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  • Standing nude ballerina as seen from behind. Photograph of an Acrylic painting. Property release available
    VA_Nude-Woman-Painting_020.jpg
  • Sitting nude woman as seen from behind. Photograph of an Acrylic painting by Vladi Alon. Property release available
    VA_Nude-Woman-Painting_019.jpg
  • Sitting nude woman as seen from behind. Photograph of an Acrylic painting by Vladi Alon. Property release available
    VA_Nude-Woman-Painting_013.jpg
  • Sitting nude woman as seen from behind. Photograph of an Acrylic painting by Vladi Alon. Property release available
    VA_Nude-Woman-Painting_003.jpg
  • Sitting nude woman as seen from behind. Photograph of an Acrylic painting by Vladi Alon. Property release available
    VA_Nude-Woman-Painting_001.jpg
  • Standing nude woman as seen from behind. Photograph of an Acrylic painting. Property release available
    VA_Nude-Woman-Painting_006.jpg
  • Standing nude woman as seen from behind. Photograph of an Acrylic painting. Property release available
    VA_Nude-Woman-Painting_015.jpg
  • Standing nude woman as seen from behind. Photograph of an Acrylic painting. Property release available
    VA_Nude-Woman-Painting_007.jpg
  • Computer generated old painting of a pink rose
    IR_f_Rose-old-portrait-painting.jpg
  • Computer generated Old portrait painting of a woman wearing Gothic style clothes
    IR_Gothic Painting_2.jpg
  • Computer generated Old portrait painting of a woman wearing Gothic style clothes
    IR_Gothic Painting_1.jpg
  • Painting with light. I love you Affect produced with light and long exposure
    GE_Paint-with-light_0154.jpg
  • Bushmen (san) rock painting of antelopes and animals. painted on the walls of caves From the book '  Specimens of Bushman folklore ' by Bleek, W. H. I. (Wilhelm Heinrich Immanuel), Lloyd, Lucy Catherine, Theal, George McCall, 1837-1919 Published in London by  G. Allen & Company, ltd. in 1911. The San peoples (also Saan), or Bushmen, are members of various Khoe, Tuu, or Kxʼa-speaking indigenous hunter-gatherer groups that are the first nations of Southern Africa, and whose territories span Botswana, Namibia, Angola, Zambia, Zimbabwe, Lesotho and South Africa.
    IR_Bushmen-Folklore_0444.jpg
  • Bushmen (san) rock painting of Mantis painted on the walls of caves From the book '  Specimens of Bushman folklore ' by Bleek, W. H. I. (Wilhelm Heinrich Immanuel), Lloyd, Lucy Catherine, Theal, George McCall, 1837-1919 Published in London by  G. Allen & Company, ltd. in 1911. The San peoples (also Saan), or Bushmen, are members of various Khoe, Tuu, or Kxʼa-speaking indigenous hunter-gatherer groups that are the first nations of Southern Africa, and whose territories span Botswana, Namibia, Angola, Zambia, Zimbabwe, Lesotho and South Africa.
    IR_Bushmen-Folklore_0283.jpg
  • Bushmen (san) rock painting of Male and Female Gemsbok painted on the walls of caves From the book '  Specimens of Bushman folklore ' by Bleek, W. H. I. (Wilhelm Heinrich Immanuel), Lloyd, Lucy Catherine, Theal, George McCall, 1837-1919 Published in London by  G. Allen & Company, ltd. in 1911. The San peoples (also Saan), or Bushmen, are members of various Khoe, Tuu, or Kxʼa-speaking indigenous hunter-gatherer groups that are the first nations of Southern Africa, and whose territories span Botswana, Namibia, Angola, Zambia, Zimbabwe, Lesotho and South Africa.
    IR_Bushmen-Folklore_0303.jpg
  • Bushmen (san) rock painting of a water bull painted on the walls of caves From the book '  Specimens of Bushman folklore ' by Bleek, W. H. I. (Wilhelm Heinrich Immanuel), Lloyd, Lucy Catherine, Theal, George McCall, 1837-1919 Published in London by  G. Allen & Company, ltd. in 1911. The San peoples (also Saan), or Bushmen, are members of various Khoe, Tuu, or Kxʼa-speaking indigenous hunter-gatherer groups that are the first nations of Southern Africa, and whose territories span Botswana, Namibia, Angola, Zambia, Zimbabwe, Lesotho and South Africa.
    IR_Bushmen-Folklore_0301.jpg
  • Bushmen (san) rock painting of Cranes and Ostrich painted on the walls of caves From the book '  Specimens of Bushman folklore ' by Bleek, W. H. I. (Wilhelm Heinrich Immanuel), Lloyd, Lucy Catherine, Theal, George McCall, 1837-1919 Published in London by  G. Allen & Company, ltd. in 1911. The San peoples (also Saan), or Bushmen, are members of various Khoe, Tuu, or Kxʼa-speaking indigenous hunter-gatherer groups that are the first nations of Southern Africa, and whose territories span Botswana, Namibia, Angola, Zambia, Zimbabwe, Lesotho and South Africa.
    IR_Bushmen-Folklore_0297.jpg
  • Bushmen (san) rock painting of Agama Lizards. painted on the walls of caves From the book '  Specimens of Bushman folklore ' by Bleek, W. H. I. (Wilhelm Heinrich Immanuel), Lloyd, Lucy Catherine, Theal, George McCall, 1837-1919 Published in London by  G. Allen & Company, ltd. in 1911. The San peoples (also Saan), or Bushmen, are members of various Khoe, Tuu, or Kxʼa-speaking indigenous hunter-gatherer groups that are the first nations of Southern Africa, and whose territories span Botswana, Namibia, Angola, Zambia, Zimbabwe, Lesotho and South Africa.
    IR_Bushmen-Folklore_0281.jpg
  • Bushmen (san) rock painting of animals. painted on the walls of caves From the book '  Specimens of Bushman folklore ' by Bleek, W. H. I. (Wilhelm Heinrich Immanuel), Lloyd, Lucy Catherine, Theal, George McCall, 1837-1919 Published in London by  G. Allen & Company, ltd. in 1911. The San peoples (also Saan), or Bushmen, are members of various Khoe, Tuu, or Kxʼa-speaking indigenous hunter-gatherer groups that are the first nations of Southern Africa, and whose territories span Botswana, Namibia, Angola, Zambia, Zimbabwe, Lesotho and South Africa.
    IR_Bushmen-Folklore_0269.jpg
  • Landscape artist painting on canvas
    VA_Artist_DSC06741.jpg
  • seascape artist painting on canvas Close up
    VA_f_Artist_DSC06723.jpg
  • seascape artist painting on canvas Close up
    VA_f_Artist_DSC06721.jpg
  • seascape artist painting on canvas Close up
    VA_f_Artist_DSC06719.jpg
  • seascape artist painting on canvas Close up
    VA_f_Artist_DSC06718.jpg
  • Paleolithic cave painting, Lascaux Cave, France. These are horse and cow figures in the central gallery. The Lascaux cave paintings in south-western France, around 17,000 years old, were painted by Cro-Magnon man, an early European culture of modern humans (Homo sapiens sapiens), using red, brown and yellow ochre, and black manganese dioxide. They may have had religious and artistic significance.
    RH_Lascaux_07821.jpg
  • Paleolithic cave painting, Lascaux Cave, France. These are horse and cow figures in the central gallery. The Lascaux cave paintings in south-western France, around 17,000 years old, were painted by Cro-Magnon man, an early European culture of modern humans (Homo sapiens sapiens), using red, brown and yellow ochre, and black manganese dioxide. They may have had religious and artistic significance.
    RH_Lascaux_07820.jpg
  • The White Lady Bushman rock painting, Brandberg Mountain, Damaraland, Namibia
    AG_Namib-Desert_460.jpg
  • Pya-shikoh (from a Burmese Painting) from the book ' Burma ' painted and described by Kelly, R. Talbot (Robert Talbot), 1861-1934 Publication date 1905 Publisher London : Adam and Charles Black
    IR_f_Burma-Kelly-1_0549.jpg
  • Acrylic painting of re flowers
    DG_Florence_GRZ_7417.jpg
  • Abstract Acrylic painting in orange and blue
    DG_Florence_GRZ_7421.jpg
  • Acrylic painting of lush green trees
    DG_Florence_GRZ_7418.jpg
  • Naive children's style painting of a preschool aged boy with baseball cap in blue, green, red and yellow
    IR_Figueira-da-Foz_E5963.jpg
  • Naive children's style painting of a preschool aged girl with pigtails in blue, green, red and yellow
    IR_Figueira-da-Foz_E5964.jpg
  • Naive children's style painting of a preschool aged girl with pigtails in blue, green, red and yellow
    IR_Figueira-da-Foz_E5962.jpg
  • Abstract faded portrait painting on a wall
    VA_Cephalonia_DSC03042.jpg
  • Home care. a room is being re plastered and is ready for painting. The plaster was redone due to dampness in the wall that allowed the growth of mould
    SL_Home-care_LS2_1016.jpg
  • Home care. a room is being re plastered and is ready for painting. The plaster was redone due to dampness in the wall that allowed the growth of mould
    SL_Home-care_LS2_1014.jpg
  • Home care. a room is being re plastered and is ready for painting. The plaster was redone due to dampness in the wall that allowed the growth of mould
    SL_Home-care_LS2_1003.jpg
  • The Grecian Maid (The Daughter Of Dibutades, An Eminent Artist In Pottery), At The Light Thrown Upon Her Lover By The Torch Of The God Of Love, Traces The Outlines Of his Shadow on the Wall. The Genius Of Painting, To Whom This Circumstance Has Given Birth, Soars Aloft, Bearing The Emblems Of The Art. The Corinthian Pillars Allude To The Country Where The Scene Took Place; And The Moon In Her Decline Shows That The Lover Was On The Point Of Undertaking A Journey. Copperplate engraving From the Encyclopaedia Londinensis or, Universal dictionary of arts, sciences, and literature; Volume XVIII;  Edited by Wilkes, John. Published in London in 1821
    IR_f_Vol18_0008-crop.jpg
  • The Grecian Maid (The Daughter Of Dibutades, An Eminent Artist In Pottery), At The Light Thrown Upon Her Lover By The Torch Of The God Of Love, Traces The Outlines Of his Shadow on the Wall. The Genius Of Painting, To Whom This Circumstance Has Given Birth, Soars Aloft, Bearing The Emblems Of The Art. The Corinthian Pillars Allude To The Country Where The Scene Took Place; And The Moon In Her Decline Shows That The Lover Was On The Point Of Undertaking A Journey. Copperplate engraving From the Encyclopaedia Londinensis or, Universal dictionary of arts, sciences, and literature; Volume XVIII;  Edited by Wilkes, John. Published in London in 1821
    IR_f_Vol18_0008.jpg
  • Abstract faded portrait painting on a wall
    VA_Cephalonia_DSC03013.jpg
  • Home care. a room is being re plastered and is ready for painting. The plaster was redone due to dampness in the wall that allowed the growth of mould
    SL_Home-care_LS2_1005.jpg
  • Pigmented relief painting from an Egyptian tomb. Early 12th Dynasty, Around 1980 BC. Kunsthistorisches Museum, Vienna, , Austria
    IR_Vienna_E4482.jpg
  • The White Lady Bushman rock painting, Brandberg Mountain, Damaraland, Namibia
    AG_Namib-Desert_461.jpg
  • Wall Painting of St Edmund and Seven Corporal Acts of Mercyfrom the book ' The evolution of an English town; being the story of the ancient town of Pickering in Yorkshire, from prehistoric times up to the year of our Lord nineteen hundred & 5 ' by Gordon Home, Publisher London, J.M. Dent & co.; New York, E.P. Dutton & co. 1905
    IR_f_English-Town_0169.jpg
  • Wall Painting of St Christopher from the book ' The evolution of an English town; being the story of the ancient town of Pickering in Yorkshire, from prehistoric times up to the year of our Lord nineteen hundred & 5 ' by Gordon Home, Publisher London, J.M. Dent & co.; New York, E.P. Dutton & co. 1905
    IR_f_English-Town_0165.jpg
  • Pigmented relief painting from an Egyptian tomb. Early 12th Dynasty, Around 1980 BC. Kunsthistorisches Museum, Vienna, , Austria
    IR_Vienna_E4480-Pano.jpg
  • Royal Palace, Madrid, Spain. a hand painting of the courtyard
    IR_Madrid_D4247.jpg
  • The last Honors after a painting by Alma Tadema Book XVIII the Hamites from Cyclopedia universal history : embracing the most complete and recent presentation of the subject in two principal parts or divisions of more than six thousand pages by John Clark Ridpath, 1840-1900 Publication date 1895 Publisher Boston : Balch Bros. Volume 6 History of Man and Mankind
    IR_f_Ridpath-V6_0130.jpg
  • details of the painting of the Battle of Borodino (Battle of Moscow), 7th September 1812, by Louis-François Lejeune, 1822
    VA_Moscow-09_00108.jpg
  • details of the painting of the Battle of Borodino (Battle of Moscow), 7th September 1812, by Louis-François Lejeune, 1822
    VA_Moscow-09_00102.jpg
  • details of the painting of the Battle of Borodino (Battle of Moscow), 7th September 1812, by Louis-François Lejeune, 1822
    VA_Moscow-09_00100.jpg
  • A Pompeian painting of Hellenic style, as an example of Greek drawing and composition From the book ' Illuminated manuscripts in classical and mediaeval times : their art and their technique ' by Middleton, J. H. (John Henry), 1846-1896 Published in 1892
    IR_f_Mediaeval-Manuscripts_0071-crop.jpg
  • Ancient painting of cranes in the Imperial Palace in Kyoto
    BT_f_Kyoto-Palace_0460.jpg
  • details of the painting of the Battle of Borodino (Battle of Moscow), 7th September 1812, by Louis-François Lejeune, 1822
    VA_Moscow-09_00109.jpg
  • details of the painting of the Battle of Borodino (Battle of Moscow), 7th September 1812, by Louis-François Lejeune, 1822
    VA_Moscow-09_00106.jpg
  • details of the painting of the Battle of Borodino (Battle of Moscow), 7th September 1812, by Louis-François Lejeune, 1822
    VA_Moscow-09_00103.jpg
  • details of the painting of the Battle of Borodino (Battle of Moscow), 7th September 1812, by Louis-François Lejeune, 1822
    VA_Moscow-09_00104.jpg
  • details of the painting of the Battle of Borodino (Battle of Moscow), 7th September 1812, by Louis-François Lejeune, 1822
    VA_Moscow-09_00101.jpg
  • Municipality Workers Painting the traffic lights and poles, Tel Aviv, Israel November 2005
    Ir_11830_ta_hr_fs_ps.jpg
  • Municipality workers Painting the traffic lights and poles, Tel Aviv, Israel November 2005
    Ir_11820_ta_hr_fs_ps.jpg
  • Municipality workers Painting the traffic lights and poles, Tel Aviv, Israel November 2005
    Ir_11815_ta_hr_fs_ps.jpg
  • Young Teen of 15 landscape painting with watercolours Model release available
    IR_Antalya_55196_fs.jpg
  • Young Teen of 15 landscape painting with watercolours Model release available
    IR_Antalya_55190_fs.jpg
  • Adult finger painting workshop as part of a new age therapy to attach oneself to his inner feelings of peace, hap pines, fear and anger
    IR_28700_fs_PSh.jpg
  • Municipality Workers Painting the traffic lights and poles, Tel Aviv, Israel November 2005
    Ir_11827_ta_hr_fs_ps.jpg
  • Israel, Jerusalem the Church of the Ascension - Augusta Victoria on mount olives, Named for the wife of German Emperor Wilhelm II, wall painting of a man on a donkey
    VA_IMG_5890_fs.jpg
  • Hand of a child as he finger paints on canvas
    VA_f_Artist_DSC06757.jpg
  • Naive Paintings (Ethiopian style) of biblical stories in a church in kalacha Kenya
    BT_Church-Calche_09.JPG
  • Naive Paintings (Ethiopian style) of biblical stories in a church in kalacha Kenya
    BT_Church-Calche_05.JPG
  • Naive Paintings (Ethiopian style) of biblical stories in a church in kalacha Kenya
    BT_Church-Calche_03.JPG
  • Home improvement. A room is being painted with white paint
    SL_Home-care_LS2_1023.jpg
  • Adam and Eve Naive Paintings (Ethiopian style) of biblical stories in a church in kalacha Kenya
    BT_Church-Calche_08.JPG
  • Noah's Ark Naive Paintings (Ethiopian style) of biblical stories in a church in kalacha Kenya
    BT_Church-Calche_07.JPG
  • Adam and Eve Naive Paintings (Ethiopian style) of biblical stories in a church in kalacha Kenya
    BT_Church-Calche_06.JPG
  • Naive Paintings (Ethiopian style) of biblical stories in a church in kalacha Kenya
    BT_Church-Calche_02.JPG
  • Naive Paintings (Ethiopian style) of biblical stories in a church in kalacha Kenya
    BT_Church-Calche_01.JPG
  • Home improvement. A room is being painted with white paint
    SL_Home-care_LS2_1026.jpg
  • Home improvement. A room is being painted with white paint
    SL_Home-care_LS2_1004.jpg
  • Home improvement. A room is being painted with white paint
    SL_Home-care_LS2_1006.jpg
  • The painted spurfowl (Galloperdix lunulata) is a bird of the pheasant family found in rocky hill and scrub forests mainly in peninsular India. Males are more brightly coloured and spotted boldly in white. Males have two to four spurs while females can have one or two of the spurs on their tarsus. The species is found mainly in rocky and scrub forest habitats unlike the red spurfowl. They are found in the undergrowth in pairs or small groups, escaping by running and rarely taking to the wing when flushed. 18th century watercolor painting by Elizabeth Gwillim. Lady Elizabeth Symonds Gwillim (21 April 1763 – 21 December 1807) was an artist married to Sir Henry Gwillim, Puisne Judge at the Madras high court until 1808. Lady Gwillim painted a series of about 200 watercolours of Indian birds. Produced about 20 years before John James Audubon, her work has been acclaimed for its accuracy and natural postures as they were drawn from observations of the birds in life. She also painted fishes and flowers. McGill University Library and Archives
    IR_f_paintedspurfowl_gwillim091.jpg
  • woman scrapes wall in preparation for painting
    IR_f_cleaning_D7534.jpg
  • The greater painted-snipe (Rostratula benghalensis) is a species of wader in the family Rostratulidae. It is found in marshes in Africa, India and Pakistan. 18th century watercolor painting by Elizabeth Gwillim. Lady Elizabeth Symonds Gwillim (21 April 1763 – 21 December 1807) was an artist married to Sir Henry Gwillim, Puisne Judge at the Madras high court until 1808. Lady Gwillim painted a series of about 200 watercolours of Indian birds. Produced about 20 years before John James Audubon, her work has been acclaimed for its accuracy and natural postures as they were drawn from observations of the birds in life. She also painted fishes and flowers. McGill University Library and Archives
    IR_f_paintedsnipe_gwillim046.jpg
  • The Kondoa Irangi Rock Paintings near Kolo, Tanzania This rock paintings depicting here a hunting scene are believed to be 1500 years old
    BT_Rock paintings- Tanzania_1.jpg
  • Standing fat nude woman as seen from behind. Photograph of an Acrylic painting by Vladi Alon. Property release available
    VA_Nude-Woman-Painting_017.jpg
  • Fat nude woman as seen from behind. Photograph of an Acrylic painting by Vladi Alon. Property release available
    VA_Nude-Woman-Painting_014.jpg
  • Fat nude womansitting, as seen from the front. Photograph of an acrylic painting by Vladi Alon. Property release available
    VA_Nude-Woman-Painting_010.jpg
  • Standing fat nude woman as seen from behind. Photograph of an Acrylic painting by Vladi Alon. Property release available
    VA_Nude-Woman-Painting_005.jpg
  • Fat nude woman standing as seen from the frnt. Photograph of an acrylic painting by Vladi Alon. Property release available
    VA_Nude-Woman-Painting_002.jpg
  • Fat nude woman lying down as seen from the side. Photograph of an acrylic painting by Vladi Alon. Property release available
    VA_Nude-Woman-Painting_022.jpg
  • Fat nude woman lying down as seen from the side. Photograph of an acrylic painting by Vladi Alon. Property release available
    VA_Nude-Woman-Painting_021.jpg
  • Fat nude woman standing as seen from the frnt. Photograph of an acrylic painting by Vladi Alon. Property release available
    VA_Nude-Woman-Painting_018.jpg
  • Fat nude woman standing as seen from the frnt. Photograph of an acrylic painting by Vladi Alon. Property release available
    VA_Nude-Woman-Painting_016.jpg
  • Sitting fat nude woman as seen from behind. Photograph of an Acrylic painting by Vladi Alon. Property release available
    VA_Nude-Woman-Painting_012.jpg
  • Sitting fat nude woman as seen from behind. Photograph of an Acrylic painting by Vladi Alon. Property release available
    VA_Nude-Woman-Painting_011.jpg
  • Sitting fat nude woman as seen from behind. Photograph of an Acrylic painting by Vladi Alon. Property release available
    VA_Nude-Woman-Painting_008.jpg
  • Fat nude womansitting, as seen from the front. Photograph of an acrylic painting by Vladi Alon. Property release available
    VA_Nude-Woman-Painting_004.jpg
  • Harmonious Arrangement of 25 of the most useful Pigments from the book  The theory and practice of landscape painting in water-colours illustrated by a series of twenty-six drawings and diagrams in colours and numerous woodcuts by Barnard, George, 1807-1890 Published in 1885 by George Routledge and Sons London
    IR_Landscape-Painting_0075.jpg
  • Harmonious Arrangement of 25 of the most useful Pigments from the book  The theory and practice of landscape painting in water-colours illustrated by a series of twenty-six drawings and diagrams in colours and numerous woodcuts by Barnard, George, 1807-1890 Published in 1885 by George Routledge and Sons London
    IR_Landscape-Painting_0075-crop.jpg
  • Contrasts of Colours from the book  The theory and practice of landscape painting in water-colours illustrated by a series of twenty-six drawings and diagrams in colours and numerous woodcuts by Barnard, George, 1807-1890 Published in 1885 by George Routledge and Sons London
    IR_Landscape-Painting_0364.jpg
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