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  • Illustrated Yiddish version of Had Gadya children's book illustrated by El Lissitzky (Lazar Markovich Lissitzky), and published in Kiev in 1919 Chad Gadya or Had Gadya ("one little goat, or "one kid") is a playful cumulative song in Aramaic and Hebrew. It is sung at the end of the Passover Seder, the Jewish ritual feast that marks the beginning of the Jewish holiday of Passover. The melody may have its roots in Medieval German folk music. It first appeared in a Haggadah printed in Prague in 1590, which makes it the most recent inclusion in the traditional Passover seder liturgy
    IR_f_Ḥad-Gadya_0028.jpg
  • Illustrated Yiddish version of Had Gadya children's book illustrated by El Lissitzky (Lazar Markovich Lissitzky), and published in Kiev in 1919 Chad Gadya or Had Gadya ("one little goat, or "one kid") is a playful cumulative song in Aramaic and Hebrew. It is sung at the end of the Passover Seder, the Jewish ritual feast that marks the beginning of the Jewish holiday of Passover. The melody may have its roots in Medieval German folk music. It first appeared in a Haggadah printed in Prague in 1590, which makes it the most recent inclusion in the traditional Passover seder liturgy
    IR_f_Ḥad-Gadya_0019.jpg
  • Illustrated Yiddish version of Had Gadya children's book illustrated by El Lissitzky (Lazar Markovich Lissitzky), and published in Kiev in 1919 Chad Gadya or Had Gadya ("one little goat, or "one kid") is a playful cumulative song in Aramaic and Hebrew. It is sung at the end of the Passover Seder, the Jewish ritual feast that marks the beginning of the Jewish holiday of Passover. The melody may have its roots in Medieval German folk music. It first appeared in a Haggadah printed in Prague in 1590, which makes it the most recent inclusion in the traditional Passover seder liturgy
    IR_f_Ḥad-Gadya_0017.jpg
  • Illustrated Yiddish version of Had Gadya children's book illustrated by El Lissitzky (Lazar Markovich Lissitzky), and published in Kiev in 1919 Chad Gadya or Had Gadya ("one little goat, or "one kid") is a playful cumulative song in Aramaic and Hebrew. It is sung at the end of the Passover Seder, the Jewish ritual feast that marks the beginning of the Jewish holiday of Passover. The melody may have its roots in Medieval German folk music. It first appeared in a Haggadah printed in Prague in 1590, which makes it the most recent inclusion in the traditional Passover seder liturgy
    IR_f_Ḥad-Gadya_0015.jpg
  • Illustrated Yiddish version of Had Gadya children's book illustrated by El Lissitzky (Lazar Markovich Lissitzky), and published in Kiev in 1919 Chad Gadya or Had Gadya ("one little goat, or "one kid") is a playful cumulative song in Aramaic and Hebrew. It is sung at the end of the Passover Seder, the Jewish ritual feast that marks the beginning of the Jewish holiday of Passover. The melody may have its roots in Medieval German folk music. It first appeared in a Haggadah printed in Prague in 1590, which makes it the most recent inclusion in the traditional Passover seder liturgy
    IR_f_Ḥad-Gadya_0011.jpg
  • Illustrated Yiddish version of Had Gadya children's book illustrated by El Lissitzky (Lazar Markovich Lissitzky), and published in Kiev in 1919 Chad Gadya or Had Gadya ("one little goat, or "one kid") is a playful cumulative song in Aramaic and Hebrew. It is sung at the end of the Passover Seder, the Jewish ritual feast that marks the beginning of the Jewish holiday of Passover. The melody may have its roots in Medieval German folk music. It first appeared in a Haggadah printed in Prague in 1590, which makes it the most recent inclusion in the traditional Passover seder liturgy
    IR_f_Ḥad-Gadya_0009.jpg
  • Illustrated Yiddish version of Had Gadya children's book illustrated by El Lissitzky (Lazar Markovich Lissitzky), and published in Kiev in 1919 Chad Gadya or Had Gadya ("one little goat, or "one kid") is a playful cumulative song in Aramaic and Hebrew. It is sung at the end of the Passover Seder, the Jewish ritual feast that marks the beginning of the Jewish holiday of Passover. The melody may have its roots in Medieval German folk music. It first appeared in a Haggadah printed in Prague in 1590, which makes it the most recent inclusion in the traditional Passover seder liturgy
    IR_f_Ḥad-Gadya_0005.jpg
  • Illustrated Yiddish version of Had Gadya children's book illustrated by El Lissitzky (Lazar Markovich Lissitzky), and published in Kiev in 1919 Chad Gadya or Had Gadya ("one little goat, or "one kid") is a playful cumulative song in Aramaic and Hebrew. It is sung at the end of the Passover Seder, the Jewish ritual feast that marks the beginning of the Jewish holiday of Passover. The melody may have its roots in Medieval German folk music. It first appeared in a Haggadah printed in Prague in 1590, which makes it the most recent inclusion in the traditional Passover seder liturgy
    IR_f_Ḥad-Gadya_0003.jpg
  • Illustrated Yiddish version of Had Gadya children's book illustrated by El Lissitzky (Lazar Markovich Lissitzky), and published in Kiev in 1919 Chad Gadya or Had Gadya ("one little goat, or "one kid") is a playful cumulative song in Aramaic and Hebrew. It is sung at the end of the Passover Seder, the Jewish ritual feast that marks the beginning of the Jewish holiday of Passover. The melody may have its roots in Medieval German folk music. It first appeared in a Haggadah printed in Prague in 1590, which makes it the most recent inclusion in the traditional Passover seder liturgy
    IR_f_Ḥad-Gadya_0023.jpg
  • Illustrated Yiddish version of Had Gadya children's book illustrated by El Lissitzky (Lazar Markovich Lissitzky), and published in Kiev in 1919 Chad Gadya or Had Gadya ("one little goat, or "one kid") is a playful cumulative song in Aramaic and Hebrew. It is sung at the end of the Passover Seder, the Jewish ritual feast that marks the beginning of the Jewish holiday of Passover. The melody may have its roots in Medieval German folk music. It first appeared in a Haggadah printed in Prague in 1590, which makes it the most recent inclusion in the traditional Passover seder liturgy
    IR_f_Ḥad-Gadya_0013.jpg
  • Illustrated Yiddish version of Had Gadya children's book illustrated by El Lissitzky (Lazar Markovich Lissitzky), and published in Kiev in 1919 Chad Gadya or Had Gadya ("one little goat, or "one kid") is a playful cumulative song in Aramaic and Hebrew. It is sung at the end of the Passover Seder, the Jewish ritual feast that marks the beginning of the Jewish holiday of Passover. The melody may have its roots in Medieval German folk music. It first appeared in a Haggadah printed in Prague in 1590, which makes it the most recent inclusion in the traditional Passover seder liturgy
    IR_f_Ḥad-Gadya_0007.jpg
  • Illustrated Yiddish version of Had Gadya children's book illustrated by El Lissitzky (Lazar Markovich Lissitzky), and published in Kiev in 1919 Chad Gadya or Had Gadya ("one little goat, or "one kid") is a playful cumulative song in Aramaic and Hebrew. It is sung at the end of the Passover Seder, the Jewish ritual feast that marks the beginning of the Jewish holiday of Passover. The melody may have its roots in Medieval German folk music. It first appeared in a Haggadah printed in Prague in 1590, which makes it the most recent inclusion in the traditional Passover seder liturgy
    IR_f_Ḥad-Gadya_0001.jpg
  • The Three Bears illustrated by Walter Crane 1873. Published in London by George Routledge and Sons. "Goldilocks and the Three Bears" (originally titled "The Story of the Three Bears") is a 19th-century British fairy tale of which three versions exist. The original version of the tale tells of a not-so-polite old woman who enters  the forest home of three bachelor bears while they are away. She sits in their chairs, eats some of their soup, sits down on one of their chairs and breaks it, and sleeps in one of their beds. When the bears return and discover her, she wakes up, jumps out of the window, and is never seen again. The second version replaced the old woman with a little girl named Goldilocks, and the third and by far best-known version replaced the original bear trio with Papa Bear, Mama Bear, and Baby Bear. What was originally a frightening oral tale became a cozy family story with only a hint of menace. The story has elicited various interpretations and has been adapted to film, opera, and other media. "Goldilocks and the Three Bears" is one of the most popular fairy tales in the English language.
    IR_f_Three-Bears_0013.jpg
  • The Three Bears illustrated by Walter Crane 1873. Published in London by George Routledge and Sons. "Goldilocks and the Three Bears" (originally titled "The Story of the Three Bears") is a 19th-century British fairy tale of which three versions exist. The original version of the tale tells of a not-so-polite old woman who enters  the forest home of three bachelor bears while they are away. She sits in their chairs, eats some of their soup, sits down on one of their chairs and breaks it, and sleeps in one of their beds. When the bears return and discover her, she wakes up, jumps out of the window, and is never seen again. The second version replaced the old woman with a little girl named Goldilocks, and the third and by far best-known version replaced the original bear trio with Papa Bear, Mama Bear, and Baby Bear. What was originally a frightening oral tale became a cozy family story with only a hint of menace. The story has elicited various interpretations and has been adapted to film, opera, and other media. "Goldilocks and the Three Bears" is one of the most popular fairy tales in the English language.
    IR_f_Three-Bears_0010-crop.jpg
  • The Three Bears illustrated by Walter Crane 1873. Published in London by George Routledge and Sons. "Goldilocks and the Three Bears" (originally titled "The Story of the Three Bears") is a 19th-century British fairy tale of which three versions exist. The original version of the tale tells of a not-so-polite old woman who enters  the forest home of three bachelor bears while they are away. She sits in their chairs, eats some of their soup, sits down on one of their chairs and breaks it, and sleeps in one of their beds. When the bears return and discover her, she wakes up, jumps out of the window, and is never seen again. The second version replaced the old woman with a little girl named Goldilocks, and the third and by far best-known version replaced the original bear trio with Papa Bear, Mama Bear, and Baby Bear. What was originally a frightening oral tale became a cozy family story with only a hint of menace. The story has elicited various interpretations and has been adapted to film, opera, and other media. "Goldilocks and the Three Bears" is one of the most popular fairy tales in the English language.
    IR_f_Three-Bears_0010.jpg
  • The Three Bears illustrated by Walter Crane 1873. Published in London by George Routledge and Sons. "Goldilocks and the Three Bears" (originally titled "The Story of the Three Bears") is a 19th-century British fairy tale of which three versions exist. The original version of the tale tells of a not-so-polite old woman who enters  the forest home of three bachelor bears while they are away. She sits in their chairs, eats some of their soup, sits down on one of their chairs and breaks it, and sleeps in one of their beds. When the bears return and discover her, she wakes up, jumps out of the window, and is never seen again. The second version replaced the old woman with a little girl named Goldilocks, and the third and by far best-known version replaced the original bear trio with Papa Bear, Mama Bear, and Baby Bear. What was originally a frightening oral tale became a cozy family story with only a hint of menace. The story has elicited various interpretations and has been adapted to film, opera, and other media. "Goldilocks and the Three Bears" is one of the most popular fairy tales in the English language.
    IR_f_Three-Bears_0008.jpg
  • The Three Bears illustrated by Walter Crane 1873. Published in London by George Routledge and Sons. "Goldilocks and the Three Bears" (originally titled "The Story of the Three Bears") is a 19th-century British fairy tale of which three versions exist. The original version of the tale tells of a not-so-polite old woman who enters  the forest home of three bachelor bears while they are away. She sits in their chairs, eats some of their soup, sits down on one of their chairs and breaks it, and sleeps in one of their beds. When the bears return and discover her, she wakes up, jumps out of the window, and is never seen again. The second version replaced the old woman with a little girl named Goldilocks, and the third and by far best-known version replaced the original bear trio with Papa Bear, Mama Bear, and Baby Bear. What was originally a frightening oral tale became a cozy family story with only a hint of menace. The story has elicited various interpretations and has been adapted to film, opera, and other media. "Goldilocks and the Three Bears" is one of the most popular fairy tales in the English language.
    IR_f_Three-Bears_0007-combo.jpg
  • The Three Bears illustrated by Walter Crane 1873. Published in London by George Routledge and Sons. "Goldilocks and the Three Bears" (originally titled "The Story of the Three Bears") is a 19th-century British fairy tale of which three versions exist. The original version of the tale tells of a not-so-polite old woman who enters  the forest home of three bachelor bears while they are away. She sits in their chairs, eats some of their soup, sits down on one of their chairs and breaks it, and sleeps in one of their beds. When the bears return and discover her, she wakes up, jumps out of the window, and is never seen again. The second version replaced the old woman with a little girl named Goldilocks, and the third and by far best-known version replaced the original bear trio with Papa Bear, Mama Bear, and Baby Bear. What was originally a frightening oral tale became a cozy family story with only a hint of menace. The story has elicited various interpretations and has been adapted to film, opera, and other media. "Goldilocks and the Three Bears" is one of the most popular fairy tales in the English language.
    IR_f_Three-Bears_0007.jpg
  • The Three Bears illustrated by Walter Crane 1873. Published in London by George Routledge and Sons. "Goldilocks and the Three Bears" (originally titled "The Story of the Three Bears") is a 19th-century British fairy tale of which three versions exist. The original version of the tale tells of a not-so-polite old woman who enters  the forest home of three bachelor bears while they are away. She sits in their chairs, eats some of their soup, sits down on one of their chairs and breaks it, and sleeps in one of their beds. When the bears return and discover her, she wakes up, jumps out of the window, and is never seen again. The second version replaced the old woman with a little girl named Goldilocks, and the third and by far best-known version replaced the original bear trio with Papa Bear, Mama Bear, and Baby Bear. What was originally a frightening oral tale became a cozy family story with only a hint of menace. The story has elicited various interpretations and has been adapted to film, opera, and other media. "Goldilocks and the Three Bears" is one of the most popular fairy tales in the English language.
    IR_f_Three-Bears_0005.jpg
  • The Three Bears illustrated by Walter Crane 1873. Published in London by George Routledge and Sons. "Goldilocks and the Three Bears" (originally titled "The Story of the Three Bears") is a 19th-century British fairy tale of which three versions exist. The original version of the tale tells of a not-so-polite old woman who enters  the forest home of three bachelor bears while they are away. She sits in their chairs, eats some of their soup, sits down on one of their chairs and breaks it, and sleeps in one of their beds. When the bears return and discover her, she wakes up, jumps out of the window, and is never seen again. The second version replaced the old woman with a little girl named Goldilocks, and the third and by far best-known version replaced the original bear trio with Papa Bear, Mama Bear, and Baby Bear. What was originally a frightening oral tale became a cozy family story with only a hint of menace. The story has elicited various interpretations and has been adapted to film, opera, and other media. "Goldilocks and the Three Bears" is one of the most popular fairy tales in the English language.
    IR_f_Three-Bears_0005-crop.jpg
  • The Three Bears illustrated by Walter Crane 1873. Published in London by George Routledge and Sons. "Goldilocks and the Three Bears" (originally titled "The Story of the Three Bears") is a 19th-century British fairy tale of which three versions exist. The original version of the tale tells of a not-so-polite old woman who enters  the forest home of three bachelor bears while they are away. She sits in their chairs, eats some of their soup, sits down on one of their chairs and breaks it, and sleeps in one of their beds. When the bears return and discover her, she wakes up, jumps out of the window, and is never seen again. The second version replaced the old woman with a little girl named Goldilocks, and the third and by far best-known version replaced the original bear trio with Papa Bear, Mama Bear, and Baby Bear. What was originally a frightening oral tale became a cozy family story with only a hint of menace. The story has elicited various interpretations and has been adapted to film, opera, and other media. "Goldilocks and the Three Bears" is one of the most popular fairy tales in the English language.
    IR_f_Three-Bears_0002.jpg
  • The Three Bears illustrated by Walter Crane 1873. Published in London by George Routledge and Sons. "Goldilocks and the Three Bears" (originally titled "The Story of the Three Bears") is a 19th-century British fairy tale of which three versions exist. The original version of the tale tells of a not-so-polite old woman who enters  the forest home of three bachelor bears while they are away. She sits in their chairs, eats some of their soup, sits down on one of their chairs and breaks it, and sleeps in one of their beds. When the bears return and discover her, she wakes up, jumps out of the window, and is never seen again. The second version replaced the old woman with a little girl named Goldilocks, and the third and by far best-known version replaced the original bear trio with Papa Bear, Mama Bear, and Baby Bear. What was originally a frightening oral tale became a cozy family story with only a hint of menace. The story has elicited various interpretations and has been adapted to film, opera, and other media. "Goldilocks and the Three Bears" is one of the most popular fairy tales in the English language.
    IR_f_Three-Bears_0002-crop.jpg
  • The Three Bears illustrated by Walter Crane 1873. Published in London by George Routledge and Sons. "Goldilocks and the Three Bears" (originally titled "The Story of the Three Bears") is a 19th-century British fairy tale of which three versions exist. The original version of the tale tells of a not-so-polite old woman who enters  the forest home of three bachelor bears while they are away. She sits in their chairs, eats some of their soup, sits down on one of their chairs and breaks it, and sleeps in one of their beds. When the bears return and discover her, she wakes up, jumps out of the window, and is never seen again. The second version replaced the old woman with a little girl named Goldilocks, and the third and by far best-known version replaced the original bear trio with Papa Bear, Mama Bear, and Baby Bear. What was originally a frightening oral tale became a cozy family story with only a hint of menace. The story has elicited various interpretations and has been adapted to film, opera, and other media. "Goldilocks and the Three Bears" is one of the most popular fairy tales in the English language.
    IR_f_Three-Bears_0000.jpg
  • The Three Bears illustrated by Walter Crane 1873. Published in London by George Routledge and Sons. "Goldilocks and the Three Bears" (originally titled "The Story of the Three Bears") is a 19th-century British fairy tale of which three versions exist. The original version of the tale tells of a not-so-polite old woman who enters  the forest home of three bachelor bears while they are away. She sits in their chairs, eats some of their soup, sits down on one of their chairs and breaks it, and sleeps in one of their beds. When the bears return and discover her, she wakes up, jumps out of the window, and is never seen again. The second version replaced the old woman with a little girl named Goldilocks, and the third and by far best-known version replaced the original bear trio with Papa Bear, Mama Bear, and Baby Bear. What was originally a frightening oral tale became a cozy family story with only a hint of menace. The story has elicited various interpretations and has been adapted to film, opera, and other media. "Goldilocks and the Three Bears" is one of the most popular fairy tales in the English language.
    IR_f_Three-Bears_0001-crop.jpg
  • The man of pleasure's illustrated pocket-book for 1850 : displaying at one glance the varied attractions of this great metropolis ; with correct details of the saloons, club & night houses, ball, concert & billiard rooms, casinos, comical clubs, theatres, introducing houses; in fact, all pleasures that possess 'a local habitation and a name' are fully and accurately described, rendering it a Complete and gentlemanly night guide ; it also contains the annual routine of sporting information derived from authentic sources, combining the appurtenances of a General pocket-book and almanac. ; enclosed in a secret pocket are cards of address of a select few attractive lasses of this our 'little village,' with some 'shields' for cyprian war ; enriched with forty esplendid engravings
    IR_pleasure-Book_0064.jpg
  • The man of pleasure's illustrated pocket-book for 1850 : displaying at one glance the varied attractions of this great metropolis ; with correct details of the saloons, club & night houses, ball, concert & billiard rooms, casinos, comical clubs, theatres, introducing houses; in fact, all pleasures that possess 'a local habitation and a name' are fully and accurately described, rendering it a Complete and gentlemanly night guide ; it also contains the annual routine of sporting information derived from authentic sources, combining the appurtenances of a General pocket-book and almanac. ; enclosed in a secret pocket are cards of address of a select few attractive lasses of this our 'little village,' with some 'shields' for cyprian war ; enriched with forty esplendid engravings
    IR_pleasure-Book_0009.jpg
  • The man of pleasure's illustrated pocket-book for 1850 : displaying at one glance the varied attractions of this great metropolis ; with correct details of the saloons, club & night houses, ball, concert & billiard rooms, casinos, comical clubs, theatres, introducing houses; in fact, all pleasures that possess 'a local habitation and a name' are fully and accurately described, rendering it a Complete and gentlemanly night guide ; it also contains the annual routine of sporting information derived from authentic sources, combining the appurtenances of a General pocket-book and almanac. ; enclosed in a secret pocket are cards of address of a select few attractive lasses of this our 'little village,' with some 'shields' for cyprian war ; enriched with forty esplendid engravings
    IR_pleasure-Book_0015.jpg
  • Decorated illustrated Passover Haggadah On white Background
    IR_Haggadah_C8954.jpg
  • The Three Bears illustrated by Walter Crane 1873. Published in London by George Routledge and Sons. "Goldilocks and the Three Bears" (originally titled "The Story of the Three Bears") is a 19th-century British fairy tale of which three versions exist. The original version of the tale tells of a not-so-polite old woman who enters  the forest home of three bachelor bears while they are away. She sits in their chairs, eats some of their soup, sits down on one of their chairs and breaks it, and sleeps in one of their beds. When the bears return and discover her, she wakes up, jumps out of the window, and is never seen again. The second version replaced the old woman with a little girl named Goldilocks, and the third and by far best-known version replaced the original bear trio with Papa Bear, Mama Bear, and Baby Bear. What was originally a frightening oral tale became a cozy family story with only a hint of menace. The story has elicited various interpretations and has been adapted to film, opera, and other media. "Goldilocks and the Three Bears" is one of the most popular fairy tales in the English language.
    IR_f_Three-Bears_0014-crop.jpg
  • The Three Bears illustrated by Walter Crane 1873. Published in London by George Routledge and Sons. "Goldilocks and the Three Bears" (originally titled "The Story of the Three Bears") is a 19th-century British fairy tale of which three versions exist. The original version of the tale tells of a not-so-polite old woman who enters  the forest home of three bachelor bears while they are away. She sits in their chairs, eats some of their soup, sits down on one of their chairs and breaks it, and sleeps in one of their beds. When the bears return and discover her, she wakes up, jumps out of the window, and is never seen again. The second version replaced the old woman with a little girl named Goldilocks, and the third and by far best-known version replaced the original bear trio with Papa Bear, Mama Bear, and Baby Bear. What was originally a frightening oral tale became a cozy family story with only a hint of menace. The story has elicited various interpretations and has been adapted to film, opera, and other media. "Goldilocks and the Three Bears" is one of the most popular fairy tales in the English language.
    IR_f_Three-Bears_0014.jpg
  • The Three Bears illustrated by Walter Crane 1873. Published in London by George Routledge and Sons. "Goldilocks and the Three Bears" (originally titled "The Story of the Three Bears") is a 19th-century British fairy tale of which three versions exist. The original version of the tale tells of a not-so-polite old woman who enters  the forest home of three bachelor bears while they are away. She sits in their chairs, eats some of their soup, sits down on one of their chairs and breaks it, and sleeps in one of their beds. When the bears return and discover her, she wakes up, jumps out of the window, and is never seen again. The second version replaced the old woman with a little girl named Goldilocks, and the third and by far best-known version replaced the original bear trio with Papa Bear, Mama Bear, and Baby Bear. What was originally a frightening oral tale became a cozy family story with only a hint of menace. The story has elicited various interpretations and has been adapted to film, opera, and other media. "Goldilocks and the Three Bears" is one of the most popular fairy tales in the English language.
    IR_f_Three-Bears_0013-crop.jpg
  • The Three Bears illustrated by Walter Crane 1873. Published in London by George Routledge and Sons. "Goldilocks and the Three Bears" (originally titled "The Story of the Three Bears") is a 19th-century British fairy tale of which three versions exist. The original version of the tale tells of a not-so-polite old woman who enters  the forest home of three bachelor bears while they are away. She sits in their chairs, eats some of their soup, sits down on one of their chairs and breaks it, and sleeps in one of their beds. When the bears return and discover her, she wakes up, jumps out of the window, and is never seen again. The second version replaced the old woman with a little girl named Goldilocks, and the third and by far best-known version replaced the original bear trio with Papa Bear, Mama Bear, and Baby Bear. What was originally a frightening oral tale became a cozy family story with only a hint of menace. The story has elicited various interpretations and has been adapted to film, opera, and other media. "Goldilocks and the Three Bears" is one of the most popular fairy tales in the English language.
    IR_f_Three-Bears_0001.jpg
  • The man of pleasure's illustrated pocket-book for 1850 : displaying at one glance the varied attractions of this great metropolis ; with correct details of the saloons, club & night houses, ball, concert & billiard rooms, casinos, comical clubs, theatres, introducing houses; in fact, all pleasures that possess 'a local habitation and a name' are fully and accurately described, rendering it a Complete and gentlemanly night guide ; it also contains the annual routine of sporting information derived from authentic sources, combining the appurtenances of a General pocket-book and almanac. ; enclosed in a secret pocket are cards of address of a select few attractive lasses of this our 'little village,' with some 'shields' for cyprian war ; enriched with forty esplendid engravings
    IR_pleasure-Book_0074.jpg
  • The man of pleasure's illustrated pocket-book for 1850 : displaying at one glance the varied attractions of this great metropolis ; with correct details of the saloons, club & night houses, ball, concert & billiard rooms, casinos, comical clubs, theatres, introducing houses; in fact, all pleasures that possess 'a local habitation and a name' are fully and accurately described, rendering it a Complete and gentlemanly night guide ; it also contains the annual routine of sporting information derived from authentic sources, combining the appurtenances of a General pocket-book and almanac. ; enclosed in a secret pocket are cards of address of a select few attractive lasses of this our 'little village,' with some 'shields' for cyprian war ; enriched with forty esplendid engravings
    IR_pleasure-Book_0008.jpg
  • Front cover From the book ' The Washington monument illustrated; complete guide and history; authentic facts and figures; pictorial city of Washington ' by Ina Capitola Emery, Published in 1913
    IR_f_Washington-Monument_0005.jpg
  • Machine colourized image of London The Thames Tunnel [connecting Rotherhithe and Wapping built between 1825 and 1843 by Marc Brunel and his son Isambard using the tunnelling shield newly invented by the elder Brunel and Thomas Cochrane] From the book Illustrated London, or a series of views in the British metropolis and its vicinity, engraved by Albert Henry Payne, from original drawings. The historical, topographical and miscellanious notices by Bicknell, W. I; Payne, A. H. (Albert Henry), 1812-1902 Published in London in 1846 by E.T. Brain & Co
    IR_Illustrated-London_0395-color.jpg
  • London Wandsworth and Putney From the book Illustrated London, or a series of views in the British metropolis and its vicinity, engraved by Albert Henry Payne, from original drawings. The historical, topographical and miscellanious notices by Bicknell, W. I; Payne, A. H. (Albert Henry), 1812-1902 Published in London in 1846 by E.T. Brain & Co
    IR_Illustrated-London_0380.jpg
  • London Kew Bridge and Hammersmith Suspension Bridge From the book Illustrated London, or a series of views in the British metropolis and its vicinity, engraved by Albert Henry Payne, from original drawings. The historical, topographical and miscellanious notices by Bicknell, W. I; Payne, A. H. (Albert Henry), 1812-1902 Published in London in 1846 by E.T. Brain & Co
    IR_Illustrated-London_0370.jpg
  • London Sion House (also Syon House Seat of the Duke of Northumberland) [Top] and Isleworth Church [Bottom] From the book Illustrated London, or a series of views in the British metropolis and its vicinity, engraved by Albert Henry Payne, from original drawings. The historical, topographical and miscellanious notices by Bicknell, W. I; Payne, A. H. (Albert Henry), 1812-1902 Published in London in 1846 by E.T. Brain & Co
    IR_Illustrated-London_0372.jpg
  • London Eton Collage (top) and The Long Walk Windsur From the book Illustrated London, or a series of views in the British metropolis and its vicinity, engraved by Albert Henry Payne, from original drawings. The historical, topographical and miscellanious notices by Bicknell, W. I; Payne, A. H. (Albert Henry), 1812-1902 Published in London in 1846 by E.T. Brain & Co
    IR_Illustrated-London_0364.jpg
  • London Windsor Castle (from the Terrace) and Virginia Water (Fishing Temple) From the book Illustrated London, or a series of views in the British metropolis and its vicinity, engraved by Albert Henry Payne, from original drawings. The historical, topographical and miscellanious notices by Bicknell, W. I; Payne, A. H. (Albert Henry), 1812-1902 Published in London in 1846 by E.T. Brain & Co
    IR_Illustrated-London_0360.jpg
  • London Covent Garden Market From the book Illustrated London, or a series of views in the British metropolis and its vicinity, engraved by Albert Henry Payne, from original drawings. The historical, topographical and miscellanious notices by Bicknell, W. I; Payne, A. H. (Albert Henry), 1812-1902 Published in London in 1846 by E.T. Brain & Co
    IR_Illustrated-London_0339.jpg
  • Smithfield London From the book Illustrated London, or a series of views in the British metropolis and its vicinity, engraved by Albert Henry Payne, from original drawings. The historical, topographical and miscellanious notices by Bicknell, W. I; Payne, A. H. (Albert Henry), 1812-1902 Published in London in 1846 by E.T. Brain & Co
    IR_Illustrated-London_0330.jpg
  • London Middlesex hospital (top) and Foundling Hospital From the book Illustrated London, or a series of views in the British metropolis and its vicinity, engraved by Albert Henry Payne, from original drawings. The historical, topographical and miscellanious notices by Bicknell, W. I; Payne, A. H. (Albert Henry), 1812-1902 Published in London in 1846 by E.T. Brain & Co
    IR_Illustrated-London_0320.jpg
  • London The Sessions House, Clerkenwell (top) Old Bailey [Central Criminal Court of England and Wales] (Bottom) From the book Illustrated London, or a series of views in the British metropolis and its vicinity, engraved by Albert Henry Payne, from original drawings. The historical, topographical and miscellanious notices by Bicknell, W. I; Payne, A. H. (Albert Henry), 1812-1902 Published in London in 1846 by E.T. Brain & Co
    IR_Illustrated-London_0247.jpg
  • London Giltspur Street, Compter [top] and St. John's Gate Clerkenwell From the book Illustrated London, or a series of views in the British metropolis and its vicinity, engraved by Albert Henry Payne, from original drawings. The historical, topographical and miscellanious notices by Bicknell, W. I; Payne, A. H. (Albert Henry), 1812-1902 Published in London in 1846 by E.T. Brain & Co
    IR_Illustrated-London_0244.jpg
  • London Lothbury Street and Cornhill From the book Illustrated London, or a series of views in the British metropolis and its vicinity, engraved by Albert Henry Payne, from original drawings. The historical, topographical and miscellanious notices by Bicknell, W. I; Payne, A. H. (Albert Henry), 1812-1902 Published in London in 1846 by E.T. Brain & Co
    IR_Illustrated-London_0231.jpg
  • Egyptian Room, British Museum, London From the book Illustrated London, or a series of views in the British metropolis and its vicinity, engraved by Albert Henry Payne, from original drawings. The historical, topographical and miscellanious notices by Bicknell, W. I; Payne, A. H. (Albert Henry), 1812-1902 Published in London in 1846 by E.T. Brain & Co
    IR_Illustrated-London_0163.jpg
  • London The Admiralty (Top) Banqueting House, Whitehall (Bottom) From the book Illustrated London, or a series of views in the British metropolis and its vicinity, engraved by Albert Henry Payne, from original drawings. The historical, topographical and miscellanious notices by Bicknell, W. I; Payne, A. H. (Albert Henry), 1812-1902 Published in London in 1846 by E.T. Brain & Co
    IR_Illustrated-London_0106.jpg
  • London St. Martin's Church, Trafalgar Square From the book Illustrated London, or a series of views in the British metropolis and its vicinity, engraved by Albert Henry Payne, from original drawings. The historical, topographical and miscellanious notices by Bicknell, W. I; Payne, A. H. (Albert Henry), 1812-1902 Published in London in 1846 by E.T. Brain & Co
    IR_Illustrated-London_0109.jpg
  • London Post Office (Top) Albert gate (Bottom) From the book Illustrated London, or a series of views in the British metropolis and its vicinity, engraved by Albert Henry Payne, from original drawings. The historical, topographical and miscellanious notices by Bicknell, W. I; Payne, A. H. (Albert Henry), 1812-1902 Published in London in 1846 by E.T. Brain & Co
    IR_Illustrated-London_0048.jpg
  • London Somerset House From the book Illustrated London, or a series of views in the British metropolis and its vicinity, engraved by Albert Henry Payne, from original drawings. The historical, topographical and miscellanious notices by Bicknell, W. I; Payne, A. H. (Albert Henry), 1812-1902 Published in London in 1846 by E.T. Brain & Co
    IR_Illustrated-London_0034-colour.jpg
  • London - Richmond Hill From the book Illustrated London, or a series of views in the British metropolis and its vicinity, engraved by Albert Henry Payne, from original drawings. The historical, topographical and miscellanious notices by Bicknell, W. I; Payne, A. H. (Albert Henry), 1812-1902 Published in London in 1846 by E.T. Brain & Co
    IR_Illustrated-London_0028.jpg
  • Richmond Bridge (Top) Hampton Court (Bottom) From the book Illustrated London, or a series of views in the British metropolis and its vicinity, engraved by Albert Henry Payne, from original drawings. The historical, topographical and miscellanious notices by Bicknell, W. I; Payne, A. H. (Albert Henry), 1812-1902 Published in London in 1846 by E.T. Brain & Co
    IR_Illustrated-London_0025.jpg
  • From the book Illustrated London, or a series of views in the British metropolis and its vicinity, engraved by Albert Henry Payne, from original drawings. The historical, topographical and miscellanious notices by Bicknell, W. I; Payne, A. H. (Albert Henry), 1812-1902 Published in London in 1846 by E.T. Brain & Co
    IR_Illustrated-London_0014.jpg
  • Machine colourised (AI) From the book Illustrated London, or a series of views in the British metropolis and its vicinity, engraved by Albert Henry Payne, from original drawings. The historical, topographical and miscellanious notices by Bicknell, W. I; Payne, A. H. (Albert Henry), 1812-1902 Published in London in 1846 by E.T. Brain & Co
    IR_Illustrated-London_0014-color.jpg
  • Valley of Jehoshaphat (Valley of Josaphat, Valley of Jehoshaphat and Valley of Yehoshephat) Lithograph of from the book Palestine illustrated by Sir Richard Temple, 1st Baronet, GCSI, CIE, PC, FRS (8 March 1826 – 15 March 1902) was an administrator in British India and a British politician. Published in London by W.H. Allen & Co. in 1888
    IR_Palestine-Illustrated-1888_0437.jpg
  • London The Thames Tunnel [connecting Rotherhithe and Wapping built between 1825 and 1843 by Marc Brunel and his son Isambard using the tunnelling shield newly invented by the elder Brunel and Thomas Cochrane] From the book Illustrated London, or a series of views in the British metropolis and its vicinity, engraved by Albert Henry Payne, from original drawings. The historical, topographical and miscellanious notices by Bicknell, W. I; Payne, A. H. (Albert Henry), 1812-1902 Published in London in 1846 by E.T. Brain & Co
    IR_Illustrated-London_0395.jpg
  • London Blackwall [top] and the Dreadnought at Deptford [bottom] From the book Illustrated London, or a series of views in the British metropolis and its vicinity, engraved by Albert Henry Payne, from original drawings. The historical, topographical and miscellanious notices by Bicknell, W. I; Payne, A. H. (Albert Henry), 1812-1902 Published in London in 1846 by E.T. Brain & Co
    IR_Illustrated-London_0398.jpg
  • London Docks From the book Illustrated London, or a series of views in the British metropolis and its vicinity, engraved by Albert Henry Payne, from original drawings. The historical, topographical and miscellanious notices by Bicknell, W. I; Payne, A. H. (Albert Henry), 1812-1902 Published in London in 1846 by E.T. Brain & Co
    IR_Illustrated-London_0392.jpg
  • Chelsea from Battersea Bridge and Royal Military Asylum,  London From the book Illustrated London, or a series of views in the British metropolis and its vicinity, engraved by Albert Henry Payne, from original drawings. The historical, topographical and miscellanious notices by Bicknell, W. I; Payne, A. H. (Albert Henry), 1812-1902 Published in London in 1846 by E.T. Brain & Co
    IR_Illustrated-London_0383.jpg
  • London St. Katherine's Docks From the book Illustrated London, or a series of views in the British metropolis and its vicinity, engraved by Albert Henry Payne, from original drawings. The historical, topographical and miscellanious notices by Bicknell, W. I; Payne, A. H. (Albert Henry), 1812-1902 Published in London in 1846 by E.T. Brain & Co
    IR_Illustrated-London_0390.jpg
  • London Fulham [top] and Barnes Church From the book Illustrated London, or a series of views in the British metropolis and its vicinity, engraved by Albert Henry Payne, from original drawings. The historical, topographical and miscellanious notices by Bicknell, W. I; Payne, A. H. (Albert Henry), 1812-1902 Published in London in 1846 by E.T. Brain & Co
    IR_Illustrated-London_0376.jpg
  • London Twickenham, Orleans House and Thames river lock Near Teddington From the book Illustrated London, or a series of views in the British metropolis and its vicinity, engraved by Albert Henry Payne, from original drawings. The historical, topographical and miscellanious notices by Bicknell, W. I; Payne, A. H. (Albert Henry), 1812-1902 Published in London in 1846 by E.T. Brain & Co
    IR_Illustrated-London_0367.jpg
  • London The Thames From the book Illustrated London, or a series of views in the British metropolis and its vicinity, engraved by Albert Henry Payne, from original drawings. The historical, topographical and miscellanious notices by Bicknell, W. I; Payne, A. H. (Albert Henry), 1812-1902 Published in London in 1846 by E.T. Brain & Co
    IR_Illustrated-London_0354.jpg
  • London Statue of King William and The Monument at Fish Street Hill From the book Illustrated London, or a series of views in the British metropolis and its vicinity, engraved by Albert Henry Payne, from original drawings. The historical, topographical and miscellanious notices by Bicknell, W. I; Payne, A. H. (Albert Henry), 1812-1902 Published in London in 1846 by E.T. Brain & Co
    IR_Illustrated-London_0346.jpg
  • London Hungerford Market [top] Buckingham Water Gate From the book Illustrated London, or a series of views in the British metropolis and its vicinity, engraved by Albert Henry Payne, from original drawings. The historical, topographical and miscellanious notices by Bicknell, W. I; Payne, A. H. (Albert Henry), 1812-1902 Published in London in 1846 by E.T. Brain & Co
    IR_Illustrated-London_0342.jpg
  • Machine colourised image London Covent Garden Market From the book Illustrated London, or a series of views in the British metropolis and its vicinity, engraved by Albert Henry Payne, from original drawings. The historical, topographical and miscellanious notices by Bicknell, W. I; Payne, A. H. (Albert Henry), 1812-1902 Published in London in 1846 by E.T. Brain & Co
    IR_Illustrated-London_0339-colour.jpg
  • Machine colourised image Hospital for Consumption and Diseases of the Chest (Brompton) London From the book Illustrated London, or a series of views in the British metropolis and its vicinity, engraved by Albert Henry Payne, from original drawings. The historical, topographical and miscellanious notices by Bicknell, W. I; Payne, A. H. (Albert Henry), 1812-1902 Published in London in 1846 by E.T. Brain & Co
    IR_Illustrated-London_0326-colour.jpg
  • Hospital for Consumption and Diseases of the Chest (Brompton) London From the book Illustrated London, or a series of views in the British metropolis and its vicinity, engraved by Albert Henry Payne, from original drawings. The historical, topographical and miscellanious notices by Bicknell, W. I; Payne, A. H. (Albert Henry), 1812-1902 Published in London in 1846 by E.T. Brain & Co
    IR_Illustrated-London_0326.jpg
  • London Guys Hospital (top) and St. Thomas's Hospital From the book Illustrated London, or a series of views in the British metropolis and its vicinity, engraved by Albert Henry Payne, from original drawings. The historical, topographical and miscellanious notices by Bicknell, W. I; Payne, A. H. (Albert Henry), 1812-1902 Published in London in 1846 by E.T. Brain & Co
    IR_Illustrated-London_0316.jpg
  • London Chelsea Hospital From the book Illustrated London, or a series of views in the British metropolis and its vicinity, engraved by Albert Henry Payne, from original drawings. The historical, topographical and miscellanious notices by Bicknell, W. I; Payne, A. H. (Albert Henry), 1812-1902 Published in London in 1846 by E.T. Brain & Co
    IR_Illustrated-London_0288.jpg
  • Bethlem Hospital (top) and Westminster Hospital London From the book Illustrated London, or a series of views in the British metropolis and its vicinity, engraved by Albert Henry Payne, from original drawings. The historical, topographical and miscellanious notices by Bicknell, W. I; Payne, A. H. (Albert Henry), 1812-1902 Published in London in 1846 by E.T. Brain & Co
    IR_Illustrated-London_0306.jpg
  • St. Luke's Hospital St. George's Hospital London From the book Illustrated London, or a series of views in the British metropolis and its vicinity, engraved by Albert Henry Payne, from original drawings. The historical, topographical and miscellanious notices by Bicknell, W. I; Payne, A. H. (Albert Henry), 1812-1902 Published in London in 1846 by E.T. Brain & Co
    IR_Illustrated-London_0303.jpg
  • London Greenwich Park and Observatory From the book Illustrated London, or a series of views in the British metropolis and its vicinity, engraved by Albert Henry Payne, from original drawings. The historical, topographical and miscellanious notices by Bicknell, W. I; Payne, A. H. (Albert Henry), 1812-1902 Published in London in 1846 by E.T. Brain & Co
    IR_Illustrated-London_0275.jpg
  • London Penitentiary (Millbank) [top] and Vauxhall Bridge [bottom] From the book Illustrated London, or a series of views in the British metropolis and its vicinity, engraved by Albert Henry Payne, from original drawings. The historical, topographical and miscellanious notices by Bicknell, W. I; Payne, A. H. (Albert Henry), 1812-1902 Published in London in 1846 by E.T. Brain & Co
    IR_Illustrated-London_0250.jpg
  • London New Gresham Street (Top) Merchant Tailor's Hall (Bottom) From the book Illustrated London, or a series of views in the British metropolis and its vicinity, engraved by Albert Henry Payne, from original drawings. The historical, topographical and miscellanious notices by Bicknell, W. I; Payne, A. H. (Albert Henry), 1812-1902 Published in London in 1846 by E.T. Brain & Co
    IR_Illustrated-London_0229.jpg
  • London The Bank From the book Illustrated London, or a series of views in the British metropolis and its vicinity, engraved by Albert Henry Payne, from original drawings. The historical, topographical and miscellanious notices by Bicknell, W. I; Payne, A. H. (Albert Henry), 1812-1902 Published in London in 1846 by E.T. Brain & Co
    IR_Illustrated-London_0203.jpg
  • The New Antheneum (Waterloo Place) [Top] Crockford's Club House [Bottom] London From the book Illustrated London, or a series of views in the British metropolis and its vicinity, engraved by Albert Henry Payne, from original drawings. The historical, topographical and miscellanious notices by Bicknell, W. I; Payne, A. H. (Albert Henry), 1812-1902 Published in London in 1846 by E.T. Brain & Co
    IR_Illustrated-London_0200.jpg
  • Machine colourised image of London The Bank From the book Illustrated London, or a series of views in the British metropolis and its vicinity, engraved by Albert Henry Payne, from original drawings. The historical, topographical and miscellanious notices by Bicknell, W. I; Payne, A. H. (Albert Henry), 1812-1902 Published in London in 1846 by E.T. Brain & Co
    IR_Illustrated-London_0203-colour.jpg
  • The Conservative Club House London From the book Illustrated London, or a series of views in the British metropolis and its vicinity, engraved by Albert Henry Payne, from original drawings. The historical, topographical and miscellanious notices by Bicknell, W. I; Payne, A. H. (Albert Henry), 1812-1902 Published in London in 1846 by E.T. Brain & Co
    IR_Illustrated-London_0168.jpg
  • London New United Service Club House (top) Author's Club House (bottom) From the book Illustrated London, or a series of views in the British metropolis and its vicinity, engraved by Albert Henry Payne, from original drawings. The historical, topographical and miscellanious notices by Bicknell, W. I; Payne, A. H. (Albert Henry), 1812-1902 Published in London in 1846 by E.T. Brain & Co
    IR_Illustrated-London_0197.jpg
  • The Ornamental Water St. James' Park London From the book Illustrated London, or a series of views in the British metropolis and its vicinity, engraved by Albert Henry Payne, from original drawings. The historical, topographical and miscellanious notices by Bicknell, W. I; Payne, A. H. (Albert Henry), 1812-1902 Published in London in 1846 by E.T. Brain & Co
    IR_Illustrated-London_0156.jpg
  • The Ornamental Water St. James' Park London From the book Illustrated London, or a series of views in the British metropolis and its vicinity, engraved by Albert Henry Payne, from original drawings. The historical, topographical and miscellanious notices by Bicknell, W. I; Payne, A. H. (Albert Henry), 1812-1902 Published in London in 1846 by E.T. Brain & Co
    IR_Illustrated-London_0156-colour.jpg
  • London Mansion House is the official residence of the Lord Mayor of London. From the book Illustrated London, or a series of views in the British metropolis and its vicinity, engraved by Albert Henry Payne, from original drawings. The historical, topographical and miscellanious notices by Bicknell, W. I; Payne, A. H. (Albert Henry), 1812-1902 Published in London in 1846 by E.T. Brain & Co
    IR_Illustrated-London_0146-color.jpg
  • London Mansion House is the official residence of the Lord Mayor of London. From the book Illustrated London, or a series of views in the British metropolis and its vicinity, engraved by Albert Henry Payne, from original drawings. The historical, topographical and miscellanious notices by Bicknell, W. I; Payne, A. H. (Albert Henry), 1812-1902 Published in London in 1846 by E.T. Brain & Co
    IR_Illustrated-London_0146.jpg
  • London King William Street [Top] Cheapside [Bottom] From the book Illustrated London, or a series of views in the British metropolis and its vicinity, engraved by Albert Henry Payne, from original drawings. The historical, topographical and miscellanious notices by Bicknell, W. I; Payne, A. H. (Albert Henry), 1812-1902 Published in London in 1846 by E.T. Brain & Co
    IR_Illustrated-London_0142.jpg
  • London Lambeth Palace [top] Westminster Hall [bottom] From the book Illustrated London, or a series of views in the British metropolis and its vicinity, engraved by Albert Henry Payne, from original drawings. The historical, topographical and miscellanious notices by Bicknell, W. I; Payne, A. H. (Albert Henry), 1812-1902 Published in London in 1846 by E.T. Brain & Co
    IR_Illustrated-London_0125.jpg
  • London Westminster Bridge [top] Horse Guards [bottom] From the book Illustrated London, or a series of views in the British metropolis and its vicinity, engraved by Albert Henry Payne, from original drawings. The historical, topographical and miscellanious notices by Bicknell, W. I; Payne, A. H. (Albert Henry), 1812-1902 Published in London in 1846 by E.T. Brain & Co
    IR_Illustrated-London_0134.jpg
  • St. Martin's Church, Trafalgar Square [Top] and Northumberland House [bottom] London From the book Illustrated London, or a series of views in the British metropolis and its vicinity, engraved by Albert Henry Payne, from original drawings. The historical, topographical and miscellanious notices by Bicknell, W. I; Payne, A. H. (Albert Henry), 1812-1902 Published in London in 1846 by E.T. Brain & Co
    IR_Illustrated-London_0111.jpg
  • London Waterloo Bridge From the book Illustrated London, or a series of views in the British metropolis and its vicinity, engraved by Albert Henry Payne, from original drawings. The historical, topographical and miscellanious notices by Bicknell, W. I; Payne, A. H. (Albert Henry), 1812-1902 Published in London in 1846 by E.T. Brain & Co
    IR_Illustrated-London_0120.jpg
  • Swans in the pons at Buckingham Palace, London From the book Illustrated London, or a series of views in the British metropolis and its vicinity, engraved by Albert Henry Payne, from original drawings. The historical, topographical and miscellanious notices by Bicknell, W. I; Payne, A. H. (Albert Henry), 1812-1902 Published in London in 1846 by E.T. Brain & Co
    IR_Illustrated-London_0100.jpg
  • London Hungerford Bridge (Top) and Duke of York's column (Bottom) From the book Illustrated London, or a series of views in the British metropolis and its vicinity, engraved by Albert Henry Payne, from original drawings. The historical, topographical and miscellanious notices by Bicknell, W. I; Payne, A. H. (Albert Henry), 1812-1902 Published in London in 1846 by E.T. Brain & Co
    IR_Illustrated-London_0097.jpg
  • Swans in the pons at Buckingham Palace, London From the book Illustrated London, or a series of views in the British metropolis and its vicinity, engraved by Albert Henry Payne, from original drawings. The historical, topographical and miscellanious notices by Bicknell, W. I; Payne, A. H. (Albert Henry), 1812-1902 Published in London in 1846 by E.T. Brain & Co
    IR_Illustrated-London_0100-colour.jpg
  • London King's College, Strand (Top) Somerset House, Strand (Bottom) From the book Illustrated London, or a series of views in the British metropolis and its vicinity, engraved by Albert Henry Payne, from original drawings. The historical, topographical and miscellanious notices by Bicknell, W. I; Payne, A. H. (Albert Henry), 1812-1902 Published in London in 1846 by E.T. Brain & Co
    IR_Illustrated-London_0082.jpg
  • London The national Gallery From the book Illustrated London, or a series of views in the British metropolis and its vicinity, engraved by Albert Henry Payne, from original drawings. The historical, topographical and miscellanious notices by Bicknell, W. I; Payne, A. H. (Albert Henry), 1812-1902 Published in London in 1846 by E.T. Brain & Co
    IR_Illustrated-London_0068.jpg
  • London The national Gallery From the book Illustrated London, or a series of views in the British metropolis and its vicinity, engraved by Albert Henry Payne, from original drawings. The historical, topographical and miscellanious notices by Bicknell, W. I; Payne, A. H. (Albert Henry), 1812-1902 Published in London in 1846 by E.T. Brain & Co
    IR_Illustrated-London_0068-color.jpg
  • London Christ's Hospital New Hall (Top) Goldsmiths' Hall (Bottom) From the book Illustrated London, or a series of views in the British metropolis and its vicinity, engraved by Albert Henry Payne, from original drawings. The historical, topographical and miscellanious notices by Bicknell, W. I; Payne, A. H. (Albert Henry), 1812-1902 Published in London in 1846 by E.T. Brain & Co
    IR_Illustrated-London_0038.jpg
  • London Somerset House From the book Illustrated London, or a series of views in the British metropolis and its vicinity, engraved by Albert Henry Payne, from original drawings. The historical, topographical and miscellanious notices by Bicknell, W. I; Payne, A. H. (Albert Henry), 1812-1902 Published in London in 1846 by E.T. Brain & Co
    IR_Illustrated-London_0034.jpg
  • From the book Illustrated London, or a series of views in the British metropolis and its vicinity, engraved by Albert Henry Payne, from original drawings. The historical, topographical and miscellanious notices by Bicknell, W. I; Payne, A. H. (Albert Henry), 1812-1902 Published in London in 1846 by E.T. Brain & Co
    IR_Illustrated-London_0031.jpg
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