dore and engraved by Stephane Pannemaker, from 'The Vision of Hell' (1868), Cary's English translation of the Inferno. Dante wrote his epic poem 'Divina Commedia' (The Divine Comedy) between 1308 and his death in 1321. Consisting of 14,233 lines, and divided into three parts (Inferno, Purgatorio, and Paradiso), it is considered the greatest literary work in the Italian language and a world masterpiece. It is a comprehensive survey of medieval theology, literature and thought. The new non-dialect poetic language Dante created became the basis of modern Italian.
    IR_Dante-Inferno-Dore_089.jpg
  • From the Divine Comedy by 14th century Italian poet Dante Alighieri. 1860 artwork, by French artist Gustave Dore and engraved by Stephane Pannemaker, from 'The Vision of Hell' (1868), Cary's English translation of the Inferno. Dante wrote his epic poem 'Divina Commedia' (The Divine Comedy) between 1308 and his death in 1321. Consisting of 14,233 lines, and divided into three parts (Inferno, Purgatorio, and Paradiso), it is considered the greatest literary work in the Italian language and a world masterpiece. It is a comprehensive survey of medieval theology, literature and thought. The new non-dialect poetic language Dante created became the basis of modern Italian.
    IR_Dante-Inferno-Dore_351.jpg
  • From the Divine Comedy by 14th century Italian poet Dante Alighieri. 1860 artwork, by French artist Gustave Dore and engraved by Stephane Pannemaker, from 'The Vision of Hell' (1868), Cary's English translation of the Inferno. Dante wrote his epic poem 'Divina Commedia' (The Divine Comedy) between 1308 and his death in 1321. Consisting of 14,233 lines, and divided into three parts (Inferno, Purgatorio, and Paradiso), it is considered the greatest literary work in the Italian language and a world masterpiece. It is a comprehensive survey of medieval theology, literature and thought. The new non-dialect poetic language Dante created became the basis of modern Italian.
    IR_Dante-Inferno-Dore_331.jpg
  • From the Divine Comedy by 14th century Italian poet Dante Alighieri. 1860 artwork, by French artist Gustave Dore and engraved by Stephane Pannemaker, from 'The Vision of Hell' (1868), Cary's English translation of the Inferno. Dante wrote his epic poem 'Divina Commedia' (The Divine Comedy) between 1308 and his death in 1321. Consisting of 14,233 lines, and divided into three parts (Inferno, Purgatorio, and Paradiso), it is considered the greatest literary work in the Italian language and a world masterpiece. It is a comprehensive survey of medieval theology, literature and thought. The new non-dialect poetic language Dante created became the basis of modern Italian.
    IR_Dante-Inferno-Dore_309.jpg
  • From the Divine Comedy by 14th century Italian poet Dante Alighieri. 1860 artwork, by French artist Gustave Dore and engraved by Stephane Pannemaker, from 'The Vision of Hell' (1868), Cary's English translation of the Inferno. Dante wrote his epic poem 'Divina Commedia' (The Divine Comedy) between 1308 and his death in 1321. Consisting of 14,233 lines, and divided into three parts (Inferno, Purgatorio, and Paradiso), it is considered the greatest literary work in the Italian language and a world masterpiece. It is a comprehensive survey of medieval theology, literature and thought. The new non-dialect poetic language Dante created became the basis of modern Italian.
    IR_Dante-Inferno-Dore_077.jpg
  • From the Divine Comedy by 14th century Italian poet Dante Alighieri. 1860 artwork, by French artist Gustave Dore and engraved by Stephane Pannemaker, from 'The Vision of Hell' (1868), Cary's English translation of the Inferno. Dante wrote his epic poem 'Divina Commedia' (The Divine Comedy) between 1308 and his death in 1321. Consisting of 14,233 lines, and divided into three parts (Inferno, Purgatorio, and Paradiso), it is considered the greatest literary work in the Italian language and a world masterpiece. It is a comprehensive survey of medieval theology, literature and thought. The new non-dialect poetic language Dante created became the basis of modern Italian.
    IR_Dante-Inferno-Dore_341.jpg
  • From the Divine Comedy by 14th century Italian poet Dante Alighieri. 1860 artwork, by French artist Gustave Dore and engraved by Stephane Pannemaker, from 'The Vision of Hell' (1868), Cary's English translation of the Inferno. Dante wrote his epic poem 'Divina Commedia' (The Divine Comedy) between 1308 and his death in 1321. Consisting of 14,233 lines, and divided into three parts (Inferno, Purgatorio, and Paradiso), it is considered the greatest literary work in the Italian language and a world masterpiece. It is a comprehensive survey of medieval theology, literature and thought. The new non-dialect poetic language Dante created became the basis of modern Italian.
    IR_Dante-Inferno-Dore_323.jpg
  • From the Divine Comedy by 14th century Italian poet Dante Alighieri. 1860 artwork, by French artist Gustave Dore and engraved by Stephane Pannemaker, from 'The Vision of Hell' (1868), Cary's English translation of the Inferno. Dante wrote his epic poem 'Divina Commedia' (The Divine Comedy) between 1308 and his death in 1321. Consisting of 14,233 lines, and divided into three parts (Inferno, Purgatorio, and Paradiso), it is considered the greatest literary work in the Italian language and a world masterpiece. It is a comprehensive survey of medieval theology, literature and thought. The new non-dialect poetic language Dante created became the basis of modern Italian.
    IR_Dante-Inferno-Dore_119.jpg
  • From the Divine Comedy by 14th century Italian poet Dante Alighieri. 1860 artwork, by French artist Gustave Dore and engraved by Stephane Pannemaker, from 'The Vision of Hell' (1868), Cary's English translation of the Inferno. Dante wrote his epic poem 'Divina Commedia' (The Divine Comedy) between 1308 and his death in 1321. Consisting of 14,233 lines, and divided into three parts (Inferno, Purgatorio, and Paradiso), it is considered the greatest literary work in the Italian language and a world masterpiece. It is a comprehensive survey of medieval theology, literature and thought. The new non-dialect poetic language Dante created became the basis of modern Italian.
    IR_Dante-Inferno-Dore_491.jpg
  • From the Divine Comedy by 14th century Italian poet Dante Alighieri. 1860 artwork, by French artist Gustave Dore and engraved by Stephane Pannemaker, from 'The Vision of Hell' (1868), Cary's English translation of the Inferno. Dante wrote his epic poem 'Divina Commedia' (The Divine Comedy) between 1308 and his death in 1321. Consisting of 14,233 lines, and divided into three parts (Inferno, Purgatorio, and Paradiso), it is considered the greatest literary work in the Italian language and a world masterpiece. It is a comprehensive survey of medieval theology, literature and thought. The new non-dialect poetic language Dante created became the basis of modern Italian.
    IR_Dante-Inferno-Dore_283.jpg
  • From the Divine Comedy by 14th century Italian poet Dante Alighieri. 1860 artwork, by French artist Gustave Dore and engraved by Stephane Pannemaker, from 'The Vision of Hell' (1868), Cary's English translation of the Inferno. Dante wrote his epic poem 'Divina Commedia' (The Divine Comedy) between 1308 and his death in 1321. Consisting of 14,233 lines, and divided into three parts (Inferno, Purgatorio, and Paradiso), it is considered the greatest literary work in the Italian language and a world masterpiece. It is a comprehensive survey of medieval theology, literature and thought. The new non-dialect poetic language Dante created became the basis of modern Italian.
    IR_Dante-Inferno-Dore_273.jpg
  • From the Divine Comedy by 14th century Italian poet Dante Alighieri. 1860 artwork, by French artist Gustave Dore and engraved by Stephane Pannemaker, from 'The Vision of Hell' (1868), Cary's English translation of the Inferno. Dante wrote his epic poem 'Divina Commedia' (The Divine Comedy) between 1308 and his death in 1321. Consisting of 14,233 lines, and divided into three parts (Inferno, Purgatorio, and Paradiso), it is considered the greatest literary work in the Italian language and a world masterpiece. It is a comprehensive survey of medieval theology, literature and thought. The new non-dialect poetic language Dante created became the basis of modern Italian.
    IR_Dante-Inferno-Dore_455-crop.jpg
  • Dante and Virgil beset by demons, passing through Hell, From the Divine Comedy by 14th century Italian poet Dante Alighieri. 1860 artwork, by French artist Gustave Dore and engraved by Stephane Pannemaker, from 'The Vision of Hell' (1868), Cary's English translation of the Inferno. Dante wrote his epic poem 'Divina Commedia' (The Divine Comedy) between 1308 and his death in 1321. Consisting of 14,233 lines, and divided into three parts (Inferno, Purgatorio, and Paradiso), it is considered the greatest literary work in the Italian language and a world masterpiece. It is a comprehensive survey of medieval theology, literature and thought. The new non-dialect poetic language Dante created became the basis of modern Italian.
    IR_Dante-Inferno-Dore_309-crop.jpg
  • From the Divine Comedy by 14th century Italian poet Dante Alighieri. 1860 artwork, by French artist Gustave Dore and engraved by Stephane Pannemaker, from 'The Vision of Hell' (1868), Cary's English translation of the Inferno. Dante wrote his epic poem 'Divina Commedia' (The Divine Comedy) between 1308 and his death in 1321. Consisting of 14,233 lines, and divided into three parts (Inferno, Purgatorio, and Paradiso), it is considered the greatest literary work in the Italian language and a world masterpiece. It is a comprehensive survey of medieval theology, literature and thought. The new non-dialect poetic language Dante created became the basis of modern Italian.
    IR_Dante-Inferno-Dore_409.jpg
  • From the Divine Comedy by 14th century Italian poet Dante Alighieri. 1860 artwork, by French artist Gustave Dore and engraved by Stephane Pannemaker, from 'The Vision of Hell' (1868), Cary's English translation of the Inferno. Dante wrote his epic poem 'Divina Commedia' (The Divine Comedy) between 1308 and his death in 1321. Consisting of 14,233 lines, and divided into three parts (Inferno, Purgatorio, and Paradiso), it is considered the greatest literary work in the Italian language and a world masterpiece. It is a comprehensive survey of medieval theology, literature and thought. The new non-dialect poetic language Dante created became the basis of modern Italian.
    IR_Dante-Inferno-Dore_211.jpg
  • From the Divine Comedy by 14th century Italian poet Dante Alighieri. 1860 artwork, by French artist Gustave Dore and engraved by Stephane Pannemaker, from 'The Vision of Hell' (1868), Cary's English translation of the Inferno. Dante wrote his epic poem 'Divina Commedia' (The Divine Comedy) between 1308 and his death in 1321. Consisting of 14,233 lines, and divided into three parts (Inferno, Purgatorio, and Paradiso), it is considered the greatest literary work in the Italian language and a world masterpiece. It is a comprehensive survey of medieval theology, literature and thought. The new non-dialect poetic language Dante created became the basis of modern Italian.
    IR_Dante-Inferno-Dore_405.jpg
  • From the Divine Comedy by 14th century Italian poet Dante Alighieri. 1860 artwork, by French artist Gustave Dore and engraved by Stephane Pannemaker, from 'The Vision of Hell' (1868), Cary's English translation of the Inferno. Dante wrote his epic poem 'Divina Commedia' (The Divine Comedy) between 1308 and his death in 1321. Consisting of 14,233 lines, and divided into three parts (Inferno, Purgatorio, and Paradiso), it is considered the greatest literary work in the Italian language and a world masterpiece. It is a comprehensive survey of medieval theology, literature and thought. The new non-dialect poetic language Dante created became the basis of modern Italian.
    IR_Dante-Inferno-Dore_359.jpg
  • From the Divine Comedy by 14th century Italian poet Dante Alighieri. 1860 artwork, by French artist Gustave Dore and engraved by Stephane Pannemaker, from 'The Vision of Hell' (1868), Cary's English translation of the Inferno. Dante wrote his epic poem 'Divina Commedia' (The Divine Comedy) between 1308 and his death in 1321. Consisting of 14,233 lines, and divided into three parts (Inferno, Purgatorio, and Paradiso), it is considered the greatest literary work in the Italian language and a world masterpiece. It is a comprehensive survey of medieval theology, literature and thought. The new non-dialect poetic language Dante created became the basis of modern Italian.
    IR_Dante-Inferno-Dore_183.jpg
  • From the Divine Comedy by 14th century Italian poet Dante Alighieri. 1860 artwork, by French artist Gustave Dore and engraved by Stephane Pannemaker, from 'The Vision of Hell' (1868), Cary's English translation of the Inferno. Dante wrote his epic poem 'Divina Commedia' (The Divine Comedy) between 1308 and his death in 1321. Consisting of 14,233 lines, and divided into three parts (Inferno, Purgatorio, and Paradiso), it is considered the greatest literary work in the Italian language and a world masterpiece. It is a comprehensive survey of medieval theology, literature and thought. The new non-dialect poetic language Dante created became the basis of modern Italian.
    IR_Dante-Inferno-Dore_483-crop.jpg
  • From the Divine Comedy by 14th century Italian poet Dante Alighieri. 1860 artwork, by French artist Gustave Dore and engraved by Stephane Pannemaker, from 'The Vision of Hell' (1868), Cary's English translation of the Inferno. Dante wrote his epic poem 'Divina Commedia' (The Divine Comedy) between 1308 and his death in 1321. Consisting of 14,233 lines, and divided into three parts (Inferno, Purgatorio, and Paradiso), it is considered the greatest literary work in the Italian language and a world masterpiece. It is a comprehensive survey of medieval theology, literature and thought. The new non-dialect poetic language Dante created became the basis of modern Italian.
    IR_Dante-Inferno-Dore_051.jpg
  • From the Divine Comedy by 14th century Italian poet Dante Alighieri. 1860 artwork, by French artist Gustave Dore and engraved by Stephane Pannemaker, from 'The Vision of Hell' (1868), Cary's English translation of the Inferno. Dante wrote his epic poem 'Divina Commedia' (The Divine Comedy) between 1308 and his death in 1321. Consisting of 14,233 lines, and divided into three parts (Inferno, Purgatorio, and Paradiso), it is considered the greatest literary work in the Italian language and a world masterpiece. It is a comprehensive survey of medieval theology, literature and thought. The new non-dialect poetic language Dante created became the basis of modern Italian.
    IR_Dante-Inferno-Dore_467.jpg
  • From the Divine Comedy by 14th century Italian poet Dante Alighieri. 1860 artwork, by French artist Gustave Dore and engraved by Stephane Pannemaker, from 'The Vision of Hell' (1868), Cary's English translation of the Inferno. Dante wrote his epic poem 'Divina Commedia' (The Divine Comedy) between 1308 and his death in 1321. Consisting of 14,233 lines, and divided into three parts (Inferno, Purgatorio, and Paradiso), it is considered the greatest literary work in the Italian language and a world masterpiece. It is a comprehensive survey of medieval theology, literature and thought. The new non-dialect poetic language Dante created became the basis of modern Italian.
    IR_Dante-Inferno-Dore_393.jpg
  • From the Divine Comedy by 14th century Italian poet Dante Alighieri. 1860 artwork, by French artist Gustave Dore and engraved by Stephane Pannemaker, from 'The Vision of Hell' (1868), Cary's English translation of the Inferno. Dante wrote his epic poem 'Divina Commedia' (The Divine Comedy) between 1308 and his death in 1321. Consisting of 14,233 lines, and divided into three parts (Inferno, Purgatorio, and Paradiso), it is considered the greatest literary work in the Italian language and a world masterpiece. It is a comprehensive survey of medieval theology, literature and thought. The new non-dialect poetic language Dante created became the basis of modern Italian.
    IR_Dante-Inferno-Dore_369.jpg
  • From the Divine Comedy by 14th century Italian poet Dante Alighieri. 1860 artwork, by French artist Gustave Dore and engraved by Stephane Pannemaker, from 'The Vision of Hell' (1868), Cary's English translation of the Inferno. Dante wrote his epic poem 'Divina Commedia' (The Divine Comedy) between 1308 and his death in 1321. Consisting of 14,233 lines, and divided into three parts (Inferno, Purgatorio, and Paradiso), it is considered the greatest literary work in the Italian language and a world masterpiece. It is a comprehensive survey of medieval theology, literature and thought. The new non-dialect poetic language Dante created became the basis of modern Italian.
    IR_Dante-Inferno-Dore_259.jpg
  • From the Divine Comedy by 14th century Italian poet Dante Alighieri. 1860 artwork, by French artist Gustave Dore and engraved by Stephane Pannemaker, from 'The Vision of Hell' (1868), Cary's English translation of the Inferno. Dante wrote his epic poem 'Divina Commedia' (The Divine Comedy) between 1308 and his death in 1321. Consisting of 14,233 lines, and divided into three parts (Inferno, Purgatorio, and Paradiso), it is considered the greatest literary work in the Italian language and a world masterpiece. It is a comprehensive survey of medieval theology, literature and thought. The new non-dialect poetic language Dante created became the basis of modern Italian.
    IR_Dante-Inferno-Dore_103.jpg
  • From the Divine Comedy by 14th century Italian poet Dante Alighieri. 1860 artwork, by French artist Gustave Dore and engraved by Stephane Pannemaker, from 'The Vision of Hell' (1868), Cary's English translation of the Inferno. Dante wrote his epic poem 'Divina Commedia' (The Divine Comedy) between 1308 and his death in 1321. Consisting of 14,233 lines, and divided into three parts (Inferno, Purgatorio, and Paradiso), it is considered the greatest literary work in the Italian language and a world masterpiece. It is a comprehensive survey of medieval theology, literature and thought. The new non-dialect poetic language Dante created became the basis of modern Italian.
    IR_Dante-Inferno-Dore_475.jpg
  • From the Divine Comedy by 14th century Italian poet Dante Alighieri. 1860 artwork, by French artist Gustave Dore and engraved by Stephane Pannemaker, from 'The Vision of Hell' (1868), Cary's English translation of the Inferno. Dante wrote his epic poem 'Divina Commedia' (The Divine Comedy) between 1308 and his death in 1321. Consisting of 14,233 lines, and divided into three parts (Inferno, Purgatorio, and Paradiso), it is considered the greatest literary work in the Italian language and a world masterpiece. It is a comprehensive survey of medieval theology, literature and thought. The new non-dialect poetic language Dante created became the basis of modern Italian.
    IR_Dante-Inferno-Dore_421.jpg
  • From the Divine Comedy by 14th century Italian poet Dante Alighieri. 1860 artwork, by French artist Gustave Dore and engraved by Stephane Pannemaker, from 'The Vision of Hell' (1868), Cary's English translation of the Inferno. Dante wrote his epic poem 'Divina Commedia' (The Divine Comedy) between 1308 and his death in 1321. Consisting of 14,233 lines, and divided into three parts (Inferno, Purgatorio, and Paradiso), it is considered the greatest literary work in the Italian language and a world masterpiece. It is a comprehensive survey of medieval theology, literature and thought. The new non-dialect poetic language Dante created became the basis of modern Italian.
    IR_Dante-Inferno-Dore_417.jpg
  • From the Divine Comedy by 14th century Italian poet Dante Alighieri. 1860 artwork, by French artist Gustave Dore and engraved by Stephane Pannemaker, from 'The Vision of Hell' (1868), Cary's English translation of the Inferno. Dante wrote his epic poem 'Divina Commedia' (The Divine Comedy) between 1308 and his death in 1321. Consisting of 14,233 lines, and divided into three parts (Inferno, Purgatorio, and Paradiso), it is considered the greatest literary work in the Italian language and a world masterpiece. It is a comprehensive survey of medieval theology, literature and thought. The new non-dialect poetic language Dante created became the basis of modern Italian.
    IR_Dante-Inferno-Dore_383.jpg
  • From the Divine Comedy by 14th century Italian poet Dante Alighieri. 1860 artwork, by French artist Gustave Dore and engraved by Stephane Pannemaker, from 'The Vision of Hell' (1868), Cary's English translation of the Inferno. Dante wrote his epic poem 'Divina Commedia' (The Divine Comedy) between 1308 and his death in 1321. Consisting of 14,233 lines, and divided into three parts (Inferno, Purgatorio, and Paradiso), it is considered the greatest literary work in the Italian language and a world masterpiece. It is a comprehensive survey of medieval theology, literature and thought. The new non-dialect poetic language Dante created became the basis of modern Italian.
    IR_Dante-Inferno-Dore_267.jpg
  • From the Divine Comedy by 14th century Italian poet Dante Alighieri. 1860 artwork, by French artist Gustave Dore and engraved by Stephane Pannemaker, from 'The Vision of Hell' (1868), Cary's English translation of the Inferno. Dante wrote his epic poem 'Divina Commedia' (The Divine Comedy) between 1308 and his death in 1321. Consisting of 14,233 lines, and divided into three parts (Inferno, Purgatorio, and Paradiso), it is considered the greatest literary work in the Italian language and a world masterpiece. It is a comprehensive survey of medieval theology, literature and thought. The new non-dialect poetic language Dante created became the basis of modern Italian.
    IR_Dante-Inferno-Dore_245.jpg
  • From the Divine Comedy by 14th century Italian poet Dante Alighieri. 1860 artwork, by French artist Gustave Dore and engraved by Stephane Pannemaker, from 'The Vision of Hell' (1868), Cary's English translation of the Inferno. Dante wrote his epic poem 'Divina Commedia' (The Divine Comedy) between 1308 and his death in 1321. Consisting of 14,233 lines, and divided into three parts (Inferno, Purgatorio, and Paradiso), it is considered the greatest literary work in the Italian language and a world masterpiece. It is a comprehensive survey of medieval theology, literature and thought. The new non-dialect poetic language Dante created became the basis of modern Italian.
    IR_Dante-Inferno-Dore_237.jpg
  • From the Divine Comedy by 14th century Italian poet Dante Alighieri. 1860 artwork, by French artist Gustave Dore and engraved by Stephane Pannemaker, from 'The Vision of Hell' (1868), Cary's English translation of the Inferno. Dante wrote his epic poem 'Divina Commedia' (The Divine Comedy) between 1308 and his death in 1321. Consisting of 14,233 lines, and divided into three parts (Inferno, Purgatorio, and Paradiso), it is considered the greatest literary work in the Italian language and a world masterpiece. It is a comprehensive survey of medieval theology, literature and thought. The new non-dialect poetic language Dante created became the basis of modern Italian.
    IR_Dante-Inferno-Dore_217.jpg
  • From the Divine Comedy by 14th century Italian poet Dante Alighieri. 1860 artwork, by French artist Gustave Dore and engraved by Stephane Pannemaker, from 'The Vision of Hell' (1868), Cary's English translation of the Inferno. Dante wrote his epic poem 'Divina Commedia' (The Divine Comedy) between 1308 and his death in 1321. Consisting of 14,233 lines, and divided into three parts (Inferno, Purgatorio, and Paradiso), it is considered the greatest literary work in the Italian language and a world masterpiece. It is a comprehensive survey of medieval theology, literature and thought. The new non-dialect poetic language Dante created became the basis of modern Italian.
    IR_Dante-Inferno-Dore_167.jpg
  • From the Divine Comedy by 14th century Italian poet Dante Alighieri. 1860 artwork, by French artist Gustave Dore and engraved by Stephane Pannemaker, from 'The Vision of Hell' (1868), Cary's English translation of the Inferno. Dante wrote his epic poem 'Divina Commedia' (The Divine Comedy) between 1308 and his death in 1321. Consisting of 14,233 lines, and divided into three parts (Inferno, Purgatorio, and Paradiso), it is considered the greatest literary work in the Italian language and a world masterpiece. It is a comprehensive survey of medieval theology, literature and thought. The new non-dialect poetic language Dante created became the basis of modern Italian.
    IR_Dante-Inferno-Dore_161.jpg
  • From the Divine Comedy by 14th century Italian poet Dante Alighieri. 1860 artwork, by French artist Gustave Dore and engraved by Stephane Pannemaker, from 'The Vision of Hell' (1868), Cary's English translation of the Inferno. Dante wrote his epic poem 'Divina Commedia' (The Divine Comedy) between 1308 and his death in 1321. Consisting of 14,233 lines, and divided into three parts (Inferno, Purgatorio, and Paradiso), it is considered the greatest literary work in the Italian language and a world masterpiece. It is a comprehensive survey of medieval theology, literature and thought. The new non-dialect poetic language Dante created became the basis of modern Italian.
    IR_Dante-Inferno-Dore_149.jpg
  • From the Divine Comedy by 14th century Italian poet Dante Alighieri. 1860 artwork, by French artist Gustave Dore and engraved by Stephane Pannemaker, from 'The Vision of Hell' (1868), Cary's English translation of the Inferno. Dante wrote his epic poem 'Divina Commedia' (The Divine Comedy) between 1308 and his death in 1321. Consisting of 14,233 lines, and divided into three parts (Inferno, Purgatorio, and Paradiso), it is considered the greatest literary work in the Italian language and a world masterpiece. It is a comprehensive survey of medieval theology, literature and thought. The new non-dialect poetic language Dante created became the basis of modern Italian.
    IR_Dante-Inferno-Dore_143.jpg
  • From the Divine Comedy by 14th century Italian poet Dante Alighieri. 1860 artwork, by French artist Gustave Dore and engraved by Stephane Pannemaker, from 'The Vision of Hell' (1868), Cary's English translation of the Inferno. Dante wrote his epic poem 'Divina Commedia' (The Divine Comedy) between 1308 and his death in 1321. Consisting of 14,233 lines, and divided into three parts (Inferno, Purgatorio, and Paradiso), it is considered the greatest literary work in the Italian language and a world masterpiece. It is a comprehensive survey of medieval theology, literature and thought. The new non-dialect poetic language Dante created became the basis of modern Italian.
    IR_Dante-Inferno-Dore_131.jpg
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