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  • sheet weaver or sheetweb spider (Linyphiidae). A sheetweb spider clinging to the lower surface of its web. Photographed in Israel in September
    AM_f_671A4073_1.jpg
  • Corrosion and oxidation on a copper sheet. A copper component that has been exposed to air for some months and is showing distinct corrosion. Copper reacts slowly with oxygen in the atmosphere to form a layer of brownish black copper (II) oxide. This prevents further oxidation. In the presence of carbon dioxide the copper can react to form basic copper carbonate (Cu2(OH)2CO3), with a characteristic green-blue colour.
    IR_f_corrosion_D9802.jpg
  • The Sheet Bend knot on white background for joining two ropes of unequal size
    IR_f_Nautical-Knot_9046.jpg
  • Ancient map of South Africa Western Sheet (1895) from the book 'The Castle Line atlas of South Africa' : a series of 16 plates, printed in colour, containing 30 maps and diagrams, with an account of the geographical features , the climate, the mineral and other resources, and the history of South Africa. And an index of over 6,000 names
    IR_f_South-Africa-Map_0091.jpg
  • Ancient map of South Africa Western Sheet (1895) from the book 'The Castle Line atlas of South Africa' : a series of 16 plates, printed in colour, containing 30 maps and diagrams, with an account of the geographical features , the climate, the mineral and other resources, and the history of South Africa. And an index of over 6,000 names
    IR_f_South-Africa-Map_0087.jpg
  • Ancient map of South Africa Western Sheet (1895) from the book 'The Castle Line atlas of South Africa' : a series of 16 plates, printed in colour, containing 30 maps and diagrams, with an account of the geographical features , the climate, the mineral and other resources, and the history of South Africa. And an index of over 6,000 names
    IR_f_South-Africa-Map_0083.jpg
  • Sheet music from Le voyage dans la Lune (A Trip to the Moon) is an 1875 opéra-féerie in four acts and 23 scenes by Jacques Offenbach. Loosely based on the 1865 novel From the Earth to the Moon by Jules Verne, its French libretto was by Albert Vanloo, Eugène Leterrier and Arnold Mortier.[
    IR_f_trip-to-moon_0055.jpg
  • Sheet music from Le voyage dans la Lune (A Trip to the Moon) is an 1875 opéra-féerie in four acts and 23 scenes by Jacques Offenbach. Loosely based on the 1865 novel From the Earth to the Moon by Jules Verne, its French libretto was by Albert Vanloo, Eugène Leterrier and Arnold Mortier.[
    IR_f_trip-to-moon_0067.jpg
  • Sheet music from Le voyage dans la Lune (A Trip to the Moon) is an 1875 opéra-féerie in four acts and 23 scenes by Jacques Offenbach. Loosely based on the 1865 novel From the Earth to the Moon by Jules Verne, its French libretto was by Albert Vanloo, Eugène Leterrier and Arnold Mortier.[
    IR_f_trip-to-moon_0003.jpg
  • Grand March funebre Sheet Music from the Opera Ione from Godey's Lady's Book and Magazine, December, 1864, Volume LXIX, (Volume 69), Philadelphia, Louis A. Godey, Sarah Josepha Hale,
    IR_f_gdy1864LXIXDec_0023.jpg
  • Heart of Mine - Sheet Music for the piano from Godey's Lady's Book and Magazine, August, 1864, Volume LXIX, (Volume 69), Philadelphia, Louis A. Godey, Sarah Josepha Hale,
    IR_f_gdy1864LXIXAug_0005.jpg
  • Corrosion and oxidation on a copper sheet. A copper component that has been exposed to air for some months and is showing distinct corrosion. Copper reacts slowly with oxygen in the atmosphere to form a layer of brownish black copper (II) oxide. This prevents further oxidation. In the presence of carbon dioxide the copper can react to form basic copper carbonate (Cu2(OH)2CO3), with a characteristic green-blue colour.
    IR_f_corrosion_D9804-Pano.jpg
  • Corrosion and oxidation on a copper sheet. A copper component that has been exposed to air for some months and is showing distinct corrosion. Copper reacts slowly with oxygen in the atmosphere to form a layer of brownish black copper (II) oxide. This prevents further oxidation. In the presence of carbon dioxide the copper can react to form basic copper carbonate (Cu2(OH)2CO3), with a characteristic green-blue colour.
    IR_f_corrosion_D9852-Pano.jpg
  • Statistical Data sheet selective focus in black and white
    MM_m_021-numbers_New.jpg
  • Statistical Data sheet and pencil selective focus in black and white
    MM_m_012-penandalpha_New.jpg
  • Back to school Statistical Data sheet and pencil selective focus in black and white
    MM_m_001-bts01_New.jpg
  • The Sheet Bend knot on white background for joining two ropes of unequal size
    IR_m_51342_new.jpg
  • Back to school Statistical Data sheet and pencil selective focus in black and white
    MM_f_001-bts01_fs_PSh.jpg
  • Vintage Car data sheet 1939 Jaguar SS-100
    VA_Vintage-Car_02255-1.jpg
  • Vintage Car data sheet 1939 Jaguar SS-100
    VA_Vintage-Car_02255.jpg
  • Vegetable plants are being grown in a protective environment of plastic sheets. The plastic sheet reduces water evaporation from the soil
    CL_F080213CL04.jpg
  • Vegetable plants are being grown in a protective environment of plastic sheets. The plastic sheet reduces water evaporation from the soil
    CL_F080213CL03.jpg
  • Margery Daw Sheet Music From the Book ' The baby's bouquet : a fresh bunch of old rhymes & tunes ' by Crane, Walter, 1845-1915; Crane, Lucy, 1842-1882; Evans, Edmund, 1826-1905; Publisher  George Routledge and Sons (London and New York) 1878
    IR_Baby-Bouquet_0059.jpg
  • Three little Kittens Sheet Music From the Book ' The baby's bouquet : a fresh bunch of old rhymes & tunes ' by Crane, Walter, 1845-1915; Crane, Lucy, 1842-1882; Evans, Edmund, 1826-1905; Publisher  George Routledge and Sons (London and New York) 1878
    IR_Baby-Bouquet_0050.jpg
  • London Bridge Sheet Music From the Book ' The baby's bouquet : a fresh bunch of old rhymes & tunes ' by Crane, Walter, 1845-1915; Crane, Lucy, 1842-1882; Evans, Edmund, 1826-1905; Publisher  George Routledge and Sons (London and New York) 1878
    IR_Baby-Bouquet_0046.jpg
  • Lucy Locket Sheet Music From the Book ' The baby's bouquet : a fresh bunch of old rhymes & tunes ' by Crane, Walter, 1845-1915; Crane, Lucy, 1842-1882; Evans, Edmund, 1826-1905; Publisher  George Routledge and Sons (London and New York) 1878
    IR_Baby-Bouquet_0029.jpg
  • Hot Cross Buns Sheet Music From the Book ' The baby's bouquet : a fresh bunch of old rhymes & tunes ' by Crane, Walter, 1845-1915; Crane, Lucy, 1842-1882; Evans, Edmund, 1826-1905; Publisher  George Routledge and Sons (London and New York) 1878
    IR_Baby-Bouquet_0014.jpg
  • Summer Eve Polka by George E Fawcett - Sheet Music for the piano from Godey's Lady's Book and Magazine, June 1864, Philadelphia, Louis A. Godey, Sarah Josepha Hale,
    IR_f_gdy061864_0007.jpg
  • Illustration of a Set of nautical knots with names clove hitch, rolling hitch, reef knot, Sheet bend, bowline and figure eight
    IR_schooner_0075.jpg
  • Sur le Pont d'Avignon Sheet Music From the Book ' The baby's bouquet : a fresh bunch of old rhymes & tunes ' by Crane, Walter, 1845-1915; Crane, Lucy, 1842-1882; Evans, Edmund, 1826-1905; Publisher  George Routledge and Sons (London and New York) 1878
    IR_Baby-Bouquet_0044.jpg
  • Old Man in Leather Sheet Music From the Book ' The baby's bouquet : a fresh bunch of old rhymes & tunes ' by Crane, Walter, 1845-1915; Crane, Lucy, 1842-1882; Evans, Edmund, 1826-1905; Publisher  George Routledge and Sons (London and New York) 1878
    IR_Baby-Bouquet_0040.jpg
  • China, Beijing, Silk factory visitor Center, Female workers stretching sheets of silk
    OR_Beijing_Silk_0330.jpg
  • China, Beijing, Silk factory visitor Center, Female workers stretching sheets of silk
    OR_Beijing_Silk_0329.jpg
  • China, Beijing, Silk factory visitor Center, sheets of silk
    OR_Beijing_Silk_0328.jpg
  • China, Beijing, Silk factory visitor Center, sheets of silk
    OR_Beijing_Silk_0327.jpg
  • China, Shanghai Silk factory visitor Center Female workers stretching sheets of silk
    DG_China_DSC_2334.jpg
  • Silk kimono factory, Kyoto, Japan
    DG_Kyoto_0458.jpg
  • Silk kimono factory, Kyoto, Japan
    DG_Kyoto_0456.jpg
  • Silk kimono factory, Kyoto, Japan
    DG_Kyoto_0447.jpg
  • House remodeling. Furniture covered with plastic before painting
    IR_C8684_Painting.jpg
  • Young African American Woman resting in a bed
    SV_f_Briana-MR-LV_49.jpg
  • Young African American Woman resting in a bed
    SV_f_Briana-MR-LV_50.jpg
  • Young African American Woman resting in a bed
    SV_f_Briana-MR-LV_48.jpg
  • Madagascar, Nosy Komba Island Traditional embroidered tablecloths made by the local women
    RH_Madagascar_09423.jpg
  • Madagascar, Nosy Komba Island Traditional embroidered tablecloths made by the local women
    RH_Madagascar_09419.jpg
  • China, Beijing, Silk factory visitor Center, final woven and dyed product
    OR_Beijing_Silk_0341.jpg
  • China, Beijing, Silk factory visitor Center, final woven and dyed product
    OR_Beijing_Silk_0336.jpg
  • house plants are being grown in a greenhouse
    CL_F080213CL02.jpg
  • Israel, Galilee, The Hagal landfill started operation in 1999 and receives 1200 tons a day. The ground is covered by a waterproof material to prevent liquid waste from entering subterranean water system
    SL_landfill_SL2_7365.jpg
  • Israel, Galilee, The Hagal landfill started operation in 1999 and receives 1200 tons a day. The ground is covered by a waterproof material to prevent liquid waste from entering subterranean water system
    SL_landfill_SL2_7360.jpg
  • Israel, Galilee, The Hagal landfill started operation in 1999 and receives 1200 tons a day. The ground is covered by a waterproof material to prevent liquid waste from entering subterranean water system
    SL_landfill_SL2_7356.jpg
  • Elephant towel decorations and red rose petals on white bed in light hotel room at Delphin Imperial Hotel, Kundu, Aksu, Turkish Riviera, Province of Antalya, Mediterranean Region, Turkey
    SV_Turkey_IMG_2560-NKW.jpg
  • Silk kimono factory, Kyoto, Japan
    DG_Kyoto_0448.jpg
  • Silk kimono factory, Kyoto, Japan
    DG_Kyoto_0451.jpg
  • Young African American Woman resting in a bed
    SV_f_Briana-MR-LV_52.jpg
  • Madagascar, Nosy Komba Island Traditional embroidered tablecloths made by the local women
    RH_Madagascar_09428.jpg
  • Madagascar, Nosy Komba Island Traditional embroidered tablecloths made by the local women
    RH_Madagascar_09424.jpg
  • Madagascar, Nosy Komba Island Traditional embroidered tablecloths made by the local women
    RH_Madagascar_09386.jpg
  • China, Beijing, Silk factory visitor Center, final woven and dyed product
    OR_Beijing_Silk_0339.jpg
  • China, Beijing, Silk factory visitor Center, final woven and dyed product
    OR_Beijing_Silk_0340.jpg
  • China, Beijing, Silk factory visitor Center, loom
    OR_Beijing_Silk_0318.jpg
  • China, Beijing, Silk factory visitor Center, spinning machine
    OR_Beijing_Silk_0314.jpg
  • China, Beijing, Silk factory visitor Center, loom
    OR_Beijing_Silk_0313.jpg
  • Documentation of Indian Dance music From the Book ' Our wild Indians; thirty-three years' personal experience among the red men of the great West ' by Richard Irving Dodge, Richard Irving Dodge (May 19, 1827 – June 16, 1895) was a colonel in the United States Army. Dodge was born in North Carolina[1] and died after a long and successful career in the U.S. Army. He began as a cadet in 1844 and retired as a Colonel May 19, 1891. Published  A. D. Worthington and Company, 1883, Hartford, Conn.
    IR_f_Our-Wild-Indians_0388.jpg
  • Documentation of Indian Dance music From the Book ' Our wild Indians; thirty-three years' personal experience among the red men of the great West ' by Richard Irving Dodge, Richard Irving Dodge (May 19, 1827 – June 16, 1895) was a colonel in the United States Army. Dodge was born in North Carolina[1] and died after a long and successful career in the U.S. Army. He began as a cadet in 1844 and retired as a Colonel May 19, 1891. Published  A. D. Worthington and Company, 1883, Hartford, Conn.
    IR_f_Our-Wild-Indians_0387.jpg
  • A Page from the Aleppo Codex. The Aleppo Codex (Crown of Aleppo) is a medieval bound manuscript of the Hebrew Bible. The codex was written in the city of Tiberias in the 10th century CE (circa 920) under the rule of the Abbasid Caliphate, and was endorsed for its accuracy by Maimonides. Together with the Leningrad Codex, it contains the Ben-Asher masoretic tradition. The codex was kept for five centuries in the Central Synagogue of Aleppo, until the synagogue was torched during anti-Jewish riots in 1947. The fate of the codex during the subsequent decade is unclear: when it resurfaced in Israel in 1958, roughly 40% of the manuscript—including the majority of the Torah section—was missing, and only two additional leaves have been recovered since then. The original supposition that the missing pages were destroyed in the synagogue fire has increasingly been challenged, fueling speculation that they survive in private hands. The portion of the codex that is accounted for is housed in the Shrine of the Book at the Israel Museum.
    IR_f_Aleppo-Codex_0580.jpg
  • A Page from the Aleppo Codex. The Aleppo Codex (Crown of Aleppo) is a medieval bound manuscript of the Hebrew Bible. The codex was written in the city of Tiberias in the 10th century CE (circa 920) under the rule of the Abbasid Caliphate, and was endorsed for its accuracy by Maimonides. Together with the Leningrad Codex, it contains the Ben-Asher masoretic tradition. The codex was kept for five centuries in the Central Synagogue of Aleppo, until the synagogue was torched during anti-Jewish riots in 1947. The fate of the codex during the subsequent decade is unclear: when it resurfaced in Israel in 1958, roughly 40% of the manuscript—including the majority of the Torah section—was missing, and only two additional leaves have been recovered since then. The original supposition that the missing pages were destroyed in the synagogue fire has increasingly been challenged, fueling speculation that they survive in private hands. The portion of the codex that is accounted for is housed in the Shrine of the Book at the Israel Museum.
    IR_f_Aleppo-Codex_0571.jpg
  • A Page from the Aleppo Codex. The Aleppo Codex (Crown of Aleppo) is a medieval bound manuscript of the Hebrew Bible. The codex was written in the city of Tiberias in the 10th century CE (circa 920) under the rule of the Abbasid Caliphate, and was endorsed for its accuracy by Maimonides. Together with the Leningrad Codex, it contains the Ben-Asher masoretic tradition. The codex was kept for five centuries in the Central Synagogue of Aleppo, until the synagogue was torched during anti-Jewish riots in 1947. The fate of the codex during the subsequent decade is unclear: when it resurfaced in Israel in 1958, roughly 40% of the manuscript—including the majority of the Torah section—was missing, and only two additional leaves have been recovered since then. The original supposition that the missing pages were destroyed in the synagogue fire has increasingly been challenged, fueling speculation that they survive in private hands. The portion of the codex that is accounted for is housed in the Shrine of the Book at the Israel Museum.
    IR_f_Aleppo-Codex_0380.jpg
  • A Page from the Aleppo Codex. The Aleppo Codex (Crown of Aleppo) is a medieval bound manuscript of the Hebrew Bible. The codex was written in the city of Tiberias in the 10th century CE (circa 920) under the rule of the Abbasid Caliphate, and was endorsed for its accuracy by Maimonides. Together with the Leningrad Codex, it contains the Ben-Asher masoretic tradition. The codex was kept for five centuries in the Central Synagogue of Aleppo, until the synagogue was torched during anti-Jewish riots in 1947. The fate of the codex during the subsequent decade is unclear: when it resurfaced in Israel in 1958, roughly 40% of the manuscript—including the majority of the Torah section—was missing, and only two additional leaves have been recovered since then. The original supposition that the missing pages were destroyed in the synagogue fire has increasingly been challenged, fueling speculation that they survive in private hands. The portion of the codex that is accounted for is housed in the Shrine of the Book at the Israel Museum.
    IR_f_Aleppo-Codex_0379.jpg
  • A Page from the Aleppo Codex. The Aleppo Codex (Crown of Aleppo) is a medieval bound manuscript of the Hebrew Bible. The codex was written in the city of Tiberias in the 10th century CE (circa 920) under the rule of the Abbasid Caliphate, and was endorsed for its accuracy by Maimonides. Together with the Leningrad Codex, it contains the Ben-Asher masoretic tradition. The codex was kept for five centuries in the Central Synagogue of Aleppo, until the synagogue was torched during anti-Jewish riots in 1947. The fate of the codex during the subsequent decade is unclear: when it resurfaced in Israel in 1958, roughly 40% of the manuscript—including the majority of the Torah section—was missing, and only two additional leaves have been recovered since then. The original supposition that the missing pages were destroyed in the synagogue fire has increasingly been challenged, fueling speculation that they survive in private hands. The portion of the codex that is accounted for is housed in the Shrine of the Book at the Israel Museum.
    IR_f_Aleppo-Codex_0047.jpg
  • A Page from the Aleppo Codex. The Aleppo Codex (Crown of Aleppo) is a medieval bound manuscript of the Hebrew Bible. The codex was written in the city of Tiberias in the 10th century CE (circa 920) under the rule of the Abbasid Caliphate, and was endorsed for its accuracy by Maimonides. Together with the Leningrad Codex, it contains the Ben-Asher masoretic tradition. The codex was kept for five centuries in the Central Synagogue of Aleppo, until the synagogue was torched during anti-Jewish riots in 1947. The fate of the codex during the subsequent decade is unclear: when it resurfaced in Israel in 1958, roughly 40% of the manuscript—including the majority of the Torah section—was missing, and only two additional leaves have been recovered since then. The original supposition that the missing pages were destroyed in the synagogue fire has increasingly been challenged, fueling speculation that they survive in private hands. The portion of the codex that is accounted for is housed in the Shrine of the Book at the Israel Museum.
    IR_f_Aleppo-Codex_0046.jpg
  • A Page from the Aleppo Codex. The Aleppo Codex (Crown of Aleppo) is a medieval bound manuscript of the Hebrew Bible. The codex was written in the city of Tiberias in the 10th century CE (circa 920) under the rule of the Abbasid Caliphate, and was endorsed for its accuracy by Maimonides. Together with the Leningrad Codex, it contains the Ben-Asher masoretic tradition. The codex was kept for five centuries in the Central Synagogue of Aleppo, until the synagogue was torched during anti-Jewish riots in 1947. The fate of the codex during the subsequent decade is unclear: when it resurfaced in Israel in 1958, roughly 40% of the manuscript—including the majority of the Torah section—was missing, and only two additional leaves have been recovered since then. The original supposition that the missing pages were destroyed in the synagogue fire has increasingly been challenged, fueling speculation that they survive in private hands. The portion of the codex that is accounted for is housed in the Shrine of the Book at the Israel Museum.
    IR_f_Aleppo-Codex_0045.jpg
  • Blank white page framed in an ancient weathered leather frame
    IR_f_Beautiful-Birds_0139.jpg
  • Blank white page framed in an ancient weathered leather frame
    IR_f_Beautiful-Birds_0002.jpg
  • Japan, Kyoto, Fushimi Inari Taisha is the head shrine of the god Inari, located in Fushimi Ward in Kyoto, Japan. The shrine sits at the base of a mountain also named Inari which is 233 metres (764 ft) above sea level, and includes trails up the mountain to many smaller shrines which span 4 kilometres (2.5 mi) and take approximately 2 hours to walk up. First and foremost, Inari is the god of rice, but merchants and manufacturers have traditionally worshiped Inari as the patron of business. Each of the torii at Fushimi Inari Taisha has been donated by a Japanese business.
    VA_Kyoto_07017.jpg
  • Flies and insects stuck to yellow fly paper. A fly-killing device made of paper coated with a sweetly fragrant, but extremely sticky or poisonous substance that traps flies and other flying insects when they land upon it.
    IR_Garden_E2611.jpg
  • melting Iceberg with ice floe in foreground, floating in the sea, Antarctica
    BT_f_Ice-Floe_DSC00750.jpg
  • melting Iceberg with ice floe in foreground, floating in the sea, Antarctica
    BT_f_Ice-Floe_DSC00658.jpg
  • melting Iceberg with ice floe in foreground, floating in the sea, Antarctica
    BT_f_Ice-Floe_DSC00596.jpg
  • Blue ice of a glacier in Antarctica. The ice of blue icebergs contains fewer air bubbles than those appearing more or less white. On rainy days their colour appears particularly intense.
    BT_f_Blue-Ice_IA8A9114.jpg
  • Blue ice of a glacier in Antarctica. The ice of blue icebergs contains fewer air bubbles than those appearing more or less white. On rainy days their colour appears particularly intense.
    BT_f_Blue-Ice_IA8A0870.jpg
  • Blue ice of a glacier in Antarctica. The ice of blue icebergs contains fewer air bubbles than those appearing more or less white. On rainy days their colour appears particularly intense.
    BT_f_Blue-Ice_IA8A9080.jpg
  • Blue ice of a glacier in Antarctica. The ice of blue icebergs contains fewer air bubbles than those appearing more or less white. On rainy days their colour appears particularly intense.
    BT_f_Blue-Ice_IA8A0869.jpg
  • Colourful strips of cardboard as texture and background on black background
    DN_f_Cardboard-Origami_13.jpg
  • Colourful strips of cardboard as texture and background on black background
    DN_f_Cardboard-Origami_16.jpg
  • Wilhelmina Bay is a bay 24 kilometres (15 mi) wide between the Reclus Peninsula and Cape Anna along the west coast of Graham Land on the Antarctic Peninsula. It was discovered by the Belgian Antarctic Expedition of 1897-99 led by Adrien de Gerlache. The bay is named for Wilhelmina, Queen of the Netherlands. The bay is surrounded by steep cliffs full of snow and glaciers.
    LW_Wilhelmina-Bay_2118.jpg
  • Panorama of Wilhelmina Bay, Antarctica, a bay 24 kilometres (15 mi) wide between the Reclus Peninsula and Cape Anna along the west coast of Graham Land on the Antarctic Peninsula. It was discovered by the Belgian Antarctic Expedition of 1897-99 led by Adrien de Gerlache. The bay is named for Wilhelmina, Queen of the Netherlands. The bay is surrounded by steep cliffs full of snow and glaciers.
    LW_Antarctica-Panorama-10.jpg
  • Conveyor belt automation at a corrugated cardboard manufacturing plant
    IA_f_Cardboard_ADS_4120.jpg
  • Conveyor belt automation at a corrugated cardboard manufacturing plant
    IA_f_Cardboard_ADS_4113.jpg
  • Conveyor belt automation at a corrugated cardboard manufacturing plant
    IA_f_Cardboard_ADS_4082.jpg
  • Conveyor belt automation at a corrugated cardboard manufacturing plant
    IA_f_Cardboard_ADS_4060.jpg
  • Conveyor belt automation at a corrugated cardboard manufacturing plant
    IA_f_Cardboard_ADS_4048.jpg
  • Conveyor belt automation at a corrugated cardboard manufacturing plant
    IA_f_Cardboard_ADS_4044.jpg
  • Conveyor belt automation at a corrugated cardboard manufacturing plant
    IA_f_Cardboard_ADS_4040.jpg
  • Conveyor belt automation at a corrugated cardboard manufacturing plant
    IA_f_Cardboard_ADS_4015.jpg
  • Conveyor belt automation at a corrugated cardboard manufacturing plant
    IA_f_Cardboard_ADS_3939.jpg
  • Brown Paper storage a corrugated cardboard manufacturing plant
    IA_f_Cardboard_ADS_3804.jpg
  • Paper is converted into corrugated cardboard made of multiple corrugated and flat layers. This final product is used for packing
    IA_f_Cardboard_ADS_3784.jpg
  • Paper is converted into corrugated cardboard made of multiple corrugated and flat layers. This final product is used for packing
    IA_f_Cardboard_ADS_3790.jpg
  • Paper is converted into corrugated cardboard made of multiple corrugated and flat layers. This final product is used for packing
    IA_f_Cardboard_ADS_3771.jpg
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