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  • Soul in Bondage by Elihu Vedder. Oil on Canvas. Elihu Vedder (February 26, 1836 – January 29, 1923) was an American symbolist painter, book illustrator, and poet, born in New York City.
    IR_f_Soul-in-Bondage.jpg
  • Female Soul Singer on black background
    IL_D70_38293 .jpg
  • [Machine Colorized] Dante and Beatrice gaze upon the highest Heaven Paradiso ("Paradise" or "Heaven") is the third and final part of Dante's Divine Comedy, following the Inferno and the Purgatorio. It is an allegory telling of Dante's journey through Heaven, guided by Beatrice, who symbolises theology. In the poem, Paradise is depicted as a series of concentric spheres surrounding the Earth, consisting of the Moon, Mercury, Venus, the Sun, Mars, Jupiter, Saturn, the Fixed Stars, the Primum Mobile and finally, the Empyrean. It was written in the early 14th century. Allegorically, the poem represents the soul's ascent to God.  From the Divine Comedy by 14th century Italian poet Dante Alighieri. 1860 artwork, by French artist Gustave Dore and engraved by Stephane Pannemaker, (1868), Cary's English translation of the work. Dante wrote his epic poem 'Divina Commedia' (The Divine Comedy) between 1308 and his death in 1321. Consisting of 14,233 lines, and divided into three parts (Inferno, Purgatorio, and Paradiso), it is considered the greatest literary work in the Italian language and a world masterpiece. It is a comprehensive survey of medieval theology, literature and thought. The new non-dialect poetic language Dante created became the basis of modern Italian.
    IR_f_Dante-Paradiso-Dore_f625-color.jpg
  • Machine Colourised Paradiso ("Paradise" or "Heaven") is the third and final part of Dante's Divine Comedy, following the Inferno and the Purgatorio. It is an allegory telling of Dante's journey through Heaven, guided by Beatrice, who symbolises theology. In the poem, Paradise is depicted as a series of concentric spheres surrounding the Earth, consisting of the Moon, Mercury, Venus, the Sun, Mars, Jupiter, Saturn, the Fixed Stars, the Primum Mobile and finally, the Empyrean. It was written in the early 14th century. Allegorically, the poem represents the soul's ascent to God.  From the Divine Comedy by 14th century Italian poet Dante Alighieri. 1860 artwork, by French artist Gustave Dore and engraved by Stephane Pannemaker, (1868), Cary's English translation of the work. Dante wrote his epic poem 'Divina Commedia' (The Divine Comedy) between 1308 and his death in 1321. Consisting of 14,233 lines, and divided into three parts (Inferno, Purgatorio, and Paradiso), it is considered the greatest literary work in the Italian language and a world masterpiece. It is a comprehensive survey of medieval theology, literature and thought. The new non-dialect poetic language Dante created became the basis of modern Italian.
    IR_f_Dante-Paradiso-Dore_f625-colour...jpg
  • Paradiso ("Paradise" or "Heaven") is the third and final part of Dante's Divine Comedy, following the Inferno and the Purgatorio. It is an allegory telling of Dante's journey through Heaven, guided by Beatrice, who symbolises theology. In the poem, Paradise is depicted as a series of concentric spheres surrounding the Earth, consisting of the Moon, Mercury, Venus, the Sun, Mars, Jupiter, Saturn, the Fixed Stars, the Primum Mobile and finally, the Empyrean. It was written in the early 14th century. Allegorically, the poem represents the soul's ascent to God.  From the Divine Comedy by 14th century Italian poet Dante Alighieri. 1860 artwork, by French artist Gustave Dore and engraved by Stephane Pannemaker, (1868), Cary's English translation of the work. Dante wrote his epic poem 'Divina Commedia' (The Divine Comedy) between 1308 and his death in 1321. Consisting of 14,233 lines, and divided into three parts (Inferno, Purgatorio, and Paradiso), it is considered the greatest literary work in the Italian language and a world masterpiece. It is a comprehensive survey of medieval theology, literature and thought. The new non-dialect poetic language Dante created became the basis of modern Italian.
    IR_f_Dante-Paradiso-Dore_f633.jpg
  • Paradiso ("Paradise" or "Heaven") is the third and final part of Dante's Divine Comedy, following the Inferno and the Purgatorio. It is an allegory telling of Dante's journey through Heaven, guided by Beatrice, who symbolises theology. In the poem, Paradise is depicted as a series of concentric spheres surrounding the Earth, consisting of the Moon, Mercury, Venus, the Sun, Mars, Jupiter, Saturn, the Fixed Stars, the Primum Mobile and finally, the Empyrean. It was written in the early 14th century. Allegorically, the poem represents the soul's ascent to God.  From the Divine Comedy by 14th century Italian poet Dante Alighieri. 1860 artwork, by French artist Gustave Dore and engraved by Stephane Pannemaker, (1868), Cary's English translation of the work. Dante wrote his epic poem 'Divina Commedia' (The Divine Comedy) between 1308 and his death in 1321. Consisting of 14,233 lines, and divided into three parts (Inferno, Purgatorio, and Paradiso), it is considered the greatest literary work in the Italian language and a world masterpiece. It is a comprehensive survey of medieval theology, literature and thought. The new non-dialect poetic language Dante created became the basis of modern Italian.
    IR_f_Dante-Paradiso-Dore_f625.jpg
  • Paradiso ("Paradise" or "Heaven") is the third and final part of Dante's Divine Comedy, following the Inferno and the Purgatorio. It is an allegory telling of Dante's journey through Heaven, guided by Beatrice, who symbolises theology. In the poem, Paradise is depicted as a series of concentric spheres surrounding the Earth, consisting of the Moon, Mercury, Venus, the Sun, Mars, Jupiter, Saturn, the Fixed Stars, the Primum Mobile and finally, the Empyrean. It was written in the early 14th century. Allegorically, the poem represents the soul's ascent to God.  From the Divine Comedy by 14th century Italian poet Dante Alighieri. 1860 artwork, by French artist Gustave Dore and engraved by Stephane Pannemaker, (1868), Cary's English translation of the work. Dante wrote his epic poem 'Divina Commedia' (The Divine Comedy) between 1308 and his death in 1321. Consisting of 14,233 lines, and divided into three parts (Inferno, Purgatorio, and Paradiso), it is considered the greatest literary work in the Italian language and a world masterpiece. It is a comprehensive survey of medieval theology, literature and thought. The new non-dialect poetic language Dante created became the basis of modern Italian.
    IR_f_Dante-Paradiso-Dore_f607.jpg
  • Paradiso ("Paradise" or "Heaven") is the third and final part of Dante's Divine Comedy, following the Inferno and the Purgatorio. It is an allegory telling of Dante's journey through Heaven, guided by Beatrice, who symbolises theology. In the poem, Paradise is depicted as a series of concentric spheres surrounding the Earth, consisting of the Moon, Mercury, Venus, the Sun, Mars, Jupiter, Saturn, the Fixed Stars, the Primum Mobile and finally, the Empyrean. It was written in the early 14th century. Allegorically, the poem represents the soul's ascent to God.  From the Divine Comedy by 14th century Italian poet Dante Alighieri. 1860 artwork, by French artist Gustave Dore and engraved by Stephane Pannemaker, (1868), Cary's English translation of the work. Dante wrote his epic poem 'Divina Commedia' (The Divine Comedy) between 1308 and his death in 1321. Consisting of 14,233 lines, and divided into three parts (Inferno, Purgatorio, and Paradiso), it is considered the greatest literary work in the Italian language and a world masterpiece. It is a comprehensive survey of medieval theology, literature and thought. The new non-dialect poetic language Dante created became the basis of modern Italian.
    IR_f_Dante-Paradiso-Dore_f595.jpg
  • Paradiso ("Paradise" or "Heaven") is the third and final part of Dante's Divine Comedy, following the Inferno and the Purgatorio. It is an allegory telling of Dante's journey through Heaven, guided by Beatrice, who symbolises theology. In the poem, Paradise is depicted as a series of concentric spheres surrounding the Earth, consisting of the Moon, Mercury, Venus, the Sun, Mars, Jupiter, Saturn, the Fixed Stars, the Primum Mobile and finally, the Empyrean. It was written in the early 14th century. Allegorically, the poem represents the soul's ascent to God.  From the Divine Comedy by 14th century Italian poet Dante Alighieri. 1860 artwork, by French artist Gustave Dore and engraved by Stephane Pannemaker, (1868), Cary's English translation of the work. Dante wrote his epic poem 'Divina Commedia' (The Divine Comedy) between 1308 and his death in 1321. Consisting of 14,233 lines, and divided into three parts (Inferno, Purgatorio, and Paradiso), it is considered the greatest literary work in the Italian language and a world masterpiece. It is a comprehensive survey of medieval theology, literature and thought. The new non-dialect poetic language Dante created became the basis of modern Italian.
    IR_f_Dante-Paradiso-Dore_f585.jpg
  • Paradiso ("Paradise" or "Heaven") is the third and final part of Dante's Divine Comedy, following the Inferno and the Purgatorio. It is an allegory telling of Dante's journey through Heaven, guided by Beatrice, who symbolises theology. In the poem, Paradise is depicted as a series of concentric spheres surrounding the Earth, consisting of the Moon, Mercury, Venus, the Sun, Mars, Jupiter, Saturn, the Fixed Stars, the Primum Mobile and finally, the Empyrean. It was written in the early 14th century. Allegorically, the poem represents the soul's ascent to God.  From the Divine Comedy by 14th century Italian poet Dante Alighieri. 1860 artwork, by French artist Gustave Dore and engraved by Stephane Pannemaker, (1868), Cary's English translation of the work. Dante wrote his epic poem 'Divina Commedia' (The Divine Comedy) between 1308 and his death in 1321. Consisting of 14,233 lines, and divided into three parts (Inferno, Purgatorio, and Paradiso), it is considered the greatest literary work in the Italian language and a world masterpiece. It is a comprehensive survey of medieval theology, literature and thought. The new non-dialect poetic language Dante created became the basis of modern Italian.
    IR_f_Dante-Paradiso-Dore_f553.jpg
  • Paradiso ("Paradise" or "Heaven") is the third and final part of Dante's Divine Comedy, following the Inferno and the Purgatorio. It is an allegory telling of Dante's journey through Heaven, guided by Beatrice, who symbolises theology. In the poem, Paradise is depicted as a series of concentric spheres surrounding the Earth, consisting of the Moon, Mercury, Venus, the Sun, Mars, Jupiter, Saturn, the Fixed Stars, the Primum Mobile and finally, the Empyrean. It was written in the early 14th century. Allegorically, the poem represents the soul's ascent to God.  From the Divine Comedy by 14th century Italian poet Dante Alighieri. 1860 artwork, by French artist Gustave Dore and engraved by Stephane Pannemaker, (1868), Cary's English translation of the work. Dante wrote his epic poem 'Divina Commedia' (The Divine Comedy) between 1308 and his death in 1321. Consisting of 14,233 lines, and divided into three parts (Inferno, Purgatorio, and Paradiso), it is considered the greatest literary work in the Italian language and a world masterpiece. It is a comprehensive survey of medieval theology, literature and thought. The new non-dialect poetic language Dante created became the basis of modern Italian.
    IR_f_Dante-Paradiso-Dore_f547.jpg
  • Paradiso ("Paradise" or "Heaven") is the third and final part of Dante's Divine Comedy, following the Inferno and the Purgatorio. It is an allegory telling of Dante's journey through Heaven, guided by Beatrice, who symbolises theology. In the poem, Paradise is depicted as a series of concentric spheres surrounding the Earth, consisting of the Moon, Mercury, Venus, the Sun, Mars, Jupiter, Saturn, the Fixed Stars, the Primum Mobile and finally, the Empyrean. It was written in the early 14th century. Allegorically, the poem represents the soul's ascent to God.  From the Divine Comedy by 14th century Italian poet Dante Alighieri. 1860 artwork, by French artist Gustave Dore and engraved by Stephane Pannemaker, (1868), Cary's English translation of the work. Dante wrote his epic poem 'Divina Commedia' (The Divine Comedy) between 1308 and his death in 1321. Consisting of 14,233 lines, and divided into three parts (Inferno, Purgatorio, and Paradiso), it is considered the greatest literary work in the Italian language and a world masterpiece. It is a comprehensive survey of medieval theology, literature and thought. The new non-dialect poetic language Dante created became the basis of modern Italian.
    IR_f_Dante-Paradiso-Dore_f537.jpg
  • Paradiso ("Paradise" or "Heaven") is the third and final part of Dante's Divine Comedy, following the Inferno and the Purgatorio. It is an allegory telling of Dante's journey through Heaven, guided by Beatrice, who symbolises theology. In the poem, Paradise is depicted as a series of concentric spheres surrounding the Earth, consisting of the Moon, Mercury, Venus, the Sun, Mars, Jupiter, Saturn, the Fixed Stars, the Primum Mobile and finally, the Empyrean. It was written in the early 14th century. Allegorically, the poem represents the soul's ascent to God.  From the Divine Comedy by 14th century Italian poet Dante Alighieri. 1860 artwork, by French artist Gustave Dore and engraved by Stephane Pannemaker, (1868), Cary's English translation of the work. Dante wrote his epic poem 'Divina Commedia' (The Divine Comedy) between 1308 and his death in 1321. Consisting of 14,233 lines, and divided into three parts (Inferno, Purgatorio, and Paradiso), it is considered the greatest literary work in the Italian language and a world masterpiece. It is a comprehensive survey of medieval theology, literature and thought. The new non-dialect poetic language Dante created became the basis of modern Italian.
    IR_f_Dante-Paradiso-Dore_f527.jpg
  • Paradiso ("Paradise" or "Heaven") is the third and final part of Dante's Divine Comedy, following the Inferno and the Purgatorio. It is an allegory telling of Dante's journey through Heaven, guided by Beatrice, who symbolises theology. In the poem, Paradise is depicted as a series of concentric spheres surrounding the Earth, consisting of the Moon, Mercury, Venus, the Sun, Mars, Jupiter, Saturn, the Fixed Stars, the Primum Mobile and finally, the Empyrean. It was written in the early 14th century. Allegorically, the poem represents the soul's ascent to God.  From the Divine Comedy by 14th century Italian poet Dante Alighieri. 1860 artwork, by French artist Gustave Dore and engraved by Stephane Pannemaker, (1868), Cary's English translation of the work. Dante wrote his epic poem 'Divina Commedia' (The Divine Comedy) between 1308 and his death in 1321. Consisting of 14,233 lines, and divided into three parts (Inferno, Purgatorio, and Paradiso), it is considered the greatest literary work in the Italian language and a world masterpiece. It is a comprehensive survey of medieval theology, literature and thought. The new non-dialect poetic language Dante created became the basis of modern Italian.
    IR_f_Dante-Paradiso-Dore_f515.jpg
  • Paradiso ("Paradise" or "Heaven") is the third and final part of Dante's Divine Comedy, following the Inferno and the Purgatorio. It is an allegory telling of Dante's journey through Heaven, guided by Beatrice, who symbolises theology. In the poem, Paradise is depicted as a series of concentric spheres surrounding the Earth, consisting of the Moon, Mercury, Venus, the Sun, Mars, Jupiter, Saturn, the Fixed Stars, the Primum Mobile and finally, the Empyrean. It was written in the early 14th century. Allegorically, the poem represents the soul's ascent to God.  From the Divine Comedy by 14th century Italian poet Dante Alighieri. 1860 artwork, by French artist Gustave Dore and engraved by Stephane Pannemaker, (1868), Cary's English translation of the work. Dante wrote his epic poem 'Divina Commedia' (The Divine Comedy) between 1308 and his death in 1321. Consisting of 14,233 lines, and divided into three parts (Inferno, Purgatorio, and Paradiso), it is considered the greatest literary work in the Italian language and a world masterpiece. It is a comprehensive survey of medieval theology, literature and thought. The new non-dialect poetic language Dante created became the basis of modern Italian.
    IR_f_Dante-Paradiso-Dore_f501.jpg
  • Paradiso ("Paradise" or "Heaven") is the third and final part of Dante's Divine Comedy, following the Inferno and the Purgatorio. It is an allegory telling of Dante's journey through Heaven, guided by Beatrice, who symbolises theology. In the poem, Paradise is depicted as a series of concentric spheres surrounding the Earth, consisting of the Moon, Mercury, Venus, the Sun, Mars, Jupiter, Saturn, the Fixed Stars, the Primum Mobile and finally, the Empyrean. It was written in the early 14th century. Allegorically, the poem represents the soul's ascent to God.  From the Divine Comedy by 14th century Italian poet Dante Alighieri. 1860 artwork, by French artist Gustave Dore and engraved by Stephane Pannemaker, (1868), Cary's English translation of the work. Dante wrote his epic poem 'Divina Commedia' (The Divine Comedy) between 1308 and his death in 1321. Consisting of 14,233 lines, and divided into three parts (Inferno, Purgatorio, and Paradiso), it is considered the greatest literary work in the Italian language and a world masterpiece. It is a comprehensive survey of medieval theology, literature and thought. The new non-dialect poetic language Dante created became the basis of modern Italian.
    IR_f_Dante-Paradiso-Dore_f487.jpg
  • Paradiso ("Paradise" or "Heaven") is the third and final part of Dante's Divine Comedy, following the Inferno and the Purgatorio. It is an allegory telling of Dante's journey through Heaven, guided by Beatrice, who symbolises theology. In the poem, Paradise is depicted as a series of concentric spheres surrounding the Earth, consisting of the Moon, Mercury, Venus, the Sun, Mars, Jupiter, Saturn, the Fixed Stars, the Primum Mobile and finally, the Empyrean. It was written in the early 14th century. Allegorically, the poem represents the soul's ascent to God.  From the Divine Comedy by 14th century Italian poet Dante Alighieri. 1860 artwork, by French artist Gustave Dore and engraved by Stephane Pannemaker, (1868), Cary's English translation of the work. Dante wrote his epic poem 'Divina Commedia' (The Divine Comedy) between 1308 and his death in 1321. Consisting of 14,233 lines, and divided into three parts (Inferno, Purgatorio, and Paradiso), it is considered the greatest literary work in the Italian language and a world masterpiece. It is a comprehensive survey of medieval theology, literature and thought. The new non-dialect poetic language Dante created became the basis of modern Italian.
    IR_f_Dante-Paradiso-Dore_f481.jpg
  • Paradiso ("Paradise" or "Heaven") is the third and final part of Dante's Divine Comedy, following the Inferno and the Purgatorio. It is an allegory telling of Dante's journey through Heaven, guided by Beatrice, who symbolises theology. In the poem, Paradise is depicted as a series of concentric spheres surrounding the Earth, consisting of the Moon, Mercury, Venus, the Sun, Mars, Jupiter, Saturn, the Fixed Stars, the Primum Mobile and finally, the Empyrean. It was written in the early 14th century. Allegorically, the poem represents the soul's ascent to God.  From the Divine Comedy by 14th century Italian poet Dante Alighieri. 1860 artwork, by French artist Gustave Dore and engraved by Stephane Pannemaker, (1868), Cary's English translation of the work. Dante wrote his epic poem 'Divina Commedia' (The Divine Comedy) between 1308 and his death in 1321. Consisting of 14,233 lines, and divided into three parts (Inferno, Purgatorio, and Paradiso), it is considered the greatest literary work in the Italian language and a world masterpiece. It is a comprehensive survey of medieval theology, literature and thought. The new non-dialect poetic language Dante created became the basis of modern Italian.
    IR_f_Dante-Paradiso-Dore_f439.jpg
  • Paradiso ("Paradise" or "Heaven") is the third and final part of Dante's Divine Comedy, following the Inferno and the Purgatorio. It is an allegory telling of Dante's journey through Heaven, guided by Beatrice, who symbolises theology. In the poem, Paradise is depicted as a series of concentric spheres surrounding the Earth, consisting of the Moon, Mercury, Venus, the Sun, Mars, Jupiter, Saturn, the Fixed Stars, the Primum Mobile and finally, the Empyrean. It was written in the early 14th century. Allegorically, the poem represents the soul's ascent to God.  From the Divine Comedy by 14th century Italian poet Dante Alighieri. 1860 artwork, by French artist Gustave Dore and engraved by Stephane Pannemaker, (1868), Cary's English translation of the work. Dante wrote his epic poem 'Divina Commedia' (The Divine Comedy) between 1308 and his death in 1321. Consisting of 14,233 lines, and divided into three parts (Inferno, Purgatorio, and Paradiso), it is considered the greatest literary work in the Italian language and a world masterpiece. It is a comprehensive survey of medieval theology, literature and thought. The new non-dialect poetic language Dante created became the basis of modern Italian.
    IR_f_Dante-Paradiso-Dore_f463.jpg
  • Paradiso ("Paradise" or "Heaven") is the third and final part of Dante's Divine Comedy, following the Inferno and the Purgatorio. It is an allegory telling of Dante's journey through Heaven, guided by Beatrice, who symbolises theology. In the poem, Paradise is depicted as a series of concentric spheres surrounding the Earth, consisting of the Moon, Mercury, Venus, the Sun, Mars, Jupiter, Saturn, the Fixed Stars, the Primum Mobile and finally, the Empyrean. It was written in the early 14th century. Allegorically, the poem represents the soul's ascent to God.  From the Divine Comedy by 14th century Italian poet Dante Alighieri. 1860 artwork, by French artist Gustave Dore and engraved by Stephane Pannemaker, (1868), Cary's English translation of the work. Dante wrote his epic poem 'Divina Commedia' (The Divine Comedy) between 1308 and his death in 1321. Consisting of 14,233 lines, and divided into three parts (Inferno, Purgatorio, and Paradiso), it is considered the greatest literary work in the Italian language and a world masterpiece. It is a comprehensive survey of medieval theology, literature and thought. The new non-dialect poetic language Dante created became the basis of modern Italian.
    IR_f_Dante-Paradiso-Dore_f401.jpg
  • Paradiso ("Paradise" or "Heaven") is the third and final part of Dante's Divine Comedy, following the Inferno and the Purgatorio. It is an allegory telling of Dante's journey through Heaven, guided by Beatrice, who symbolises theology. In the poem, Paradise is depicted as a series of concentric spheres surrounding the Earth, consisting of the Moon, Mercury, Venus, the Sun, Mars, Jupiter, Saturn, the Fixed Stars, the Primum Mobile and finally, the Empyrean. It was written in the early 14th century. Allegorically, the poem represents the soul's ascent to God.  From the Divine Comedy by 14th century Italian poet Dante Alighieri. 1860 artwork, by French artist Gustave Dore and engraved by Stephane Pannemaker, (1868), Cary's English translation of the work. Dante wrote his epic poem 'Divina Commedia' (The Divine Comedy) between 1308 and his death in 1321. Consisting of 14,233 lines, and divided into three parts (Inferno, Purgatorio, and Paradiso), it is considered the greatest literary work in the Italian language and a world masterpiece. It is a comprehensive survey of medieval theology, literature and thought. The new non-dialect poetic language Dante created became the basis of modern Italian.
    IR_f_Dante-Paradiso-Dore_f521.jpg
  • Paradiso ("Paradise" or "Heaven") is the third and final part of Dante's Divine Comedy, following the Inferno and the Purgatorio. It is an allegory telling of Dante's journey through Heaven, guided by Beatrice, who symbolises theology. In the poem, Paradise is depicted as a series of concentric spheres surrounding the Earth, consisting of the Moon, Mercury, Venus, the Sun, Mars, Jupiter, Saturn, the Fixed Stars, the Primum Mobile and finally, the Empyrean. It was written in the early 14th century. Allegorically, the poem represents the soul's ascent to God.  From the Divine Comedy by 14th century Italian poet Dante Alighieri. 1860 artwork, by French artist Gustave Dore and engraved by Stephane Pannemaker, (1868), Cary's English translation of the work. Dante wrote his epic poem 'Divina Commedia' (The Divine Comedy) between 1308 and his death in 1321. Consisting of 14,233 lines, and divided into three parts (Inferno, Purgatorio, and Paradiso), it is considered the greatest literary work in the Italian language and a world masterpiece. It is a comprehensive survey of medieval theology, literature and thought. The new non-dialect poetic language Dante created became the basis of modern Italian.
    IR_f_Dante-Paradiso-Dore_f417.jpg
  • How Undine was Found Again from the book ' UNDINE ' BY DE LA MOTTE POUQUE; ADAPTEDFrom German by W L COURTNEY ILLUSTRATED BY ARTHUR RACKHAM Published in London and New York in 1909 Undine is a fairytale novella (Erzählung) by Friedrich de la Motte Fouqué in which Undine, a water spirit, marries a knight named Huldebrand in order to gain a soul. Published in 1811, it is an early German romance, which has been translated into English and other languages.
    IR_f_Undine_0048.jpg
  • HOW THE KNIGHT HULDBRAND IS MARRIED from the book ' UNDINE ' BY DE LA MOTTE POUQUE; ADAPTEDFrom German by W L COURTNEY ILLUSTRATED BY ARTHUR RACKHAM Published in London and New York in 1909 Undine is a fairytale novella (Erzählung) by Friedrich de la Motte Fouqué in which Undine, a water spirit, marries a knight named Huldebrand in order to gain a soul. Published in 1811, it is an early German romance, which has been translated into English and other languages.
    IR_f_Undine_0199.jpg
  • How The Knight fared on the Peninsula from the book ' UNDINE ' BY DE LA MOTTE POUQUE; ADAPTEDFrom German by W L COURTNEY ILLUSTRATED BY ARTHUR RACKHAM Published in London and New York in 1909 Undine is a fairytale novella (Erzählung) by Friedrich de la Motte Fouqué in which Undine, a water spirit, marries a knight named Huldebrand in order to gain a soul. Published in 1811, it is an early German romance, which has been translated into English and other languages.
    IR_f_Undine_0079.jpg
  • He could see Undine beneath the crystal vault from the book ' UNDINE ' BY DE LA MOTTE POUQUE; ADAPTEDFrom German by W L COURTNEY ILLUSTRATED BY ARTHUR RACKHAM Published in London and New York in 1909 Undine is a fairytale novella (Erzählung) by Friedrich de la Motte Fouqué in which Undine, a water spirit, marries a knight named Huldebrand in order to gain a soul. Published in 1811, it is an early German romance, which has been translated into English and other languages.
    IR_f_Undine_0195.jpg
  • Bertalda in the Black Valley from the book ' UNDINE ' BY DE LA MOTTE POUQUE; ADAPTEDFrom German by W L COURTNEY ILLUSTRATED BY ARTHUR RACKHAM Published in London and New York in 1909 Undine is a fairytale novella (Erzählung) by Friedrich de la Motte Fouqué in which Undine, a water spirit, marries a knight named Huldebrand in order to gain a soul. Published in 1811, it is an early German romance, which has been translated into English and other languages.
    IR_f_Undine_0163.jpg
  • Soon she was lost to sight in the Danube from the book ' UNDINE ' BY DE LA MOTTE POUQUE; ADAPTEDFrom German by W L COURTNEY ILLUSTRATED BY ARTHUR RACKHAM Published in London and New York in 1909 Undine is a fairytale novella (Erzählung) by Friedrich de la Motte Fouqué in which Undine, a water spirit, marries a knight named Huldebrand in order to gain a soul. Published in 1811, it is an early German romance, which has been translated into English and other languages.
    IR_f_Undine_0181.jpg
  • He saw by the moonlight momentarily unveiled, a little island encircled by the flood; and there under the branches of the overhanging trees was Undine from the book ' UNDINE ' BY DE LA MOTTE POUQUE; ADAPTEDFrom German by W L COURTNEY ILLUSTRATED BY ARTHUR RACKHAM Published in London and New York in 1909 Undine is a fairytale novella (Erzählung) by Friedrich de la Motte Fouqué in which Undine, a water spirit, marries a knight named Huldebrand in order to gain a soul. Published in 1811, it is an early German romance, which has been translated into English and other languages.
    IR_f_Undine_0053.jpg
  • Bertalda from the book ' UNDINE ' BY DE LA MOTTE POUQUE; ADAPTEDFrom German by W L COURTNEY ILLUSTRATED BY ARTHUR RACKHAM Published in London and New York in 1909 Undine is a fairytale novella (Erzählung) by Friedrich de la Motte Fouqué in which Undine, a water spirit, marries a knight named Huldebrand in order to gain a soul. Published in 1811, it is an early German romance, which has been translated into English and other languages.
    IR_f_Undine_0131.jpg
  • When the storm threatened to burst on their heads, she uttered a laughing reproof to the clouds. " Come, come," saith she, " look to it that you wet us not " from the book ' UNDINE ' BY DE LA MOTTE POUQUE; ADAPTEDFrom German by W L COURTNEY ILLUSTRATED BY ARTHUR RACKHAM Published in London and New York in 1909 Undine is a fairytale novella (Erzählung) by Friedrich de la Motte Fouqué in which Undine, a water spirit, marries a knight named Huldebrand in order to gain a soul. Published in 1811, it is an early German romance, which has been translated into English and other languages.
    IR_f_Undine_0087.jpg
  • At length they all pointed their stained fingers at me from the book ' UNDINE ' BY DE LA MOTTE POUQUE; ADAPTEDFrom German by W L COURTNEY ILLUSTRATED BY ARTHUR RACKHAM Published in London and New York in 1909 Undine is a fairytale novella (Erzählung) by Friedrich de la Motte Fouqué in which Undine, a water spirit, marries a knight named Huldebrand in order to gain a soul. Published in 1811, it is an early German romance, which has been translated into English and other languages.
    IR_f_Undine_0075.jpg
  • He held up the gold piece, crying at each leap of his, "False gold ! false coin ! false coin ! " from the book ' UNDINE ' BY DE LA MOTTE POUQUE; ADAPTEDFrom German by W L COURTNEY ILLUSTRATED BY ARTHUR RACKHAM Published in London and New York in 1909 Undine is a fairytale novella (Erzählung) by Friedrich de la Motte Fouqué in which Undine, a water spirit, marries a knight named Huldebrand in order to gain a soul. Published in 1811, it is an early German romance, which has been translated into English and other languages.
    IR_f_Undine_0069.jpg
  • The Infancy of Undine from the book ' UNDINE ' BY DE LA MOTTE POUQUE; ADAPTEDFrom German by W L COURTNEY ILLUSTRATED BY ARTHUR RACKHAM Published in London and New York in 1909 Undine is a fairytale novella (Erzählung) by Friedrich de la Motte Fouqué in which Undine, a water spirit, marries a knight named Huldebrand in order to gain a soul. Published in 1811, it is an early German romance, which has been translated into English and other languages.
    IR_f_Undine_0045.jpg
  • A beautiful little girl clad in rich garments stood there on the threshold smiling from the book ' UNDINE ' BY DE LA MOTTE POUQUE; ADAPTEDFrom German by W L COURTNEY ILLUSTRATED BY ARTHUR RACKHAM Published in London and New York in 1909 Undine is a fairytale novella (Erzählung) by Friedrich de la Motte Fouqué in which Undine, a water spirit, marries a knight named Huldebrand in order to gain a soul. Published in 1811, it is an early German romance, which has been translated into English and other languages.
    IR_f_Undine_0039.jpg
  • How Undine had come to the Fisherman from the book ' UNDINE ' BY DE LA MOTTE POUQUE; ADAPTEDFrom German by W L COURTNEY ILLUSTRATED BY ARTHUR RACKHAM Published in London and New York in 1909 Undine is a fairytale novella (Erzählung) by Friedrich de la Motte Fouqué in which Undine, a water spirit, marries a knight named Huldebrand in order to gain a soul. Published in 1811, it is an early German romance, which has been translated into English and other languages.
    IR_f_Undine_0032.jpg
  • At the back of this little tongue of land there lay a fearsome forest right perilous to traverse from the book ' UNDINE ' BY DE LA MOTTE POUQUE; ADAPTEDFrom German by W L COURTNEY ILLUSTRATED BY ARTHUR RACKHAM Published in London and New York in 1909 Undine is a fairytale novella (Erzählung) by Friedrich de la Motte Fouqué in which Undine, a water spirit, marries a knight named Huldebrand in order to gain a soul. Published in 1811, it is an early German romance, which has been translated into English and other languages.
    IR_f_Undine_0023.jpg
  • See this man, — he is Time by Théophile Schuler from Master Zacharius, or the clockmaker who lost his soul (French: Maître Zacharius ou l'horloger qui avait perdu son âme) is an 1854 short story by Jules Verne. The story, an intensely Romantic fantasy echoing the works of E. T. A. Hoffmann, is a Faustian tragedy about an inventor whose overpowering pride leads to his downfall. In Geneva, the clockmaker Master Zacharius lives with his daughter Gerande, his apprentice Aubert Thun, and his elderly servant Scholastique. Zacharius is celebrated throughout France and Germany for having invented the escapement, and is fiercely proud of his successes. When the story opens, he is troubled by an inexplicable mystery: for several days, all of the many clocks he has made and sold have begun to suddenly stop, one by one. Unable to fix any of them or to find a reason for the phenomenon, Zacharius falls into mental torment and becomes seriously ill. Gerande and Aubert, who have gradually fallen in love with one another, manage to nurse Zacharius into better health, but are surprised by the appearance of a stranger in the town, a bizarre creature like a cross between a small old man and an anthropomorphic clock. The creature confronts Zacharius directly, taunting him about the failed clocks and suggesting that death is coming to him
    IR_f_Master-Zacharius_0255.jpg
  • He was dead by Théophile Schuler from Master Zacharius, or the clockmaker who lost his soul (French: Maître Zacharius ou l'horloger qui avait perdu son âme) is an 1854 short story by Jules Verne. The story, an intensely Romantic fantasy echoing the works of E. T. A. Hoffmann, is a Faustian tragedy about an inventor whose overpowering pride leads to his downfall. In Geneva, the clockmaker Master Zacharius lives with his daughter Gerande, his apprentice Aubert Thun, and his elderly servant Scholastique. Zacharius is celebrated throughout France and Germany for having invented the escapement, and is fiercely proud of his successes. When the story opens, he is troubled by an inexplicable mystery: for several days, all of the many clocks he has made and sold have begun to suddenly stop, one by one. Unable to fix any of them or to find a reason for the phenomenon, Zacharius falls into mental torment and becomes seriously ill. Gerande and Aubert, who have gradually fallen in love with one another, manage to nurse Zacharius into better health, but are surprised by the appearance of a stranger in the town, a bizarre creature like a cross between a small old man and an anthropomorphic clock. The creature confronts Zacharius directly, taunting him about the failed clocks and suggesting that death is coming to him
    IR_f_Master-Zacharius_0265.jpg
  • It is there — there! by Théophile Schuler from Master Zacharius, or the clockmaker who lost his soul (French: Maître Zacharius ou l'horloger qui avait perdu son âme) is an 1854 short story by Jules Verne. The story, an intensely Romantic fantasy echoing the works of E. T. A. Hoffmann, is a Faustian tragedy about an inventor whose overpowering pride leads to his downfall. In Geneva, the clockmaker Master Zacharius lives with his daughter Gerande, his apprentice Aubert Thun, and his elderly servant Scholastique. Zacharius is celebrated throughout France and Germany for having invented the escapement, and is fiercely proud of his successes. When the story opens, he is troubled by an inexplicable mystery: for several days, all of the many clocks he has made and sold have begun to suddenly stop, one by one. Unable to fix any of them or to find a reason for the phenomenon, Zacharius falls into mental torment and becomes seriously ill. Gerande and Aubert, who have gradually fallen in love with one another, manage to nurse Zacharius into better health, but are surprised by the appearance of a stranger in the town, a bizarre creature like a cross between a small old man and an anthropomorphic clock. The creature confronts Zacharius directly, taunting him about the failed clocks and suggesting that death is coming to him
    IR_f_Master-Zacharius_0249.jpg
  • From morning till night discontented purchasers besieged the house by Théophile Schuler from Master Zacharius, or the clockmaker who lost his soul (French: Maître Zacharius ou l'horloger qui avait perdu son âme) is an 1854 short story by Jules Verne. The story, an intensely Romantic fantasy echoing the works of E. T. A. Hoffmann, is a Faustian tragedy about an inventor whose overpowering pride leads to his downfall. In Geneva, the clockmaker Master Zacharius lives with his daughter Gerande, his apprentice Aubert Thun, and his elderly servant Scholastique. Zacharius is celebrated throughout France and Germany for having invented the escapement, and is fiercely proud of his successes. When the story opens, he is troubled by an inexplicable mystery: for several days, all of the many clocks he has made and sold have begun to suddenly stop, one by one. Unable to fix any of them or to find a reason for the phenomenon, Zacharius falls into mental torment and becomes seriously ill. Gerande and Aubert, who have gradually fallen in love with one another, manage to nurse Zacharius into better health, but are surprised by the appearance of a stranger in the town, a bizarre creature like a cross between a small old man and an anthropomorphic clock. The creature confronts Zacharius directly, taunting him about the failed clocks and suggesting that death is coming to him
    IR_f_Master-Zacharius_0231.jpg
  • This proud old man remained motionless by Théophile Schuler from Master Zacharius, or the clockmaker who lost his soul (French: Maître Zacharius ou l'horloger qui avait perdu son âme) is an 1854 short story by Jules Verne. The story, an intensely Romantic fantasy echoing the works of E. T. A. Hoffmann, is a Faustian tragedy about an inventor whose overpowering pride leads to his downfall. In Geneva, the clockmaker Master Zacharius lives with his daughter Gerande, his apprentice Aubert Thun, and his elderly servant Scholastique. Zacharius is celebrated throughout France and Germany for having invented the escapement, and is fiercely proud of his successes. When the story opens, he is troubled by an inexplicable mystery: for several days, all of the many clocks he has made and sold have begun to suddenly stop, one by one. Unable to fix any of them or to find a reason for the phenomenon, Zacharius falls into mental torment and becomes seriously ill. Gerande and Aubert, who have gradually fallen in love with one another, manage to nurse Zacharius into better health, but are surprised by the appearance of a stranger in the town, a bizarre creature like a cross between a small old man and an anthropomorphic clock. The creature confronts Zacharius directly, taunting him about the failed clocks and suggesting that death is coming to him
    IR_f_Master-Zacharius_0237.jpg
  • The young girl prayed by Théophile Schuler from Master Zacharius, or the clockmaker who lost his soul (French: Maître Zacharius ou l'horloger qui avait perdu son âme) is an 1854 short story by Jules Verne. The story, an intensely Romantic fantasy echoing the works of E. T. A. Hoffmann, is a Faustian tragedy about an inventor whose overpowering pride leads to his downfall. In Geneva, the clockmaker Master Zacharius lives with his daughter Gerande, his apprentice Aubert Thun, and his elderly servant Scholastique. Zacharius is celebrated throughout France and Germany for having invented the escapement, and is fiercely proud of his successes. When the story opens, he is troubled by an inexplicable mystery: for several days, all of the many clocks he has made and sold have begun to suddenly stop, one by one. Unable to fix any of them or to find a reason for the phenomenon, Zacharius falls into mental torment and becomes seriously ill. Gerande and Aubert, who have gradually fallen in love with one another, manage to nurse Zacharius into better health, but are surprised by the appearance of a stranger in the town, a bizarre creature like a cross between a small old man and an anthropomorphic clock. The creature confronts Zacharius directly, taunting him about the failed clocks and suggesting that death is coming to him
    IR_f_Master-Zacharius_0191.jpg
  • He would raise the trap-door constructed in the floor of his<br />
workshop by Théophile Schuler from Master Zacharius, or the clockmaker who lost his soul (French: Maître Zacharius ou l'horloger qui avait perdu son âme) is an 1854 short story by Jules Verne. The story, an intensely Romantic fantasy echoing the works of E. T. A. Hoffmann, is a Faustian tragedy about an inventor whose overpowering pride leads to his downfall. In Geneva, the clockmaker Master Zacharius lives with his daughter Gerande, his apprentice Aubert Thun, and his elderly servant Scholastique. Zacharius is celebrated throughout France and Germany for having invented the escapement, and is fiercely proud of his successes. When the story opens, he is troubled by an inexplicable mystery: for several days, all of the many clocks he has made and sold have begun to suddenly stop, one by one. Unable to fix any of them or to find a reason for the phenomenon, Zacharius falls into mental torment and becomes seriously ill. Gerande and Aubert, who have gradually fallen in love with one another, manage to nurse Zacharius into better health, but are surprised by the appearance of a stranger in the town, a bizarre creature like a cross between a small old man and an anthropomorphic clock. The creature confronts Zacharius directly, taunting him about the failed clocks and suggesting that death is coming to him
    IR_f_Master-Zacharius_0185.jpg
  • She hath a mark, like a violet, between her shoulders, and another like it on the instep of her left foot from the book ' UNDINE ' BY DE LA MOTTE POUQUE; ADAPTEDFrom German by W L COURTNEY ILLUSTRATED BY ARTHUR RACKHAM Published in London and New York in 1909 Undine is a fairytale novella (Erzählung) by Friedrich de la Motte Fouqué in which Undine, a water spirit, marries a knight named Huldebrand in order to gain a soul. Published in 1811, it is an early German romance, which has been translated into English and other languages.
    IR_f_Undine_0141.jpg
  • "Little niece," said Kuhleborn, " forget not that I am here with thee as a guide " from the book ' UNDINE ' BY DE LA MOTTE POUQUE; ADAPTEDFrom German by W L COURTNEY ILLUSTRATED BY ARTHUR RACKHAM Published in London and New York in 1909 Undine is a fairytale novella (Erzählung) by Friedrich de la Motte Fouqué in which Undine, a water spirit, marries a knight named Huldebrand in order to gain a soul. Published in 1811, it is an early German romance, which has been translated into English and other languages.
    IR_f_Undine_0119.jpg
  • The Knight took the beautiful girl in his arms and bore her over the narrow space where the stream had divided her little island from the shore from the book ' UNDINE ' BY DE LA MOTTE POUQUE; ADAPTEDFrom German by W L COURTNEY ILLUSTRATED BY ARTHUR RACKHAM Published in London and New York in 1909 Undine is a fairytale novella (Erzählung) by Friedrich de la Motte Fouqué in which Undine, a water spirit, marries a knight named Huldebrand in order to gain a soul. Published in 1811, it is an early German romance, which has been translated into English and other languages.
    IR_f_Undine_0059.jpg
  • Undine outside the window Frontispiece from the book ' UNDINE ' BY DE LA MOTTE POUQUE; ADAPTEDFrom German by W L COURTNEY ILLUSTRATED BY ARTHUR RACKHAM Published in London and New York in 1909 Undine is a fairytale novella (Erzählung) by Friedrich de la Motte Fouqué in which Undine, a water spirit, marries a knight named Huldebrand in order to gain a soul. Published in 1811, it is an early German romance, which has been translated into English and other languages.
    IR_f_Undine_0008.jpg
  • UNDINE BY DE LA MOTTE POUQUE; ADAPTEDFrom German by W L COURTNEY ILLUSTRATED BY ARTHUR RACKHAM Published in London and New York in 1909 Undine is a fairytale novella (Erzählung) by Friedrich de la Motte Fouqué in which Undine, a water spirit, marries a knight named Huldebrand in order to gain a soul. Published in 1811, it is an early German romance, which has been translated into English and other languages.
    IR_f_Undine_0001.jpg
  • Then he resumed, in an ironical tone by Théophile Schuler from Master Zacharius, or the clockmaker who lost his soul (French: Maître Zacharius ou l'horloger qui avait perdu son âme) is an 1854 short story by Jules Verne. The story, an intensely Romantic fantasy echoing the works of E. T. A. Hoffmann, is a Faustian tragedy about an inventor whose overpowering pride leads to his downfall. In Geneva, the clockmaker Master Zacharius lives with his daughter Gerande, his apprentice Aubert Thun, and his elderly servant Scholastique. Zacharius is celebrated throughout France and Germany for having invented the escapement, and is fiercely proud of his successes. When the story opens, he is troubled by an inexplicable mystery: for several days, all of the many clocks he has made and sold have begun to suddenly stop, one by one. Unable to fix any of them or to find a reason for the phenomenon, Zacharius falls into mental torment and becomes seriously ill. Gerande and Aubert, who have gradually fallen in love with one another, manage to nurse Zacharius into better health, but are surprised by the appearance of a stranger in the town, a bizarre creature like a cross between a small old man and an anthropomorphic clock. The creature confronts Zacharius directly, taunting him about the failed clocks and suggesting that death is coming to him
    IR_f_Master-Zacharius_0221.jpg
  • Thou wilt see that I have discovered the secrets of existence by Théophile Schuler from Master Zacharius, or the clockmaker who lost his soul (French: Maître Zacharius ou l'horloger qui avait perdu son âme) is an 1854 short story by Jules Verne. The story, an intensely Romantic fantasy echoing the works of E. T. A. Hoffmann, is a Faustian tragedy about an inventor whose overpowering pride leads to his downfall. In Geneva, the clockmaker Master Zacharius lives with his daughter Gerande, his apprentice Aubert Thun, and his elderly servant Scholastique. Zacharius is celebrated throughout France and Germany for having invented the escapement, and is fiercely proud of his successes. When the story opens, he is troubled by an inexplicable mystery: for several days, all of the many clocks he has made and sold have begun to suddenly stop, one by one. Unable to fix any of them or to find a reason for the phenomenon, Zacharius falls into mental torment and becomes seriously ill. Gerande and Aubert, who have gradually fallen in love with one another, manage to nurse Zacharius into better health, but are surprised by the appearance of a stranger in the town, a bizarre creature like a cross between a small old man and an anthropomorphic clock. The creature confronts Zacharius directly, taunting him about the failed clocks and suggesting that death is coming to him
    IR_f_Master-Zacharius_0203.jpg
  • Father, what is the matter? by Théophile Schuler from Master Zacharius, or the clockmaker who lost his soul (French: Maître Zacharius ou l'horloger qui avait perdu son âme) is an 1854 short story by Jules Verne. The story, an intensely Romantic fantasy echoing the works of E. T. A. Hoffmann, is a Faustian tragedy about an inventor whose overpowering pride leads to his downfall. In Geneva, the clockmaker Master Zacharius lives with his daughter Gerande, his apprentice Aubert Thun, and his elderly servant Scholastique. Zacharius is celebrated throughout France and Germany for having invented the escapement, and is fiercely proud of his successes. When the story opens, he is troubled by an inexplicable mystery: for several days, all of the many clocks he has made and sold have begun to suddenly stop, one by one. Unable to fix any of them or to find a reason for the phenomenon, Zacharius falls into mental torment and becomes seriously ill. Gerande and Aubert, who have gradually fallen in love with one another, manage to nurse Zacharius into better health, but are surprised by the appearance of a stranger in the town, a bizarre creature like a cross between a small old man and an anthropomorphic clock. The creature confronts Zacharius directly, taunting him about the failed clocks and suggesting that death is coming to him
    IR_f_Master-Zacharius_0211.jpg
  • Machine colorized iamge The Dark forest [abandon all hope ye who enter here] From the Divine Comedy by 14th century Italian poet Dante Alighieri. 1860 artwork, by French artist Gustave Dore and engraved by Stephane Pannemaker, from 'The Vision of Hell' (1868), Cary's English translation of the Inferno. Dante wrote his epic poem 'Divina Commedia' (The Divine Comedy) between 1308 and his death in 1321. Consisting of 14,233 lines, and divided into three parts (Inferno, Purgatorio, and Paradiso), it is considered the greatest literary work in the Italian language and a world masterpiece. It is a comprehensive survey of medieval theology, literature and thought. The new non-dialect poetic language Dante created became the basis of modern Italian.
    IR_Dante-Inferno-Dore_019-colorized.jpg
  • Machine colorised Purgatorio ("Purgatory") is the second part of Dante's Divine Comedy, following the Inferno, and preceding the Paradiso. The poem was written in the early 14th century. It is an allegory telling of the climb of Dante up the Mount of Purgatory, guided by the Roman poet Virgil, except for the last four cantos at which point Beatrice takes over as Dante's guide. Purgatory in the poem is depicted as a mountain in the Southern Hemisphere, consisting of a bottom section (Ante-Purgatory), seven levels of suffering and spiritual growth (associated with the seven deadly sins), and finally the Earthly Paradise at the top. Allegorically, the Purgatorio represents the penitent Christian life. In describing the climb Dante discusses the nature of sin, examples of vice and virtue, as well as moral issues in politics and in the Church. The poem outlines a theory that all sins arise from love – either perverted love directed towards others' harm, or deficient love, or the disordered or excessive love of good things. From the Divine Comedy by 14th century Italian poet Dante Alighieri. 1860 artwork, by French artist Gustave Dore and engraved by Stephane Pannemaker, (1868), Cary's English translation of the work. Dante wrote his epic poem 'Divina Commedia' (The Divine Comedy) between 1308 and his death in 1321. Consisting of 14,233 lines, and divided into three parts (Inferno, Purgatorio, and Paradiso), it is considered the greatest literary work in the Italian language and a world masterpiece. It is a comprehensive survey of medieval theology, literature and thought. The new non-dialect poetic language Dante created became the basis of modern Italian.
    IR_f_Dante-Purgatory-Dore_f29-color.jpg
  • From the Divine Comedy by 14th century Italian poet Dante Alighieri. 1860 artwork, by French artist Gustave Dore and engraved by Stephane Pannemaker, from 'The Vision of Hell' (1868), Cary's English translation of the Inferno. Dante wrote his epic poem 'Divina Commedia' (The Divine Comedy) between 1308 and his death in 1321. Consisting of 14,233 lines, and divided into three parts (Inferno, Purgatorio, and Paradiso), it is considered the greatest literary work in the Italian language and a world masterpiece. It is a comprehensive survey of medieval theology, literature and thought. The new non-dialect poetic language Dante created became the basis of modern Italian.
    IR_Dante-Inferno-Dore_483-crop.jpg
  • From the Divine Comedy by 14th century Italian poet Dante Alighieri. 1860 artwork, by French artist Gustave Dore and engraved by Stephane Pannemaker, from 'The Vision of Hell' (1868), Cary's English translation of the Inferno. Dante wrote his epic poem 'Divina Commedia' (The Divine Comedy) between 1308 and his death in 1321. Consisting of 14,233 lines, and divided into three parts (Inferno, Purgatorio, and Paradiso), it is considered the greatest literary work in the Italian language and a world masterpiece. It is a comprehensive survey of medieval theology, literature and thought. The new non-dialect poetic language Dante created became the basis of modern Italian.
    IR_Dante-Inferno-Dore_455-crop.jpg
  • Dante and Virgil beset by demons, passing through Hell, From the Divine Comedy by 14th century Italian poet Dante Alighieri. 1860 artwork, by French artist Gustave Dore and engraved by Stephane Pannemaker, from 'The Vision of Hell' (1868), Cary's English translation of the Inferno. Dante wrote his epic poem 'Divina Commedia' (The Divine Comedy) between 1308 and his death in 1321. Consisting of 14,233 lines, and divided into three parts (Inferno, Purgatorio, and Paradiso), it is considered the greatest literary work in the Italian language and a world masterpiece. It is a comprehensive survey of medieval theology, literature and thought. The new non-dialect poetic language Dante created became the basis of modern Italian.
    IR_Dante-Inferno-Dore_309-crop.jpg
  • From the Divine Comedy by 14th century Italian poet Dante Alighieri. 1860 artwork, by French artist Gustave Dore and engraved by Stephane Pannemaker, from 'The Vision of Hell' (1868), Cary's English translation of the Inferno. Dante wrote his epic poem 'Divina Commedia' (The Divine Comedy) between 1308 and his death in 1321. Consisting of 14,233 lines, and divided into three parts (Inferno, Purgatorio, and Paradiso), it is considered the greatest literary work in the Italian language and a world masterpiece. It is a comprehensive survey of medieval theology, literature and thought. The new non-dialect poetic language Dante created became the basis of modern Italian.
    IR_Dante-Inferno-Dore_103-crop.jpg
  • From the Divine Comedy by 14th century Italian poet Dante Alighieri. 1860 artwork, by French artist Gustave Dore and engraved by Stephane Pannemaker, from 'The Vision of Hell' (1868), Cary's English translation of the Inferno. Dante wrote his epic poem 'Divina Commedia' (The Divine Comedy) between 1308 and his death in 1321. Consisting of 14,233 lines, and divided into three parts (Inferno, Purgatorio, and Paradiso), it is considered the greatest literary work in the Italian language and a world masterpiece. It is a comprehensive survey of medieval theology, literature and thought. The new non-dialect poetic language Dante created became the basis of modern Italian.
    IR_Dante-Inferno-Dore_095-crop.jpg
  • Virgil and Dante From the Divine Comedy by 14th century Italian poet Dante Alighieri. 1860 artwork, by French artist Gustave Dore and engraved by Stephane Pannemaker, from 'The Vision of Hell' (1868), Cary's English translation of the Inferno. Dante wrote his epic poem 'Divina Commedia' (The Divine Comedy) between 1308 and his death in 1321. Consisting of 14,233 lines, and divided into three parts (Inferno, Purgatorio, and Paradiso), it is considered the greatest literary work in the Italian language and a world masterpiece. It is a comprehensive survey of medieval theology, literature and thought. The new non-dialect poetic language Dante created became the basis of modern Italian.
    IR_Dante-Inferno-Dore_039-crop.jpg
  • Virgil and Dante From the Divine Comedy by 14th century Italian poet Dante Alighieri. 1860 artwork, by French artist Gustave Dore and engraved by Stephane Pannemaker, from 'The Vision of Hell' (1868), Cary's English translation of the Inferno. Dante wrote his epic poem 'Divina Commedia' (The Divine Comedy) between 1308 and his death in 1321. Consisting of 14,233 lines, and divided into three parts (Inferno, Purgatorio, and Paradiso), it is considered the greatest literary work in the Italian language and a world masterpiece. It is a comprehensive survey of medieval theology, literature and thought. The new non-dialect poetic language Dante created became the basis of modern Italian.
    IR_Dante-Inferno-Dore_059-crop.jpg
  • Machine colorized with Artificial Intelligence (AI) From the Divine Comedy by 14th century Italian poet Dante Alighieri. 1860 artwork, by French artist Gustave Dore and engraved by Stephane Pannemaker, from 'The Vision of Hell' (1868), Cary's English translation of the Inferno. Dante wrote his epic poem 'Divina Commedia' (The Divine Comedy) between 1308 and his death in 1321. Consisting of 14,233 lines, and divided into three parts (Inferno, Purgatorio, and Paradiso), it is considered the greatest literary work in the Italian language and a world masterpiece. It is a comprehensive survey of medieval theology, literature and thought. The new non-dialect poetic language Dante created became the basis of modern Italian.
    IR_Dante-Inferno-Dore_099-Colorized.jpg
  • Machine colorized with Artificial Intelligence (AI) From the Divine Comedy by 14th century Italian poet Dante Alighieri. 1860 artwork, by French artist Gustave Dore and engraved by Stephane Pannemaker, from 'The Vision of Hell' (1868), Cary's English translation of the Inferno. Dante wrote his epic poem 'Divina Commedia' (The Divine Comedy) between 1308 and his death in 1321. Consisting of 14,233 lines, and divided into three parts (Inferno, Purgatorio, and Paradiso), it is considered the greatest literary work in the Italian language and a world masterpiece. It is a comprehensive survey of medieval theology, literature and thought. The new non-dialect poetic language Dante created became the basis of modern Italian.
    IR_Dante-Inferno-Dore_437-colorized.jpg
  • Machine colorized with Artificial Intelligence (AI) Charon the Ferryman crossing the River Achero From the Divine Comedy by 14th century Italian poet Dante Alighieri. 1860 artwork, by French artist Gustave Dore and engraved by Stephane Pannemaker, from 'The Vision of Hell' (1868), Cary's English translation of the Inferno. Dante wrote his epic poem 'Divina Commedia' (The Divine Comedy) between 1308 and his death in 1321. Consisting of 14,233 lines, and divided into three parts (Inferno, Purgatorio, and Paradiso), it is considered the greatest literary work in the Italian language and a world masterpiece. It is a comprehensive survey of medieval theology, literature and thought. The new non-dialect poetic language Dante created became the basis of modern Italian.
    IR_Dante-Inferno-Dore_065-colorized.jpg
  • From the Divine Comedy by 14th century Italian poet Dante Alighieri. 1860 artwork, by French artist Gustave Dore and engraved by Stephane Pannemaker, from 'The Vision of Hell' (1868), Cary's English translation of the Inferno. Dante wrote his epic poem 'Divina Commedia' (The Divine Comedy) between 1308 and his death in 1321. Consisting of 14,233 lines, and divided into three parts (Inferno, Purgatorio, and Paradiso), it is considered the greatest literary work in the Italian language and a world masterpiece. It is a comprehensive survey of medieval theology, literature and thought. The new non-dialect poetic language Dante created became the basis of modern Italian.
    IR_Dante-Inferno-Dore_051.jpg
  • Purgatorio ("Purgatory") is the second part of Dante's Divine Comedy, following the Inferno, and preceding the Paradiso. The poem was written in the early 14th century. It is an allegory telling of the climb of Dante up the Mount of Purgatory, guided by the Roman poet Virgil, except for the last four cantos at which point Beatrice takes over as Dante's guide. Purgatory in the poem is depicted as a mountain in the Southern Hemisphere, consisting of a bottom section (Ante-Purgatory), seven levels of suffering and spiritual growth (associated with the seven deadly sins), and finally the Earthly Paradise at the top. Allegorically, the Purgatorio represents the penitent Christian life. In describing the climb Dante discusses the nature of sin, examples of vice and virtue, as well as moral issues in politics and in the Church. The poem outlines a theory that all sins arise from love – either perverted love directed towards others' harm, or deficient love, or the disordered or excessive love of good things. From the Divine Comedy by 14th century Italian poet Dante Alighieri. 1860 artwork, by French artist Gustave Dore and engraved by Stephane Pannemaker, (1868), Cary's English translation of the work. Dante wrote his epic poem 'Divina Commedia' (The Divine Comedy) between 1308 and his death in 1321. Consisting of 14,233 lines, and divided into three parts (Inferno, Purgatorio, and Paradiso), it is considered the greatest literary work in the Italian language and a world masterpiece. It is a comprehensive survey of medieval theology, literature and thought. The new non-dialect poetic language Dante created became the basis of modern Italian.
    IR_f_Dante-Purgatory-Dore_f95.jpg
  • Purgatorio ("Purgatory") is the second part of Dante's Divine Comedy, following the Inferno, and preceding the Paradiso. The poem was written in the early 14th century. It is an allegory telling of the climb of Dante up the Mount of Purgatory, guided by the Roman poet Virgil, except for the last four cantos at which point Beatrice takes over as Dante's guide. Purgatory in the poem is depicted as a mountain in the Southern Hemisphere, consisting of a bottom section (Ante-Purgatory), seven levels of suffering and spiritual growth (associated with the seven deadly sins), and finally the Earthly Paradise at the top. Allegorically, the Purgatorio represents the penitent Christian life. In describing the climb Dante discusses the nature of sin, examples of vice and virtue, as well as moral issues in politics and in the Church. The poem outlines a theory that all sins arise from love – either perverted love directed towards others' harm, or deficient love, or the disordered or excessive love of good things. From the Divine Comedy by 14th century Italian poet Dante Alighieri. 1860 artwork, by French artist Gustave Dore and engraved by Stephane Pannemaker, (1868), Cary's English translation of the work. Dante wrote his epic poem 'Divina Commedia' (The Divine Comedy) between 1308 and his death in 1321. Consisting of 14,233 lines, and divided into three parts (Inferno, Purgatorio, and Paradiso), it is considered the greatest literary work in the Italian language and a world masterpiece. It is a comprehensive survey of medieval theology, literature and thought. The new non-dialect poetic language Dante created became the basis of modern Italian.
    IR_f_Dante-Purgatory-Dore_f77.jpg
  • Purgatorio ("Purgatory") is the second part of Dante's Divine Comedy, following the Inferno, and preceding the Paradiso. The poem was written in the early 14th century. It is an allegory telling of the climb of Dante up the Mount of Purgatory, guided by the Roman poet Virgil, except for the last four cantos at which point Beatrice takes over as Dante's guide. Purgatory in the poem is depicted as a mountain in the Southern Hemisphere, consisting of a bottom section (Ante-Purgatory), seven levels of suffering and spiritual growth (associated with the seven deadly sins), and finally the Earthly Paradise at the top. Allegorically, the Purgatorio represents the penitent Christian life. In describing the climb Dante discusses the nature of sin, examples of vice and virtue, as well as moral issues in politics and in the Church. The poem outlines a theory that all sins arise from love – either perverted love directed towards others' harm, or deficient love, or the disordered or excessive love of good things. From the Divine Comedy by 14th century Italian poet Dante Alighieri. 1860 artwork, by French artist Gustave Dore and engraved by Stephane Pannemaker, (1868), Cary's English translation of the work. Dante wrote his epic poem 'Divina Commedia' (The Divine Comedy) between 1308 and his death in 1321. Consisting of 14,233 lines, and divided into three parts (Inferno, Purgatorio, and Paradiso), it is considered the greatest literary work in the Italian language and a world masterpiece. It is a comprehensive survey of medieval theology, literature and thought. The new non-dialect poetic language Dante created became the basis of modern Italian.
    IR_f_Dante-Purgatory-Dore_f73.jpg
  • Purgatorio ("Purgatory") is the second part of Dante's Divine Comedy, following the Inferno, and preceding the Paradiso. The poem was written in the early 14th century. It is an allegory telling of the climb of Dante up the Mount of Purgatory, guided by the Roman poet Virgil, except for the last four cantos at which point Beatrice takes over as Dante's guide. Purgatory in the poem is depicted as a mountain in the Southern Hemisphere, consisting of a bottom section (Ante-Purgatory), seven levels of suffering and spiritual growth (associated with the seven deadly sins), and finally the Earthly Paradise at the top. Allegorically, the Purgatorio represents the penitent Christian life. In describing the climb Dante discusses the nature of sin, examples of vice and virtue, as well as moral issues in politics and in the Church. The poem outlines a theory that all sins arise from love – either perverted love directed towards others' harm, or deficient love, or the disordered or excessive love of good things. From the Divine Comedy by 14th century Italian poet Dante Alighieri. 1860 artwork, by French artist Gustave Dore and engraved by Stephane Pannemaker, (1868), Cary's English translation of the work. Dante wrote his epic poem 'Divina Commedia' (The Divine Comedy) between 1308 and his death in 1321. Consisting of 14,233 lines, and divided into three parts (Inferno, Purgatorio, and Paradiso), it is considered the greatest literary work in the Italian language and a world masterpiece. It is a comprehensive survey of medieval theology, literature and thought. The new non-dialect poetic language Dante created became the basis of modern Italian.
    IR_f_Dante-Purgatory-Dore_f59.jpg
  • Purgatorio ("Purgatory") is the second part of Dante's Divine Comedy, following the Inferno, and preceding the Paradiso. The poem was written in the early 14th century. It is an allegory telling of the climb of Dante up the Mount of Purgatory, guided by the Roman poet Virgil, except for the last four cantos at which point Beatrice takes over as Dante's guide. Purgatory in the poem is depicted as a mountain in the Southern Hemisphere, consisting of a bottom section (Ante-Purgatory), seven levels of suffering and spiritual growth (associated with the seven deadly sins), and finally the Earthly Paradise at the top. Allegorically, the Purgatorio represents the penitent Christian life. In describing the climb Dante discusses the nature of sin, examples of vice and virtue, as well as moral issues in politics and in the Church. The poem outlines a theory that all sins arise from love – either perverted love directed towards others' harm, or deficient love, or the disordered or excessive love of good things. From the Divine Comedy by 14th century Italian poet Dante Alighieri. 1860 artwork, by French artist Gustave Dore and engraved by Stephane Pannemaker, (1868), Cary's English translation of the work. Dante wrote his epic poem 'Divina Commedia' (The Divine Comedy) between 1308 and his death in 1321. Consisting of 14,233 lines, and divided into three parts (Inferno, Purgatorio, and Paradiso), it is considered the greatest literary work in the Italian language and a world masterpiece. It is a comprehensive survey of medieval theology, literature and thought. The new non-dialect poetic language Dante created became the basis of modern Italian.
    IR_f_Dante-Purgatory-Dore_f67.jpg
  • Purgatorio ("Purgatory") is the second part of Dante's Divine Comedy, following the Inferno, and preceding the Paradiso. The poem was written in the early 14th century. It is an allegory telling of the climb of Dante up the Mount of Purgatory, guided by the Roman poet Virgil, except for the last four cantos at which point Beatrice takes over as Dante's guide. Purgatory in the poem is depicted as a mountain in the Southern Hemisphere, consisting of a bottom section (Ante-Purgatory), seven levels of suffering and spiritual growth (associated with the seven deadly sins), and finally the Earthly Paradise at the top. Allegorically, the Purgatorio represents the penitent Christian life. In describing the climb Dante discusses the nature of sin, examples of vice and virtue, as well as moral issues in politics and in the Church. The poem outlines a theory that all sins arise from love – either perverted love directed towards others' harm, or deficient love, or the disordered or excessive love of good things. From the Divine Comedy by 14th century Italian poet Dante Alighieri. 1860 artwork, by French artist Gustave Dore and engraved by Stephane Pannemaker, (1868), Cary's English translation of the work. Dante wrote his epic poem 'Divina Commedia' (The Divine Comedy) between 1308 and his death in 1321. Consisting of 14,233 lines, and divided into three parts (Inferno, Purgatorio, and Paradiso), it is considered the greatest literary work in the Italian language and a world masterpiece. It is a comprehensive survey of medieval theology, literature and thought. The new non-dialect poetic language Dante created became the basis of modern Italian.
    IR_f_Dante-Purgatory-Dore_f53.jpg
  • Purgatorio ("Purgatory") is the second part of Dante's Divine Comedy, following the Inferno, and preceding the Paradiso. The poem was written in the early 14th century. It is an allegory telling of the climb of Dante up the Mount of Purgatory, guided by the Roman poet Virgil, except for the last four cantos at which point Beatrice takes over as Dante's guide. Purgatory in the poem is depicted as a mountain in the Southern Hemisphere, consisting of a bottom section (Ante-Purgatory), seven levels of suffering and spiritual growth (associated with the seven deadly sins), and finally the Earthly Paradise at the top. Allegorically, the Purgatorio represents the penitent Christian life. In describing the climb Dante discusses the nature of sin, examples of vice and virtue, as well as moral issues in politics and in the Church. The poem outlines a theory that all sins arise from love – either perverted love directed towards others' harm, or deficient love, or the disordered or excessive love of good things. From the Divine Comedy by 14th century Italian poet Dante Alighieri. 1860 artwork, by French artist Gustave Dore and engraved by Stephane Pannemaker, (1868), Cary's English translation of the work. Dante wrote his epic poem 'Divina Commedia' (The Divine Comedy) between 1308 and his death in 1321. Consisting of 14,233 lines, and divided into three parts (Inferno, Purgatorio, and Paradiso), it is considered the greatest literary work in the Italian language and a world masterpiece. It is a comprehensive survey of medieval theology, literature and thought. The new non-dialect poetic language Dante created became the basis of modern Italian.
    IR_f_Dante-Purgatory-Dore_f43.jpg
  • Purgatorio ("Purgatory") is the second part of Dante's Divine Comedy, following the Inferno, and preceding the Paradiso. The poem was written in the early 14th century. It is an allegory telling of the climb of Dante up the Mount of Purgatory, guided by the Roman poet Virgil, except for the last four cantos at which point Beatrice takes over as Dante's guide. Purgatory in the poem is depicted as a mountain in the Southern Hemisphere, consisting of a bottom section (Ante-Purgatory), seven levels of suffering and spiritual growth (associated with the seven deadly sins), and finally the Earthly Paradise at the top. Allegorically, the Purgatorio represents the penitent Christian life. In describing the climb Dante discusses the nature of sin, examples of vice and virtue, as well as moral issues in politics and in the Church. The poem outlines a theory that all sins arise from love – either perverted love directed towards others' harm, or deficient love, or the disordered or excessive love of good things. From the Divine Comedy by 14th century Italian poet Dante Alighieri. 1860 artwork, by French artist Gustave Dore and engraved by Stephane Pannemaker, (1868), Cary's English translation of the work. Dante wrote his epic poem 'Divina Commedia' (The Divine Comedy) between 1308 and his death in 1321. Consisting of 14,233 lines, and divided into three parts (Inferno, Purgatorio, and Paradiso), it is considered the greatest literary work in the Italian language and a world masterpiece. It is a comprehensive survey of medieval theology, literature and thought. The new non-dialect poetic language Dante created became the basis of modern Italian.
    IR_f_Dante-Purgatory-Dore_f359.jpg
  • Purgatorio ("Purgatory") is the second part of Dante's Divine Comedy, following the Inferno, and preceding the Paradiso. The poem was written in the early 14th century. It is an allegory telling of the climb of Dante up the Mount of Purgatory, guided by the Roman poet Virgil, except for the last four cantos at which point Beatrice takes over as Dante's guide. Purgatory in the poem is depicted as a mountain in the Southern Hemisphere, consisting of a bottom section (Ante-Purgatory), seven levels of suffering and spiritual growth (associated with the seven deadly sins), and finally the Earthly Paradise at the top. Allegorically, the Purgatorio represents the penitent Christian life. In describing the climb Dante discusses the nature of sin, examples of vice and virtue, as well as moral issues in politics and in the Church. The poem outlines a theory that all sins arise from love – either perverted love directed towards others' harm, or deficient love, or the disordered or excessive love of good things. From the Divine Comedy by 14th century Italian poet Dante Alighieri. 1860 artwork, by French artist Gustave Dore and engraved by Stephane Pannemaker, (1868), Cary's English translation of the work. Dante wrote his epic poem 'Divina Commedia' (The Divine Comedy) between 1308 and his death in 1321. Consisting of 14,233 lines, and divided into three parts (Inferno, Purgatorio, and Paradiso), it is considered the greatest literary work in the Italian language and a world masterpiece. It is a comprehensive survey of medieval theology, literature and thought. The new non-dialect poetic language Dante created became the basis of modern Italian.
    IR_f_Dante-Purgatory-Dore_f369.jpg
  • Purgatorio ("Purgatory") is the second part of Dante's Divine Comedy, following the Inferno, and preceding the Paradiso. The poem was written in the early 14th century. It is an allegory telling of the climb of Dante up the Mount of Purgatory, guided by the Roman poet Virgil, except for the last four cantos at which point Beatrice takes over as Dante's guide. Purgatory in the poem is depicted as a mountain in the Southern Hemisphere, consisting of a bottom section (Ante-Purgatory), seven levels of suffering and spiritual growth (associated with the seven deadly sins), and finally the Earthly Paradise at the top. Allegorically, the Purgatorio represents the penitent Christian life. In describing the climb Dante discusses the nature of sin, examples of vice and virtue, as well as moral issues in politics and in the Church. The poem outlines a theory that all sins arise from love – either perverted love directed towards others' harm, or deficient love, or the disordered or excessive love of good things. From the Divine Comedy by 14th century Italian poet Dante Alighieri. 1860 artwork, by French artist Gustave Dore and engraved by Stephane Pannemaker, (1868), Cary's English translation of the work. Dante wrote his epic poem 'Divina Commedia' (The Divine Comedy) between 1308 and his death in 1321. Consisting of 14,233 lines, and divided into three parts (Inferno, Purgatorio, and Paradiso), it is considered the greatest literary work in the Italian language and a world masterpiece. It is a comprehensive survey of medieval theology, literature and thought. The new non-dialect poetic language Dante created became the basis of modern Italian.
    IR_f_Dante-Purgatory-Dore_f349.jpg
  • Purgatorio ("Purgatory") is the second part of Dante's Divine Comedy, following the Inferno, and preceding the Paradiso. The poem was written in the early 14th century. It is an allegory telling of the climb of Dante up the Mount of Purgatory, guided by the Roman poet Virgil, except for the last four cantos at which point Beatrice takes over as Dante's guide. Purgatory in the poem is depicted as a mountain in the Southern Hemisphere, consisting of a bottom section (Ante-Purgatory), seven levels of suffering and spiritual growth (associated with the seven deadly sins), and finally the Earthly Paradise at the top. Allegorically, the Purgatorio represents the penitent Christian life. In describing the climb Dante discusses the nature of sin, examples of vice and virtue, as well as moral issues in politics and in the Church. The poem outlines a theory that all sins arise from love – either perverted love directed towards others' harm, or deficient love, or the disordered or excessive love of good things. From the Divine Comedy by 14th century Italian poet Dante Alighieri. 1860 artwork, by French artist Gustave Dore and engraved by Stephane Pannemaker, (1868), Cary's English translation of the work. Dante wrote his epic poem 'Divina Commedia' (The Divine Comedy) between 1308 and his death in 1321. Consisting of 14,233 lines, and divided into three parts (Inferno, Purgatorio, and Paradiso), it is considered the greatest literary work in the Italian language and a world masterpiece. It is a comprehensive survey of medieval theology, literature and thought. The new non-dialect poetic language Dante created became the basis of modern Italian.
    IR_f_Dante-Purgatory-Dore_f35.jpg
  • Purgatorio ("Purgatory") is the second part of Dante's Divine Comedy, following the Inferno, and preceding the Paradiso. The poem was written in the early 14th century. It is an allegory telling of the climb of Dante up the Mount of Purgatory, guided by the Roman poet Virgil, except for the last four cantos at which point Beatrice takes over as Dante's guide. Purgatory in the poem is depicted as a mountain in the Southern Hemisphere, consisting of a bottom section (Ante-Purgatory), seven levels of suffering and spiritual growth (associated with the seven deadly sins), and finally the Earthly Paradise at the top. Allegorically, the Purgatorio represents the penitent Christian life. In describing the climb Dante discusses the nature of sin, examples of vice and virtue, as well as moral issues in politics and in the Church. The poem outlines a theory that all sins arise from love – either perverted love directed towards others' harm, or deficient love, or the disordered or excessive love of good things. From the Divine Comedy by 14th century Italian poet Dante Alighieri. 1860 artwork, by French artist Gustave Dore and engraved by Stephane Pannemaker, (1868), Cary's English translation of the work. Dante wrote his epic poem 'Divina Commedia' (The Divine Comedy) between 1308 and his death in 1321. Consisting of 14,233 lines, and divided into three parts (Inferno, Purgatorio, and Paradiso), it is considered the greatest literary work in the Italian language and a world masterpiece. It is a comprehensive survey of medieval theology, literature and thought. The new non-dialect poetic language Dante created became the basis of modern Italian.
    IR_f_Dante-Purgatory-Dore_f337.jpg
  • Purgatorio ("Purgatory") is the second part of Dante's Divine Comedy, following the Inferno, and preceding the Paradiso. The poem was written in the early 14th century. It is an allegory telling of the climb of Dante up the Mount of Purgatory, guided by the Roman poet Virgil, except for the last four cantos at which point Beatrice takes over as Dante's guide. Purgatory in the poem is depicted as a mountain in the Southern Hemisphere, consisting of a bottom section (Ante-Purgatory), seven levels of suffering and spiritual growth (associated with the seven deadly sins), and finally the Earthly Paradise at the top. Allegorically, the Purgatorio represents the penitent Christian life. In describing the climb Dante discusses the nature of sin, examples of vice and virtue, as well as moral issues in politics and in the Church. The poem outlines a theory that all sins arise from love – either perverted love directed towards others' harm, or deficient love, or the disordered or excessive love of good things. From the Divine Comedy by 14th century Italian poet Dante Alighieri. 1860 artwork, by French artist Gustave Dore and engraved by Stephane Pannemaker, (1868), Cary's English translation of the work. Dante wrote his epic poem 'Divina Commedia' (The Divine Comedy) between 1308 and his death in 1321. Consisting of 14,233 lines, and divided into three parts (Inferno, Purgatorio, and Paradiso), it is considered the greatest literary work in the Italian language and a world masterpiece. It is a comprehensive survey of medieval theology, literature and thought. The new non-dialect poetic language Dante created became the basis of modern Italian.
    IR_f_Dante-Purgatory-Dore_f329.jpg
  • Purgatorio ("Purgatory") is the second part of Dante's Divine Comedy, following the Inferno, and preceding the Paradiso. The poem was written in the early 14th century. It is an allegory telling of the climb of Dante up the Mount of Purgatory, guided by the Roman poet Virgil, except for the last four cantos at which point Beatrice takes over as Dante's guide. Purgatory in the poem is depicted as a mountain in the Southern Hemisphere, consisting of a bottom section (Ante-Purgatory), seven levels of suffering and spiritual growth (associated with the seven deadly sins), and finally the Earthly Paradise at the top. Allegorically, the Purgatorio represents the penitent Christian life. In describing the climb Dante discusses the nature of sin, examples of vice and virtue, as well as moral issues in politics and in the Church. The poem outlines a theory that all sins arise from love – either perverted love directed towards others' harm, or deficient love, or the disordered or excessive love of good things. From the Divine Comedy by 14th century Italian poet Dante Alighieri. 1860 artwork, by French artist Gustave Dore and engraved by Stephane Pannemaker, (1868), Cary's English translation of the work. Dante wrote his epic poem 'Divina Commedia' (The Divine Comedy) between 1308 and his death in 1321. Consisting of 14,233 lines, and divided into three parts (Inferno, Purgatorio, and Paradiso), it is considered the greatest literary work in the Italian language and a world masterpiece. It is a comprehensive survey of medieval theology, literature and thought. The new non-dialect poetic language Dante created became the basis of modern Italian.
    IR_f_Dante-Purgatory-Dore_f323.jpg
  • Purgatorio ("Purgatory") is the second part of Dante's Divine Comedy, following the Inferno, and preceding the Paradiso. The poem was written in the early 14th century. It is an allegory telling of the climb of Dante up the Mount of Purgatory, guided by the Roman poet Virgil, except for the last four cantos at which point Beatrice takes over as Dante's guide. Purgatory in the poem is depicted as a mountain in the Southern Hemisphere, consisting of a bottom section (Ante-Purgatory), seven levels of suffering and spiritual growth (associated with the seven deadly sins), and finally the Earthly Paradise at the top. Allegorically, the Purgatorio represents the penitent Christian life. In describing the climb Dante discusses the nature of sin, examples of vice and virtue, as well as moral issues in politics and in the Church. The poem outlines a theory that all sins arise from love – either perverted love directed towards others' harm, or deficient love, or the disordered or excessive love of good things. From the Divine Comedy by 14th century Italian poet Dante Alighieri. 1860 artwork, by French artist Gustave Dore and engraved by Stephane Pannemaker, (1868), Cary's English translation of the work. Dante wrote his epic poem 'Divina Commedia' (The Divine Comedy) between 1308 and his death in 1321. Consisting of 14,233 lines, and divided into three parts (Inferno, Purgatorio, and Paradiso), it is considered the greatest literary work in the Italian language and a world masterpiece. It is a comprehensive survey of medieval theology, literature and thought. The new non-dialect poetic language Dante created became the basis of modern Italian.
    IR_f_Dante-Purgatory-Dore_f313.jpg
  • Purgatorio ("Purgatory") is the second part of Dante's Divine Comedy, following the Inferno, and preceding the Paradiso. The poem was written in the early 14th century. It is an allegory telling of the climb of Dante up the Mount of Purgatory, guided by the Roman poet Virgil, except for the last four cantos at which point Beatrice takes over as Dante's guide. Purgatory in the poem is depicted as a mountain in the Southern Hemisphere, consisting of a bottom section (Ante-Purgatory), seven levels of suffering and spiritual growth (associated with the seven deadly sins), and finally the Earthly Paradise at the top. Allegorically, the Purgatorio represents the penitent Christian life. In describing the climb Dante discusses the nature of sin, examples of vice and virtue, as well as moral issues in politics and in the Church. The poem outlines a theory that all sins arise from love – either perverted love directed towards others' harm, or deficient love, or the disordered or excessive love of good things. From the Divine Comedy by 14th century Italian poet Dante Alighieri. 1860 artwork, by French artist Gustave Dore and engraved by Stephane Pannemaker, (1868), Cary's English translation of the work. Dante wrote his epic poem 'Divina Commedia' (The Divine Comedy) between 1308 and his death in 1321. Consisting of 14,233 lines, and divided into three parts (Inferno, Purgatorio, and Paradiso), it is considered the greatest literary work in the Italian language and a world masterpiece. It is a comprehensive survey of medieval theology, literature and thought. The new non-dialect poetic language Dante created became the basis of modern Italian.
    IR_f_Dante-Purgatory-Dore_f29.jpg
  • Purgatorio ("Purgatory") is the second part of Dante's Divine Comedy, following the Inferno, and preceding the Paradiso. The poem was written in the early 14th century. It is an allegory telling of the climb of Dante up the Mount of Purgatory, guided by the Roman poet Virgil, except for the last four cantos at which point Beatrice takes over as Dante's guide. Purgatory in the poem is depicted as a mountain in the Southern Hemisphere, consisting of a bottom section (Ante-Purgatory), seven levels of suffering and spiritual growth (associated with the seven deadly sins), and finally the Earthly Paradise at the top. Allegorically, the Purgatorio represents the penitent Christian life. In describing the climb Dante discusses the nature of sin, examples of vice and virtue, as well as moral issues in politics and in the Church. The poem outlines a theory that all sins arise from love – either perverted love directed towards others' harm, or deficient love, or the disordered or excessive love of good things. From the Divine Comedy by 14th century Italian poet Dante Alighieri. 1860 artwork, by French artist Gustave Dore and engraved by Stephane Pannemaker, (1868), Cary's English translation of the work. Dante wrote his epic poem 'Divina Commedia' (The Divine Comedy) between 1308 and his death in 1321. Consisting of 14,233 lines, and divided into three parts (Inferno, Purgatorio, and Paradiso), it is considered the greatest literary work in the Italian language and a world masterpiece. It is a comprehensive survey of medieval theology, literature and thought. The new non-dialect poetic language Dante created became the basis of modern Italian.
    IR_f_Dante-Purgatory-Dore_f305.jpg
  • Purgatorio ("Purgatory") is the second part of Dante's Divine Comedy, following the Inferno, and preceding the Paradiso. The poem was written in the early 14th century. It is an allegory telling of the climb of Dante up the Mount of Purgatory, guided by the Roman poet Virgil, except for the last four cantos at which point Beatrice takes over as Dante's guide. Purgatory in the poem is depicted as a mountain in the Southern Hemisphere, consisting of a bottom section (Ante-Purgatory), seven levels of suffering and spiritual growth (associated with the seven deadly sins), and finally the Earthly Paradise at the top. Allegorically, the Purgatorio represents the penitent Christian life. In describing the climb Dante discusses the nature of sin, examples of vice and virtue, as well as moral issues in politics and in the Church. The poem outlines a theory that all sins arise from love – either perverted love directed towards others' harm, or deficient love, or the disordered or excessive love of good things. From the Divine Comedy by 14th century Italian poet Dante Alighieri. 1860 artwork, by French artist Gustave Dore and engraved by Stephane Pannemaker, (1868), Cary's English translation of the work. Dante wrote his epic poem 'Divina Commedia' (The Divine Comedy) between 1308 and his death in 1321. Consisting of 14,233 lines, and divided into three parts (Inferno, Purgatorio, and Paradiso), it is considered the greatest literary work in the Italian language and a world masterpiece. It is a comprehensive survey of medieval theology, literature and thought. The new non-dialect poetic language Dante created became the basis of modern Italian.
    IR_f_Dante-Purgatory-Dore_f285.jpg
  • Purgatorio ("Purgatory") is the second part of Dante's Divine Comedy, following the Inferno, and preceding the Paradiso. The poem was written in the early 14th century. It is an allegory telling of the climb of Dante up the Mount of Purgatory, guided by the Roman poet Virgil, except for the last four cantos at which point Beatrice takes over as Dante's guide. Purgatory in the poem is depicted as a mountain in the Southern Hemisphere, consisting of a bottom section (Ante-Purgatory), seven levels of suffering and spiritual growth (associated with the seven deadly sins), and finally the Earthly Paradise at the top. Allegorically, the Purgatorio represents the penitent Christian life. In describing the climb Dante discusses the nature of sin, examples of vice and virtue, as well as moral issues in politics and in the Church. The poem outlines a theory that all sins arise from love – either perverted love directed towards others' harm, or deficient love, or the disordered or excessive love of good things. From the Divine Comedy by 14th century Italian poet Dante Alighieri. 1860 artwork, by French artist Gustave Dore and engraved by Stephane Pannemaker, (1868), Cary's English translation of the work. Dante wrote his epic poem 'Divina Commedia' (The Divine Comedy) between 1308 and his death in 1321. Consisting of 14,233 lines, and divided into three parts (Inferno, Purgatorio, and Paradiso), it is considered the greatest literary work in the Italian language and a world masterpiece. It is a comprehensive survey of medieval theology, literature and thought. The new non-dialect poetic language Dante created became the basis of modern Italian.
    IR_f_Dante-Purgatory-Dore_f289.jpg
  • Purgatorio ("Purgatory") is the second part of Dante's Divine Comedy, following the Inferno, and preceding the Paradiso. The poem was written in the early 14th century. It is an allegory telling of the climb of Dante up the Mount of Purgatory, guided by the Roman poet Virgil, except for the last four cantos at which point Beatrice takes over as Dante's guide. Purgatory in the poem is depicted as a mountain in the Southern Hemisphere, consisting of a bottom section (Ante-Purgatory), seven levels of suffering and spiritual growth (associated with the seven deadly sins), and finally the Earthly Paradise at the top. Allegorically, the Purgatorio represents the penitent Christian life. In describing the climb Dante discusses the nature of sin, examples of vice and virtue, as well as moral issues in politics and in the Church. The poem outlines a theory that all sins arise from love – either perverted love directed towards others' harm, or deficient love, or the disordered or excessive love of good things. From the Divine Comedy by 14th century Italian poet Dante Alighieri. 1860 artwork, by French artist Gustave Dore and engraved by Stephane Pannemaker, (1868), Cary's English translation of the work. Dante wrote his epic poem 'Divina Commedia' (The Divine Comedy) between 1308 and his death in 1321. Consisting of 14,233 lines, and divided into three parts (Inferno, Purgatorio, and Paradiso), it is considered the greatest literary work in the Italian language and a world masterpiece. It is a comprehensive survey of medieval theology, literature and thought. The new non-dialect poetic language Dante created became the basis of modern Italian.
    IR_f_Dante-Purgatory-Dore_f279.jpg
  • Purgatorio ("Purgatory") is the second part of Dante's Divine Comedy, following the Inferno, and preceding the Paradiso. The poem was written in the early 14th century. It is an allegory telling of the climb of Dante up the Mount of Purgatory, guided by the Roman poet Virgil, except for the last four cantos at which point Beatrice takes over as Dante's guide. Purgatory in the poem is depicted as a mountain in the Southern Hemisphere, consisting of a bottom section (Ante-Purgatory), seven levels of suffering and spiritual growth (associated with the seven deadly sins), and finally the Earthly Paradise at the top. Allegorically, the Purgatorio represents the penitent Christian life. In describing the climb Dante discusses the nature of sin, examples of vice and virtue, as well as moral issues in politics and in the Church. The poem outlines a theory that all sins arise from love – either perverted love directed towards others' harm, or deficient love, or the disordered or excessive love of good things. From the Divine Comedy by 14th century Italian poet Dante Alighieri. 1860 artwork, by French artist Gustave Dore and engraved by Stephane Pannemaker, (1868), Cary's English translation of the work. Dante wrote his epic poem 'Divina Commedia' (The Divine Comedy) between 1308 and his death in 1321. Consisting of 14,233 lines, and divided into three parts (Inferno, Purgatorio, and Paradiso), it is considered the greatest literary work in the Italian language and a world masterpiece. It is a comprehensive survey of medieval theology, literature and thought. The new non-dialect poetic language Dante created became the basis of modern Italian.
    IR_f_Dante-Purgatory-Dore_f273.jpg
  • Purgatorio ("Purgatory") is the second part of Dante's Divine Comedy, following the Inferno, and preceding the Paradiso. The poem was written in the early 14th century. It is an allegory telling of the climb of Dante up the Mount of Purgatory, guided by the Roman poet Virgil, except for the last four cantos at which point Beatrice takes over as Dante's guide. Purgatory in the poem is depicted as a mountain in the Southern Hemisphere, consisting of a bottom section (Ante-Purgatory), seven levels of suffering and spiritual growth (associated with the seven deadly sins), and finally the Earthly Paradise at the top. Allegorically, the Purgatorio represents the penitent Christian life. In describing the climb Dante discusses the nature of sin, examples of vice and virtue, as well as moral issues in politics and in the Church. The poem outlines a theory that all sins arise from love – either perverted love directed towards others' harm, or deficient love, or the disordered or excessive love of good things. From the Divine Comedy by 14th century Italian poet Dante Alighieri. 1860 artwork, by French artist Gustave Dore and engraved by Stephane Pannemaker, (1868), Cary's English translation of the work. Dante wrote his epic poem 'Divina Commedia' (The Divine Comedy) between 1308 and his death in 1321. Consisting of 14,233 lines, and divided into three parts (Inferno, Purgatorio, and Paradiso), it is considered the greatest literary work in the Italian language and a world masterpiece. It is a comprehensive survey of medieval theology, literature and thought. The new non-dialect poetic language Dante created became the basis of modern Italian.
    IR_f_Dante-Purgatory-Dore_f265.jpg
  • Purgatorio ("Purgatory") is the second part of Dante's Divine Comedy, following the Inferno, and preceding the Paradiso. The poem was written in the early 14th century. It is an allegory telling of the climb of Dante up the Mount of Purgatory, guided by the Roman poet Virgil, except for the last four cantos at which point Beatrice takes over as Dante's guide. Purgatory in the poem is depicted as a mountain in the Southern Hemisphere, consisting of a bottom section (Ante-Purgatory), seven levels of suffering and spiritual growth (associated with the seven deadly sins), and finally the Earthly Paradise at the top. Allegorically, the Purgatorio represents the penitent Christian life. In describing the climb Dante discusses the nature of sin, examples of vice and virtue, as well as moral issues in politics and in the Church. The poem outlines a theory that all sins arise from love – either perverted love directed towards others' harm, or deficient love, or the disordered or excessive love of good things. From the Divine Comedy by 14th century Italian poet Dante Alighieri. 1860 artwork, by French artist Gustave Dore and engraved by Stephane Pannemaker, (1868), Cary's English translation of the work. Dante wrote his epic poem 'Divina Commedia' (The Divine Comedy) between 1308 and his death in 1321. Consisting of 14,233 lines, and divided into three parts (Inferno, Purgatorio, and Paradiso), it is considered the greatest literary work in the Italian language and a world masterpiece. It is a comprehensive survey of medieval theology, literature and thought. The new non-dialect poetic language Dante created became the basis of modern Italian.
    IR_f_Dante-Purgatory-Dore_f235.jpg
  • Purgatorio ("Purgatory") is the second part of Dante's Divine Comedy, following the Inferno, and preceding the Paradiso. The poem was written in the early 14th century. It is an allegory telling of the climb of Dante up the Mount of Purgatory, guided by the Roman poet Virgil, except for the last four cantos at which point Beatrice takes over as Dante's guide. Purgatory in the poem is depicted as a mountain in the Southern Hemisphere, consisting of a bottom section (Ante-Purgatory), seven levels of suffering and spiritual growth (associated with the seven deadly sins), and finally the Earthly Paradise at the top. Allegorically, the Purgatorio represents the penitent Christian life. In describing the climb Dante discusses the nature of sin, examples of vice and virtue, as well as moral issues in politics and in the Church. The poem outlines a theory that all sins arise from love – either perverted love directed towards others' harm, or deficient love, or the disordered or excessive love of good things. From the Divine Comedy by 14th century Italian poet Dante Alighieri. 1860 artwork, by French artist Gustave Dore and engraved by Stephane Pannemaker, (1868), Cary's English translation of the work. Dante wrote his epic poem 'Divina Commedia' (The Divine Comedy) between 1308 and his death in 1321. Consisting of 14,233 lines, and divided into three parts (Inferno, Purgatorio, and Paradiso), it is considered the greatest literary work in the Italian language and a world masterpiece. It is a comprehensive survey of medieval theology, literature and thought. The new non-dialect poetic language Dante created became the basis of modern Italian.
    IR_f_Dante-Purgatory-Dore_f23.jpg
  • Purgatorio ("Purgatory") is the second part of Dante's Divine Comedy, following the Inferno, and preceding the Paradiso. The poem was written in the early 14th century. It is an allegory telling of the climb of Dante up the Mount of Purgatory, guided by the Roman poet Virgil, except for the last four cantos at which point Beatrice takes over as Dante's guide. Purgatory in the poem is depicted as a mountain in the Southern Hemisphere, consisting of a bottom section (Ante-Purgatory), seven levels of suffering and spiritual growth (associated with the seven deadly sins), and finally the Earthly Paradise at the top. Allegorically, the Purgatorio represents the penitent Christian life. In describing the climb Dante discusses the nature of sin, examples of vice and virtue, as well as moral issues in politics and in the Church. The poem outlines a theory that all sins arise from love – either perverted love directed towards others' harm, or deficient love, or the disordered or excessive love of good things. From the Divine Comedy by 14th century Italian poet Dante Alighieri. 1860 artwork, by French artist Gustave Dore and engraved by Stephane Pannemaker, (1868), Cary's English translation of the work. Dante wrote his epic poem 'Divina Commedia' (The Divine Comedy) between 1308 and his death in 1321. Consisting of 14,233 lines, and divided into three parts (Inferno, Purgatorio, and Paradiso), it is considered the greatest literary work in the Italian language and a world masterpiece. It is a comprehensive survey of medieval theology, literature and thought. The new non-dialect poetic language Dante created became the basis of modern Italian.
    IR_f_Dante-Purgatory-Dore_f227.jpg
  • Purgatorio ("Purgatory") is the second part of Dante's Divine Comedy, following the Inferno, and preceding the Paradiso. The poem was written in the early 14th century. It is an allegory telling of the climb of Dante up the Mount of Purgatory, guided by the Roman poet Virgil, except for the last four cantos at which point Beatrice takes over as Dante's guide. Purgatory in the poem is depicted as a mountain in the Southern Hemisphere, consisting of a bottom section (Ante-Purgatory), seven levels of suffering and spiritual growth (associated with the seven deadly sins), and finally the Earthly Paradise at the top. Allegorically, the Purgatorio represents the penitent Christian life. In describing the climb Dante discusses the nature of sin, examples of vice and virtue, as well as moral issues in politics and in the Church. The poem outlines a theory that all sins arise from love – either perverted love directed towards others' harm, or deficient love, or the disordered or excessive love of good things. From the Divine Comedy by 14th century Italian poet Dante Alighieri. 1860 artwork, by French artist Gustave Dore and engraved by Stephane Pannemaker, (1868), Cary's English translation of the work. Dante wrote his epic poem 'Divina Commedia' (The Divine Comedy) between 1308 and his death in 1321. Consisting of 14,233 lines, and divided into three parts (Inferno, Purgatorio, and Paradiso), it is considered the greatest literary work in the Italian language and a world masterpiece. It is a comprehensive survey of medieval theology, literature and thought. The new non-dialect poetic language Dante created became the basis of modern Italian.
    IR_f_Dante-Purgatory-Dore_f221.jpg
  • Purgatorio ("Purgatory") is the second part of Dante's Divine Comedy, following the Inferno, and preceding the Paradiso. The poem was written in the early 14th century. It is an allegory telling of the climb of Dante up the Mount of Purgatory, guided by the Roman poet Virgil, except for the last four cantos at which point Beatrice takes over as Dante's guide. Purgatory in the poem is depicted as a mountain in the Southern Hemisphere, consisting of a bottom section (Ante-Purgatory), seven levels of suffering and spiritual growth (associated with the seven deadly sins), and finally the Earthly Paradise at the top. Allegorically, the Purgatorio represents the penitent Christian life. In describing the climb Dante discusses the nature of sin, examples of vice and virtue, as well as moral issues in politics and in the Church. The poem outlines a theory that all sins arise from love – either perverted love directed towards others' harm, or deficient love, or the disordered or excessive love of good things. From the Divine Comedy by 14th century Italian poet Dante Alighieri. 1860 artwork, by French artist Gustave Dore and engraved by Stephane Pannemaker, (1868), Cary's English translation of the work. Dante wrote his epic poem 'Divina Commedia' (The Divine Comedy) between 1308 and his death in 1321. Consisting of 14,233 lines, and divided into three parts (Inferno, Purgatorio, and Paradiso), it is considered the greatest literary work in the Italian language and a world masterpiece. It is a comprehensive survey of medieval theology, literature and thought. The new non-dialect poetic language Dante created became the basis of modern Italian.
    IR_f_Dante-Purgatory-Dore_f197.jpg
  • Purgatorio ("Purgatory") is the second part of Dante's Divine Comedy, following the Inferno, and preceding the Paradiso. The poem was written in the early 14th century. It is an allegory telling of the climb of Dante up the Mount of Purgatory, guided by the Roman poet Virgil, except for the last four cantos at which point Beatrice takes over as Dante's guide. Purgatory in the poem is depicted as a mountain in the Southern Hemisphere, consisting of a bottom section (Ante-Purgatory), seven levels of suffering and spiritual growth (associated with the seven deadly sins), and finally the Earthly Paradise at the top. Allegorically, the Purgatorio represents the penitent Christian life. In describing the climb Dante discusses the nature of sin, examples of vice and virtue, as well as moral issues in politics and in the Church. The poem outlines a theory that all sins arise from love – either perverted love directed towards others' harm, or deficient love, or the disordered or excessive love of good things. From the Divine Comedy by 14th century Italian poet Dante Alighieri. 1860 artwork, by French artist Gustave Dore and engraved by Stephane Pannemaker, (1868), Cary's English translation of the work. Dante wrote his epic poem 'Divina Commedia' (The Divine Comedy) between 1308 and his death in 1321. Consisting of 14,233 lines, and divided into three parts (Inferno, Purgatorio, and Paradiso), it is considered the greatest literary work in the Italian language and a world masterpiece. It is a comprehensive survey of medieval theology, literature and thought. The new non-dialect poetic language Dante created became the basis of modern Italian.
    IR_f_Dante-Purgatory-Dore_f191.jpg
  • Purgatorio ("Purgatory") is the second part of Dante's Divine Comedy, following the Inferno, and preceding the Paradiso. The poem was written in the early 14th century. It is an allegory telling of the climb of Dante up the Mount of Purgatory, guided by the Roman poet Virgil, except for the last four cantos at which point Beatrice takes over as Dante's guide. Purgatory in the poem is depicted as a mountain in the Southern Hemisphere, consisting of a bottom section (Ante-Purgatory), seven levels of suffering and spiritual growth (associated with the seven deadly sins), and finally the Earthly Paradise at the top. Allegorically, the Purgatorio represents the penitent Christian life. In describing the climb Dante discusses the nature of sin, examples of vice and virtue, as well as moral issues in politics and in the Church. The poem outlines a theory that all sins arise from love – either perverted love directed towards others' harm, or deficient love, or the disordered or excessive love of good things. From the Divine Comedy by 14th century Italian poet Dante Alighieri. 1860 artwork, by French artist Gustave Dore and engraved by Stephane Pannemaker, (1868), Cary's English translation of the work. Dante wrote his epic poem 'Divina Commedia' (The Divine Comedy) between 1308 and his death in 1321. Consisting of 14,233 lines, and divided into three parts (Inferno, Purgatorio, and Paradiso), it is considered the greatest literary work in the Italian language and a world masterpiece. It is a comprehensive survey of medieval theology, literature and thought. The new non-dialect poetic language Dante created became the basis of modern Italian.
    IR_f_Dante-Purgatory-Dore_f183.jpg
  • Purgatorio ("Purgatory") is the second part of Dante's Divine Comedy, following the Inferno, and preceding the Paradiso. The poem was written in the early 14th century. It is an allegory telling of the climb of Dante up the Mount of Purgatory, guided by the Roman poet Virgil, except for the last four cantos at which point Beatrice takes over as Dante's guide. Purgatory in the poem is depicted as a mountain in the Southern Hemisphere, consisting of a bottom section (Ante-Purgatory), seven levels of suffering and spiritual growth (associated with the seven deadly sins), and finally the Earthly Paradise at the top. Allegorically, the Purgatorio represents the penitent Christian life. In describing the climb Dante discusses the nature of sin, examples of vice and virtue, as well as moral issues in politics and in the Church. The poem outlines a theory that all sins arise from love – either perverted love directed towards others' harm, or deficient love, or the disordered or excessive love of good things. From the Divine Comedy by 14th century Italian poet Dante Alighieri. 1860 artwork, by French artist Gustave Dore and engraved by Stephane Pannemaker, (1868), Cary's English translation of the work. Dante wrote his epic poem 'Divina Commedia' (The Divine Comedy) between 1308 and his death in 1321. Consisting of 14,233 lines, and divided into three parts (Inferno, Purgatorio, and Paradiso), it is considered the greatest literary work in the Italian language and a world masterpiece. It is a comprehensive survey of medieval theology, literature and thought. The new non-dialect poetic language Dante created became the basis of modern Italian.
    IR_f_Dante-Purgatory-Dore_f169.jpg
  • Purgatorio ("Purgatory") is the second part of Dante's Divine Comedy, following the Inferno, and preceding the Paradiso. The poem was written in the early 14th century. It is an allegory telling of the climb of Dante up the Mount of Purgatory, guided by the Roman poet Virgil, except for the last four cantos at which point Beatrice takes over as Dante's guide. Purgatory in the poem is depicted as a mountain in the Southern Hemisphere, consisting of a bottom section (Ante-Purgatory), seven levels of suffering and spiritual growth (associated with the seven deadly sins), and finally the Earthly Paradise at the top. Allegorically, the Purgatorio represents the penitent Christian life. In describing the climb Dante discusses the nature of sin, examples of vice and virtue, as well as moral issues in politics and in the Church. The poem outlines a theory that all sins arise from love – either perverted love directed towards others' harm, or deficient love, or the disordered or excessive love of good things. From the Divine Comedy by 14th century Italian poet Dante Alighieri. 1860 artwork, by French artist Gustave Dore and engraved by Stephane Pannemaker, (1868), Cary's English translation of the work. Dante wrote his epic poem 'Divina Commedia' (The Divine Comedy) between 1308 and his death in 1321. Consisting of 14,233 lines, and divided into three parts (Inferno, Purgatorio, and Paradiso), it is considered the greatest literary work in the Italian language and a world masterpiece. It is a comprehensive survey of medieval theology, literature and thought. The new non-dialect poetic language Dante created became the basis of modern Italian.
    IR_f_Dante-Purgatory-Dore_f163.jpg
  • Purgatorio ("Purgatory") is the second part of Dante's Divine Comedy, following the Inferno, and preceding the Paradiso. The poem was written in the early 14th century. It is an allegory telling of the climb of Dante up the Mount of Purgatory, guided by the Roman poet Virgil, except for the last four cantos at which point Beatrice takes over as Dante's guide. Purgatory in the poem is depicted as a mountain in the Southern Hemisphere, consisting of a bottom section (Ante-Purgatory), seven levels of suffering and spiritual growth (associated with the seven deadly sins), and finally the Earthly Paradise at the top. Allegorically, the Purgatorio represents the penitent Christian life. In describing the climb Dante discusses the nature of sin, examples of vice and virtue, as well as moral issues in politics and in the Church. The poem outlines a theory that all sins arise from love – either perverted love directed towards others' harm, or deficient love, or the disordered or excessive love of good things. From the Divine Comedy by 14th century Italian poet Dante Alighieri. 1860 artwork, by French artist Gustave Dore and engraved by Stephane Pannemaker, (1868), Cary's English translation of the work. Dante wrote his epic poem 'Divina Commedia' (The Divine Comedy) between 1308 and his death in 1321. Consisting of 14,233 lines, and divided into three parts (Inferno, Purgatorio, and Paradiso), it is considered the greatest literary work in the Italian language and a world masterpiece. It is a comprehensive survey of medieval theology, literature and thought. The new non-dialect poetic language Dante created became the basis of modern Italian.
    IR_f_Dante-Purgatory-Dore_f153.jpg
  • Purgatorio ("Purgatory") is the second part of Dante's Divine Comedy, following the Inferno, and preceding the Paradiso. The poem was written in the early 14th century. It is an allegory telling of the climb of Dante up the Mount of Purgatory, guided by the Roman poet Virgil, except for the last four cantos at which point Beatrice takes over as Dante's guide. Purgatory in the poem is depicted as a mountain in the Southern Hemisphere, consisting of a bottom section (Ante-Purgatory), seven levels of suffering and spiritual growth (associated with the seven deadly sins), and finally the Earthly Paradise at the top. Allegorically, the Purgatorio represents the penitent Christian life. In describing the climb Dante discusses the nature of sin, examples of vice and virtue, as well as moral issues in politics and in the Church. The poem outlines a theory that all sins arise from love – either perverted love directed towards others' harm, or deficient love, or the disordered or excessive love of good things. From the Divine Comedy by 14th century Italian poet Dante Alighieri. 1860 artwork, by French artist Gustave Dore and engraved by Stephane Pannemaker, (1868), Cary's English translation of the work. Dante wrote his epic poem 'Divina Commedia' (The Divine Comedy) between 1308 and his death in 1321. Consisting of 14,233 lines, and divided into three parts (Inferno, Purgatorio, and Paradiso), it is considered the greatest literary work in the Italian language and a world masterpiece. It is a comprehensive survey of medieval theology, literature and thought. The new non-dialect poetic language Dante created became the basis of modern Italian.
    IR_f_Dante-Purgatory-Dore_f147.jpg
  • Purgatorio ("Purgatory") is the second part of Dante's Divine Comedy, following the Inferno, and preceding the Paradiso. The poem was written in the early 14th century. It is an allegory telling of the climb of Dante up the Mount of Purgatory, guided by the Roman poet Virgil, except for the last four cantos at which point Beatrice takes over as Dante's guide. Purgatory in the poem is depicted as a mountain in the Southern Hemisphere, consisting of a bottom section (Ante-Purgatory), seven levels of suffering and spiritual growth (associated with the seven deadly sins), and finally the Earthly Paradise at the top. Allegorically, the Purgatorio represents the penitent Christian life. In describing the climb Dante discusses the nature of sin, examples of vice and virtue, as well as moral issues in politics and in the Church. The poem outlines a theory that all sins arise from love – either perverted love directed towards others' harm, or deficient love, or the disordered or excessive love of good things. From the Divine Comedy by 14th century Italian poet Dante Alighieri. 1860 artwork, by French artist Gustave Dore and engraved by Stephane Pannemaker, (1868), Cary's English translation of the work. Dante wrote his epic poem 'Divina Commedia' (The Divine Comedy) between 1308 and his death in 1321. Consisting of 14,233 lines, and divided into three parts (Inferno, Purgatorio, and Paradiso), it is considered the greatest literary work in the Italian language and a world masterpiece. It is a comprehensive survey of medieval theology, literature and thought. The new non-dialect poetic language Dante created became the basis of modern Italian.
    IR_f_Dante-Purgatory-Dore_f133.jpg
  • Purgatorio ("Purgatory") is the second part of Dante's Divine Comedy, following the Inferno, and preceding the Paradiso. The poem was written in the early 14th century. It is an allegory telling of the climb of Dante up the Mount of Purgatory, guided by the Roman poet Virgil, except for the last four cantos at which point Beatrice takes over as Dante's guide. Purgatory in the poem is depicted as a mountain in the Southern Hemisphere, consisting of a bottom section (Ante-Purgatory), seven levels of suffering and spiritual growth (associated with the seven deadly sins), and finally the Earthly Paradise at the top. Allegorically, the Purgatorio represents the penitent Christian life. In describing the climb Dante discusses the nature of sin, examples of vice and virtue, as well as moral issues in politics and in the Church. The poem outlines a theory that all sins arise from love – either perverted love directed towards others' harm, or deficient love, or the disordered or excessive love of good things. From the Divine Comedy by 14th century Italian poet Dante Alighieri. 1860 artwork, by French artist Gustave Dore and engraved by Stephane Pannemaker, (1868), Cary's English translation of the work. Dante wrote his epic poem 'Divina Commedia' (The Divine Comedy) between 1308 and his death in 1321. Consisting of 14,233 lines, and divided into three parts (Inferno, Purgatorio, and Paradiso), it is considered the greatest literary work in the Italian language and a world masterpiece. It is a comprehensive survey of medieval theology, literature and thought. The new non-dialect poetic language Dante created became the basis of modern Italian.
    IR_f_Dante-Purgatory-Dore_f125.jpg
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