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  • A Study of the Muscles of the Human Body by John Watkins, St. Martin's School of Art, London Study of the male figure from the book ' Studies of the human figure : with some notes on drawing and anatomy ' by George Montague Ellwood, and Francis Rowland Yerbury,  Publication date 1918 Publisher London : B.T. Batsford
    IR_f_Human-figure_0045.jpg
  • A Study of the Muscles of the Human Body hy Eugenie Richards, Nottingham School of Art. Study of the male figure from the book ' Studies of the human figure : with some notes on drawing and anatomy ' by George Montague Ellwood, and Francis Rowland Yerbury,  Publication date 1918 Publisher London : B.T. Batsford
    IR_f_Human-figure_0049.jpg
  • Title page From The human race by Figuier, Louis, (1819-1894) Publication in 1872 Publisher: New York, Appleton
    IR_Figuier-human-race_0009.jpg
  • Human face can be viewed in eroded rock Pareidolia is the tendency for incorrect perception of a stimulus as an object, pattern or meaning known to the observer, such as seeing shapes in clouds, seeing faces in inanimate objects or abstract patterns, or hearing hidden messages in music. Pareidolia can be considered a subcategory of apophenia. Pareidolia was at one time considered a symptom of human psychosis, but it is now seen as a normal human tendency.
    VA_f_Pareidolia-DSC01081.JPG
  • Human face is viewed in a natural growing tree trunk Pareidolia is the tendency for incorrect perception of a stimulus as an object, pattern or meaning known to the observer, such as seeing shapes in clouds, seeing faces in inanimate objects or abstract patterns, or hearing hidden messages in music. Pareidolia can be considered a subcategory of apophenia. Pareidolia was at one time considered a symptom of human psychosis, but it is now seen as a normal human tendency.
    VA_f_Pareidolia-DSC09990.JPG
  • Human face is viewed in a natural growing tree trunk Pareidolia is the tendency for incorrect perception of a stimulus as an object, pattern or meaning known to the observer, such as seeing shapes in clouds, seeing faces in inanimate objects or abstract patterns, or hearing hidden messages in music. Pareidolia can be considered a subcategory of apophenia. Pareidolia was at one time considered a symptom of human psychosis, but it is now seen as a normal human tendency.
    VA_f_Pareidolia-DSC03505.JPG
  • Human figure appears in rust. Pareidolia is the tendency for incorrect perception of a stimulus as an object, pattern or meaning known to the observer, such as seeing shapes in clouds, seeing faces in inanimate objects or abstract patterns, or hearing hidden messages in music. Pareidolia can be considered a subcategory of apophenia. Pareidolia was at one time considered a symptom of human psychosis, but it is now seen as a normal human tendency.
    VA_f_Pareidolia-DSC08345 (2).JPG
  • Human figure appears in rust. Pareidolia is the tendency for incorrect perception of a stimulus as an object, pattern or meaning known to the observer, such as seeing shapes in clouds, seeing faces in inanimate objects or abstract patterns, or hearing hidden messages in music. Pareidolia can be considered a subcategory of apophenia. Pareidolia was at one time considered a symptom of human psychosis, but it is now seen as a normal human tendency.
    VA_f_Pareidolia-DSC08342 (2).JPG
  • Human figure appears in rust. Pareidolia is the tendency for incorrect perception of a stimulus as an object, pattern or meaning known to the observer, such as seeing shapes in clouds, seeing faces in inanimate objects or abstract patterns, or hearing hidden messages in music. Pareidolia can be considered a subcategory of apophenia. Pareidolia was at one time considered a symptom of human psychosis, but it is now seen as a normal human tendency.
    VA_f_Pareidolia-DSC03043.JPG
  • Human face is viewed in a natural growing tree trunk Pareidolia is the tendency for incorrect perception of a stimulus as an object, pattern or meaning known to the observer, such as seeing shapes in clouds, seeing faces in inanimate objects or abstract patterns, or hearing hidden messages in music. Pareidolia can be considered a subcategory of apophenia. Pareidolia was at one time considered a symptom of human psychosis, but it is now seen as a normal human tendency.
    VA_f_Pareidolia-DSC01165.JPG
  • Human figure appears in rust. Pareidolia is the tendency for incorrect perception of a stimulus as an object, pattern or meaning known to the observer, such as seeing shapes in clouds, seeing faces in inanimate objects or abstract patterns, or hearing hidden messages in music. Pareidolia can be considered a subcategory of apophenia. Pareidolia was at one time considered a symptom of human psychosis, but it is now seen as a normal human tendency.
    VA_f_Pareidolia-DSC01583.JPG
  • Human face is viewed in a natural growing tree trunk Pareidolia is the tendency for incorrect perception of a stimulus as an object, pattern or meaning known to the observer, such as seeing shapes in clouds, seeing faces in inanimate objects or abstract patterns, or hearing hidden messages in music. Pareidolia can be considered a subcategory of apophenia. Pareidolia was at one time considered a symptom of human psychosis, but it is now seen as a normal human tendency.
    VA_f_Pareidolia-DSC01122.JPG
  • Human face can be viewed in eroded rock Pareidolia is the tendency for incorrect perception of a stimulus as an object, pattern or meaning known to the observer, such as seeing shapes in clouds, seeing faces in inanimate objects or abstract patterns, or hearing hidden messages in music. Pareidolia can be considered a subcategory of apophenia. Pareidolia was at one time considered a symptom of human psychosis, but it is now seen as a normal human tendency.
    VA_f_Pareidolia-DSC01100.JPG
  • Human face is viewed in a natural growing tree trunk Pareidolia is the tendency for incorrect perception of a stimulus as an object, pattern or meaning known to the observer, such as seeing shapes in clouds, seeing faces in inanimate objects or abstract patterns, or hearing hidden messages in music. Pareidolia can be considered a subcategory of apophenia. Pareidolia was at one time considered a symptom of human psychosis, but it is now seen as a normal human tendency.
    VA_f_Pareidolia-DSC01115.JPG
  • Human face is viewed in a natural growing tree trunk Pareidolia is the tendency for incorrect perception of a stimulus as an object, pattern or meaning known to the observer, such as seeing shapes in clouds, seeing faces in inanimate objects or abstract patterns, or hearing hidden messages in music. Pareidolia can be considered a subcategory of apophenia. Pareidolia was at one time considered a symptom of human psychosis, but it is now seen as a normal human tendency.
    VA_f_Pareidolia-DSC01022.JPG
  • Human face is viewed in a natural growing tree trunk Pareidolia is the tendency for incorrect perception of a stimulus as an object, pattern or meaning known to the observer, such as seeing shapes in clouds, seeing faces in inanimate objects or abstract patterns, or hearing hidden messages in music. Pareidolia can be considered a subcategory of apophenia. Pareidolia was at one time considered a symptom of human psychosis, but it is now seen as a normal human tendency.
    VA_f_Pareidolia-DSC00303.JPG
  • Human Anatomy The "Essai d'Anatomie" was produced by Gautier D'Agoty in 1745 in Paris, France. It is a remarkably detailed atlas of the head, neck, and shoulder areas of the human body with explanatory text in French. The anatomical images were based on human cadavers dissected by Joseph Duverney (1) and produced using the mezzotint method of engraving and printing. Mezzotint color engraving printing was invented by Jaques Christophe Le Blon in 1719. Mezzotint (from the Italian phrase "mezza tina" or "half tone") prints are produced by engraving a metal plate with numerous small holes that hold ink. When used to make a print, the engraved plate produces large areas of subtle shaded color tones. Since the mezzotint technique is quite labor-intensive, it fell out of favor by the 20th century, although it is still utilized by some artists. Most often used to reproduce paintings by famous artists, mezzotint printing was rarely used for original works of art, making the "Essai d'Anatomie" a work of great scientific and artistic significance.
    IR_f_Anatomy-1754_0005-crop.jpg
  • Human Anatomy The "Essai d'Anatomie" was produced by Gautier D'Agoty in 1745 in Paris, France. It is a remarkably detailed atlas of the head, neck, and shoulder areas of the human body with explanatory text in French. The anatomical images were based on human cadavers dissected by Joseph Duverney (1) and produced using the mezzotint method of engraving and printing. Mezzotint color engraving printing was invented by Jaques Christophe Le Blon in 1719. Mezzotint (from the Italian phrase "mezza tina" or "half tone") prints are produced by engraving a metal plate with numerous small holes that hold ink. When used to make a print, the engraved plate produces large areas of subtle shaded color tones. Since the mezzotint technique is quite labor-intensive, it fell out of favor by the 20th century, although it is still utilized by some artists. Most often used to reproduce paintings by famous artists, mezzotint printing was rarely used for original works of art, making the "Essai d'Anatomie" a work of great scientific and artistic significance.
    IR_f_Anatomy-1754_0026.jpg
  • Human Anatomy The "Essai d'Anatomie" was produced by Gautier D'Agoty in 1745 in Paris, France. It is a remarkably detailed atlas of the head, neck, and shoulder areas of the human body with explanatory text in French. The anatomical images were based on human cadavers dissected by Joseph Duverney (1) and produced using the mezzotint method of engraving and printing. Mezzotint color engraving printing was invented by Jaques Christophe Le Blon in 1719. Mezzotint (from the Italian phrase "mezza tina" or "half tone") prints are produced by engraving a metal plate with numerous small holes that hold ink. When used to make a print, the engraved plate produces large areas of subtle shaded color tones. Since the mezzotint technique is quite labor-intensive, it fell out of favor by the 20th century, although it is still utilized by some artists. Most often used to reproduce paintings by famous artists, mezzotint printing was rarely used for original works of art, making the "Essai d'Anatomie" a work of great scientific and artistic significance.
    IR_f_Anatomy-1754_0020.jpg
  • Human Anatomy The "Essai d'Anatomie" was produced by Gautier D'Agoty in 1745 in Paris, France. It is a remarkably detailed atlas of the head, neck, and shoulder areas of the human body with explanatory text in French. The anatomical images were based on human cadavers dissected by Joseph Duverney (1) and produced using the mezzotint method of engraving and printing. Mezzotint color engraving printing was invented by Jaques Christophe Le Blon in 1719. Mezzotint (from the Italian phrase "mezza tina" or "half tone") prints are produced by engraving a metal plate with numerous small holes that hold ink. When used to make a print, the engraved plate produces large areas of subtle shaded color tones. Since the mezzotint technique is quite labor-intensive, it fell out of favor by the 20th century, although it is still utilized by some artists. Most often used to reproduce paintings by famous artists, mezzotint printing was rarely used for original works of art, making the "Essai d'Anatomie" a work of great scientific and artistic significance.
    IR_f_Anatomy-1754_0005.jpg
  • Human Anatomy The "Essai d'Anatomie" was produced by Gautier D'Agoty in 1745 in Paris, France. It is a remarkably detailed atlas of the head, neck, and shoulder areas of the human body with explanatory text in French. The anatomical images were based on human cadavers dissected by Joseph Duverney (1) and produced using the mezzotint method of engraving and printing. Mezzotint color engraving printing was invented by Jaques Christophe Le Blon in 1719. Mezzotint (from the Italian phrase "mezza tina" or "half tone") prints are produced by engraving a metal plate with numerous small holes that hold ink. When used to make a print, the engraved plate produces large areas of subtle shaded color tones. Since the mezzotint technique is quite labor-intensive, it fell out of favor by the 20th century, although it is still utilized by some artists. Most often used to reproduce paintings by famous artists, mezzotint printing was rarely used for original works of art, making the "Essai d'Anatomie" a work of great scientific and artistic significance.
    IR_f_Anatomy-1754_0008.jpg
  • Human Anatomy The "Essai d'Anatomie" was produced by Gautier D'Agoty in 1745 in Paris, France. It is a remarkably detailed atlas of the head, neck, and shoulder areas of the human body with explanatory text in French. The anatomical images were based on human cadavers dissected by Joseph Duverney (1) and produced using the mezzotint method of engraving and printing. Mezzotint color engraving printing was invented by Jaques Christophe Le Blon in 1719. Mezzotint (from the Italian phrase "mezza tina" or "half tone") prints are produced by engraving a metal plate with numerous small holes that hold ink. When used to make a print, the engraved plate produces large areas of subtle shaded color tones. Since the mezzotint technique is quite labor-intensive, it fell out of favor by the 20th century, although it is still utilized by some artists. Most often used to reproduce paintings by famous artists, mezzotint printing was rarely used for original works of art, making the "Essai d'Anatomie" a work of great scientific and artistic significance.
    IR_f_Anatomy-1754_0000.jpg
  • Human Lumbar Spine x-Ray side View 77 year old patient
    GV_Lumbar-Spine-lat_0005002A.jpg
  • Human Lumbar Spine x-Ray of a 14 year old male patient with a compression fracture of the L2 Vertebra side View
    GV_Lumbar-Spine-Lat_0003002A.jpg
  • Human Lumbar Spine x-Ray side view
    GV_Lumbar-Spine-Lat_0002005A.jpg
  • Human Lumbar Spine x-Ray side view
    GV_Lumbar-Spine-Lat_0002005A-colour.jpg
  • Human Lumbar Spine x-Ray Front View 77 year old patient
    GV_Lumbar-Spine-AP_0005001A-colour1.jpg
  • Human Lumbar Spine x-Ray Front View
    GV_Lumbar-Spine-AP_0002004A_colour.jpg
  • X-ray of a human Cervical spine Side View
    GV_Cervical-Spine-Lat_0002002A_colou...jpg
  • Human Face appears in cracked plaster on a wall Pareidolia is the tendency for incorrect perception of a stimulus as an object, pattern or meaning known to the observer, such as seeing shapes in clouds, seeing faces in inanimate objects or abstract patterns, or hearing hidden messages in music. Pareidolia can be considered a subcategory of apophenia. Pareidolia was at one time considered a symptom of human psychosis, but it is now seen as a normal human tendency.
    VA_f_Pareidolia-DSC00226.JPG
  • Human Face appears in cracked plaster on a wall Pareidolia is the tendency for incorrect perception of a stimulus as an object, pattern or meaning known to the observer, such as seeing shapes in clouds, seeing faces in inanimate objects or abstract patterns, or hearing hidden messages in music. Pareidolia can be considered a subcategory of apophenia. Pareidolia was at one time considered a symptom of human psychosis, but it is now seen as a normal human tendency.
    VA_f_Pareidolia-DSC00482.JPG
  • X-ray of a human Cervical spine Side View
    GV_Cervical-Spine-Lat_0002007A_colou...jpg
  • X-ray of a human Cervical spine Side View
    GV_Cervical-Spine-Lat_0002007A.jpg
  • X-ray of a human Cervical spine
    GV_Cervical-Spine-Dens_0002003A.jpg
  • Human Lumbar Spine x-Ray of a 14 year old male patient with a compression fracture of the L2 Vertebra side View
    GV_Lumbar-Spine-Lat_0003002A_colour.jpg
  • Human Lumbar Spine x-Ray side View 77 year old patient
    GV_Lumbar-Spine-lat_0005002A_colour.jpg
  • Human Lumbar Spine x-Ray Front View 77 year old patient
    GV_Lumbar-Spine-AP_0005001A_colour2.jpg
  • Human Lumbar Spine x-Ray Front View 77 year old patient
    GV_Lumbar-Spine-AP_0005001A.jpg
  • Human Lumbar Spine x-Ray of a 14 year old male patient with a compression fracture of the L2 Vertebra Front View
    GV_Lumbar-Spine-AP_0003001A_colour.jpg
  • Human Lumbar Spine x-Ray of a 14 year old male patient with a compression fracture of the L2 Vertebra Front View
    GV_Lumbar-Spine-AP_0003001A.jpg
  • Human Lumbar Spine x-Ray Front View
    GV_Lumbar-Spine-AP_0002004A.jpg
  • X-ray of a human Cervical spine Side View
    GV_Cervical-Spine-Lat_0002002A.jpg
  • X-ray of a human Cervical spine front view
    GV_Cervical-Spine-AP_0002001A_colour.jpg
  • X-ray of a human Cervical spine front view
    GV_Cervical-Spine-AP_0002001A.jpg
  • Human Face appears in cracked plaster on a wall Pareidolia is the tendency for incorrect perception of a stimulus as an object, pattern or meaning known to the observer, such as seeing shapes in clouds, seeing faces in inanimate objects or abstract patterns, or hearing hidden messages in music. Pareidolia can be considered a subcategory of apophenia. Pareidolia was at one time considered a symptom of human psychosis, but it is now seen as a normal human tendency.
    VA_f_Pareidolia-DSC00484.JPGed.JPG
  • Human Face appears in cracked plaster on a wall Pareidolia is the tendency for incorrect perception of a stimulus as an object, pattern or meaning known to the observer, such as seeing shapes in clouds, seeing faces in inanimate objects or abstract patterns, or hearing hidden messages in music. Pareidolia can be considered a subcategory of apophenia. Pareidolia was at one time considered a symptom of human psychosis, but it is now seen as a normal human tendency.
    VA_f_Pareidolia-DSC00228.JPG
  • X-ray of a human Cervical spine Side View
    GV_Cervical-Spine-Lat_0002006A.jpg
  • X-ray of a human Cervical spine Side View
    GV_Cervical-Spine-Lat_0002006A_colou...jpg
  • Pareidolia is the tendency for incorrect perception of a stimulus as an object, pattern or meaning known to the observer, such as seeing shapes in clouds, seeing faces in inanimate objects or abstract patterns, or hearing hidden messages in music. Pareidolia can be considered a subcategory of apophenia. Pareidolia was at one time considered a symptom of human psychosis, but it is now seen as a normal human tendency.
    VA_f_Pareidolia-DSC09871.JPG
  • Pareidolia is the tendency for incorrect perception of a stimulus as an object, pattern or meaning known to the observer, such as seeing shapes in clouds, seeing faces in inanimate objects or abstract patterns, or hearing hidden messages in music. Pareidolia can be considered a subcategory of apophenia. Pareidolia was at one time considered a symptom of human psychosis, but it is now seen as a normal human tendency.
    VA_f_Pareidolia-DSC08344 (2).JPG
  • Pareidolia is the tendency for incorrect perception of a stimulus as an object, pattern or meaning known to the observer, such as seeing shapes in clouds, seeing faces in inanimate objects or abstract patterns, or hearing hidden messages in music. Pareidolia can be considered a subcategory of apophenia. Pareidolia was at one time considered a symptom of human psychosis, but it is now seen as a normal human tendency.
    VA_f_Pareidolia-DSC03042.JPG
  • Pareidolia is the tendency for incorrect perception of a stimulus as an object, pattern or meaning known to the observer, such as seeing shapes in clouds, seeing faces in inanimate objects or abstract patterns, or hearing hidden messages in music. Pareidolia can be considered a subcategory of apophenia. Pareidolia was at one time considered a symptom of human psychosis, but it is now seen as a normal human tendency.
    VA_f_Pareidolia-Eyes.jpg
  • Digitally enhanced image of Human and Dog face to face
    IR_MR_C0222-Fairy-2.jpg
  • Extreme closeup of a human eye- Brown
    GV_f_eyeball_0287.jpg
  • Extreme closeup of a human eye - blue
    GV_f_eyeball_0283.jpg
  • The human body De humani corporis fabrica libri decem, 1627.
    IR_front-Anatomy_1627.jpg
  • desaturated Digitally enhanced image of Human and Dog face to face
    IR_MR_C0222-Sketch.jpg
  • Digitally enhanced image of Human and Dog face to face
    IR_MR_C0222-MA4.jpg
  • Digitally enhanced image of Human and Dog face to face
    IR_MR_C0222-MA3.jpg
  • Digitally enhanced image of Human and Dog face to face
    IR_MR_C0222-ligtht.jpg
  • Digitally enhanced image of Human and Dog face to face
    IR_MR_C0222-grunge.jpg
  • Digitally enhanced image of Human and Dog face to face
    IR_MR_C0222-Glow.jpg
  • Digitally enhanced image of Human and Dog face to face
    IR_MR_C0222-Aristo-2.jpg
  • Digitally enhanced image of Human and Dog face to face
    IR_MR_C0222-Aristo-Brightum-2.jpg
  • Famous Humorous quotes series: Sometimes I wish my dog could talk, but then I remember all the crazy shit he’s witnessed me doing. Human and Dog face to face
    IR_I wish my dog could talk.jpg
  • Extreme closeup of a human eye - blue
    GV_f_eyeball_0299.jpg
  • Extreme closeup of a human eye - blue
    GV_f_eyeball_0297.jpg
  • Extreme closeup of a human eye brown, and blue
    GV_f_eyeball_0298.jpg
  • Extreme closeup of a human eye - blue
    GV_f_eyeball_0296.jpg
  • Extreme closeup of a human eye brown, and blue
    GV_f_eyeball_0294.jpg
  • Extreme closeup of a human eye - blue
    GV_f_eyeball_0295.jpg
  • Extreme closeup of a human eye green
    GV_f_eyeball_0293.jpg
  • Extreme closeup of a human eye- Brown
    GV_f_eyeball_0290.jpg
  • Extreme closeup of a human eye green
    GV_f_eyeball_0291.jpg
  • Extreme closeup of a human eye gray
    GV_f_eyeball_0292.jpg
  • Extreme closeup of a human eye
    GV_f_eyeball_0289.jpg
  • Extreme closeup of a human eye- Brown
    GV_f_eyeball_0286.jpg
  • Extreme closeup of a human eye green
    GV_f_eyeball_0288.jpg
  • Extreme closeup of a human eye- Brown
    GV_f_eyeball_0285.jpg
  • Extreme closeup of a human eye grey
    GV_f_eyeball_0284.jpg
  • Extreme closeup of a human eye brown, and blue
    GV_f_eyeball_0280.jpg
  • Extreme closeup of a human eye
    GV_f_eyeball_0282.jpg
  • Extreme closeup of a human eye grey
    GV_f_eyeball_0281.jpg
  • Extreme closeup of a human eye grey
    GV_f_eyeball_0279.jpg
  • Extreme closeup of a human eye - blue
    GV_f_eyeball_0275.jpg
  • Extreme closeup of a human eye grey
    GV_f_eyeball_0276.jpg
  • Extreme closeup of a human eye - blue
    GV_f_eyeball_0277.jpg
  • Extreme closeup of a human eye - blue
    GV_f_eyeball_0278.jpg
  • Human and Dog face to face
    IR_MR_C0222.jpg
  • Rome, Italy Street performer DEATH human statue
    SL_Rome_SL4_6206.jpg
  • Rome, Italy Street performer Egyptian mummy human statue
    SL_Rome_SL4_6194.jpg
  • Global distribution of the Human Race
    IR_f_Physics_130330040-1.jpg
  • Early human warfare according to the French illustrator Emile Bayard (1837-1891), illustration Artwork published in Primitive Man by Louis Figuier (1819-1894), Published in London by Chapman and Hall 193 Piccadilly in 1870
    IR_Primitive-Man_0237.jpg
  • Human or Not from the book ' A journey to the centre of the earth ' by Jules Verne (1828-1905) Published in New York by Charles Scribner's Sons, 1905
    IR_f_Centre-Earth-CU_0268-colourised.jpg
  • Human or Not from the book ' A journey to the centre of the earth ' by Jules Verne (1828-1905) Published in New York by Charles Scribner's Sons, 1905
    IR_f_Centre-Earth-CU_0268.jpg
  • Digitally enhanced image of aMale full body back woodcut print at the opening of the Human Anatomy book "Notomie di Titiano" Printed in Italy in 1670
    IR_f_010375620_0053-Fairy.jpg
  • Digitally enhanced image of a Male full body front woodcut print at the opening of the Human Anatomy book "Notomie di Titiano" Printed in Italy in 1670
    IR_f_010375620_0021-neon.jpg
  • Digitally enhanced image of a Male full body front woodcut print at the opening of the Human Anatomy book "Notomie di Titiano" Printed in Italy in 1670
    IR_f_010375620_0021-fairy.jpg
  • Digitally enhanced image of a Male full body front woodcut print at the opening of the Human Anatomy book "Notomie di Titiano" Printed in Italy in 1670
    IR_f_010375620_0021-artist-2.jpg
  • Digitally enhanced image of a Male full body front woodcut print at the opening of the Human Anatomy book "Notomie di Titiano" Printed in Italy in 1670
    IR_f_010375620_0021-artist-1.jpg
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