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  • Implored Him to Have Mercy on His Innocent Wife and Child WINTER'S TALE from the book ' Tales from Shakespeare ' by William Shakespeare edited by Charles and Mary Lamb Illustrated by Louis Rhead, Publisher New York, London, Harper & Bros in 1918
    IR_f_Lamb-Rhead_0063-fff9d3.jpg
  • Frost - Russian Fairy Tale from the book ' The Allies fairy book ' illustrated by Arthur Rackham Publication date 1916 Publisher J. B. Lippencott co. he Allies' Fairy Book contains a selection of traditional fairy tales from the allied countries participating in World War I. Its stories include; 'Jack the Giant Killer' (English); 'The Battle of the Birds' (Scottish); 'Lludd and Llevelys' (Welsh); 'Gulesh' (Irish); 'The Sleeping Beauty (French); 'Cesarino and the Dragon' (Italian); 'What came of picking flowers' (Portuguese); 'The Adventures of Little Peachling', 'The Fox's Wedding' and 'The Tongue-Cut Sparrow' (Japanese); 'Frost' (Russian); 'The Golden Apple-Tree and the Nine Peahens' (Serbian); and 'The Last Adventure of Thyl Ulenspiegel' (Belgian). The tales are illustrated with Arthur Rackham's beautiful colour plates and monotone drawings.
    IR_f_Allies-fairy-book_0149.jpg
  • The Winter's Tale From the book ' An art edition of Shakespeare, classified as comedies, tragedies, histories and sonnets, each part arranged in chronological order, including also a list of familiar quotations ' ; By Charles and Mary Lamb, and Mary Seymour,  Illustrated by Sir John Gilbert Publication date 1889 Publisher Chicago, U. S. publishing house
    IR_f_Classified-Shakespeare_0112.jpg
  • The Winter's Tale From the book ' An art edition of Shakespeare, classified as comedies, tragedies, histories and sonnets, each part arranged in chronological order, including also a list of familiar quotations ' ; By Charles and Mary Lamb, and Mary Seymour,  Illustrated by Sir John Gilbert Publication date 1889 Publisher Chicago, U. S. publishing house
    IR_f_Classified-Shakespeare_0106.jpg
  • THE MARKET AND CATHEDRAL, WORMS by LOUIS WEIRTER, R.B.A. from The Rose Garden: A Tale of Dietrich of Bern in the book ' Hero tales & legends of the Rhine ' by Lewis Spence, published London : G.G. Harrap 1915
    IR_f_Rhine-Legends_0355_1.jpg
  • The Winter's Tale act iv sc 4 Perdita : For you there's Rosemarry and Rue by F. Wheatley from the book '  Shakespeare in pictorial art ' by Salaman, Malcolm Charles, 1855-1940; Holme, Charles, 1848-1923 Publication date 1916 Publisher London, New York [etc.] : "The Studio" ltd.
    IR_f_Pictural-Art_0085.jpg
  • The Winter's Tale From the book ' An art edition of Shakespeare, classified as comedies, tragedies, histories and sonnets, each part arranged in chronological order, including also a list of familiar quotations ' ; By Charles and Mary Lamb, and Mary Seymour,  Illustrated by Sir John Gilbert Publication date 1889 Publisher Chicago, U. S. publishing house
    IR_f_Classified-Shakespeare_0081-col...jpg
  • The Winter's Tale From the book ' An art edition of Shakespeare, classified as comedies, tragedies, histories and sonnets, each part arranged in chronological order, including also a list of familiar quotations ' ; By Charles and Mary Lamb, and Mary Seymour,  Illustrated by Sir John Gilbert Publication date 1889 Publisher Chicago, U. S. publishing house
    IR_f_Classified-Shakespeare_0081.jpg
  • Tell Tale Tit, Your tongue shall be split And all the dogs in the town Shall have a little bit. from the book Mother Goose : or, The old nursery rhymes by Kate Greenaway, Engraved and Printed by Edmund Evans published in 1881 by George Routledge and Sons London nad New York
    IR_Mother-Goose-01_0027.jpg
  • Now, Guleesh, what good will she be to you when she'll be dumb ? It's time for us to go—but you'll remember us, Guleesh ! from the book ' The Allies fairy book ' illustrated by Arthur Rackham Publication date 1916 Publisher J. B. Lippencott co. he Allies' Fairy Book contains a selection of traditional fairy tales from the allied countries participating in World War I. Its stories include; 'Jack the Giant Killer' (English); 'The Battle of the Birds' (Scottish); 'Lludd and Llevelys' (Welsh); 'Gulesh' (Irish); 'The Sleeping Beauty (French); 'Cesarino and the Dragon' (Italian); 'What came of picking flowers' (Portuguese); 'The Adventures of Little Peachling', 'The Fox's Wedding' and 'The Tongue-Cut Sparrow' (Japanese); 'Frost' (Russian); 'The Golden Apple-Tree and the Nine Peahens' (Serbian); and 'The Last Adventure of Thyl Ulenspiegel' (Belgian). The tales are illustrated with Arthur Rackham's beautiful colour plates and monotone drawings.
    IR_f_Allies-fairy-book_0142.jpg
  • Every step he nearer set, Oped the eyes of violet.” Illustration from ‘The Sleeping Beauty’ by Paul Gustave Doré (1832-1883). The prince about to awaken the Princess from her 100 year slumber with a kiss. From the book Fairy realm. A collection of the favourite old tales. Illustrated by the pencil of Gustave Dore by Tom Hood, (1835-1874); Gustave Doré, (1832-1883) Published in London by Ward, Lock and Tyler in 1866
    IR_f_fairyrealm00hoodrich_0052.jpg
  • Every step he nearer set, Oped the eyes of violet.” Illustration from ‘The Sleeping Beauty’ by Paul Gustave Doré (1832-1883). The prince about to awaken the Princess from her 100 year slumber with a kiss. From the book Fairy realm. A collection of the favourite old tales. Illustrated by the pencil of Gustave Dore by Tom Hood, (1835-1874); Gustave Doré, (1832-1883) Published in London by Ward, Lock and Tyler in 1866
    IR_f_fairyrealm00hoodrich_0052-crop.jpg
  • Until he reaches the grandest room of all, the banqueting hall.” Illustration from ‘The Sleeping Beauty’ by Paul Gustave Doré (1832-1883). The prince encounters everyone in the castle grounds in an enchanted sleep. From the book Fairy realm. A collection of the favourite old tales. Illustrated by the pencil of Gustave Dore by Tom Hood, (1835-1874); Gustave Doré, (1832-1883) Published in London by Ward, Lock and Tyler in 1866
    IR_f_fairyrealm00hoodrich_0044.jpg
  • Huntsmen bold returned from sport Snoring, horns to lips!” Illustration from ‘The Sleeping Beauty’ by Paul Gustave Doré (1832-1883). The prince encounters everyone in the castle grounds in an enchanted sleep. From the book Fairy realm. A collection of the favourite old tales. Illustrated by the pencil of Gustave Dore by Tom Hood, (1835-1874); Gustave Doré, (1832-1883) Published in London by Ward, Lock and Tyler in 1866
    IR_f_fairyrealm00hoodrich_0040.jpg
  • Until he reaches the grandest room of all, the banqueting hall.” Illustration from ‘The Sleeping Beauty’ by Paul Gustave Doré (1832-1883). The prince encounters everyone in the castle grounds in an enchanted sleep. From the book Fairy realm. A collection of the favourite old tales. Illustrated by the pencil of Gustave Dore by Tom Hood, (1835-1874); Gustave Doré, (1832-1883) Published in London by Ward, Lock and Tyler in 1866
    IR_f_fairyrealm00hoodrich_0044-crop.jpg
  • Huntsmen bold returned from sport Snoring, horns to lips!” Illustration from ‘The Sleeping Beauty’ by Paul Gustave Doré (1832-1883). The prince encounters everyone in the castle grounds in an enchanted sleep. From the book Fairy realm. A collection of the favourite old tales. Illustrated by the pencil of Gustave Dore by Tom Hood, (1835-1874); Gustave Doré, (1832-1883) Published in London by Ward, Lock and Tyler in 1866
    IR_f_fairyrealm00hoodrich_0040-crop.jpg
  • He sees a flight of steps, a gate overgrown with truant roses, and some one beside the gate in that warm sunshine dozes.” Illustration from ‘The Sleeping Beauty’ by Paul Gustave Doré (1832-1883). The prince approaches the castle, dormant for 100 years. From the book Fairy realm. A collection of the favourite old tales. Illustrated by the pencil of Gustave Dore by Tom Hood, (1835-1874); Gustave Doré, (1832-1883) Published in London by Ward, Lock and Tyler in 1866
    IR_f_fairyrealm00hoodrich_0038-crop.jpg
  • He sees a flight of steps, a gate overgrown with truant roses, and some one beside the gate in that warm sunshine dozes.” Illustration from ‘The Sleeping Beauty’ by Paul Gustave Doré (1832-1883). The prince approaches the castle, dormant for 100 years. From the book Fairy realm. A collection of the favourite old tales. Illustrated by the pencil of Gustave Dore by Tom Hood, (1835-1874); Gustave Doré, (1832-1883) Published in London by Ward, Lock and Tyler in 1866
    IR_f_fairyrealm00hoodrich_0038.jpg
  • That embowered pile did seem a cloud from some fantastic dream.” Illustration from ‘The Sleeping Beauty’ by Paul Gustave Doré (1832-1883). The castle lay asleep for 100 years. From the book Fairy realm. A collection of the favourite old tales. Illustrated by the pencil of Gustave Dore by Tom Hood, (1835-1874); Gustave Doré, (1832-1883) Published in London by Ward, Lock and Tyler in 1866
    IR_f_fairyrealm00hoodrich_0028.jpg
  • That embowered pile did seem a cloud from some fantastic dream.” Illustration from ‘The Sleeping Beauty’ by Paul Gustave Doré (1832-1883). The castle lay asleep for 100 years. From the book Fairy realm. A collection of the favourite old tales. Illustrated by the pencil of Gustave Dore by Tom Hood, (1835-1874); Gustave Doré, (1832-1883) Published in London by Ward, Lock and Tyler in 1866
    IR_f_fairyrealm00hoodrich_0028-Crop.jpg
  • “The Princess looked in the door and said - 'What bonny white wool, and what bonny white thread!” Illustration from ‘The Sleeping Beauty’ by Paul Gustave Doré (1832-1883). The princess about to prick her finger and fall into a deep sleep for 100 years.  From the book Fairy realm. A collection of the favourite old tales. Illustrated by the pencil of Gustave Dore by Tom Hood, (1835-1874); Gustave Doré, (1832-1883) Published in London by Ward, Lock and Tyler in 1866
    IR_f_fairyrealm00hoodrich_0023.jpg
  • “The Princess looked in the door and said - 'What bonny white wool, and what bonny white thread!” Illustration from ‘The Sleeping Beauty’ by Paul Gustave Doré (1832-1883). The princess about to prick her finger and fall into a deep sleep for 100 years.  From the book Fairy realm. A collection of the favourite old tales. Illustrated by the pencil of Gustave Dore by Tom Hood, (1835-1874); Gustave Doré, (1832-1883) Published in London by Ward, Lock and Tyler in 1866
    IR_f_fairyrealm00hoodrich_0023-crop.jpg
  • The Three Bears illustrated by Walter Crane 1873. Published in London by George Routledge and Sons. "Goldilocks and the Three Bears" (originally titled "The Story of the Three Bears") is a 19th-century British fairy tale of which three versions exist. The original version of the tale tells of a not-so-polite old woman who enters  the forest home of three bachelor bears while they are away. She sits in their chairs, eats some of their soup, sits down on one of their chairs and breaks it, and sleeps in one of their beds. When the bears return and discover her, she wakes up, jumps out of the window, and is never seen again. The second version replaced the old woman with a little girl named Goldilocks, and the third and by far best-known version replaced the original bear trio with Papa Bear, Mama Bear, and Baby Bear. What was originally a frightening oral tale became a cozy family story with only a hint of menace. The story has elicited various interpretations and has been adapted to film, opera, and other media. "Goldilocks and the Three Bears" is one of the most popular fairy tales in the English language.
    IR_f_Three-Bears_0005.jpg
  • The Three Bears illustrated by Walter Crane 1873. Published in London by George Routledge and Sons. "Goldilocks and the Three Bears" (originally titled "The Story of the Three Bears") is a 19th-century British fairy tale of which three versions exist. The original version of the tale tells of a not-so-polite old woman who enters  the forest home of three bachelor bears while they are away. She sits in their chairs, eats some of their soup, sits down on one of their chairs and breaks it, and sleeps in one of their beds. When the bears return and discover her, she wakes up, jumps out of the window, and is never seen again. The second version replaced the old woman with a little girl named Goldilocks, and the third and by far best-known version replaced the original bear trio with Papa Bear, Mama Bear, and Baby Bear. What was originally a frightening oral tale became a cozy family story with only a hint of menace. The story has elicited various interpretations and has been adapted to film, opera, and other media. "Goldilocks and the Three Bears" is one of the most popular fairy tales in the English language.
    IR_f_Three-Bears_0002-crop.jpg
  • The Three Bears illustrated by Walter Crane 1873. Published in London by George Routledge and Sons. "Goldilocks and the Three Bears" (originally titled "The Story of the Three Bears") is a 19th-century British fairy tale of which three versions exist. The original version of the tale tells of a not-so-polite old woman who enters  the forest home of three bachelor bears while they are away. She sits in their chairs, eats some of their soup, sits down on one of their chairs and breaks it, and sleeps in one of their beds. When the bears return and discover her, she wakes up, jumps out of the window, and is never seen again. The second version replaced the old woman with a little girl named Goldilocks, and the third and by far best-known version replaced the original bear trio with Papa Bear, Mama Bear, and Baby Bear. What was originally a frightening oral tale became a cozy family story with only a hint of menace. The story has elicited various interpretations and has been adapted to film, opera, and other media. "Goldilocks and the Three Bears" is one of the most popular fairy tales in the English language.
    IR_f_Three-Bears_0000.jpg
  • The Three Bears illustrated by Walter Crane 1873. Published in London by George Routledge and Sons. "Goldilocks and the Three Bears" (originally titled "The Story of the Three Bears") is a 19th-century British fairy tale of which three versions exist. The original version of the tale tells of a not-so-polite old woman who enters  the forest home of three bachelor bears while they are away. She sits in their chairs, eats some of their soup, sits down on one of their chairs and breaks it, and sleeps in one of their beds. When the bears return and discover her, she wakes up, jumps out of the window, and is never seen again. The second version replaced the old woman with a little girl named Goldilocks, and the third and by far best-known version replaced the original bear trio with Papa Bear, Mama Bear, and Baby Bear. What was originally a frightening oral tale became a cozy family story with only a hint of menace. The story has elicited various interpretations and has been adapted to film, opera, and other media. "Goldilocks and the Three Bears" is one of the most popular fairy tales in the English language.
    IR_f_Three-Bears_0005-crop.jpg
  • The Three Bears illustrated by Walter Crane 1873. Published in London by George Routledge and Sons. "Goldilocks and the Three Bears" (originally titled "The Story of the Three Bears") is a 19th-century British fairy tale of which three versions exist. The original version of the tale tells of a not-so-polite old woman who enters  the forest home of three bachelor bears while they are away. She sits in their chairs, eats some of their soup, sits down on one of their chairs and breaks it, and sleeps in one of their beds. When the bears return and discover her, she wakes up, jumps out of the window, and is never seen again. The second version replaced the old woman with a little girl named Goldilocks, and the third and by far best-known version replaced the original bear trio with Papa Bear, Mama Bear, and Baby Bear. What was originally a frightening oral tale became a cozy family story with only a hint of menace. The story has elicited various interpretations and has been adapted to film, opera, and other media. "Goldilocks and the Three Bears" is one of the most popular fairy tales in the English language.
    IR_f_Three-Bears_0002.jpg
  • The Three Bears illustrated by Walter Crane 1873. Published in London by George Routledge and Sons. "Goldilocks and the Three Bears" (originally titled "The Story of the Three Bears") is a 19th-century British fairy tale of which three versions exist. The original version of the tale tells of a not-so-polite old woman who enters  the forest home of three bachelor bears while they are away. She sits in their chairs, eats some of their soup, sits down on one of their chairs and breaks it, and sleeps in one of their beds. When the bears return and discover her, she wakes up, jumps out of the window, and is never seen again. The second version replaced the old woman with a little girl named Goldilocks, and the third and by far best-known version replaced the original bear trio with Papa Bear, Mama Bear, and Baby Bear. What was originally a frightening oral tale became a cozy family story with only a hint of menace. The story has elicited various interpretations and has been adapted to film, opera, and other media. "Goldilocks and the Three Bears" is one of the most popular fairy tales in the English language.
    IR_f_Three-Bears_0001-crop.jpg
  • The Three Bears illustrated by Walter Crane 1873. Published in London by George Routledge and Sons. "Goldilocks and the Three Bears" (originally titled "The Story of the Three Bears") is a 19th-century British fairy tale of which three versions exist. The original version of the tale tells of a not-so-polite old woman who enters  the forest home of three bachelor bears while they are away. She sits in their chairs, eats some of their soup, sits down on one of their chairs and breaks it, and sleeps in one of their beds. When the bears return and discover her, she wakes up, jumps out of the window, and is never seen again. The second version replaced the old woman with a little girl named Goldilocks, and the third and by far best-known version replaced the original bear trio with Papa Bear, Mama Bear, and Baby Bear. What was originally a frightening oral tale became a cozy family story with only a hint of menace. The story has elicited various interpretations and has been adapted to film, opera, and other media. "Goldilocks and the Three Bears" is one of the most popular fairy tales in the English language.
    IR_f_Three-Bears_0001.jpg
  • The Three Bears illustrated by Walter Crane 1873. Published in London by George Routledge and Sons. "Goldilocks and the Three Bears" (originally titled "The Story of the Three Bears") is a 19th-century British fairy tale of which three versions exist. The original version of the tale tells of a not-so-polite old woman who enters  the forest home of three bachelor bears while they are away. She sits in their chairs, eats some of their soup, sits down on one of their chairs and breaks it, and sleeps in one of their beds. When the bears return and discover her, she wakes up, jumps out of the window, and is never seen again. The second version replaced the old woman with a little girl named Goldilocks, and the third and by far best-known version replaced the original bear trio with Papa Bear, Mama Bear, and Baby Bear. What was originally a frightening oral tale became a cozy family story with only a hint of menace. The story has elicited various interpretations and has been adapted to film, opera, and other media. "Goldilocks and the Three Bears" is one of the most popular fairy tales in the English language.
    IR_f_Three-Bears_0014-crop.jpg
  • The Three Bears illustrated by Walter Crane 1873. Published in London by George Routledge and Sons. "Goldilocks and the Three Bears" (originally titled "The Story of the Three Bears") is a 19th-century British fairy tale of which three versions exist. The original version of the tale tells of a not-so-polite old woman who enters  the forest home of three bachelor bears while they are away. She sits in their chairs, eats some of their soup, sits down on one of their chairs and breaks it, and sleeps in one of their beds. When the bears return and discover her, she wakes up, jumps out of the window, and is never seen again. The second version replaced the old woman with a little girl named Goldilocks, and the third and by far best-known version replaced the original bear trio with Papa Bear, Mama Bear, and Baby Bear. What was originally a frightening oral tale became a cozy family story with only a hint of menace. The story has elicited various interpretations and has been adapted to film, opera, and other media. "Goldilocks and the Three Bears" is one of the most popular fairy tales in the English language.
    IR_f_Three-Bears_0014.jpg
  • The Three Bears illustrated by Walter Crane 1873. Published in London by George Routledge and Sons. "Goldilocks and the Three Bears" (originally titled "The Story of the Three Bears") is a 19th-century British fairy tale of which three versions exist. The original version of the tale tells of a not-so-polite old woman who enters  the forest home of three bachelor bears while they are away. She sits in their chairs, eats some of their soup, sits down on one of their chairs and breaks it, and sleeps in one of their beds. When the bears return and discover her, she wakes up, jumps out of the window, and is never seen again. The second version replaced the old woman with a little girl named Goldilocks, and the third and by far best-known version replaced the original bear trio with Papa Bear, Mama Bear, and Baby Bear. What was originally a frightening oral tale became a cozy family story with only a hint of menace. The story has elicited various interpretations and has been adapted to film, opera, and other media. "Goldilocks and the Three Bears" is one of the most popular fairy tales in the English language.
    IR_f_Three-Bears_0010-crop.jpg
  • The Three Bears illustrated by Walter Crane 1873. Published in London by George Routledge and Sons. "Goldilocks and the Three Bears" (originally titled "The Story of the Three Bears") is a 19th-century British fairy tale of which three versions exist. The original version of the tale tells of a not-so-polite old woman who enters  the forest home of three bachelor bears while they are away. She sits in their chairs, eats some of their soup, sits down on one of their chairs and breaks it, and sleeps in one of their beds. When the bears return and discover her, she wakes up, jumps out of the window, and is never seen again. The second version replaced the old woman with a little girl named Goldilocks, and the third and by far best-known version replaced the original bear trio with Papa Bear, Mama Bear, and Baby Bear. What was originally a frightening oral tale became a cozy family story with only a hint of menace. The story has elicited various interpretations and has been adapted to film, opera, and other media. "Goldilocks and the Three Bears" is one of the most popular fairy tales in the English language.
    IR_f_Three-Bears_0010.jpg
  • The Three Bears illustrated by Walter Crane 1873. Published in London by George Routledge and Sons. "Goldilocks and the Three Bears" (originally titled "The Story of the Three Bears") is a 19th-century British fairy tale of which three versions exist. The original version of the tale tells of a not-so-polite old woman who enters  the forest home of three bachelor bears while they are away. She sits in their chairs, eats some of their soup, sits down on one of their chairs and breaks it, and sleeps in one of their beds. When the bears return and discover her, she wakes up, jumps out of the window, and is never seen again. The second version replaced the old woman with a little girl named Goldilocks, and the third and by far best-known version replaced the original bear trio with Papa Bear, Mama Bear, and Baby Bear. What was originally a frightening oral tale became a cozy family story with only a hint of menace. The story has elicited various interpretations and has been adapted to film, opera, and other media. "Goldilocks and the Three Bears" is one of the most popular fairy tales in the English language.
    IR_f_Three-Bears_0008.jpg
  • The Three Bears illustrated by Walter Crane 1873. Published in London by George Routledge and Sons. "Goldilocks and the Three Bears" (originally titled "The Story of the Three Bears") is a 19th-century British fairy tale of which three versions exist. The original version of the tale tells of a not-so-polite old woman who enters  the forest home of three bachelor bears while they are away. She sits in their chairs, eats some of their soup, sits down on one of their chairs and breaks it, and sleeps in one of their beds. When the bears return and discover her, she wakes up, jumps out of the window, and is never seen again. The second version replaced the old woman with a little girl named Goldilocks, and the third and by far best-known version replaced the original bear trio with Papa Bear, Mama Bear, and Baby Bear. What was originally a frightening oral tale became a cozy family story with only a hint of menace. The story has elicited various interpretations and has been adapted to film, opera, and other media. "Goldilocks and the Three Bears" is one of the most popular fairy tales in the English language.
    IR_f_Three-Bears_0007-combo.jpg
  • The Three Bears illustrated by Walter Crane 1873. Published in London by George Routledge and Sons. "Goldilocks and the Three Bears" (originally titled "The Story of the Three Bears") is a 19th-century British fairy tale of which three versions exist. The original version of the tale tells of a not-so-polite old woman who enters  the forest home of three bachelor bears while they are away. She sits in their chairs, eats some of their soup, sits down on one of their chairs and breaks it, and sleeps in one of their beds. When the bears return and discover her, she wakes up, jumps out of the window, and is never seen again. The second version replaced the old woman with a little girl named Goldilocks, and the third and by far best-known version replaced the original bear trio with Papa Bear, Mama Bear, and Baby Bear. What was originally a frightening oral tale became a cozy family story with only a hint of menace. The story has elicited various interpretations and has been adapted to film, opera, and other media. "Goldilocks and the Three Bears" is one of the most popular fairy tales in the English language.
    IR_f_Three-Bears_0007.jpg
  • The Three Bears illustrated by Walter Crane 1873. Published in London by George Routledge and Sons. "Goldilocks and the Three Bears" (originally titled "The Story of the Three Bears") is a 19th-century British fairy tale of which three versions exist. The original version of the tale tells of a not-so-polite old woman who enters  the forest home of three bachelor bears while they are away. She sits in their chairs, eats some of their soup, sits down on one of their chairs and breaks it, and sleeps in one of their beds. When the bears return and discover her, she wakes up, jumps out of the window, and is never seen again. The second version replaced the old woman with a little girl named Goldilocks, and the third and by far best-known version replaced the original bear trio with Papa Bear, Mama Bear, and Baby Bear. What was originally a frightening oral tale became a cozy family story with only a hint of menace. The story has elicited various interpretations and has been adapted to film, opera, and other media. "Goldilocks and the Three Bears" is one of the most popular fairy tales in the English language.
    IR_f_Three-Bears_0013.jpg
  • The Three Bears illustrated by Walter Crane 1873. Published in London by George Routledge and Sons. "Goldilocks and the Three Bears" (originally titled "The Story of the Three Bears") is a 19th-century British fairy tale of which three versions exist. The original version of the tale tells of a not-so-polite old woman who enters  the forest home of three bachelor bears while they are away. She sits in their chairs, eats some of their soup, sits down on one of their chairs and breaks it, and sleeps in one of their beds. When the bears return and discover her, she wakes up, jumps out of the window, and is never seen again. The second version replaced the old woman with a little girl named Goldilocks, and the third and by far best-known version replaced the original bear trio with Papa Bear, Mama Bear, and Baby Bear. What was originally a frightening oral tale became a cozy family story with only a hint of menace. The story has elicited various interpretations and has been adapted to film, opera, and other media. "Goldilocks and the Three Bears" is one of the most popular fairy tales in the English language.
    IR_f_Three-Bears_0013-crop.jpg
  • Bluebeard by Walter Crane and Edmund Evans, Published in London & New York by George Routledge and Sons in 1873. "Bluebeard" (French: Barbe bleue) is a French folktale, the most famous surviving version of which was written by Charles Perrault and first published by Barbin in Paris in 1697 in Histoires ou contes du temps passé. The tale tells the story of a wealthy man in the habit of murdering his wives and the attempts of one wife to avoid the fate of her predecessors. "The White Dove", "The Robber Bridegroom" and "Fitcher's Bird" (also called "Fowler's Fowl") are tales similar to "Bluebeard". The notoriety of the tale is such that Merriam-Webster gives the word "Bluebeard" the definition of "a man who marries and kills one wife after another," and the verb "bluebearding" has even appeared as a way to describe the crime of either killing a series of women, or seducing and abandoning a series of
    IR_Bluebeard_0011.jpg
  • Bluebeard by Walter Crane and Edmund Evans, Published in London & New York by George Routledge and Sons in 1873. "Bluebeard" (French: Barbe bleue) is a French folktale, the most famous surviving version of which was written by Charles Perrault and first published by Barbin in Paris in 1697 in Histoires ou contes du temps passé. The tale tells the story of a wealthy man in the habit of murdering his wives and the attempts of one wife to avoid the fate of her predecessors. "The White Dove", "The Robber Bridegroom" and "Fitcher's Bird" (also called "Fowler's Fowl") are tales similar to "Bluebeard". The notoriety of the tale is such that Merriam-Webster gives the word "Bluebeard" the definition of "a man who marries and kills one wife after another," and the verb "bluebearding" has even appeared as a way to describe the crime of either killing a series of women, or seducing and abandoning a series of
    IR_Bluebeard_0008-double.jpg
  • Little Red Riding Hood [a European fairy tale about a young girl and a Big Bad Wolf. Its origins can be traced back to the 17th century to several European folk tales, including one from Italy called The False Grandmother. The two best known versions were written by Charles Perrault and the Brothers Grimm]. From the book ' A apple pie and other nursery tales : forty-eight pages of illustrations : printed in colours by Kronheim & Co ' Published by  : George Routledge and Sons 1870
    IR_applepie-nursery_0197.jpg
  • Bluebeard by Walter Crane and Edmund Evans, Published in London & New York by George Routledge and Sons in 1873. "Bluebeard" (French: Barbe bleue) is a French folktale, the most famous surviving version of which was written by Charles Perrault and first published by Barbin in Paris in 1697 in Histoires ou contes du temps passé. The tale tells the story of a wealthy man in the habit of murdering his wives and the attempts of one wife to avoid the fate of her predecessors. "The White Dove", "The Robber Bridegroom" and "Fitcher's Bird" (also called "Fowler's Fowl") are tales similar to "Bluebeard". The notoriety of the tale is such that Merriam-Webster gives the word "Bluebeard" the definition of "a man who marries and kills one wife after another," and the verb "bluebearding" has even appeared as a way to describe the crime of either killing a series of women, or seducing and abandoning a series of
    IR_Bluebeard_0014.jpg
  • Bluebeard by Walter Crane and Edmund Evans, Published in London & New York by George Routledge and Sons in 1873. "Bluebeard" (French: Barbe bleue) is a French folktale, the most famous surviving version of which was written by Charles Perrault and first published by Barbin in Paris in 1697 in Histoires ou contes du temps passé. The tale tells the story of a wealthy man in the habit of murdering his wives and the attempts of one wife to avoid the fate of her predecessors. "The White Dove", "The Robber Bridegroom" and "Fitcher's Bird" (also called "Fowler's Fowl") are tales similar to "Bluebeard". The notoriety of the tale is such that Merriam-Webster gives the word "Bluebeard" the definition of "a man who marries and kills one wife after another," and the verb "bluebearding" has even appeared as a way to describe the crime of either killing a series of women, or seducing and abandoning a series of
    IR_Bluebeard_0015.jpg
  • Bluebeard by Walter Crane and Edmund Evans, Published in London & New York by George Routledge and Sons in 1873. "Bluebeard" (French: Barbe bleue) is a French folktale, the most famous surviving version of which was written by Charles Perrault and first published by Barbin in Paris in 1697 in Histoires ou contes du temps passé. The tale tells the story of a wealthy man in the habit of murdering his wives and the attempts of one wife to avoid the fate of her predecessors. "The White Dove", "The Robber Bridegroom" and "Fitcher's Bird" (also called "Fowler's Fowl") are tales similar to "Bluebeard". The notoriety of the tale is such that Merriam-Webster gives the word "Bluebeard" the definition of "a man who marries and kills one wife after another," and the verb "bluebearding" has even appeared as a way to describe the crime of either killing a series of women, or seducing and abandoning a series of
    IR_Bluebeard_0009.jpg
  • Bluebeard by Walter Crane and Edmund Evans, Published in London & New York by George Routledge and Sons in 1873. "Bluebeard" (French: Barbe bleue) is a French folktale, the most famous surviving version of which was written by Charles Perrault and first published by Barbin in Paris in 1697 in Histoires ou contes du temps passé. The tale tells the story of a wealthy man in the habit of murdering his wives and the attempts of one wife to avoid the fate of her predecessors. "The White Dove", "The Robber Bridegroom" and "Fitcher's Bird" (also called "Fowler's Fowl") are tales similar to "Bluebeard". The notoriety of the tale is such that Merriam-Webster gives the word "Bluebeard" the definition of "a man who marries and kills one wife after another," and the verb "bluebearding" has even appeared as a way to describe the crime of either killing a series of women, or seducing and abandoning a series of
    IR_Bluebeard_0008.jpg
  • Bluebeard by Walter Crane and Edmund Evans, Published in London & New York by George Routledge and Sons in 1873. "Bluebeard" (French: Barbe bleue) is a French folktale, the most famous surviving version of which was written by Charles Perrault and first published by Barbin in Paris in 1697 in Histoires ou contes du temps passé. The tale tells the story of a wealthy man in the habit of murdering his wives and the attempts of one wife to avoid the fate of her predecessors. "The White Dove", "The Robber Bridegroom" and "Fitcher's Bird" (also called "Fowler's Fowl") are tales similar to "Bluebeard". The notoriety of the tale is such that Merriam-Webster gives the word "Bluebeard" the definition of "a man who marries and kills one wife after another," and the verb "bluebearding" has even appeared as a way to describe the crime of either killing a series of women, or seducing and abandoning a series of
    IR_Bluebeard_0003.jpg
  • Bluebeard by Walter Crane and Edmund Evans, Published in London & New York by George Routledge and Sons in 1873. "Bluebeard" (French: Barbe bleue) is a French folktale, the most famous surviving version of which was written by Charles Perrault and first published by Barbin in Paris in 1697 in Histoires ou contes du temps passé. The tale tells the story of a wealthy man in the habit of murdering his wives and the attempts of one wife to avoid the fate of her predecessors. "The White Dove", "The Robber Bridegroom" and "Fitcher's Bird" (also called "Fowler's Fowl") are tales similar to "Bluebeard". The notoriety of the tale is such that Merriam-Webster gives the word "Bluebeard" the definition of "a man who marries and kills one wife after another," and the verb "bluebearding" has even appeared as a way to describe the crime of either killing a series of women, or seducing and abandoning a series of
    IR_Bluebeard_0006.jpg
  • Bluebeard by Walter Crane and Edmund Evans, Published in London & New York by George Routledge and Sons in 1873. "Bluebeard" (French: Barbe bleue) is a French folktale, the most famous surviving version of which was written by Charles Perrault and first published by Barbin in Paris in 1697 in Histoires ou contes du temps passé. The tale tells the story of a wealthy man in the habit of murdering his wives and the attempts of one wife to avoid the fate of her predecessors. "The White Dove", "The Robber Bridegroom" and "Fitcher's Bird" (also called "Fowler's Fowl") are tales similar to "Bluebeard". The notoriety of the tale is such that Merriam-Webster gives the word "Bluebeard" the definition of "a man who marries and kills one wife after another," and the verb "bluebearding" has even appeared as a way to describe the crime of either killing a series of women, or seducing and abandoning a series of
    IR_Bluebeard_0001.jpg
  • Bluebeard by Walter Crane and Edmund Evans, Published in London & New York by George Routledge and Sons in 1873. "Bluebeard" (French: Barbe bleue) is a French folktale, the most famous surviving version of which was written by Charles Perrault and first published by Barbin in Paris in 1697 in Histoires ou contes du temps passé. The tale tells the story of a wealthy man in the habit of murdering his wives and the attempts of one wife to avoid the fate of her predecessors. "The White Dove", "The Robber Bridegroom" and "Fitcher's Bird" (also called "Fowler's Fowl") are tales similar to "Bluebeard". The notoriety of the tale is such that Merriam-Webster gives the word "Bluebeard" the definition of "a man who marries and kills one wife after another," and the verb "bluebearding" has even appeared as a way to describe the crime of either killing a series of women, or seducing and abandoning a series of
    IR_Bluebeard_0002.jpg
  • Little Red Riding Hood [a European fairy tale about a young girl and a Big Bad Wolf. Its origins can be traced back to the 17th century to several European folk tales, including one from Italy called The False Grandmother. The two best known versions were written by Charles Perrault and the Brothers Grimm]. From the book ' A apple pie and other nursery tales : forty-eight pages of illustrations : printed in colours by Kronheim & Co ' Published by  : George Routledge and Sons 1870
    IR_applepie-nursery_0200.jpg
  • Little Red Riding Hood [a European fairy tale about a young girl and a Big Bad Wolf. Its origins can be traced back to the 17th century to several European folk tales, including one from Italy called The False Grandmother. The two best known versions were written by Charles Perrault and the Brothers Grimm]. From the book ' A apple pie and other nursery tales : forty-eight pages of illustrations : printed in colours by Kronheim & Co ' Published by  : George Routledge and Sons 1870
    IR_applepie-nursery_0192.jpg
  • Little Red Riding Hood [a European fairy tale about a young girl and a Big Bad Wolf. Its origins can be traced back to the 17th century to several European folk tales, including one from Italy called The False Grandmother. The two best known versions were written by Charles Perrault and the Brothers Grimm]. From the book ' A apple pie and other nursery tales : forty-eight pages of illustrations : printed in colours by Kronheim & Co ' Published by  : George Routledge and Sons 1870
    IR_applepie-nursery_0184.jpg
  • Little Red Riding Hood [a European fairy tale about a young girl and a Big Bad Wolf. Its origins can be traced back to the 17th century to several European folk tales, including one from Italy called The False Grandmother. The two best known versions were written by Charles Perrault and the Brothers Grimm]. From the book ' A apple pie and other nursery tales : forty-eight pages of illustrations : printed in colours by Kronheim & Co ' Published by  : George Routledge and Sons 1870
    IR_applepie-nursery_0173.jpg
  • Jack the giant killer Published by George Routledge and sons in 1865 "Jack the Giant Killer" is a Cornish fairy tale and legend about a young adult who slays a number of bad giants during King Arthur's reign. The tale is characterised by violence, gore and blood-letting. Giants are prominent in Cornish folklore
    IR_Jack-the-giant-killer_0006.jpg
  • Little Red Riding Hood [a European fairy tale about a young girl and a Big Bad Wolf. Its origins can be traced back to the 17th century to several European folk tales, including one from Italy called The False Grandmother. The two best known versions were written by Charles Perrault and the Brothers Grimm]. From the book ' A apple pie and other nursery tales : forty-eight pages of illustrations : printed in colours by Kronheim & Co ' Published by  : George Routledge and Sons 1870
    IR_applepie-nursery_0189.jpg
  • Little Red Riding Hood [a European fairy tale about a young girl and a Big Bad Wolf. Its origins can be traced back to the 17th century to several European folk tales, including one from Italy called The False Grandmother. The two best known versions were written by Charles Perrault and the Brothers Grimm]. From the book ' A apple pie and other nursery tales : forty-eight pages of illustrations : printed in colours by Kronheim & Co ' Published by  : George Routledge and Sons 1870
    IR_applepie-nursery_0181.jpg
  • Little Red Riding Hood [a European fairy tale about a young girl and a Big Bad Wolf. Its origins can be traced back to the 17th century to several European folk tales, including one from Italy called The False Grandmother. The two best known versions were written by Charles Perrault and the Brothers Grimm]. From the book ' A apple pie and other nursery tales : forty-eight pages of illustrations : printed in colours by Kronheim & Co ' Published by  : George Routledge and Sons 1870
    IR_applepie-nursery_0176.jpg
  • Perdita Discovered (The Winter's Tale Act III Scene 3) from the book ' Tales from Shakespeare ' by William Shakespeare edited by Charles and Mary Lamb Illustrated by Norman M. Price Publisher New York : Scribner ; London : T.C. & E.C.  Jack in 1915
    IR_f_Shakespeare-Lamb_0053-crop.jpg
  • When Paulina drew back the Curtain which concealed the famous Statue from The Winter's Tale Engraving with depiction from the book ' Tales from Shakespeare ' by Charles and Mary Lamb, illustrated by Arthur Rackham, Publication date 1908 Publisher London : J.M. Dent & Co. ; New York : E.P. Dutton & Co.
    IR_f_Lamb-Rackham_0061.jpg
  • Jack the giant killer Published by George Routledge and sons in 1865 "Jack the Giant Killer" is a Cornish fairy tale and legend about a young adult who slays a number of bad giants during King Arthur's reign. The tale is characterised by violence, gore and blood-letting. Giants are prominent in Cornish folklore
    IR_Jack-the-giant-killer_0009.jpg
  • Jack the giant killer Published by George Routledge and sons in 1865 "Jack the Giant Killer" is a Cornish fairy tale and legend about a young adult who slays a number of bad giants during King Arthur's reign. The tale is characterised by violence, gore and blood-letting. Giants are prominent in Cornish folklore
    IR_Jack-the-giant-killer_0011.jpg
  • Jack the giant killer Published by George Routledge and sons in 1865 "Jack the Giant Killer" is a Cornish fairy tale and legend about a young adult who slays a number of bad giants during King Arthur's reign. The tale is characterised by violence, gore and blood-letting. Giants are prominent in Cornish folklore
    IR_Jack-the-giant-killer_0007.jpg
  • Jack the giant killer Published by George Routledge and sons in 1865 "Jack the Giant Killer" is a Cornish fairy tale and legend about a young adult who slays a number of bad giants during King Arthur's reign. The tale is characterised by violence, gore and blood-letting. Giants are prominent in Cornish folklore
    IR_Jack-the-giant-killer_0004.jpg
  • Jack the giant killer Published by George Routledge and sons in 1865 "Jack the Giant Killer" is a Cornish fairy tale and legend about a young adult who slays a number of bad giants during King Arthur's reign. The tale is characterised by violence, gore and blood-letting. Giants are prominent in Cornish folklore
    IR_Jack-the-giant-killer_0002.jpg
  • Cover of th book ' A apple pie and other nursery tales : forty-eight pages of illustrations : printed in colours by Kronheim & Co ' Published by  : George Routledge and Sons 1870
    IR_applepie-nursery_0001.jpg
  • Perdita Discovered (The Winter's Tale Act III Scene 3) from the book ' Tales from Shakespeare ' by William Shakespeare edited by Charles and Mary Lamb Illustrated by Norman M. Price Publisher New York : Scribner ; London : T.C. & E.C.  Jack in 1915
    IR_f_Shakespeare-Lamb_0053.jpg
  • Jack the giant killer Published by George Routledge and sons in 1865 "Jack the Giant Killer" is a Cornish fairy tale and legend about a young adult who slays a number of bad giants during King Arthur's reign. The tale is characterised by violence, gore and blood-letting. Giants are prominent in Cornish folklore
    IR_Jack-the-giant-killer_0001.jpg
  • title page from the book '  Irish fairy tales ' by James Stephens, illustrated by Arthur Rackham Publisher The Macmillan company London 1920
    IR_f_Rackham-Irish_0013.jpg
  • Puss in Boots [Master Cat or the Booted Cat is an Italian and later European literary fairy tale about an anthropomorphic cat who uses trickery and deceit to gain power, wealth, and the hand of a princess in marriage for his penniless and low-born master.] From the Book The Marquis of Carabas' picture book : containing Puss in Boots, Old Mother Hubbard, Valentine and Orson, the absurd ABC. Illustrated by Walter Crane, Edmund Evans, and Sarah Catherine Martin. Publisher London (The Broadway, Ludgate) ; New York (416 Broome Street) : George Routledge and Sons in 1874
    IR_Marquis-Carabas_0019.jpg
  • Puss in Boots [Master Cat or the Booted Cat is an Italian and later European literary fairy tale about an anthropomorphic cat who uses trickery and deceit to gain power, wealth, and the hand of a princess in marriage for his penniless and low-born master.] From the Book The Marquis of Carabas' picture book : containing Puss in Boots, Old Mother Hubbard, Valentine and Orson, the absurd ABC. Illustrated by Walter Crane, Edmund Evans, and Sarah Catherine Martin. Publisher London (The Broadway, Ludgate) ; New York (416 Broome Street) : George Routledge and Sons in 1874
    IR_Marquis-Carabas_0020.jpg
  • Puss in Boots [Master Cat or the Booted Cat is an Italian and later European literary fairy tale about an anthropomorphic cat who uses trickery and deceit to gain power, wealth, and the hand of a princess in marriage for his penniless and low-born master.] From the Book The Marquis of Carabas' picture book : containing Puss in Boots, Old Mother Hubbard, Valentine and Orson, the absurd ABC. Illustrated by Walter Crane, Edmund Evans, and Sarah Catherine Martin. Publisher London (The Broadway, Ludgate) ; New York (416 Broome Street) : George Routledge and Sons in 1874
    IR_Marquis-Carabas_0014.jpg
  • Puss in Boots [Master Cat or the Booted Cat is an Italian and later European literary fairy tale about an anthropomorphic cat who uses trickery and deceit to gain power, wealth, and the hand of a princess in marriage for his penniless and low-born master.] From the Book The Marquis of Carabas' picture book : containing Puss in Boots, Old Mother Hubbard, Valentine and Orson, the absurd ABC. Illustrated by Walter Crane, Edmund Evans, and Sarah Catherine Martin. Publisher London (The Broadway, Ludgate) ; New York (416 Broome Street) : George Routledge and Sons in 1874
    IR_Marquis-Carabas_0013.jpg
  • Puss in Boots [Master Cat or the Booted Cat is an Italian and later European literary fairy tale about an anthropomorphic cat who uses trickery and deceit to gain power, wealth, and the hand of a princess in marriage for his penniless and low-born master.] From the Book The Marquis of Carabas' picture book : containing Puss in Boots, Old Mother Hubbard, Valentine and Orson, the absurd ABC. Illustrated by Walter Crane, Edmund Evans, and Sarah Catherine Martin. Publisher London (The Broadway, Ludgate) ; New York (416 Broome Street) : George Routledge and Sons in 1874
    IR_Marquis-Carabas_0013-dbl.jpg
  • Puss in Boots [Master Cat or the Booted Cat is an Italian and later European literary fairy tale about an anthropomorphic cat who uses trickery and deceit to gain power, wealth, and the hand of a princess in marriage for his penniless and low-born master.] From the Book The Marquis of Carabas' picture book : containing Puss in Boots, Old Mother Hubbard, Valentine and Orson, the absurd ABC. Illustrated by Walter Crane, Edmund Evans, and Sarah Catherine Martin. Publisher London (The Broadway, Ludgate) ; New York (416 Broome Street) : George Routledge and Sons in 1874
    IR_Marquis-Carabas_0011.jpg
  • Puss in Boots [Master Cat or the Booted Cat is an Italian and later European literary fairy tale about an anthropomorphic cat who uses trickery and deceit to gain power, wealth, and the hand of a princess in marriage for his penniless and low-born master.] From the Book The Marquis of Carabas' picture book : containing Puss in Boots, Old Mother Hubbard, Valentine and Orson, the absurd ABC. Illustrated by Walter Crane, Edmund Evans, and Sarah Catherine Martin. Publisher London (The Broadway, Ludgate) ; New York (416 Broome Street) : George Routledge and Sons in 1874
    IR_Marquis-Carabas_0008.jpg
  • Puss in Boots [Master Cat or the Booted Cat is an Italian and later European literary fairy tale about an anthropomorphic cat who uses trickery and deceit to gain power, wealth, and the hand of a princess in marriage for his penniless and low-born master.] From the Book The Marquis of Carabas' picture book : containing Puss in Boots, Old Mother Hubbard, Valentine and Orson, the absurd ABC. Illustrated by Walter Crane, Edmund Evans, and Sarah Catherine Martin. Publisher London (The Broadway, Ludgate) ; New York (416 Broome Street) : George Routledge and Sons in 1874
    IR_Marquis-Carabas_0007.jpg
  • Puss in Boots [Master Cat or the Booted Cat is an Italian and later European literary fairy tale about an anthropomorphic cat who uses trickery and deceit to gain power, wealth, and the hand of a princess in marriage for his penniless and low-born master.] From the Book The Marquis of Carabas' picture book : containing Puss in Boots, Old Mother Hubbard, Valentine and Orson, the absurd ABC. Illustrated by Walter Crane, Edmund Evans, and Sarah Catherine Martin. Publisher London (The Broadway, Ludgate) ; New York (416 Broome Street) : George Routledge and Sons in 1874
    IR_Marquis-Carabas_0016.jpg
  • Beauty and the beast by Walter Crane, Edmund Evans, Published in London & New York by George Routledge and Sons in 1874. Beauty and the Beast (French: La Belle et la Bête) is a fairy tale written by French novelist Gabrielle-Suzanne Barbot de Villeneuve and published in 1740 in La Jeune Américaine et les contes marins (The Young American and Marine Tales). Its lengthy version was abridged, rewritten, and published by Jeanne-Marie Leprince de Beaumont in 1756 in Magasin des enfants (Children's Collection) to produce the version most commonly retold and later by Andrew Lang in the Blue Fairy Book of his Fairy Book series in 1889. It was influenced by Ancient Greek stories such as "Cupid and Psyche" from The Golden Ass, written by Lucius Apuleius Madaurensis in the 2nd century AD, and The Pig King, an Italian fairytale published by Giovanni Francesco Straparola in The Facetious Nights of Straparola around 1550.
    IR_Beauty-Beast_0018.jpg
  • Beauty and the beast by Walter Crane, Edmund Evans, Published in London & New York by George Routledge and Sons in 1874. Beauty and the Beast (French: La Belle et la Bête) is a fairy tale written by French novelist Gabrielle-Suzanne Barbot de Villeneuve and published in 1740 in La Jeune Américaine et les contes marins (The Young American and Marine Tales). Its lengthy version was abridged, rewritten, and published by Jeanne-Marie Leprince de Beaumont in 1756 in Magasin des enfants (Children's Collection) to produce the version most commonly retold and later by Andrew Lang in the Blue Fairy Book of his Fairy Book series in 1889. It was influenced by Ancient Greek stories such as "Cupid and Psyche" from The Golden Ass, written by Lucius Apuleius Madaurensis in the 2nd century AD, and The Pig King, an Italian fairytale published by Giovanni Francesco Straparola in The Facetious Nights of Straparola around 1550.
    IR_Beauty-Beast_0013.jpg
  • Beauty and the beast by Walter Crane, Edmund Evans, Published in London & New York by George Routledge and Sons in 1874. Beauty and the Beast (French: La Belle et la Bête) is a fairy tale written by French novelist Gabrielle-Suzanne Barbot de Villeneuve and published in 1740 in La Jeune Américaine et les contes marins (The Young American and Marine Tales). Its lengthy version was abridged, rewritten, and published by Jeanne-Marie Leprince de Beaumont in 1756 in Magasin des enfants (Children's Collection) to produce the version most commonly retold and later by Andrew Lang in the Blue Fairy Book of his Fairy Book series in 1889. It was influenced by Ancient Greek stories such as "Cupid and Psyche" from The Golden Ass, written by Lucius Apuleius Madaurensis in the 2nd century AD, and The Pig King, an Italian fairytale published by Giovanni Francesco Straparola in The Facetious Nights of Straparola around 1550.
    IR_Beauty-Beast_0012-double.jpg
  • Beauty and the beast by Walter Crane, Edmund Evans, Published in London & New York by George Routledge and Sons in 1874. Beauty and the Beast (French: La Belle et la Bête) is a fairy tale written by French novelist Gabrielle-Suzanne Barbot de Villeneuve and published in 1740 in La Jeune Américaine et les contes marins (The Young American and Marine Tales). Its lengthy version was abridged, rewritten, and published by Jeanne-Marie Leprince de Beaumont in 1756 in Magasin des enfants (Children's Collection) to produce the version most commonly retold and later by Andrew Lang in the Blue Fairy Book of his Fairy Book series in 1889. It was influenced by Ancient Greek stories such as "Cupid and Psyche" from The Golden Ass, written by Lucius Apuleius Madaurensis in the 2nd century AD, and The Pig King, an Italian fairytale published by Giovanni Francesco Straparola in The Facetious Nights of Straparola around 1550.
    IR_Beauty-Beast_0012.jpg
  • book cover of ' Beauty and the beast ' by Walter Crane, Edmund Evans, Published in London & New York by George Routledge and Sons in 1874. Beauty and the Beast (French: La Belle et la Bête) is a fairy tale written by French novelist Gabrielle-Suzanne Barbot de Villeneuve and published in 1740 in La Jeune Américaine et les contes marins (The Young American and Marine Tales). Its lengthy version was abridged, rewritten, and published by Jeanne-Marie Leprince de Beaumont in 1756 in Magasin des enfants (Children's Collection) to produce the version most commonly retold and later by Andrew Lang in the Blue Fairy Book of his Fairy Book series in 1889. It was influenced by Ancient Greek stories such as "Cupid and Psyche" from The Golden Ass, written by Lucius Apuleius Madaurensis in the 2nd century AD, and The Pig King, an Italian fairytale published by Giovanni Francesco Straparola in The Facetious Nights of Straparola around 1550.
    IR_Beauty-Beast_0001.jpg
  • Beauty and the beast by Walter Crane, Edmund Evans, Published in London & New York by George Routledge and Sons in 1874. Beauty and the Beast (French: La Belle et la Bête) is a fairy tale written by French novelist Gabrielle-Suzanne Barbot de Villeneuve and published in 1740 in La Jeune Américaine et les contes marins (The Young American and Marine Tales). Its lengthy version was abridged, rewritten, and published by Jeanne-Marie Leprince de Beaumont in 1756 in Magasin des enfants (Children's Collection) to produce the version most commonly retold and later by Andrew Lang in the Blue Fairy Book of his Fairy Book series in 1889. It was influenced by Ancient Greek stories such as "Cupid and Psyche" from The Golden Ass, written by Lucius Apuleius Madaurensis in the 2nd century AD, and The Pig King, an Italian fairytale published by Giovanni Francesco Straparola in The Facetious Nights of Straparola around 1550.
    IR_Beauty-Beast_0022.jpg
  • Beauty and the beast by Walter Crane, Edmund Evans, Published in London & New York by George Routledge and Sons in 1874. Beauty and the Beast (French: La Belle et la Bête) is a fairy tale written by French novelist Gabrielle-Suzanne Barbot de Villeneuve and published in 1740 in La Jeune Américaine et les contes marins (The Young American and Marine Tales). Its lengthy version was abridged, rewritten, and published by Jeanne-Marie Leprince de Beaumont in 1756 in Magasin des enfants (Children's Collection) to produce the version most commonly retold and later by Andrew Lang in the Blue Fairy Book of his Fairy Book series in 1889. It was influenced by Ancient Greek stories such as "Cupid and Psyche" from The Golden Ass, written by Lucius Apuleius Madaurensis in the 2nd century AD, and The Pig King, an Italian fairytale published by Giovanni Francesco Straparola in The Facetious Nights of Straparola around 1550.
    IR_Beauty-Beast_0007.jpg
  • Beauty and the beast by Walter Crane, Edmund Evans, Published in London & New York by George Routledge and Sons in 1874. Beauty and the Beast (French: La Belle et la Bête) is a fairy tale written by French novelist Gabrielle-Suzanne Barbot de Villeneuve and published in 1740 in La Jeune Américaine et les contes marins (The Young American and Marine Tales). Its lengthy version was abridged, rewritten, and published by Jeanne-Marie Leprince de Beaumont in 1756 in Magasin des enfants (Children's Collection) to produce the version most commonly retold and later by Andrew Lang in the Blue Fairy Book of his Fairy Book series in 1889. It was influenced by Ancient Greek stories such as "Cupid and Psyche" from The Golden Ass, written by Lucius Apuleius Madaurensis in the 2nd century AD, and The Pig King, an Italian fairytale published by Giovanni Francesco Straparola in The Facetious Nights of Straparola around 1550.
    IR_Beauty-Beast_0003.jpg
  • The Wind and the Swallows from the book ' At the back of the north wind ' by MacDonald, George, 1824-1905 Publication date 1911 Publisher London : Blackie At the Back of the North Wind is a children's book written by Scottish author George MacDonald. It was serialized in the children's magazine Good Words for the Young beginning in 1868 and was published in book form in 1871. It is a fantasy centered on a boy named Diamond and his adventures with the North Wind. Diamond travels together with the mysterious Lady North Wind through the nights. The book includes the fairy tale Little Daylight, which has been pulled out as an independent work, or separately, added to other collections of his fairy tales.
    IR_f_North-Wind-1_0167.jpg
  • North Wind's Cloud of Hair from the book ' At the back of the north wind ' by MacDonald, George, 1824-1905 Publication date 1911 Publisher London : Blackie At the Back of the North Wind is a children's book written by Scottish author George MacDonald. It was serialized in the children's magazine Good Words for the Young beginning in 1868 and was published in book form in 1871. It is a fantasy centered on a boy named Diamond and his adventures with the North Wind. Diamond travels together with the mysterious Lady North Wind through the nights. The book includes the fairy tale Little Daylight, which has been pulled out as an independent work, or separately, added to other collections of his fairy tales.
    IR_f_North-Wind-1_0123.jpg
  • Peter and his Goose or the effect of improper advice Fairy Tale from the book 'Fairy tales' by Forrester, Alfred Henry, 1804-1872 [Alfred Henry Forrester (10 September 1804 – 26 May 1872) was an English author, comics artist, illustrator and artist, who was also known under the pseudonym of Alfred Crowquill.
    IR_f_Peter-Goose_126.jpg
  • color book cover Giant Hands or the reward of industry a Fairy Tale from the book 'Fairy tales' by Forrester, Alfred Henry, 1804-1872 [Alfred Henry Forrester (10 September 1804 – 26 May 1872) was an English author, comics artist, illustrator and artist, who was also known under the pseudonym of Alfred Crowquill.
    IR_f_Giant-Hands_001.jpg
  • Diamond And Lady North Wind from the book ' At the back of the north wind ' by MacDonald, George, 1824-1905 Publication date 1911 Publisher London : Blackie At the Back of the North Wind is a children's book written by Scottish author George MacDonald. It was serialized in the children's magazine Good Words for the Young beginning in 1868 and was published in book form in 1871. It is a fantasy centered on a boy named Diamond and his adventures with the North Wind. Diamond travels together with the mysterious Lady North Wind through the nights. The book includes the fairy tale Little Daylight, which has been pulled out as an independent work, or separately, added to other collections of his fairy tales.
    IR_f_North-Wind-1_0397.jpg
  • Little Bo Peep Asleep from the book ' At the back of the north wind ' by MacDonald, George, 1824-1905 Publication date 1911 Publisher London : Blackie At the Back of the North Wind is a children's book written by Scottish author George MacDonald. It was serialized in the children's magazine Good Words for the Young beginning in 1868 and was published in book form in 1871. It is a fantasy centered on a boy named Diamond and his adventures with the North Wind. Diamond travels together with the mysterious Lady North Wind through the nights. The book includes the fairy tale Little Daylight, which has been pulled out as an independent work, or separately, added to other collections of his fairy tales.
    IR_f_North-Wind-1_0383.jpg
  • At the Entrance to the Moon from the book ' At the back of the north wind ' by MacDonald, George, 1824-1905 Publication date 1911 Publisher London : Blackie At the Back of the North Wind is a children's book written by Scottish author George MacDonald. It was serialized in the children's magazine Good Words for the Young beginning in 1868 and was published in book form in 1871. It is a fantasy centered on a boy named Diamond and his adventures with the North Wind. Diamond travels together with the mysterious Lady North Wind through the nights. The book includes the fairy tale Little Daylight, which has been pulled out as an independent work, or separately, added to other collections of his fairy tales.
    IR_f_North-Wind-1_0333.jpg
  • Meeting by the tree from the book At the back of the north wind; by MacDonald, George, 1824-1905 Publication date 1911 Publisher London : Blackie At the Back of the North Wind is a children's book written by Scottish author George MacDonald. It was serialized in the children's magazine Good Words for the Young beginning in 1868 and was published in book form in 1871. It is a fantasy centered on a boy named Diamond and his adventures with the North Wind. Diamond travels together with the mysterious Lady North Wind through the nights. The book includes the fairy tale Little Daylight, which has been pulled out as an independent work, or separately, added to other collections of his fairy tales.
    IR_f_North-Wind-1_0301.jpg
  • The Little Boys' Gambols from the book ' At the back of the north wind ' by MacDonald, George, 1824-1905 Publication date 1911 Publisher London : Blackie At the Back of the North Wind is a children's book written by Scottish author George MacDonald. It was serialized in the children's magazine Good Words for the Young beginning in 1868 and was published in book form in 1871. It is a fantasy centered on a boy named Diamond and his adventures with the North Wind. Diamond travels together with the mysterious Lady North Wind through the nights. The book includes the fairy tale Little Daylight, which has been pulled out as an independent work, or separately, added to other collections of his fairy tales.
    IR_f_North-Wind-1_0267.jpg
  • Little Boy Blue in the Wood from the book ' At the back of the north wind ' by MacDonald, George, 1824-1905 Publication date 1911 Publisher London : Blackie At the Back of the North Wind is a children's book written by Scottish author George MacDonald. It was serialized in the children's magazine Good Words for the Young beginning in 1868 and was published in book form in 1871. It is a fantasy centered on a boy named Diamond and his adventures with the North Wind. Diamond travels together with the mysterious Lady North Wind through the nights. The book includes the fairy tale Little Daylight, which has been pulled out as an independent work, or separately, added to other collections of his fairy tales.
    IR_f_North-Wind-1_0225.jpg
  • North Wind Changes to a Tiger from the book ' At the back of the north wind ' by MacDonald, George, 1824-1905 Publication date 1911 Publisher London : Blackie At the Back of the North Wind is a children's book written by Scottish author George MacDonald. It was serialized in the children's magazine Good Words for the Young beginning in 1868 and was published in book form in 1871. It is a fantasy centered on a boy named Diamond and his adventures with the North Wind. Diamond travels together with the mysterious Lady North Wind through the nights. The book includes the fairy tale Little Daylight, which has been pulled out as an independent work, or separately, added to other collections of his fairy tales.
    IR_f_North-Wind-1_0149.jpg
  • Diamond And Lady North Wind from the book ' At the back of the north wind ' by MacDonald, George, 1824-1905 Publication date 1911 Publisher London : Blackie At the Back of the North Wind is a children's book written by Scottish author George MacDonald. It was serialized in the children's magazine Good Words for the Young beginning in 1868 and was published in book form in 1871. It is a fantasy centered on a boy named Diamond and his adventures with the North Wind. Diamond travels together with the mysterious Lady North Wind through the nights. The book includes the fairy tale Little Daylight, which has been pulled out as an independent work, or separately, added to other collections of his fairy tales.
    IR_f_North-Wind-1_0090.jpg
  • Household Chores from the book At the back of the north wind; by MacDonald, George, 1824-1905 Publication date 1911 Publisher London : Blackie At the Back of the North Wind is a children's book written by Scottish author George MacDonald. It was serialized in the children's magazine Good Words for the Young beginning in 1868 and was published in book form in 1871. It is a fantasy centered on a boy named Diamond and his adventures with the North Wind. Diamond travels together with the mysterious Lady North Wind through the nights. The book includes the fairy tale Little Daylight, which has been pulled out as an independent work, or separately, added to other collections of his fairy tales.
    IR_f_North-Wind-1_0060.jpg
  • North Wind from the book ' At the back of the north wind ' by MacDonald, George, 1824-1905 Publication date 1911 Publisher London : Blackie At the Back of the North Wind is a children's book written by Scottish author George MacDonald. It was serialized in the children's magazine Good Words for the Young beginning in 1868 and was published in book form in 1871. It is a fantasy centered on a boy named Diamond and his adventures with the North Wind. Diamond travels together with the mysterious Lady North Wind through the nights. The book includes the fairy tale Little Daylight, which has been pulled out as an independent work, or separately, added to other collections of his fairy tales.
    IR_f_North-Wind-1_0049.jpg
  • Diamond Turns his Back to the Wind from the book ' At the back of the north wind ' by MacDonald, George, 1824-1905 Publication date 1911 Publisher London : Blackie At the Back of the North Wind is a children's book written by Scottish author George MacDonald. It was serialized in the children's magazine Good Words for the Young beginning in 1868 and was published in book form in 1871. It is a fantasy centered on a boy named Diamond and his adventures with the North Wind. Diamond travels together with the mysterious Lady North Wind through the nights. The book includes the fairy tale Little Daylight, which has been pulled out as an independent work, or separately, added to other collections of his fairy tales.
    IR_f_North-Wind-1_0039.jpg
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