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  • Digitally enhanced repeating image of a green leaf and red cherry pattern
    IR_f_Leaf-cherry-3.jpg
  • shattered pattern. Sunken square paving stone pattern
    OZ_f_DSF6549_1.jpg
  • pattern of 27 trout fish in a repeating pattern on white background
    IR_f_trout-2.jpg
  • Blue and white circular pattern
    OZ_f_1211_DSC02169.jpg
  • Repeating pattern of red winged angelic cherubs
    IR_Baby-Bouquet_0062-Red.jpg
  • Repeating pattern of Gold winged angelic cherubs
    IR_Baby-Bouquet_0062-Gold.jpg
  • Repeating pattern of Blue winged angelic cherubs
    IR_Baby-Bouquet_0062-Blue.jpg
  • Repeating pattern of Green winged angelic cherubs
    IR_Baby-Bouquet_0062-Green.jpg
  • Digitally enhanced image of a multi oak leaf pattern on white background
    ir_f_Oak-leafs-a.jpg
  • Digitally enhanced image of a multi oak leaf pattern on green background
    ir_f_Oak-leafs-3.jpg
  • Ceiling pattern of a Theban tomb from the XV century BC from the book ' The fleet of an Egyptian queen ' from the XVII. century before our era and ancient Egyptian military on parade : represented on a monument of the same age, both in some parts restored and published for the first time by the author after a copy taken from the terrace-temple of Dêr-el-Baheri : with an appendix containing the fishes of the Red Sea in the original size of the monument as ornaments beneath the fleet, a number, chronologically arranged, of representations of ancient Egyptian ships and some representations and inscriptions from various temples and tombs which have reference to the preceding by Johannes Duemichen, author; and Anna. Duemichen, translator Published in 1896
    IR_f_Egyptian-Fleet_0092.jpg
  • Ceiling pattern of a Theban tomb from the XV century BC from the book ' The fleet of an Egyptian queen ' from the XVII. century before our era and ancient Egyptian military on parade : represented on a monument of the same age, both in some parts restored and published for the first time by the author after a copy taken from the terrace-temple of Dêr-el-Baheri : with an appendix containing the fishes of the Red Sea in the original size of the monument as ornaments beneath the fleet, a number, chronologically arranged, of representations of ancient Egyptian ships and some representations and inscriptions from various temples and tombs which have reference to the preceding by Johannes Duemichen, author; and Anna. Duemichen, translator Published in 1896
    IR_f_Egyptian-Fleet_0092-crop.jpg
  • Balconies on a residential building form a repetitive pattern
    SV_f_windowPatern_5.JPG
  • Digitally enhanced image of a multi oak leaf pattern on green background
    ir_f_Oak-leafs-7.jpg
  • Embroidery name and pattern from Godey's Lady's Book and Magazine, August, 1864, Volume LXIX, (Volume 69), Philadelphia, Louis A. Godey, Sarah Josepha Hale,
    IR_f_gdy1864LXIXAug_0012.jpg
  • Multicoloured abstract twirling pattern of light in yellow green and white
    ET_p_light_0274-2.jpg
  • Multicoloured abstract twirling pattern of light in blue and white
    ET_p_light_0224.jpg
  • Multicoloured abstract twirling pattern of light in yellow green and white
    ET_p_light_0223.jpg
  • Abstract rust pattern appear on a iron sheet painted a dark green colour
    VA_f_1810-Abstract_07663.jpg
  • Digitally enhanced image of a multi oak leaf pattern on white background
    ir_f_Oak-leafs-g.jpg
  • Digitally enhanced image of a multi oak leaf pattern on white background
    ir_f_Oak-leafs-h.jpg
  • Digitally enhanced image of a multi oak leaf pattern on white background
    ir_f_Oak-leafs-f.jpg
  • Digitally enhanced image of a multi oak leaf pattern on white background
    ir_f_Oak-leafs-d.jpg
  • Digitally enhanced image of a multi oak leaf pattern on white background
    ir_f_Oak-leafs-c.jpg
  • Digitally enhanced image of a multi oak leaf pattern on green background
    ir_f_Oak-leafs-6.jpg
  • Digitally enhanced image of a multi oak leaf pattern on green background
    ir_f_Oak-leafs-5.jpg
  • Digitally enhanced image of a multi oak leaf pattern on green background
    ir_f_Oak-leafs-4.jpg
  • Digitally generated Multicoloured abstract pattern
    IR_m_Balagan-3-Srorm.jpg
  • Digitally generated Multicoloured abstract pattern
    IR_m_Balagan-1-artisto-2.jpg
  • Digitally generated Multicoloured abstract pattern
    IR_m_Balagan-3-dynamize.jpg
  • Digitally generated Multicoloured abstract pattern
    IR_m_Balagan-1-Bokeh.jpg
  • Digitally generated Multicoloured abstract pattern
    IR_m_Balagan-3-energize-1.jpg
  • Digitally generated Multicoloured abstract pattern
    IR_m_Balagan-3-energize-2.jpg
  • Digitally generated Multicoloured abstract pattern
    IR_m_Balagan-3-colored-sketch.jpg
  • Digitally generated Multicoloured abstract pattern
    IR_m_Balagan-1-artisto.jpg
  • Digitally generated Multicoloured abstract pattern
    IR_m_Balagan-1-collage.jpg
  • Human face is viewed in a natural growing tree trunk Pareidolia is the tendency for incorrect perception of a stimulus as an object, pattern or meaning known to the observer, such as seeing shapes in clouds, seeing faces in inanimate objects or abstract patterns, or hearing hidden messages in music. Pareidolia can be considered a subcategory of apophenia. Pareidolia was at one time considered a symptom of human psychosis, but it is now seen as a normal human tendency.
    VA_f_Pareidolia-DSC09990.JPG
  • Human face is viewed in a natural growing tree trunk Pareidolia is the tendency for incorrect perception of a stimulus as an object, pattern or meaning known to the observer, such as seeing shapes in clouds, seeing faces in inanimate objects or abstract patterns, or hearing hidden messages in music. Pareidolia can be considered a subcategory of apophenia. Pareidolia was at one time considered a symptom of human psychosis, but it is now seen as a normal human tendency.
    VA_f_Pareidolia-DSC03505.JPG
  • Pareidolia is the tendency for incorrect perception of a stimulus as an object, pattern or meaning known to the observer, such as seeing shapes in clouds, seeing faces in inanimate objects or abstract patterns, or hearing hidden messages in music. Pareidolia can be considered a subcategory of apophenia. Pareidolia was at one time considered a symptom of human psychosis, but it is now seen as a normal human tendency.
    VA_f_Pareidolia-DSC09871.JPG
  • Human figure appears in rust. Pareidolia is the tendency for incorrect perception of a stimulus as an object, pattern or meaning known to the observer, such as seeing shapes in clouds, seeing faces in inanimate objects or abstract patterns, or hearing hidden messages in music. Pareidolia can be considered a subcategory of apophenia. Pareidolia was at one time considered a symptom of human psychosis, but it is now seen as a normal human tendency.
    VA_f_Pareidolia-DSC08345 (2).JPG
  • Pareidolia is the tendency for incorrect perception of a stimulus as an object, pattern or meaning known to the observer, such as seeing shapes in clouds, seeing faces in inanimate objects or abstract patterns, or hearing hidden messages in music. Pareidolia can be considered a subcategory of apophenia. Pareidolia was at one time considered a symptom of human psychosis, but it is now seen as a normal human tendency.
    VA_f_Pareidolia-DSC08344 (2).JPG
  • Human figure appears in rust. Pareidolia is the tendency for incorrect perception of a stimulus as an object, pattern or meaning known to the observer, such as seeing shapes in clouds, seeing faces in inanimate objects or abstract patterns, or hearing hidden messages in music. Pareidolia can be considered a subcategory of apophenia. Pareidolia was at one time considered a symptom of human psychosis, but it is now seen as a normal human tendency.
    VA_f_Pareidolia-DSC08342 (2).JPG
  • Human figure appears in rust. Pareidolia is the tendency for incorrect perception of a stimulus as an object, pattern or meaning known to the observer, such as seeing shapes in clouds, seeing faces in inanimate objects or abstract patterns, or hearing hidden messages in music. Pareidolia can be considered a subcategory of apophenia. Pareidolia was at one time considered a symptom of human psychosis, but it is now seen as a normal human tendency.
    VA_f_Pareidolia-DSC03043.JPG
  • Pareidolia is the tendency for incorrect perception of a stimulus as an object, pattern or meaning known to the observer, such as seeing shapes in clouds, seeing faces in inanimate objects or abstract patterns, or hearing hidden messages in music. Pareidolia can be considered a subcategory of apophenia. Pareidolia was at one time considered a symptom of human psychosis, but it is now seen as a normal human tendency.
    VA_f_Pareidolia-DSC03042.JPG
  • Human face is viewed in a natural growing tree trunk Pareidolia is the tendency for incorrect perception of a stimulus as an object, pattern or meaning known to the observer, such as seeing shapes in clouds, seeing faces in inanimate objects or abstract patterns, or hearing hidden messages in music. Pareidolia can be considered a subcategory of apophenia. Pareidolia was at one time considered a symptom of human psychosis, but it is now seen as a normal human tendency.
    VA_f_Pareidolia-DSC01165.JPG
  • Human face is viewed in a natural growing tree trunk Pareidolia is the tendency for incorrect perception of a stimulus as an object, pattern or meaning known to the observer, such as seeing shapes in clouds, seeing faces in inanimate objects or abstract patterns, or hearing hidden messages in music. Pareidolia can be considered a subcategory of apophenia. Pareidolia was at one time considered a symptom of human psychosis, but it is now seen as a normal human tendency.
    VA_f_Pareidolia-DSC01122.JPG
  • Human face can be viewed in eroded rock Pareidolia is the tendency for incorrect perception of a stimulus as an object, pattern or meaning known to the observer, such as seeing shapes in clouds, seeing faces in inanimate objects or abstract patterns, or hearing hidden messages in music. Pareidolia can be considered a subcategory of apophenia. Pareidolia was at one time considered a symptom of human psychosis, but it is now seen as a normal human tendency.
    VA_f_Pareidolia-DSC01100.JPG
  • Human face is viewed in a natural growing tree trunk Pareidolia is the tendency for incorrect perception of a stimulus as an object, pattern or meaning known to the observer, such as seeing shapes in clouds, seeing faces in inanimate objects or abstract patterns, or hearing hidden messages in music. Pareidolia can be considered a subcategory of apophenia. Pareidolia was at one time considered a symptom of human psychosis, but it is now seen as a normal human tendency.
    VA_f_Pareidolia-DSC01115.JPG
  • Human face can be viewed in eroded rock Pareidolia is the tendency for incorrect perception of a stimulus as an object, pattern or meaning known to the observer, such as seeing shapes in clouds, seeing faces in inanimate objects or abstract patterns, or hearing hidden messages in music. Pareidolia can be considered a subcategory of apophenia. Pareidolia was at one time considered a symptom of human psychosis, but it is now seen as a normal human tendency.
    VA_f_Pareidolia-DSC01081.JPG
  • Human face is viewed in a natural growing tree trunk Pareidolia is the tendency for incorrect perception of a stimulus as an object, pattern or meaning known to the observer, such as seeing shapes in clouds, seeing faces in inanimate objects or abstract patterns, or hearing hidden messages in music. Pareidolia can be considered a subcategory of apophenia. Pareidolia was at one time considered a symptom of human psychosis, but it is now seen as a normal human tendency.
    VA_f_Pareidolia-DSC01022.JPG
  • Human Face appears in cracked plaster on a wall Pareidolia is the tendency for incorrect perception of a stimulus as an object, pattern or meaning known to the observer, such as seeing shapes in clouds, seeing faces in inanimate objects or abstract patterns, or hearing hidden messages in music. Pareidolia can be considered a subcategory of apophenia. Pareidolia was at one time considered a symptom of human psychosis, but it is now seen as a normal human tendency.
    VA_f_Pareidolia-DSC00484.JPGed.JPG
  • Human face is viewed in a natural growing tree trunk Pareidolia is the tendency for incorrect perception of a stimulus as an object, pattern or meaning known to the observer, such as seeing shapes in clouds, seeing faces in inanimate objects or abstract patterns, or hearing hidden messages in music. Pareidolia can be considered a subcategory of apophenia. Pareidolia was at one time considered a symptom of human psychosis, but it is now seen as a normal human tendency.
    VA_f_Pareidolia-DSC00303.JPG
  • Human Face appears in cracked plaster on a wall Pareidolia is the tendency for incorrect perception of a stimulus as an object, pattern or meaning known to the observer, such as seeing shapes in clouds, seeing faces in inanimate objects or abstract patterns, or hearing hidden messages in music. Pareidolia can be considered a subcategory of apophenia. Pareidolia was at one time considered a symptom of human psychosis, but it is now seen as a normal human tendency.
    VA_f_Pareidolia-DSC00226.JPG
  • Pareidolia is the tendency for incorrect perception of a stimulus as an object, pattern or meaning known to the observer, such as seeing shapes in clouds, seeing faces in inanimate objects or abstract patterns, or hearing hidden messages in music. Pareidolia can be considered a subcategory of apophenia. Pareidolia was at one time considered a symptom of human psychosis, but it is now seen as a normal human tendency.
    VA_f_Pareidolia-Eyes.jpg
  • Human Face appears in cracked plaster on a wall Pareidolia is the tendency for incorrect perception of a stimulus as an object, pattern or meaning known to the observer, such as seeing shapes in clouds, seeing faces in inanimate objects or abstract patterns, or hearing hidden messages in music. Pareidolia can be considered a subcategory of apophenia. Pareidolia was at one time considered a symptom of human psychosis, but it is now seen as a normal human tendency.
    VA_f_Pareidolia-DSC00482.JPG
  • Pareidolia is the tendency for incorrect perception of a stimulus as an object, pattern or meaning known to the observer, such as seeing shapes in clouds, seeing faces in inanimate objects or abstract patterns, or hearing hidden messages in music. Pareidolia can be considered a subcategory of apophenia. Pareidolia was at one time considered a symptom of human psychosis, but it is now seen as a normal human tendency.
    VA_f_Pareidolia_DSC09910.jpg
  • Pareidolia is the tendency for incorrect perception of a stimulus as an object, pattern or meaning known to the observer, such as seeing shapes in clouds, seeing faces in inanimate objects or abstract patterns, or hearing hidden messages in music. Pareidolia can be considered a subcategory of apophenia. Pareidolia was at one time considered a symptom of human psychosis, but it is now seen as a normal human tendency.
    VA_f_Pareidolia_DSC08681.jpg
  • Pareidolia is the tendency for incorrect perception of a stimulus as an object, pattern or meaning known to the observer, such as seeing shapes in clouds, seeing faces in inanimate objects or abstract patterns, or hearing hidden messages in music. Pareidolia can be considered a subcategory of apophenia. Pareidolia was at one time considered a symptom of human psychosis, but it is now seen as a normal human tendency.
    VA_f_Pareidolia_0393.jpg
  • Windows of an office building form a pattern
    SV_f_windowPatern_3.JPG
  • Windows of an office building form a pattern
    SV_f_windowPatern_2.JPG
  • Natural Backgrounds - Green and red patterns on a leaf
    VA_f_Leaf_cracow_216.jpg
  • Natural Backgrounds - Green and red patterns on a leaf
    VA_f_Leaf_cracow_214.jpg
  • Windows of an office building form a pattern
    SV_f_windowPatern_1.JPG
  • Human figure appears in rust. Pareidolia is the tendency for incorrect perception of a stimulus as an object, pattern or meaning known to the observer, such as seeing shapes in clouds, seeing faces in inanimate objects or abstract patterns, or hearing hidden messages in music. Pareidolia can be considered a subcategory of apophenia. Pareidolia was at one time considered a symptom of human psychosis, but it is now seen as a normal human tendency.
    VA_f_Pareidolia-DSC01583.JPG
  • Human Face appears in cracked plaster on a wall Pareidolia is the tendency for incorrect perception of a stimulus as an object, pattern or meaning known to the observer, such as seeing shapes in clouds, seeing faces in inanimate objects or abstract patterns, or hearing hidden messages in music. Pareidolia can be considered a subcategory of apophenia. Pareidolia was at one time considered a symptom of human psychosis, but it is now seen as a normal human tendency.
    VA_f_Pareidolia-DSC00228.JPG
  • Semaphore Signals. The Semaphore flag signaling system is an alphabet signalling system based on the waving of a pair of hand-held flags in a particular pattern. The flags are held, arms extended, in various positions representing each of the letters of the alphabet.
    IR_f_Semaphore-Signals_A-Z.jpg
  • Embroidery Patterns for gentleman's shirt Godey's Lady's Book and Magazine, March, 1864, Volume LXIX, (Volume 69), Philadelphia, Louis A. Godey, Sarah Josepha Hale,
    IR_f_gdy1864March_0087.jpg
  • Rolls of ribbons of various colours and patterns ready to be used to wrap gifts
    DT_f_Ribbons_00627.jpg
  • Rangoli is an art form originating in the Indian subcontinent, in which patterns are created on the floor or a tabletop using materials such as powdered lime stone, red ochre, dry rice flour, coloured sand, quartz powder, flower petals, and coloured rocks. It is an everyday practice in Hindu households, Designs are passed from one generation to the next, keeping both the art form and the tradition alive. Rangoli hold a significant role in the everyday life of a Hindu household especially historically when the flooring of houses were untiled. They are usually made outside the threshold of the main entrance, in the early mornings after cleaning the area. The rangoli represents the happiness, positivity and liveliness of a household, and is intended to welcome Lakshmi, the goddess of wealth and good luck. It is believed that a Hindu household without a clean entrance and rangoli is an abode of daridra (bad luck). Design depictions may vary as they reflect traditions, folklore, and practices that are unique to each area. Rangoli are traditionally made by girls or women, although men and boys create them as well. In a Hindu household, basic rangoli is an everyday practice.
    IA_f_Madala_DSCF5702.jpg
  • Rangoli is an art form originating in the Indian subcontinent, in which patterns are created on the floor or a tabletop using materials such as powdered lime stone, red ochre, dry rice flour, coloured sand, quartz powder, flower petals, and coloured rocks. It is an everyday practice in Hindu households, Designs are passed from one generation to the next, keeping both the art form and the tradition alive. Rangoli hold a significant role in the everyday life of a Hindu household especially historically when the flooring of houses were untiled. They are usually made outside the threshold of the main entrance, in the early mornings after cleaning the area. The rangoli represents the happiness, positivity and liveliness of a household, and is intended to welcome Lakshmi, the goddess of wealth and good luck. It is believed that a Hindu household without a clean entrance and rangoli is an abode of daridra (bad luck). Design depictions may vary as they reflect traditions, folklore, and practices that are unique to each area. Rangoli are traditionally made by girls or women, although men and boys create them as well. In a Hindu household, basic rangoli is an everyday practice.
    IA_f_Madala_DSCF5701.jpg
  • Rangoli is an art form originating in the Indian subcontinent, in which patterns are created on the floor or a tabletop using materials such as powdered lime stone, red ochre, dry rice flour, coloured sand, quartz powder, flower petals, and coloured rocks. It is an everyday practice in Hindu households, Designs are passed from one generation to the next, keeping both the art form and the tradition alive. Rangoli hold a significant role in the everyday life of a Hindu household especially historically when the flooring of houses were untiled. They are usually made outside the threshold of the main entrance, in the early mornings after cleaning the area. The rangoli represents the happiness, positivity and liveliness of a household, and is intended to welcome Lakshmi, the goddess of wealth and good luck. It is believed that a Hindu household without a clean entrance and rangoli is an abode of daridra (bad luck). Design depictions may vary as they reflect traditions, folklore, and practices that are unique to each area. Rangoli are traditionally made by girls or women, although men and boys create them as well. In a Hindu household, basic rangoli is an everyday practice.
    IA_f_Madala_DSCF5700.jpg
  • Rangoli is an art form originating in the Indian subcontinent, in which patterns are created on the floor or a tabletop using materials such as powdered lime stone, red ochre, dry rice flour, coloured sand, quartz powder, flower petals, and coloured rocks. It is an everyday practice in Hindu households, Designs are passed from one generation to the next, keeping both the art form and the tradition alive. Rangoli hold a significant role in the everyday life of a Hindu household especially historically when the flooring of houses were untiled. They are usually made outside the threshold of the main entrance, in the early mornings after cleaning the area. The rangoli represents the happiness, positivity and liveliness of a household, and is intended to welcome Lakshmi, the goddess of wealth and good luck. It is believed that a Hindu household without a clean entrance and rangoli is an abode of daridra (bad luck). Design depictions may vary as they reflect traditions, folklore, and practices that are unique to each area. Rangoli are traditionally made by girls or women, although men and boys create them as well. In a Hindu household, basic rangoli is an everyday practice.
    IA_f_Madala_DSCF5696.jpg
  • Rangoli is an art form originating in the Indian subcontinent, in which patterns are created on the floor or a tabletop using materials such as powdered lime stone, red ochre, dry rice flour, coloured sand, quartz powder, flower petals, and coloured rocks. It is an everyday practice in Hindu households, Designs are passed from one generation to the next, keeping both the art form and the tradition alive. Rangoli hold a significant role in the everyday life of a Hindu household especially historically when the flooring of houses were untiled. They are usually made outside the threshold of the main entrance, in the early mornings after cleaning the area. The rangoli represents the happiness, positivity and liveliness of a household, and is intended to welcome Lakshmi, the goddess of wealth and good luck. It is believed that a Hindu household without a clean entrance and rangoli is an abode of daridra (bad luck). Design depictions may vary as they reflect traditions, folklore, and practices that are unique to each area. Rangoli are traditionally made by girls or women, although men and boys create them as well. In a Hindu household, basic rangoli is an everyday practice.
    IA_f_Madala_DSCF5691.jpg
  • Rangoli is an art form originating in the Indian subcontinent, in which patterns are created on the floor or a tabletop using materials such as powdered lime stone, red ochre, dry rice flour, coloured sand, quartz powder, flower petals, and coloured rocks. It is an everyday practice in Hindu households, Designs are passed from one generation to the next, keeping both the art form and the tradition alive. Rangoli hold a significant role in the everyday life of a Hindu household especially historically when the flooring of houses were untiled. They are usually made outside the threshold of the main entrance, in the early mornings after cleaning the area. The rangoli represents the happiness, positivity and liveliness of a household, and is intended to welcome Lakshmi, the goddess of wealth and good luck. It is believed that a Hindu household without a clean entrance and rangoli is an abode of daridra (bad luck). Design depictions may vary as they reflect traditions, folklore, and practices that are unique to each area. Rangoli are traditionally made by girls or women, although men and boys create them as well. In a Hindu household, basic rangoli is an everyday practice.
    IA_f_Madala_DSCF5695.jpg
  • Rangoli is an art form originating in the Indian subcontinent, in which patterns are created on the floor or a tabletop using materials such as powdered lime stone, red ochre, dry rice flour, coloured sand, quartz powder, flower petals, and coloured rocks. It is an everyday practice in Hindu households, Designs are passed from one generation to the next, keeping both the art form and the tradition alive. Rangoli hold a significant role in the everyday life of a Hindu household especially historically when the flooring of houses were untiled. They are usually made outside the threshold of the main entrance, in the early mornings after cleaning the area. The rangoli represents the happiness, positivity and liveliness of a household, and is intended to welcome Lakshmi, the goddess of wealth and good luck. It is believed that a Hindu household without a clean entrance and rangoli is an abode of daridra (bad luck). Design depictions may vary as they reflect traditions, folklore, and practices that are unique to each area. Rangoli are traditionally made by girls or women, although men and boys create them as well. In a Hindu household, basic rangoli is an everyday practice.
    IA_f_Madala_DSCF5693.jpg
  • Rangoli is an art form originating in the Indian subcontinent, in which patterns are created on the floor or a tabletop using materials such as powdered lime stone, red ochre, dry rice flour, coloured sand, quartz powder, flower petals, and coloured rocks. It is an everyday practice in Hindu households, Designs are passed from one generation to the next, keeping both the art form and the tradition alive. Rangoli hold a significant role in the everyday life of a Hindu household especially historically when the flooring of houses were untiled. They are usually made outside the threshold of the main entrance, in the early mornings after cleaning the area. The rangoli represents the happiness, positivity and liveliness of a household, and is intended to welcome Lakshmi, the goddess of wealth and good luck. It is believed that a Hindu household without a clean entrance and rangoli is an abode of daridra (bad luck). Design depictions may vary as they reflect traditions, folklore, and practices that are unique to each area. Rangoli are traditionally made by girls or women, although men and boys create them as well. In a Hindu household, basic rangoli is an everyday practice.
    IA_f_Madala_DSCF5692.jpg
  • Rangoli is an art form originating in the Indian subcontinent, in which patterns are created on the floor or a tabletop using materials such as powdered lime stone, red ochre, dry rice flour, coloured sand, quartz powder, flower petals, and coloured rocks. It is an everyday practice in Hindu households, Designs are passed from one generation to the next, keeping both the art form and the tradition alive. Rangoli hold a significant role in the everyday life of a Hindu household especially historically when the flooring of houses were untiled. They are usually made outside the threshold of the main entrance, in the early mornings after cleaning the area. The rangoli represents the happiness, positivity and liveliness of a household, and is intended to welcome Lakshmi, the goddess of wealth and good luck. It is believed that a Hindu household without a clean entrance and rangoli is an abode of daridra (bad luck). Design depictions may vary as they reflect traditions, folklore, and practices that are unique to each area. Rangoli are traditionally made by girls or women, although men and boys create them as well. In a Hindu household, basic rangoli is an everyday practice.
    IA_f_Madala_DSCF5690.jpg
  • Rangoli is an art form originating in the Indian subcontinent, in which patterns are created on the floor or a tabletop using materials such as powdered lime stone, red ochre, dry rice flour, coloured sand, quartz powder, flower petals, and coloured rocks. It is an everyday practice in Hindu households, Designs are passed from one generation to the next, keeping both the art form and the tradition alive. Rangoli hold a significant role in the everyday life of a Hindu household especially historically when the flooring of houses were untiled. They are usually made outside the threshold of the main entrance, in the early mornings after cleaning the area. The rangoli represents the happiness, positivity and liveliness of a household, and is intended to welcome Lakshmi, the goddess of wealth and good luck. It is believed that a Hindu household without a clean entrance and rangoli is an abode of daridra (bad luck). Design depictions may vary as they reflect traditions, folklore, and practices that are unique to each area. Rangoli are traditionally made by girls or women, although men and boys create them as well. In a Hindu household, basic rangoli is an everyday practice.
    IA_f_Madala_DSCF5688.jpg
  • Rangoli is an art form originating in the Indian subcontinent, in which patterns are created on the floor or a tabletop using materials such as powdered lime stone, red ochre, dry rice flour, coloured sand, quartz powder, flower petals, and coloured rocks. It is an everyday practice in Hindu households, Designs are passed from one generation to the next, keeping both the art form and the tradition alive. Rangoli hold a significant role in the everyday life of a Hindu household especially historically when the flooring of houses were untiled. They are usually made outside the threshold of the main entrance, in the early mornings after cleaning the area. The rangoli represents the happiness, positivity and liveliness of a household, and is intended to welcome Lakshmi, the goddess of wealth and good luck. It is believed that a Hindu household without a clean entrance and rangoli is an abode of daridra (bad luck). Design depictions may vary as they reflect traditions, folklore, and practices that are unique to each area. Rangoli are traditionally made by girls or women, although men and boys create them as well. In a Hindu household, basic rangoli is an everyday practice.
    IA_f_Madala_DSCF5689.jpg
  • Rangoli is an art form originating in the Indian subcontinent, in which patterns are created on the floor or a tabletop using materials such as powdered lime stone, red ochre, dry rice flour, coloured sand, quartz powder, flower petals, and coloured rocks. It is an everyday practice in Hindu households, Designs are passed from one generation to the next, keeping both the art form and the tradition alive. Rangoli hold a significant role in the everyday life of a Hindu household especially historically when the flooring of houses were untiled. They are usually made outside the threshold of the main entrance, in the early mornings after cleaning the area. The rangoli represents the happiness, positivity and liveliness of a household, and is intended to welcome Lakshmi, the goddess of wealth and good luck. It is believed that a Hindu household without a clean entrance and rangoli is an abode of daridra (bad luck). Design depictions may vary as they reflect traditions, folklore, and practices that are unique to each area. Rangoli are traditionally made by girls or women, although men and boys create them as well. In a Hindu household, basic rangoli is an everyday practice.
    IA_f_Madala_DSCF5687.jpg
  • Rangoli is an art form originating in the Indian subcontinent, in which patterns are created on the floor or a tabletop using materials such as powdered lime stone, red ochre, dry rice flour, coloured sand, quartz powder, flower petals, and coloured rocks. It is an everyday practice in Hindu households, Designs are passed from one generation to the next, keeping both the art form and the tradition alive. Rangoli hold a significant role in the everyday life of a Hindu household especially historically when the flooring of houses were untiled. They are usually made outside the threshold of the main entrance, in the early mornings after cleaning the area. The rangoli represents the happiness, positivity and liveliness of a household, and is intended to welcome Lakshmi, the goddess of wealth and good luck. It is believed that a Hindu household without a clean entrance and rangoli is an abode of daridra (bad luck). Design depictions may vary as they reflect traditions, folklore, and practices that are unique to each area. Rangoli are traditionally made by girls or women, although men and boys create them as well. In a Hindu household, basic rangoli is an everyday practice.
    IA_f_Madala_DSCF5684.jpg
  • Rangoli is an art form originating in the Indian subcontinent, in which patterns are created on the floor or a tabletop using materials such as powdered lime stone, red ochre, dry rice flour, coloured sand, quartz powder, flower petals, and coloured rocks. It is an everyday practice in Hindu households, Designs are passed from one generation to the next, keeping both the art form and the tradition alive. Rangoli hold a significant role in the everyday life of a Hindu household especially historically when the flooring of houses were untiled. They are usually made outside the threshold of the main entrance, in the early mornings after cleaning the area. The rangoli represents the happiness, positivity and liveliness of a household, and is intended to welcome Lakshmi, the goddess of wealth and good luck. It is believed that a Hindu household without a clean entrance and rangoli is an abode of daridra (bad luck). Design depictions may vary as they reflect traditions, folklore, and practices that are unique to each area. Rangoli are traditionally made by girls or women, although men and boys create them as well. In a Hindu household, basic rangoli is an everyday practice.
    IA_f_Madala_DSCF5685.jpg
  • Rangoli is an art form originating in the Indian subcontinent, in which patterns are created on the floor or a tabletop using materials such as powdered lime stone, red ochre, dry rice flour, coloured sand, quartz powder, flower petals, and coloured rocks. It is an everyday practice in Hindu households, Designs are passed from one generation to the next, keeping both the art form and the tradition alive. Rangoli hold a significant role in the everyday life of a Hindu household especially historically when the flooring of houses were untiled. They are usually made outside the threshold of the main entrance, in the early mornings after cleaning the area. The rangoli represents the happiness, positivity and liveliness of a household, and is intended to welcome Lakshmi, the goddess of wealth and good luck. It is believed that a Hindu household without a clean entrance and rangoli is an abode of daridra (bad luck). Design depictions may vary as they reflect traditions, folklore, and practices that are unique to each area. Rangoli are traditionally made by girls or women, although men and boys create them as well. In a Hindu household, basic rangoli is an everyday practice.
    IA_f_Madala_DSCF5683.jpg
  • Rangoli is an art form originating in the Indian subcontinent, in which patterns are created on the floor or a tabletop using materials such as powdered lime stone, red ochre, dry rice flour, coloured sand, quartz powder, flower petals, and coloured rocks. It is an everyday practice in Hindu households, Designs are passed from one generation to the next, keeping both the art form and the tradition alive. Rangoli hold a significant role in the everyday life of a Hindu household especially historically when the flooring of houses were untiled. They are usually made outside the threshold of the main entrance, in the early mornings after cleaning the area. The rangoli represents the happiness, positivity and liveliness of a household, and is intended to welcome Lakshmi, the goddess of wealth and good luck. It is believed that a Hindu household without a clean entrance and rangoli is an abode of daridra (bad luck). Design depictions may vary as they reflect traditions, folklore, and practices that are unique to each area. Rangoli are traditionally made by girls or women, although men and boys create them as well. In a Hindu household, basic rangoli is an everyday practice.
    IA_f_Madala_DSCF5679.jpg
  • Rangoli is an art form originating in the Indian subcontinent, in which patterns are created on the floor or a tabletop using materials such as powdered lime stone, red ochre, dry rice flour, coloured sand, quartz powder, flower petals, and coloured rocks. It is an everyday practice in Hindu households, Designs are passed from one generation to the next, keeping both the art form and the tradition alive. Rangoli hold a significant role in the everyday life of a Hindu household especially historically when the flooring of houses were untiled. They are usually made outside the threshold of the main entrance, in the early mornings after cleaning the area. The rangoli represents the happiness, positivity and liveliness of a household, and is intended to welcome Lakshmi, the goddess of wealth and good luck. It is believed that a Hindu household without a clean entrance and rangoli is an abode of daridra (bad luck). Design depictions may vary as they reflect traditions, folklore, and practices that are unique to each area. Rangoli are traditionally made by girls or women, although men and boys create them as well. In a Hindu household, basic rangoli is an everyday practice.
    IA_f_Madala_DSCF5682.jpg
  • Rangoli is an art form originating in the Indian subcontinent, in which patterns are created on the floor or a tabletop using materials such as powdered lime stone, red ochre, dry rice flour, coloured sand, quartz powder, flower petals, and coloured rocks. It is an everyday practice in Hindu households, Designs are passed from one generation to the next, keeping both the art form and the tradition alive. Rangoli hold a significant role in the everyday life of a Hindu household especially historically when the flooring of houses were untiled. They are usually made outside the threshold of the main entrance, in the early mornings after cleaning the area. The rangoli represents the happiness, positivity and liveliness of a household, and is intended to welcome Lakshmi, the goddess of wealth and good luck. It is believed that a Hindu household without a clean entrance and rangoli is an abode of daridra (bad luck). Design depictions may vary as they reflect traditions, folklore, and practices that are unique to each area. Rangoli are traditionally made by girls or women, although men and boys create them as well. In a Hindu household, basic rangoli is an everyday practice.
    IA_f_Madala_DSCF5681.jpg
  • Rangoli is an art form originating in the Indian subcontinent, in which patterns are created on the floor or a tabletop using materials such as powdered lime stone, red ochre, dry rice flour, coloured sand, quartz powder, flower petals, and coloured rocks. It is an everyday practice in Hindu households, Designs are passed from one generation to the next, keeping both the art form and the tradition alive. Rangoli hold a significant role in the everyday life of a Hindu household especially historically when the flooring of houses were untiled. They are usually made outside the threshold of the main entrance, in the early mornings after cleaning the area. The rangoli represents the happiness, positivity and liveliness of a household, and is intended to welcome Lakshmi, the goddess of wealth and good luck. It is believed that a Hindu household without a clean entrance and rangoli is an abode of daridra (bad luck). Design depictions may vary as they reflect traditions, folklore, and practices that are unique to each area. Rangoli are traditionally made by girls or women, although men and boys create them as well. In a Hindu household, basic rangoli is an everyday practice.
    IA_f_Madala_DSCF5680.jpg
  • Rangoli is an art form originating in the Indian subcontinent, in which patterns are created on the floor or a tabletop using materials such as powdered lime stone, red ochre, dry rice flour, coloured sand, quartz powder, flower petals, and coloured rocks. It is an everyday practice in Hindu households, Designs are passed from one generation to the next, keeping both the art form and the tradition alive. Rangoli hold a significant role in the everyday life of a Hindu household especially historically when the flooring of houses were untiled. They are usually made outside the threshold of the main entrance, in the early mornings after cleaning the area. The rangoli represents the happiness, positivity and liveliness of a household, and is intended to welcome Lakshmi, the goddess of wealth and good luck. It is believed that a Hindu household without a clean entrance and rangoli is an abode of daridra (bad luck). Design depictions may vary as they reflect traditions, folklore, and practices that are unique to each area. Rangoli are traditionally made by girls or women, although men and boys create them as well. In a Hindu household, basic rangoli is an everyday practice.
    IA_f_Madala_DSCF5657.jpg
  • Rangoli is an art form originating in the Indian subcontinent, in which patterns are created on the floor or a tabletop using materials such as powdered lime stone, red ochre, dry rice flour, coloured sand, quartz powder, flower petals, and coloured rocks. It is an everyday practice in Hindu households, Designs are passed from one generation to the next, keeping both the art form and the tradition alive. Rangoli hold a significant role in the everyday life of a Hindu household especially historically when the flooring of houses were untiled. They are usually made outside the threshold of the main entrance, in the early mornings after cleaning the area. The rangoli represents the happiness, positivity and liveliness of a household, and is intended to welcome Lakshmi, the goddess of wealth and good luck. It is believed that a Hindu household without a clean entrance and rangoli is an abode of daridra (bad luck). Design depictions may vary as they reflect traditions, folklore, and practices that are unique to each area. Rangoli are traditionally made by girls or women, although men and boys create them as well. In a Hindu household, basic rangoli is an everyday practice.
    IA_f_Madala_DSCF5659.jpg
  • Rangoli is an art form originating in the Indian subcontinent, in which patterns are created on the floor or a tabletop using materials such as powdered lime stone, red ochre, dry rice flour, coloured sand, quartz powder, flower petals, and coloured rocks. It is an everyday practice in Hindu households, Designs are passed from one generation to the next, keeping both the art form and the tradition alive. Rangoli hold a significant role in the everyday life of a Hindu household especially historically when the flooring of houses were untiled. They are usually made outside the threshold of the main entrance, in the early mornings after cleaning the area. The rangoli represents the happiness, positivity and liveliness of a household, and is intended to welcome Lakshmi, the goddess of wealth and good luck. It is believed that a Hindu household without a clean entrance and rangoli is an abode of daridra (bad luck). Design depictions may vary as they reflect traditions, folklore, and practices that are unique to each area. Rangoli are traditionally made by girls or women, although men and boys create them as well. In a Hindu household, basic rangoli is an everyday practice.
    IA_f_Madala_DSCF5658.jpg
  • Rangoli is an art form originating in the Indian subcontinent, in which patterns are created on the floor or a tabletop using materials such as powdered lime stone, red ochre, dry rice flour, coloured sand, quartz powder, flower petals, and coloured rocks. It is an everyday practice in Hindu households, Designs are passed from one generation to the next, keeping both the art form and the tradition alive. Rangoli hold a significant role in the everyday life of a Hindu household especially historically when the flooring of houses were untiled. They are usually made outside the threshold of the main entrance, in the early mornings after cleaning the area. The rangoli represents the happiness, positivity and liveliness of a household, and is intended to welcome Lakshmi, the goddess of wealth and good luck. It is believed that a Hindu household without a clean entrance and rangoli is an abode of daridra (bad luck). Design depictions may vary as they reflect traditions, folklore, and practices that are unique to each area. Rangoli are traditionally made by girls or women, although men and boys create them as well. In a Hindu household, basic rangoli is an everyday practice.
    IA_f_Madala_DSCF5656.jpg
  • Rangoli is an art form originating in the Indian subcontinent, in which patterns are created on the floor or a tabletop using materials such as powdered lime stone, red ochre, dry rice flour, coloured sand, quartz powder, flower petals, and coloured rocks. It is an everyday practice in Hindu households, Designs are passed from one generation to the next, keeping both the art form and the tradition alive. Rangoli hold a significant role in the everyday life of a Hindu household especially historically when the flooring of houses were untiled. They are usually made outside the threshold of the main entrance, in the early mornings after cleaning the area. The rangoli represents the happiness, positivity and liveliness of a household, and is intended to welcome Lakshmi, the goddess of wealth and good luck. It is believed that a Hindu household without a clean entrance and rangoli is an abode of daridra (bad luck). Design depictions may vary as they reflect traditions, folklore, and practices that are unique to each area. Rangoli are traditionally made by girls or women, although men and boys create them as well. In a Hindu household, basic rangoli is an everyday practice.
    IA_f_Madala_DSCF5655.jpg
  • Rangoli is an art form originating in the Indian subcontinent, in which patterns are created on the floor or a tabletop using materials such as powdered lime stone, red ochre, dry rice flour, coloured sand, quartz powder, flower petals, and coloured rocks. It is an everyday practice in Hindu households, Designs are passed from one generation to the next, keeping both the art form and the tradition alive. Rangoli hold a significant role in the everyday life of a Hindu household especially historically when the flooring of houses were untiled. They are usually made outside the threshold of the main entrance, in the early mornings after cleaning the area. The rangoli represents the happiness, positivity and liveliness of a household, and is intended to welcome Lakshmi, the goddess of wealth and good luck. It is believed that a Hindu household without a clean entrance and rangoli is an abode of daridra (bad luck). Design depictions may vary as they reflect traditions, folklore, and practices that are unique to each area. Rangoli are traditionally made by girls or women, although men and boys create them as well. In a Hindu household, basic rangoli is an everyday practice.
    IA_f_Madala_DSCF5644.jpg
  • Rangoli is an art form originating in the Indian subcontinent, in which patterns are created on the floor or a tabletop using materials such as powdered lime stone, red ochre, dry rice flour, coloured sand, quartz powder, flower petals, and coloured rocks. It is an everyday practice in Hindu households, Designs are passed from one generation to the next, keeping both the art form and the tradition alive. Rangoli hold a significant role in the everyday life of a Hindu household especially historically when the flooring of houses were untiled. They are usually made outside the threshold of the main entrance, in the early mornings after cleaning the area. The rangoli represents the happiness, positivity and liveliness of a household, and is intended to welcome Lakshmi, the goddess of wealth and good luck. It is believed that a Hindu household without a clean entrance and rangoli is an abode of daridra (bad luck). Design depictions may vary as they reflect traditions, folklore, and practices that are unique to each area. Rangoli are traditionally made by girls or women, although men and boys create them as well. In a Hindu household, basic rangoli is an everyday practice.
    IA_f_Madala_DSCF5646.jpg
  • Rangoli is an art form originating in the Indian subcontinent, in which patterns are created on the floor or a tabletop using materials such as powdered lime stone, red ochre, dry rice flour, coloured sand, quartz powder, flower petals, and coloured rocks. It is an everyday practice in Hindu households, Designs are passed from one generation to the next, keeping both the art form and the tradition alive. Rangoli hold a significant role in the everyday life of a Hindu household especially historically when the flooring of houses were untiled. They are usually made outside the threshold of the main entrance, in the early mornings after cleaning the area. The rangoli represents the happiness, positivity and liveliness of a household, and is intended to welcome Lakshmi, the goddess of wealth and good luck. It is believed that a Hindu household without a clean entrance and rangoli is an abode of daridra (bad luck). Design depictions may vary as they reflect traditions, folklore, and practices that are unique to each area. Rangoli are traditionally made by girls or women, although men and boys create them as well. In a Hindu household, basic rangoli is an everyday practice.
    IA_f_Madala_DSCF5643.jpg
  • Rangoli is an art form originating in the Indian subcontinent, in which patterns are created on the floor or a tabletop using materials such as powdered lime stone, red ochre, dry rice flour, coloured sand, quartz powder, flower petals, and coloured rocks. It is an everyday practice in Hindu households, Designs are passed from one generation to the next, keeping both the art form and the tradition alive. Rangoli hold a significant role in the everyday life of a Hindu household especially historically when the flooring of houses were untiled. They are usually made outside the threshold of the main entrance, in the early mornings after cleaning the area. The rangoli represents the happiness, positivity and liveliness of a household, and is intended to welcome Lakshmi, the goddess of wealth and good luck. It is believed that a Hindu household without a clean entrance and rangoli is an abode of daridra (bad luck). Design depictions may vary as they reflect traditions, folklore, and practices that are unique to each area. Rangoli are traditionally made by girls or women, although men and boys create them as well. In a Hindu household, basic rangoli is an everyday practice.
    IA_f_Madala_DSCF5641.jpg
  • Rangoli is an art form originating in the Indian subcontinent, in which patterns are created on the floor or a tabletop using materials such as powdered lime stone, red ochre, dry rice flour, coloured sand, quartz powder, flower petals, and coloured rocks. It is an everyday practice in Hindu households, Designs are passed from one generation to the next, keeping both the art form and the tradition alive. Rangoli hold a significant role in the everyday life of a Hindu household especially historically when the flooring of houses were untiled. They are usually made outside the threshold of the main entrance, in the early mornings after cleaning the area. The rangoli represents the happiness, positivity and liveliness of a household, and is intended to welcome Lakshmi, the goddess of wealth and good luck. It is believed that a Hindu household without a clean entrance and rangoli is an abode of daridra (bad luck). Design depictions may vary as they reflect traditions, folklore, and practices that are unique to each area. Rangoli are traditionally made by girls or women, although men and boys create them as well. In a Hindu household, basic rangoli is an everyday practice.
    IA_f_Madala_DSCF5642.jpg
  • Rangoli is an art form originating in the Indian subcontinent, in which patterns are created on the floor or a tabletop using materials such as powdered lime stone, red ochre, dry rice flour, coloured sand, quartz powder, flower petals, and coloured rocks. It is an everyday practice in Hindu households, Designs are passed from one generation to the next, keeping both the art form and the tradition alive. Rangoli hold a significant role in the everyday life of a Hindu household especially historically when the flooring of houses were untiled. They are usually made outside the threshold of the main entrance, in the early mornings after cleaning the area. The rangoli represents the happiness, positivity and liveliness of a household, and is intended to welcome Lakshmi, the goddess of wealth and good luck. It is believed that a Hindu household without a clean entrance and rangoli is an abode of daridra (bad luck). Design depictions may vary as they reflect traditions, folklore, and practices that are unique to each area. Rangoli are traditionally made by girls or women, although men and boys create them as well. In a Hindu household, basic rangoli is an everyday practice.
    IA_f_Madala_DSCF5640.jpg
  • Rangoli is an art form originating in the Indian subcontinent, in which patterns are created on the floor or a tabletop using materials such as powdered lime stone, red ochre, dry rice flour, coloured sand, quartz powder, flower petals, and coloured rocks. It is an everyday practice in Hindu households, Designs are passed from one generation to the next, keeping both the art form and the tradition alive. Rangoli hold a significant role in the everyday life of a Hindu household especially historically when the flooring of houses were untiled. They are usually made outside the threshold of the main entrance, in the early mornings after cleaning the area. The rangoli represents the happiness, positivity and liveliness of a household, and is intended to welcome Lakshmi, the goddess of wealth and good luck. It is believed that a Hindu household without a clean entrance and rangoli is an abode of daridra (bad luck). Design depictions may vary as they reflect traditions, folklore, and practices that are unique to each area. Rangoli are traditionally made by girls or women, although men and boys create them as well. In a Hindu household, basic rangoli is an everyday practice.
    IA_f_Madala_DSCF5639.jpg
  • Rangoli is an art form originating in the Indian subcontinent, in which patterns are created on the floor or a tabletop using materials such as powdered lime stone, red ochre, dry rice flour, coloured sand, quartz powder, flower petals, and coloured rocks. It is an everyday practice in Hindu households, Designs are passed from one generation to the next, keeping both the art form and the tradition alive. Rangoli hold a significant role in the everyday life of a Hindu household especially historically when the flooring of houses were untiled. They are usually made outside the threshold of the main entrance, in the early mornings after cleaning the area. The rangoli represents the happiness, positivity and liveliness of a household, and is intended to welcome Lakshmi, the goddess of wealth and good luck. It is believed that a Hindu household without a clean entrance and rangoli is an abode of daridra (bad luck). Design depictions may vary as they reflect traditions, folklore, and practices that are unique to each area. Rangoli are traditionally made by girls or women, although men and boys create them as well. In a Hindu household, basic rangoli is an everyday practice.
    IA_f_Madala_DSCF5638.jpg
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